Historical Mythological Narratives

Engravings depicting dramatic mythological scenes with gods and mortals, showcasing historical art styles and allegorical themes.

Ferdinand's voyage by sea from Barcelona to Genoa in Italy (April 11 - May 5, 1633). In the foreground Neptune in his chariot with sea nymphs while chasing off the north wind Boreas. The left performance on the welcome stage. Marked top left: Page 15. With caption of 5 lines in Latin. Sheet nr. 7 in a set of 43 plates illustrating the publication of the description of the entry of Cardinal Infant Ferdinand of Austria into Antwerp on May 5, 1635 as the new governor of the Spanish Netherlands, The journey from Barcelona to Genoa, entry of Ferdinand into Antwerp in 1635 (nr. 7)., print maker: Theodoor van Thulden, (mentioned on object), intermediary draughtsman: Theodoor van Thulden, (mentioned on object), Peter Paul Rubens, (mentioned on object), Antwerp, 1642, paper, etching, engraving, h 278 mm × w 340 mm

A feather drawing with lavated shading by an anonymous artist showing Hercules at the crossroads, guided by Reason, with figures, gestures, and landscape, on partially damaged paper.

Death fights against humanity. Allegorical show. Death shoots his arrow on an armed crowd of young and old, poor and rich men and women coming from a gate. They try to defend themselves against the arrows of death. With his science, the father takes out instruments of science such as globe and passer but also objects related to the arts. Fame can be dismissed by death. In the background, death shoots his arrows on elephants and other animals. Under the show is a Latin verse about this struggle of and against death.

Jupiter gives the cow io as a gift to JUNO. Jupiter has changed Io, his loved one, in a white cow to hide her for his wife Juno. Juno asks the cow as a gift.

Temptation Antoni; Callot, Jacques (1592-1635); 1635 (1635-00-00-1635-00-00);Antoni from Padua (Saint - 1195-1231), Temptation of St. Antoni ((iconogr.), Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, allegories, beasts (fantast.), Devil (Fantast.), French graphics, Latin motto, motto, Smoki , fantastic images, wars

Crocodile Hunt in Tentyra, in Egypt, plate 30 from the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, Black ink on paper, Horizontal rectangle. The jaws of the crocodiles are pried open and a stick inserted to render them helpless while they are clubbed to death. At lower right, in the foreground, one man sits astride a crocodile, holding the stick in place, while two others prepare to use their clubs. Near lower right: 'Ioan. Stradanus / invent..Carolus de / Mallery Sculp.; Phls Galle excud.' Below: 'TENTIRA IN AEGYPTO...', Netherlands, 1596 or after, figures, Print, Print

Bacchus captured by sailors transforms them into dolphins. Engraving by J. Matham after D. Vinckeboons..

The power of peace, 1648; The Capital des Pays. Songress on the Peace of Munster, 1648. Caution (Prudentia), Reason (Ratio) and Time (Tempus) Forging the weapons of the war to team scissors and other tools. Violence (Violentia) serves the bellows of the oven. Peace (Pax) and Justice (Justitia) in heaven. In and under the show inscriptions and verses in Dutch, Latin and French. The print was originally manufactured on the occasion of the eternal edict in 1577. Adapted here to serve as allegory on the Peace of Munster in 1648.

Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below, horses and attendants behind in center, from 'Giove che fulmina li giganti', after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua ca. 1680 Pietro Santi Bartoli Italian. Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below, horses and attendants behind in center, from 'Giove che fulmina li giganti', after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua 397328

David beheaded Goliat, Anonymous, After Maarten van Heemskerck, 1630 - 1702 print Goliat is on the ground. David stands on his chest with one foot and lifts the sword of Goliat above his head, ready to behead him. On the left, the Philistines flee, while the soldiers of Saul on the right use the chase. Under the performance four -line verses in Dutch and a reference to the Bible text in 1 SAM. 17:51. Amsterdam paper engraving David beheads Goliath with a sword

Rome, Papal court, Aelst, Nicolaus van, Vatican City, Raphael, Italy, Tempesta, Antonio, Old Testament battle scenes, Iosue imperante sol constitit, Joshua commands the sun to stand still, verso - stamped, In the foreground a tangle of fighting soldiers. During this battle between the Amorites and the Israelites, Joshua makes the sun and the moon stand still. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, granter of privilege

Have sinful people shooting opportunities; Elarsvm tempvs et occasionem insqvvtvr asseqvntvr; Emblems about time and exploiting opportunities; Typus occasionis in quo receptea commoda. When the personification time (Tempus) fly away, sinful young people let him go. The personification probability (occasio) try to stop them, but she also slips out of their hands. The devil admits with led entertainment. The print has a Latin caption with legend and is part of a 12-part series about exploiting opportunities.

