Historical Mythological Narratives

Engravings depicting dramatic mythological scenes with gods and mortals, showcasing historical art styles and allegorical themes.

Ferdinand's voyage by sea from Barcelona to Genoa in Italy (April 11 - May 5, 1633). In the foreground Neptune in his chariot with sea nymphs while chasing off the north wind Boreas. The left performance on the welcome stage. Marked top left: Page 15. With caption of 5 lines in Latin. Sheet nr. 7 in a set of 43 plates illustrating the publication of the description of the entry of Cardinal Infant Ferdinand of Austria into Antwerp on May 5, 1635 as the new governor of the Spanish Netherlands, The journey from Barcelona to Genoa, entry of Ferdinand into Antwerp in 1635 (nr. 7)., print maker: Theodoor van Thulden, (mentioned on object), intermediary draughtsman: Theodoor van Thulden, (mentioned on object), Peter Paul Rubens, (mentioned on object), Antwerp, 1642, paper, etching, engraving, h 278 mm × w 340 mm

Ferdinand's voyage by sea from Barcelona to Genoa in Italy (April 11 - May 5, 1633). In the foreground Neptune in his chariot with sea nymphs while chasing off the north wind Boreas. The left performance on the welcome stage. Marked top left: Page 15. With caption of 5 lines in Latin. Sheet nr. 7 in a set of 43 plates illustrating the publication of the description of the entry of Cardinal Infant Ferdinand of Austria into Antwerp on May 5, 1635 as the new governor of the Spanish Netherlands, The journey from Barcelona to Genoa, entry of Ferdinand into Antwerp in 1635 (nr. 7)., print maker: Theodoor van Thulden, (mentioned on object), intermediary draughtsman: Theodoor van Thulden, (mentioned on object), Peter Paul Rubens, (mentioned on object), Antwerp, 1642, paper, etching, engraving, h 278 mm × w 340 mm

Hendrick Goltzius copper engraving titled 'The Silver World Age,' created in 1589, depicting mythological figures and scenes representing the silver age of humankind.

The Vision of Ezekiel. Dated: 1579. Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA FONTANA.

Apollo and Diana kill the children of Niobe. Apollo and Diana in the clouds. With arrows, they shoot the children of Niobe, who found himself better in her pride than the divine twins. The ground is littered with killing and dying children. Some try to flee in vain. The print has a Latin overscription in a framework.

Fight between reason and love. Two male nudes shoot arrows to each other in the presence of the Olympic gods. In the middle of a woman's figure on a cloud with a burning heart in hand. Fresh in Latin in undermarge.

Garden of love. A group of half-naked women is under a tree whose three plays on a lute. In the air two putti pointing bow and bow on an old man with beard chased out by a woman with a putto

Alexander the Great as the third king from the vision of Daniël, 1643 print Alexander the Great drives on a horse, in his hand a flag with the image of a mountain goat (Greece). The horse tramples King Cyrus of Persia and Ninus of Babylonia. A cityscape in the background. In addition to Ninus, a four -member leopard with wings appears from the sea, a reference to a vision of Daniël about the rise of four kingdoms in the world. Under the show a reference in Latin to the Bible text then. 7. This print is part of an album. Amsterdam paper engraving the leopard with four bird's wings and four heads ~ Daniel's visions. the world empires symbolized by four beasts (Daniel ch. 7). (story of) Alexander the Great

Joshua paralyzes the horses and burns the cars of peoples; Iosue absoluto bello crura hostium equus amputat, currus comburit; Oudtestament fighting scenes. The kings from the north are defeated by Joshua. He burns out their chariots and makes the horses crippled by chopping their legs. Title and caption in Latin in the undermaster.