Scipione incendia i due Accampamenti Cartaginesi. Romano, Giulio, 1499-1546. 1701 - 1800. Cecchi, Giambattista, active 18th century. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Lot liberated by Abraham, Antonio Tempesta, 1613 print Abraham and his army (of 318 people who grew up in his house) contrary to Kedorlaomer and his allies to free Lot. Title and caption in Latin in Submarge. print maker: Italypublisher: RomeRomeItalyItaly paper etching Abraham liberates Lot, recovers the stolen goods and returns in triumph

Etching by Giovanni Battista Fontana depicting a contemporary court scene, created between 1540 and 1587.

Pompeius murder in Egypt, Willem Basse, 1632 - 1634 print Pompeius on the flight is murdered when he is rowed by boat to the coast of Egypt. Printed on the back with text in Dutch. paper etching / engraving violent death, being killed; being mishandled and maltreated; seeking death. death of Pompey: after leaving his galley, Pompey is murdered in the boat sent to bring him ashore

Punitio Tirannorum, from Allegories of the Christian Faith, from Christian and Profane Allegories Hendrick Goltzius Netherlandish. Punitio Tirannorum, from Allegories of the Christian Faith, from Christian and Profane Allegories 398475

Augsburg, Nilson, Johann Esaias, Partie de la Masquerade, Die Lust sich zuverkleiden, Masked figures, A young couple holding masks. The representation is in a round frame surrounded by two two-armed candlesticks, rocaille ornaments and masked figures., print, ornament print, prints, ornament prints, height 150 mm, width 184 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Donnet, Samuel, Noordelijke Nederlanden, Hooghe, Romeyn de, Allegory of the Peace of Rijswijk, 1697, Northern Netherlands, 20 september 1697. In the centre a column with Peace, the coats of arms of Spain, France and the Republic and the portraits in medallions of eight allied monarchs. On the right in the foreground the Dutch Maid, Justice and Prudence chase away War and Envy and Greed. On the left Strength drives away Hypocrisy, in the foreground lies defeated the Art of Painting. Mercury walks with the book Credit under his arm towards two female personifications of the VOC and WIC. In the background on the left Neptune and on the right a procession of disabled war victims. Printed under the print a verse with an explanation of the numbers 1-23 in the representation in 4 columns in Dutch., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 540 mm, width 554 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, prentmaker, 1678 - 1678, fourth quar

The Duke of Schomberg died in the Battle of the Boyne, 1690, 1691 print The Duke of Schomberg is killed in the Battle of the Boyne on July 11, 1690. Plate no. 6 in the series 'England's theater' about the war between Willem III and Jacobus II in the 1690-1691 after the Glorious Revolution, (third part ). With captions in Dutch and French. Amsterdam paper etching battle (+ land forces) Boyne Battlesite

Victories of King William III in Ireland (upper half), 1690, Daniel de Lafeuille, 1690 - 1691 print Large print on two magazines in which the victories of King William III in Ireland and the victories of the Allies over France are celebrated in the year 1690. Upper half with the Battle of the Boyne on July 11, 1690. With fame in the air and in the front of the English unicorn and the Dutch lion. Six smaller scenes of the battle between William III and Jacobus II on either side. Northern Netherlands paper etching Battle (+ Land Forces). Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa) Boyne Battlesite

Frontispiece, plate one from Recueil de Poésies de Sedaine 1757 France. Etching on ivory laid paper . Gabriel Jacques de Saint-Aubin

Last judgment, Michele Greco, After Michelangelo, 1580 print The fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. print maker: Italyafter painting by: Vaticaanstadpublisher: ItalyItaly paper etching Last Judgement

Apotheosis of a scion of a noble Neapolitan genus. Draughtsman: Paolo de Matteis (attributed to). Dating: after 1672 - before 1728. Measurements: h 752 mm × w 495 mm. Museum: Rijksmuseum, Amsterdam.

Brown feather and gray-brown brush drawing by Franz Karl Palko depicting Kadmos sowing dragon teeth, showing figures, action, and landscape elements.

Mars in his triumphal wagon, including his planet children, Anonymous, Hans Sebald Beham, 1510 - 1550 print paper Mars and his children ('Planetenkinder')

Alpheüs and Arethusa, Crispijn van de Passe (I), 1602 - 1607 print The river god Alpheüs chases the Nymph Arethusa, with whom he was in love. Arethusa reaches up to Diana, who turns her into a underground river. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Arethusa changed into a fountain: Diana changes her attendant Arethusa into a fountain, after first having hidden her in a cloud to escape Alpheus, the river-god (Ovid, Metamorphoses V 621)

The triumph of Cupid. Engraving by G. Bonasone, 1545.

Establishment of the brass snake, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 110 mm × w 156 mm

Middle-aged under the influence of Mars; September Planetae, Septem hominis; The seven planets and the seven ages. The planet god Mars floats in the air, surrounded by all kinds of weapons. In the foreground the personification of discretion, distinction. She has the scales, the measuring cup and the sieve as attributes. In addition to her, a soldier with a lance. A battle in the background. The print has a Latin caption and is part of a seven-part series about the power of the seven planets about the seven ages of man.

Odysseus companions open the bag with winds; Les Travaux d'Ulysse; Odysseus works. While Odysseus is sleeping, his companions open the bag with turns that Aeolus has given them. The winds escape and try to find the boarding people a safe search. The print is part of an album.

Trojan ships changed to Nymphs, Antonio Tempesta, 1606 - 1638 print When Turnus sets fire to the Trojan ships, they change to Nymphs at the request of Cybele. Title in Latin in STUDMARGE. paper etching when Turnus sets the Trojan ships on fire they turn into sea-nymphs at Cybele's request

Angel Speeding Abraham 1649-1658 Holland. Engraving on paper . Cornelis Visscher

Afternoon, Johann Sadeler (I), After Dirck Barendsz., 1582 print In the clouds the naked Apollo as personification of the afternoon. The sun around his head. Among him an afternoon landscape with people who hide in the shade in the sun. People sleep or drink. In the margin a Latin caption with an explanation for the afternoon. The print is part of a four -part series about the parts of the day and the human activities that are committed during that part of the day. Cologne paper engraving afternoon. personification of the afternoon, 'Meridies'. (story of) Apollo (Phoebus). siesta. resting. afternoon ~ landscape (sometimes titled 'Meridies')

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses of Ovid, Metamorphoseon sive transformationum, Niobes liberi sagittis ab Apolline et Diana conficiuntur, Apollo and Diana kill the children of Niobe, verso - stamped, Apollo and Diana, both with bow and arrow, kill the children of Niobe. Several children lie dead on the ground, others try to flee. Title in Latin in bottom margin., print, prent, prints, prenten, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etsen, Publication (Event), Publicatie, Zuid-Nederlands, 1570 - 1634-08-09, publisher

Mars, the CholericTemperament. Artist: Maerten van Heemskerck, Dutch, 1498-1574

Neptune and Amphitrite. Artist: Pierre Brebiette (French, Mantes-sur-Seine ca. 1598-1642 Paris). Dimensions: Sheet: 2 3/16 x 6 1/4 in. (5.6 x 15.8cm). Date: 1615-42. Museum: Metropolitan Museum of Art, New York, USA.

Louis XIV (king of France), Paris, Jombert, Charles-Antoine, Mariette, Pierre (II), France, Lepautre, Jean, Vases a l'Antique, Schenkkan, From the second or third edition., print, ornament print, prints, ornament prints, height 224 mm, width 154 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1661 - 1661, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, 1712 - 1784, 1638-09-05 - 1715-09-01, grantor of privilege

Apocalyptic Vision with Sea Gods. Johann Wilhelm Baur; German, 1607-1642. Date: 1627-1642. Dimensions: 105 x 140 mm (sheet, sheet trimmed almost to plate mark). Etching on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Johann Wilhelm Bauer.