Westenwind, Johann Sadeler (I), After Maerten de Vos, 1560 - 1600 print In the air Zephirus, the west wind. He runs after Flora, the goddess of the flowers. Corus blows in the left corner, the northwest wind. The southwest wind blows Lijbs in the right corner. At the bottom a Greek landscape with the River Pindus and Mount Paranassus. On the right, Apollo plays the lute, surrounded by the nine muses. On the left, pick the seasons (Horae) flowers. Delphi is in the distance. In the margin a Latin caption with an explanation about the west wind. The print is part of a four -part series on the subject of the four over the world. unknown paper engraving west wind (one of the four main directions). west wind, 'Favonius', 'Zephirus' (one of eight directions). northwest wind, 'Iapyx', 'Caurus' (one of eight directions). Zephyrus abducting Flora (or Chloris), who usually scatters flowers. Apollo and the Muses, Apollo Musagetes. other dwellings of the gods: Pindus. Hours (Horae), Seasons. Apollo

Albrecht Dürer, The Apocalypse: The Four Avenging Angels, 1496-1498, woodcut on paper.

The conversion of Paul, Cornelis Cort, Anonymous, Giulio Clovio, c. 1640 - before 1664

Louis XIII (King of France), Maurice (Prince of Orange), Philip IV (King of Spain), Antwerp, Vorsterman, Lucas (I), Rubens, Peter Paul, Battle of the Amazons, verso - stamped, print, prints, height 856 mm, width 1208 mm, South Netherlandish, 1595 - 1675, print maker, printmaker, 1623 - 1623, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, uitgever, Spaans, Portugese, 1605-04-08 - 1665-09-17, granter of privilege, 1567-11-13 - 1625-04-23, 1601-09-27 - 1643-05-14

The Four Avenging Angels, from The Apocalypse 1498 Albrecht Dürer German. The Four Avenging Angels, from The Apocalypse 388123

Violence tramples the conquered, Jan Luyken, 1706 print Amsterdam paper etching the defeated before the victor. heart symbolism

Fall of phaeton; Metamorphoses from Ovid. Phaëthon's ride in the solar car from his father Apollo has got out of hand: the horses have been beaten and put on the earth. Jupiter throws lightning bolts and Phaëthon falls by car and all out of heaven. In the undermarge a four-line explanation, in two columns, in Latin.

The fight between Aeneas and Diomedes, Crispijn van de Passe (I), 1613 print The fight between Aeneas and Diomedes. Aeneas is assisted by Venus and Amor, who fight on the trojans side. Diomedes receives help from Minerva, which is accompanied by the owl. In the margin a four -line caption, in two columns, in Latin. Utrecht paper engraving Diomedes - aggressive, unfriendly activities and relationships. (story of) Aeneas - aggressive, unfriendly activities and relationships

Jupiter raises the Olympic gods; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Jupiter raises the gods meeting to take measures against the sins on earth. The gods have collected at Jupiter, left behind. Among others Apollo and Neptune are present. Left in the foreground Hercues, recognizable by the club and the lion skin that he wears as a cloak. Under the show twice two fresh rules in Latin. The print is part of an album.

Victory car in honor of Maarten Tromp, killed in the naval battle at Terheide, 1653, Cornelis van Dalen (I), After Cornelis Holsteyn, 1653 print Admiraal Maarten Tromp, killed in the naval battle at Terheide on 10 August 1653, driving in a victory car pulled by horses and accompanied by tritons. In his hands a trident and a ship's rudder. In the air the fame with two trumpets and three angels. An angel crowns tromp with a crown of ship. In the caption four four -line verses. print maker: Northern Netherlandspublisher: Amsterdam paper engraving symbolic triumphs of individual persons. chariot, triumphal car. Battle of Scheveningen

Italy, Testa, Pietro, The Four Seasons, Allegory of Summer, verso - stamped, Allegorical representation of the season summer. Apollo and other figures float on clouds in the sky. On the right, Juno floats with her peacock and the wind gods. Juno sprinkles water on the people suffering from drought on the ground. On the left Ceres sits with a dragon and distributes grain to a donkey-eared figure, Minerva, and a naked woman with a painter's pallet., print, prints, height 472 mm, width 728 mm, Italian, 1612 - 1650, print maker, printmaker, 1621 - 1650, paper, papier, etching, etsen