Beginning of the flood, Johann Sadeler (I), After Maerten de Vos, 1586 print The beginning of the flood. It rains and in the foreground people try to save themselves by getting on a higher country. Others drown. In the background the Ark of Noah. The print has a Latin caption. paper engraving the ark is floating on the waters, while life on earth is destroyed ~ story of Noah

Power of Wine, Johannes Wierix, After Ambrosius Francken (I), 1559 - Before 1579 print Landscape with Bacchus, the god of wine. He stands on a book, various attributes at his feet. Left in the background Lot and his daughters. They feed their father drunk. Judit and Holofernes on the right in the background during the feast. And further back, Judit and her maid leave the army camp with the head of Holofernes in a bag. In the margin a six -line caption, in two columns, in Latin. Antwerp paper engraving (story of) Bacchus (Dionysus), Liber. Lot's daughters make their father drunk. the conversation between Judith and Holofernes. Judith and her maidservant on their way back to Bethuliah

Allegory on the victories of the Republic in the year 1709; Neerland's blessing, grazing with the Krygslaurs from the Triomphe de Pais Bas (...). Allegory in honor of the victories by the Republic in the year 1709. Triumphopt trip with Johan Willem Friso, Prince of Orange-Nassau in a chariot Matched by faith (Fides), the horses accompanied by the virtues Hoop (SPES), Justice (Justitia) , Power (fortitudo), love (charitas), moderation (temperantia) and caution (prudentia). Left for the car love for the fatherland (Amor Patriae), piety (Pietas) and freedom (Libertas). In the air the fame (FAMA) and Angels. In the foreground two angels with a cartouche with a representation of the Peace Trade in the year 1709. A column of four small representations of military victories obtained in the summer of 1709. At the print a text sheet belongs.

Amor shoots his arrow to Pluto, Antonio Tempesta, 1606 - 1638 print Amor shoots an arrow to Pluto on behalf of Venus, who comes out of the Hades on his car. Title in Latin in STUDMARGE. paper etching Cupid shooting a dart at Venus' order

Water, Michiel Mosijn, After Cornelis Holsteyn, 1640 - 1655 print Playing putti in the water and a group of flying putti up there. A woman in the water grabs a flying putto by the ankle. Print from a series of the four elements. Amsterdam paper engraving water (one of the four elements). cupids: 'amores', 'amoretti', 'putti'. sea

Flora triumph. View in a garden with sculptures. On the right is flora on a triumphar. In the foreground on the left men kneeling for flora. Two-legged Italian verse in undermarge.

Antiochus Epiphanes warriors go to the Sabbath, Jan Luyken, 1698 print Scene described in 2 Makkabeees 5, from verse 24. Amsterdam paper etching (story of) Antiochus I (Soter) - aggressive relationships of person from classical history

Elsheimer, Adam, Inhabitants of the Sunda Islands and a Sea Battle, verso bottom center - stamped, Sheet with four representations. At the top left and right inhabitants of the Sunda Islands including Sumatra and Java. Men and women in various clothing pose in landscapes. Below left a sea battle with large ships and small rowing boats on the coast of the islands. At the bottom right a male inhabitant of the islands rides seated on a cart pulled by two oxen and surrounded by his servants. The figures are accompanied by numbers that seem to refer to an explanation, print, prints, height 228 mm, width 290 mm, 1578-03-18 - 1610-12-11, print maker, printmaker, 1598 - 1598, fourth quarter 16th century, paper, papier, etching, etchings

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Junius, Hadrianus, Heemskerck, Maarten van, Antwerp, Galle, Philips, Den Grooten Figuer-Bibel, De acht wereldwonderen, Van de Seven Wonderen der Wereldt, Colossus Solis, Kolos van Rhodos, lower right - handwritten in brown ink, The bronze statue of Helios, also called the Colossus of Rhodes, stands with its legs apart above the harbour, while the ships sail under its legs. At its feet people in a worshipping position. After the earthquake around 227 BC the statue was destroyed. In the foreground the enormous head of the statue is being cleaned. A man on the left holds a sketch of the Colossus on a tablet in his hands. Below the image a verse in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, 313, height 210 mm, width 255 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1572 - 1572, paper, engraving, engraving (printing process), Northern Netherlands, 1498 -

Drawing by Friedrich Philipp Reinhold from 1805-1816 showing Amor pouring arrows under fighting animals to create peace, executed in black-gray and brown lavated brush with white highlights on brownish-primed paper with black edging.

Lazio Viterbo Caprarola Palazzo Farnese259. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Apollo in the solar car; The four Seasons. Central to a cartouche, Apollo (Sol) in his balance in the air. The personnifications of the four seasons are on the ground. In the corners outside the cartouche the four personifications of the seasons. The print is part of a series about the four seasons.

Quos-ego Neptun von Rubens The threat of Neptune Neptune calming the tempest Rubens, Peter Paul, 1577-1640. still image. Reproductive prints. 1870 - 1879. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Neptune (Roman deity), Poseidon (Greek deity), Winds, Tridents, Sea gods, Virgil. Aeneis

Meer, Noach van der (II), Leiden, Amsterdam, Allegory of shipping, verso - stamped, Two sailing ships sail at sea, firing cannon shots at a fortress. On the clouds, Fame blows the trumpet. Next to him, outti play with a compass and a sextant. In the foreground various nautical instruments and putti near a globe and an armillary sphere., print, prent, prints, height 79 mm, width 130 mm, 1741-04-16 - 1822-02-20, print maker, printmaker, 1751 - 1822, paper, papier, etching, etsen, Work conception, after own design by

Anfinomus and Anapias wear their parents on their shoulders, 1637 print Anfinomus and Anapias wear their parents on their shoulders away from a burning city. In the background on the right a volcano that bursts out. On the right is a shepherd with herd of sheep in a landscape. Text in Latin in STUDMARGE. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching eruption (of volcano). burning. Safety

Moses Striking the Rock. Jan Collaert, I, (Flemish, c. 1530-1581); after Lambert Lombard (Flemish, 1506-1566). Date: 1555. Dimensions: 366 × 493 mm. Engraving on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Egyptian, Syrian, Babylonian, and Samaritan gods worshiped by the Hebrews and Jews Dieux d'Egypte, de Syrie, de Babilone, et de Samarie adorés par les Hébreux et les Juifs , print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1705, paper, etching, h 146 mm × w 305 mm

Birth of Venus. Dated: c. 1710. Dimensions: overall: 16 x 20.1 cm (6 5/16 x 7 15/16 in.). Medium: pen and brown ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Sir James Thornhill.

Cyrus as the second king from Daniël's vision, Adriaen Collaert, after Maerten de Vos, 1570 - 1618 print Cyrus II, King of Persia sits on a horse, in his hand a flag with the image of a ram (Persia). The horse tramples King Ninus van Nineve. A cityscape in the background. In addition to Cyrus, a bear appears from the sea, a reference to a dream of Daniël (Daniel 7) about the rise of four kingdoms in the world. The print has a Latin caption and is part of a four -part series that links four antiquity rulers to Daniël's predictions. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving the bear with three rows of teeth, rising on its hind legs ~ Daniel's visions. the world empires symbolized by four beasts (Daniel ch. 7). aggressive relationships of Cyrus

Jupiter and Io. Hendrik Goltzius (after) (Holland, Mülbracht, 1558-1617)Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, published 1589. Prints; engravings. Engraving

The Hollandse Leeuw drives the French Haan, 1672-1674, 1674 The Dutch lion drives the French rooster with dragon tail. A stream runs from the back of the Haan with the names of recaptured cities of Utrecht, Woerden, Naarden and Bonn. Kampen in the background. With caption of 2 verses of 4 lines. Print no. 3 in a series of six allegories on the war with France and the German bishops in the years 1672-1674, derived from the inaugural lecture by Professor L. Wolfogen about his dream and the explanation of it at the Hogeschool in Amsterdam on 11 January 1674. Northern Netherlands paper etching / engraving Match