King David Playing the Harp with Angels Dancing and Playing Music. Designer: Peter Candid (Pieter de Witte, Pietro Candido) (Netherlandish, Bruges ca. 1548-1628 Munich). Printmaker: Johann Sadeler I (Netherlandish, Brussels 1550-1600/1601 Venice). Date: ca. 1590-1600. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Damme, Andries van, Leiden, Dalen, Daniel van den, Northern Netherlands, Title page for the Europische Mercurius of 1713, vol. XXIV, first part. On the left various allegorical figures celebrate peace, in the sky Mercury., print, title page, prints, Frederik Muller Historieplaten, height 159 mm, width 138 mm, print maker, printmaker, 1713 - 1713, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, Dutch, publisher

Allegory on the twelve-year-old file, 1609. Large allegory on the twelve-year-old file, 1609. The personification of treves, the file, sitting on a triumph cart by cannon, between the personnifications of disciplines (disciplina) and prosperitas). Front Pater Jan Neyen, next to the cart, King Jacobus I van England and King Henry IV of France. Behind the cart the chained war (Bellum) and a group of soldiers. Under the wheels of the cart, misery (calamitas) and fornication (licents) are crushed. The cart pulled by a span horses ridden by Aartshertog Albrecht and Isabella Clara Eugenia and led by mutiness (Modestia) and 's national love (Amor Patriae) arrives at two estrades from the left the free Netherlands (with Maurits and a member of the states) And on the right of the Netherlands under the Archduke (with Philip III and Spinola). In the clouds, Mars leaves his chariot to embrace Venus.

KinderMoord you Bethlehem, Giles Sadeler (2), after Jacopo Tintoretto, 1580 - 1629 print In the streets of Bethlehem, mothers try to protect their children against the soldiers of Herod. The soldiers have been instructed to kill all boys of two years and younger. The print has a Latin caption with an explanation. unknown paper engraving the massacre of the innocents

Armida binds Rinaldo with magical chain, Pieter de Bailliu (I), after Anthony Van Dyck, 1623 - 1660 print Armida binds Rinaldo with magical chain of leaf vines and flowers while he falls asleep on an island because of her. The love couple is surrounded by love gods and a maid comes to the help of Armida with the kidnapping of Rinaldo. At the bottom of the margin is a verse in six lines Latin. paper engraving Rinaldo. Armida

Christoph Murer, The Four Horsemen of the Apocalypse, published 1630 The Four Horsemen of the Apocalypse

Whore of Babylon and the destruction of Babylon, Gerard P. Groenning, 1563 - 1574.

The planet Venus and her children, Harmen Jansz Muller, after Maarten van Heemskerck, 1638 - 1646 print Venus and Amor drive in a car in the sky, pulled by two birds. The signs of Libra and Taurus indicate which people belong to the sphere of influence of Venus. The people born under this constellation surrender to a pleasant life and eroticism. In a landscape there is virtually, bathed, music, walked in pairs or eat around a set table. At the bottom of the margin a text in Latin about the children of Venus. Antwerp paper engraving Venus and her children ('Planetenkinder') ~ Taurus and Libra. taking a bath - AA - in the open air. (lovers) caressing each other. making music; musician with instrument. eating and drinking

Illustration at Canto XVI of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print The knights Carlo and Ubaldo, together with Rinaldo, leave the island of Armida in a rowing boat. Armida is on the ground on the left. Italian verses by Tasso in two columns in Submarge. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. rowing-boat, canoe, etc.

The Triumph of the Virtuous Artist on Parnassus. Pietro Testa (Italy, Lucca, 1612-1650). Italy, circa 1644-1646. Prints; etchings. Etching

. Jupiter seduces Agamemnon, the commander of the Greek troops, in a dream to rely on the fight with the Trojans. In the background Odysseus with the Greek troops. In the margin a four-line caption, in two columns, in Latin.