The Resurrection 1575-1585 Netherlands. Pieter Bruegelís vast oeuvre of prints was, in all but one case, produced by other engravers after his drawings, as in this engraving by Philip Galle.. Engraving in black on ivory laid paper . Pieter Bruegel, the elder

Europa, carried away by the bull and surrounded by sea gods, above her Jupiter floats in the shape of a lightning eagle., Europa and the bull surrounded by sea gods, draughtsman: Charles Le Brun, 1630 - 1690, paper, brush, h 198 mm × w 218 mm

Titelpagina voor: André Tacquet, Opera mathematica, 1669.A group of putti plays outside with mathematical instruments. A number of hidden the instruments between rocks. Left next to the rocks a map of a fortress. An eagle holds a cloth with his claws with the title of the book. In addition to him, Putti wear the cardinal weapon of the later Pope Clemens IX.

Paintings on the triumphal arches for the Buitenhof, 1691, 1691 print Overview of six large and four small paintings on the triumphal arches set up for the Buitenhof, 5 February 1691. Mainly allegorical representations of the victories of Stadholder-King Willem III and the virtue of Queen Maria Stuart. Northern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Coat of arms (as symbol of the state, etc.) (+ nation; national) Buitenhof

Moses and the Brazen Serpent. François Verdier; French, 1651-1730. Date: 1671-1730. Dimensions: 275 × 552 mm. Black crayon and brush and black and gray wash, heightened with traces of white gouache, on tan laid paper (pieced together), laid down on tan wove card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Francois Verdier.

Lamentation of painting, Cornelis Cort, After Federico Zuccaro, 1579 print Upstairs, on a cloud, Zeus sits together with other gods and mythical figures. In the middle, the personification of painting and muses crying for him, in the middle of a few instruments. Below the painter Federico Zuccaro is working, while he looks at the personification of the truth that points up. paper engraving / letterpress printing Olympus. 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). Truth; 'Verití' (Ripa)

Rome, Rossi, Giovanni Giacomo de', Italy, Romano, Giulio, Bartoli, Pietro Sante, History of Emperor Constantine, Allegory of the Route between Rome and Florence, verso - stamped, Allegorical scene on the route between Rome and Florence. Lower left a reclining river god with a horn of plenty, a rider on horseback in the center and gigantic mythological figures on rocks to the right. Legend in bottom margin., print, prints, height 98 mm, width 354 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11, after a design by, Publication (Event), Publication, 1627 - 1691, publisher

Sculpture group with allegory on the righteousness on the west side of the Burgerzaal in the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783 print Sculpture group with allegory on the righteousness on the west side of the Burgerzaal in the town hall on Dam Square in Amsterdam, above the entrance of the Schepenzaal. On a throne in the middle is Justitia, the personification of justice, with a sword in one hand and a scale in her other hand. She tramples King Midas, as a personification of greed, and invidia, the personification of the envy and envy: justice triumphs over greed and envy/envy. To the left of Justitia the personification of the punishment with various criminal tools, including a knee of knee. To the right of Justitia death with an empty hourglass and a scythe. At the top left two harpes, at the top right two putti with lightning bolts and a roe. Numbered in the bottom right: XLII. Amsterdam paper etching / engraving Justitia (justice) as R

The Combat of Diomedes by David, Jacques Louis (1748-1825) / Albertina, Vienna / Neoclassicism / 1776 / France / Pen, brush, ink, white colour on paper / Mythology, Allegory and Literature / 111x203,5

The sinking of the earth, Jan Luyken, David Ruarus, 1687

Franse kroon, Lanfranco, Giovanni, France, Audran, Gérard, Christ saves Peter from drowning, verso - stamped, print, prints, height 484 mm, width 303 mm, 1640 - 1703-07-26, print maker, printmaker, 1650 - 1703, paper, papier, etching, etchings, Italian, 1582-01-26 - 1647-11-30, after, after painting by, granter of privilege

The Ascension of Romulus; Metamorphoses from Ovid. Jupiter takes Romulus, the founder of Rome in heaven. In the background his father Mars, on his car. In the margin a four-line caption, in two columns, in Latin.

The Death of Phaeton. Antonio Tempesta (Italy, Florence, 1555-1630)Wilhelm Janson (Holland, Amsterdam). Italy, published 1606. Prints; etchings. Etching

Copper engraving by Antonie Wierix II from 1575-1604 depicting the elements water and fire, showing figures, symbols, and allegorical representation.

Frontispiece by Cornelius Bloemaert, engraving, 1650 (from drawing by Domenico Fiasella)

The Sun and the Moon Stand Still (Dalziels' Bible Gallery). Artist: After Henry Hugh Armstead (British, London 1828-1905 London). Dimensions: Image: 6 15/16 × 6 3/16 in. (17.7 × 15.7 cm)India sheet: 9 3/16 × 8 3/16 in. (23.3 × 20.8 cm)Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Thirty-one kings reports by Joshua; The histories of iosua; The history of Joshua; Den Grooten Figuer Bibel (...). Joshua stands on the left in a landscape and points to the 31 kings on the ground, which he has defeated. Under the show a reference in Latin to the Bible text in JOZ. 12: 1. This print is part of an album.

Berg Athos carved in the form of a giant by architect of Pope Alexander VIII, François Spierre, after Pietro da Cortona, 1649 - 1681 print Rome paper engraving / etching giants, colossi. architect offering design or model to patron. pope. cupids: 'amores', 'amoretti', 'putti'

Night, Adriaen Collaert, After Maerten de Vos, 1570 - 1597 print At the top of the clouds the naked personification of the night, NOx. Around him stars and bats. The background of the print shows a landscape with walkers in a nightly parade with torches. The print has a Latin caption and is part of a four -part series about the four times of the day. paper engraving night ~ landscape (sometimes titled 'Nox')

Necessity Commands Her Daughters, the Fates, to Weave Short and Frail Life Threads for the Seven Infantes of Lara. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

Galaischip saves shipwrecks. A galaisch tip in which many figures and two other sloops also save draggers from the sea with figures. The sky is strewn with stars.

Venus and her entourage in the water, Pierre Etienne Moitte, After François Boucher, 1732 - 1780 print Paris paper etching / engraving Venus, standing on a shell, sails with her veil over the water (alternatively she is riding on a dolphin): Venus Marina

Herfst, Gerard de Lairesse, 1675 print Bacchus is on a cloud as a personification of autumn and is surrounded by three personalized months that vines and other seasonal fruit carry with him. Bacchus is partially covered with a tiger sheet and crowned with wind blades and grapes, in his left he holds a horn of abundance. The print is part of a four -part series of prints about the four seasons. Left in the margin numbered: 39. Amsterdam paper etching Autumn, Fall, 'Autumnus'; 'Autunnon' (RIPA). (Story of) Bacchus, Liber

Hell Designer Abraham van Diepenbeeck Flemish 1655 View more. Hell. 1655. Engraving. Prints

Jacques Callot (1592-1635). The small thesis or the triumph of the Virgin "(Lieure 562, Meaume 100 and 615bis). Eau-tie. 1625. Museum of Fine Arts of the City of Paris, Petit Palais. 99592-2 Etching, engraving

Amsterdam, Visscher, Claes Jansz. (II), Galle, Theodoor, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Parable of the Rich Man and Poor Lazarus, Vision of the Rich Man in Hell, The Rich Man in Hell. He is tormented by hellish flames, demons and devils. In a vision he sees poor Lazarus on Abraham's lap. Below the depiction is a reference in Latin to the Bible text in Luke 16:24. This print is part of an album., print, album sheet, prints, height 213 mm, width 257 mm, print maker, printmaker, 1643 - 1643, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1571 - 1633, after print by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Angels roaming through the air; Aër.

Netherlands, Hooghe, Romeyn de, Tyrannien tegen de Gereformeerden in France, Persecution of Protestants in France after the revocation of the Edict of Nantes, 1685-1686, 1685-1686. Twelve small scenes illustrate the persecution of and the cruelties against the Huguenots in France. In the central large scene, the States and the Prince of Orange receive the French refugees in the Netherlands. The scenes are numbered AN. The explanatory text sheets are missing., print, picture, propaganda print, prints, pictures, height 415 mm, width 520 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1686 - 1686, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

Surreal show; Librorum Triumphus. Surreal presentation with beings writing in the foreground, including a group of figures with open brain tiles where steam comes out and a figure with human body and a book as head, writing with his foot. In the background a wall of books with a bust of Marx and a half-naked woman with devil paws that shoots a devil from the sky with the sparkle of a mirror. Above her rice a stack of books up with a devil on top, burning out books. On the right two obelisks and a wind vane above a water wheel.