From Van Van Jericho, Antonio Tempesta, 1613 print The walls of the city of Jericho have been destroyed. An army storms the city and attacks the inhabitants. Title and caption in Latin in the lower margin. print maker: Italypublisher: RomeRomeItalyItaly paper etching the fall of Jericho (Joshua 6)

. Allegorical performance with shepherds and shepherdess in a landscape. They make music, dancing, marrying, and editing the country. On the left in the background Pegasus. On the right in the background. Lagging women around a burial monument. In the air two putti with a beehive (a symbol of eloquence) and two putti with a banderole on which a motto in Latin. In the margin a six-line poem, in two columns, in French.

The Triumph of Love. Dated: 1545. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Giulio Bonasone.

Vatican City, Michelangelo, Italy, Brambilla, Ambrogio, Last Judgement, verso - stamped, The fresco 'The Last Judgement' by Michelangelo in the Sistine Chapel., print, prent, prints, prenten, height 585 mm, width 315 mm, - 1599, print maker, prentmaker, 1589 - 1589, paper, engraving, engraving (printing process), Italian, 1475-03-06 - 1564-02-18, after a painting by

Title page for the pamphlet: De Jonge Koekkoek under the Crown Birds, 1702, Romeyn de Hooghe, 1702 print A group of cranes tramples and tears a cuckoo boy. On the right a ship at sea. Refers to the fate that the pretendent is waiting for the death of his father Jacobus II. Title is on a separate text sheet. Netherlands paper etching / engraving

Plate from the Series Venationes ferarum, avium, piscium, Fiandre by Jan Van der Straet (aka Giovanni Stradano or Stradanus, 1523-1605), late 16th Century.

A drawing by François Verdier titled 'Deluge,' executed in brown ink with brown wash, white highlights, and reddish traces.

Antwerp, Bout, Cornelis de, Rubens, Peter Paul, Galle, Cornelis (I), Miraculous catch of fish, verso - stamped, Christ stands on Peter's boat and instructs him to cast the net. The fishermen pull up the net and it is so full of fish that even more fishermen have to come and help pull the catch into the boat. Peter looks at Christ in amazement. Below the representation a Bible verse from Luke 5., print, prints, height 335 mm, width 440 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1670 - 1735, paper, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, 1660 - 1735, publisher

Bartolomeus Willemsz. Dolendo (1572-1629); Karel Van Mander I (1548-1606), Psyche Ledes Til Olmpen, 01/01/1581 - 31/12/1598

The Fall of Phaeton, from the series Ovid's Metamorphoses ca. 1588 Anonymous, Netherlandish, 17th century Netherlandish Phaeton, who recklessly drove Apollo's chariot through the heavens, tumbles from the shattered vehicle toward the earth. Zeus holds high a thunderbolt as he puts an end to Phaeton's rampage. This is one of the engravings produced for an engraved series of Ovid's Metamorphoses. The engravings for the series do not display the virtuosity of Goltzius's autograph works and were no doubt made by members of his workshop.. The Fall of Phaeton, from the series Ovid's Metamorphoses 343587

Amsterdam, Luyken, Jan, Shipwreck of the apostle Paul at Malta, recto - manuscript in brown ink, print, prints, verso - stamped, 144, height 117 mm, width 154 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Martyrdom of Saint Lievens, after Rubens (Dutuit 36 __p.133) Martyrdom of Saint Lievens, according to a painting by Pierre-Paul Rubens (Dutuit 36 __p. 123). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

The whore of Babylon, Albrecht Dürer, 1496 - 1497 print A beautifully dressed and felled woman drives on a beast with seven cups and ten horns. An army riders appears from heaven. In addition, two angels, one of whom has a millstone. On the right in the background you can see how a city goes up in flames. Nuremberg paper the scarlet woman, the whore of Babylon; she is usually sitting on a scarlet beast with seven heads and ten horns. the fall of Babylon

The volcano one storm, 1682 - 1733 Volcanoes and storms. In the foreground on the right, people are blown over by the wind. A man has put his hands around a tree. In the water is a man next to a turned boat. With a legend in Dutch and French. The print is part of an album. Leiden paper etching Volcanoes and storms. In the foreground on the right, people are blown over by the wind. A man has put his hands around a tree. In the water is a man next to a turned boat. With a legend in Dutch and French. The print is part of an album. Leiden paper etching

The Last Judgement ca. 1548-50 Cornelis Bos Netherlandish. The Last Judgement 405639

Passe, Crispijn van de (I), Villerius Carpensis, Fr. Franc., Bloemaert, Abraham, Utrecht, Annunciation to the Shepherds, verso lower left - stamped, The announcement of the birth of Christ to the shepherds by the angel Gabriel. The shepherds look in fright at the night sky where the angel Gabriel appears with a banderole with a message. In the margin a four-line caption, in two columns, in Latin., print, prent, prints, prenten, height 418 mm, width 292 mm, 1564 - 1637, print maker, printmaker, 1574 - 1637, paper, papier, engraving, engraving (printing process), Northern Netherlands, 1566-12-25 - 1651-01-27, after, after a painting by, German, Dutch, 1580 - 1625-05-20, writer, Publication (Event), Publication, publisher

Allegory on loyalty, 1795; Four allegories on the rotation in 1795. Allegory on loyalty, 1795. Loyalty sorts on a coffin, key in her hand, under christen floor plans for fortifications, next to her a dog. To the left of her steadfastness or strength, the right discharges Jancules Janus (double-heartedness with fire and water) and deception. Two angels come to offer a heart and a jug. In the foreground the Dutch lion and a growing man (possibly war).

The Four Horsemen of the Apocalypse. Dated: published 1630. Dimensions: sheet: 10.7 x 14.8 cm (4 3/16 x 5 13/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Murer.

Big Fishes Eat Small Ones late 16th Century Anonymous, Netherlandish, late 16th century Netherlandish. Big Fishes Eat Small Ones 623629

Rome, Papal court, Aelst, Nicolaus van, Vatican City, Raphael, Italy, Tempesta, Antonio, Old Testament battle scenes, Iosue imperante sol constitit, Joshua commands the sun to stand still, verso - stamped, In the foreground a tangle of fighting soldiers. During this battle between the Amorites and the Israelites, Joshua makes the sun and the moon stand still. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, granter of privilege

A scene from the Old Testament David's reign period Tempesta, Antonio (1555 1630)

Armida binds rinaldo with magic necklace. Armida binds rinaldo with magic necklace of leaf raft and flowers while falling asleep by her enchanted on an island. The love couple is surrounded by love gods and a maid comes Armida to help the kidnapping of Rinaldo. Under the margin is a verse in six lines of Latin.

Roof van Europe; Metamorphoses from Ovid. Jupiter, in the form of a white bull, Europe carries away by the sea. Her servants remain desperate on the beach. In the margin a four-line caption, in two columns, in Latin.

Rome, Statius, Johannes, Vaccari, Andrea, Italy, Nebbia, Cesare, Tempesta, Antonio, The death of Camillus in the battle between Greeks and Romans, recto lower right - handwritten in brown ink, The death of Camillus in a battle of Greek and Roman soldiers on horseback. Verse in Latin in bottom margin., print, prints, verso - stamped, 13, height 330 mm, width 427 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1591 - 1591, paper, papier, etching, etchings, Work conception, 1536 - 1614, after a design by, Publication (Event), Publication, Italian - 1627, publisher, uitgever

A dark brown chalk drawing by Johann Christoph Dietzsch depicting people being driven in a vehicle or carriage, emphasizing figures, posture, and movement.

Collection of the gods at the Olympus. A group of gods and goddesses at the Olympus, including Jupiter, Minerva, Juno, Bacchus and Mercury.