The sinking of the earth, Jan Luyken, David Ruarus, 1687

An assembly of poets on the Parnassa after Andrea Camassi (Dutuit P. 40, White 217) Cornelis ii blloert, dit u jeune (1603-1692). An A Assemb�e de Po�tes in Sartes Acupresse & Saves (Dutuit P. Button 217). Burin, curnitely sites. Museums of the city of the city of Paris, Petit Palais.

Landscape. Artist: Carl Wilhelm Kolbe the elder, German, 1759-1835

Rome, Rossi, Giovanni Giacomo de', Italy, Romano, Giulio, Bartoli, Pietro Sante, History of Emperor Constantine, Soldiers on the attack, verso - stamped, An army of soldiers on horseback and on foot near a walled city. Legend in the lower margin., print, prints, height 106 mm, width 356 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11, after a design by, Publication (Event), Publication, 1627 - 1691, publisher

Phaëton in Apollo, Charles Dupuis, After Bernard Picart, After Eustache Lesueur, 1740 print Phaëthon begs the sun god Apollo to be allowed to drive a day in the solar car. Apollo spreads his hands over his son's head. On the left men keep the horses in front of the solar car. Aurora, the goddess of the dawn, flies in the middle of her torch. On the right father time with his scythe, Ceres with Korenaren, and the hours with flowers in his hands. Bottom left the four winds. To the painting in the Chambre des Muses in the Hôtel Lambert. Print is part of a series of prints to the paintings in the Hôtel Lambert in Paris. Paris paper etching / engraving Phaethon asks Apollo (Sol) for the chariot of the sun. Father Time, man with wings and scythe. (story of) Aurora (Eos); 'Aurora' (Ripa). gods of the winds

Allegory with the city -wit of Ghent in her chariot; Entry of Ferdinand in Ghent in 1635 (no. 13), 1635 - 1636 print Allegory with the Stadzensmaag van Gent in her chariot pulled by Leeuwen. Allegory with Cybele as Ghent as the birthplace of Emperor Charles V. Presentation Central on the back of the Triumph Poort. Page no. 13 In a whole of 42 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper engraving triumphal arch. chariot, triumphal car. personification of a city, town-patron(ess) Ghent

Plate 29: Bacchus Changing his Kidnappers into Monsters (Tyrrheni nautae in Dlephinos), from Ovid's 'Metamorphoses' 1606 Antonio Tempesta Italian. Plate 29: Bacchus Changing his Kidnappers into Monsters (Tyrrheni nautae in Dlephinos), from Ovid's 'Metamorphoses'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1606. Etching. Prints

The Realm of Neptune, from Drawing Book 1650-56 Frederick Bloemaert Dutch. The Realm of Neptune, from Drawing Book. Frederick Bloemaert (Dutch, ca. 1610-ca.1669). 1650-56. Engraving. Prints

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Promotional picture of Charles de la Vieuville (1636), upper part. A meeting of the gods has been proposed on a carpet. Minerva and Neptune dispute each other's possession of Attica. The gods promise the country to the person who can give the residents the most useful gift. Neptunus creates the horse with his trident. Minerva stands on the land where she leaves an olive tree. The other gods look. In the air peace and abundance, which carry the coat of arms of Pope Urbanus VIII.

Nuremberg, Dürer, Albrecht, The Four Horsemen of the Apocalypse, verso bottom center - stamped, Four men on horseback, armed with a bow and arrow, a sword, a pair of scales and a rake, trample people underfoot., print, prints, height 391 mm, width 281 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1497 - 1498, fourth quarter 15th century, paper, woodcut

Hans Burgkmair, known as the old (1473-1531). Der Weisse Koenig: fight between two troops of infantrymen: seventh issue of the suite of eight plates published in 1869 (Dornik-Eger 29). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, emperor, history, illustration, serious board, triumph, 16th 16th XVI 16th 16th 16th century, xylography, engraving

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