Antwerp, Jode, Gerard de, Amsterdam, Muller, Harmen Jansz, Miracles of Christ, Storm on the Sea of Galilee, recto lower left - handwritten, On the Sea of Galilee the ship is tormented by the storm and the waves. The disciples wake up Christ, who is sleeping. At the bottom in the margin a reference to the Bible text in Mat. 4 in Latin., print, prent, prints, engravings, verso - stamped, 2, height 213 mm, width 258 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1574 - 1572, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher, uitgever, 1579 - 1585

Flood; Paintings in the Loggia of Rafael; La Sacra Genesi. People and animals fled to rising water. Legal under numbered: 11. Reference to Bible text in Lower margin.

Print at the top right labeled: fol. 52.

The planet Venus and her children, Harmen Jansz Muller, after Maarten van Heemskerck, 1638 - 1646 print Venus and Amor drive in a car in the sky, pulled by two birds. The signs of Libra and Taurus indicate which people belong to the sphere of influence of Venus. The people born under this constellation surrender to a pleasant life and eroticism. In a landscape there is virtually, bathed, music, walked in pairs or eat around a set table. At the bottom of the margin a text in Latin about the children of Venus. Antwerp paper engraving Venus and her children ('Planetenkinder') ~ Taurus and Libra. taking a bath - AA - in the open air. (lovers) caressing each other. making music; musician with instrument. eating and drinking

The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction ca. 1520-27 Marcantonio Raimondi Italian. The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction 416020

Four deaths kill the people after the sixth Bazuingeschal, Gerard van Groeningen, 1563 - 1574 print In the air, God watches the sixth angel blows on his trumpet. Four death rods hit earth with swords on humanity. In the background a cavalry, the horses of which have fire-breathing lion heads and tails with snake heads (op. 9: 13-19). Antwerp paper etching / engraving the sixth of the seven angels sounds the trumpet: the four angels of destruction are released. the army of horsemen ~ the seven angels with trumpets

Phaeton asks Apollo for the solar car, Nicolas Perelle, After Nicolas Poussin, 1641 - 1695 print Paris paper etching Phaethon Asks Apollo (Sun) for the chariot of the Sun. Autumn, Fall, 'autumn'; "Autumn" (bank). Winter, 'Hyems'; "INVERNO '(RIPE). Spring, Ver '; 'Primavera' (Ripa). summer, 'summer'; 'Estate' (Ripa)

Jacques Callot, The Temptation of Saint Anthony (second version), 1635 The Temptation of Saint Anthony second version

Apollo and Diana kill the children of Niobe; Niobes Liberi Sagittis Ab Apolline et Diana Conficiuntur; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.apollo and Diana, both with arrow and bow, kill the children of Niobe. Different children are dead on the ground, trying to flee others. Title in Latin in undermarge.

Apollo and Diana kill the children of Niobe, Bernard Picart, 1733 print Apollo and Diana fire from a cloud of arrows on the children of Niobe to punish her. Niobe's sons and daughters are dead on the ground. Others are still trying to escape their fate. Amsterdam paper etching / engraving Apollo and Diana kill Niobe's children

Juvenile scene with Lord watching a lady. Landscape with hunters and hunting dogs hunting on wolves, wild boars and deer. In the foreground on the left a gentleman and a lady on horseback. In the middle of a coat of arms and cartouche with assignment.

Feder and brush drawing with brown laved and black chalk showing Neptune on a horse team receiving a crown from Amor, depicting mythological figures and interaction.

Défaite de la Cavalerie Turque (Defeat of the Turkish Cavalry), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles) 1614-20 Jacques Callot French According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.. Défaite de la Cavalerie Turque (Defeat of the Turkish Cavalry), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles). La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis. Jacques Callot (French, Nancy 1592-1635 Nancy). 1614-20. Engraving; first state of two (Lieure). Prints

Artist: Jacques Callot, French, 1592-1635, The Temptation of St.Anthony, Etching, image: 30.8 × 45.5 cm (12 1/8 × 17 15/16 in.), French, 17thcentury, Works on Paper -Prints

Vision of the rich man in hell, Jan Luyken, 1681

This copper engraving by Marcantonio Raimondi, created around 1513-1520, depicts the abduction of Helena, showing classical figures in a detailed historical narrative composition.

Vignette pour une adresse. Artist: Gabriel de Saint-Aubin (French, Paris 1724-1780 Paris). Dimensions: sheet: 5 5/16 x 7 3/16 in. (13.5 x 18.2 cm)image: 3 5/16 x 4 3/4 in. (8.4 x 12 cm). Date: 1752. Museum: Metropolitan Museum of Art, New York, USA.

Plate 2: Abraham Liberating His Nephew Lot, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 2: Abraham Liberating His Nephew Lot, from 'The Battles of the Old Testament'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

De sirenen; Sirenes Proserpinae comites in aves; Metamorphoseon sive transformationum; Metamorfosen van Ovidius.The Sirens try to let a ship with soldiers walk on the cliffs with their singing. Title in Latin in undermarge.

Junius, Hadrianus, Heemskerck, Maarten van, Haarlem, Galle, Philips, History of Shadrach, Meshach and Abednego, Shadrach, Meshach and Abednego are thrown into the fire, Meshach and Abednego are thrown into the burning furnace. One of them can be seen through a window in the furnace. He is assisted by an angel. The flames do not bother him. Two men are about to throw one of the three through the top hole into the oven. Three of the guards standing on the oven are burned in the flames. On the left in the foreground, one of the three Jewish men is tied up before he too is thrown into the oven. Below the image is an explanatory text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 204 mm, width 247 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, prentmaker, 1565 - 1565, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1498 - 1574, intermediary draughtsman, after a drawing by, 1511-07-01 - 1576-06-16, schrijver

ENEAS ANTE DIDO - 1650 - GRABADO - AGUAFUERTE. Author: ANONIMO ITALIANO / SOLIMENA FRANCESCO. Location: PRIVATE COLLECTION.

The Power Peace, 1678, 1678 print Zintrent on the Peace of Nijmegen closed between the Republic and France on 10 August 1678. Caution (Prudentia), reason (ratio) and time (tempus) forge the weapons of the war to play plants and other tools. Violence (Violentia) operates the bladder bellows of the oven. In heaven peace (pax) and justice (Justitia). In and under the performance inscriptions and verses in Dutch, Latin and French. The print was originally manufactured on the occasion of the eternal edict in 1577 and previously also adjusted to serve as an allegory at the Peace of Munster in 1648. print maker: Southern Netherlandspublisher: Antwerp paper engraving smith, blacksmith. Isaiah's prophecy of the swords beaten into plough-shares. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Achilles Dragging the Body of Hector. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Pietro Testa.

Apollo and Diana kill the children of Niobe, Jan van Ossbeeck, after Nikolaas van Hoy, after Jacopo Palma, in or after 1660 print Apollo and Diana fire from a cloud of arrows on the children of Niobe to avenge her. Niobe's sons and daughters are dead on the ground. Others are still trying to escape their fate. Brussels paper etching / engraving Apollo and Diana kill Niobe's children

The departure / child / prodigal

Saint Philip Baptizing Queen Candace's Eunuch ca.1638 Claude Vignon Vignon was one of the more spirited and original French printmakers of the seventeenth century. He trained in Rome and upon his return was patronized by Louis XIII and the cardinal Richelieu. In a style influenced by Rembrandt and the Lorraine school, he created tactile etchings capturing the dramatic contrasts of light and dark that also characterized his paintings. This print records a lost altarpiece Vignon painted for Notre Dame Cathedral in 1638. Typical of his manner is its turbulent composition, expressive line, and strong contrasts of light and dark.. Saint Philip Baptizing Queen Candace's Eunuch. Claude Vignon (French, Tours 1593-1670 Paris). ca.1638. Etching. Pierre Mariette (French, 1596-1657). Prints

Pluto goes into the underworld; Distribution of the universe. Pluto drives the subwery on his chariot that is drawn by four horses. The entrance is monitored by the three-sacking dog Cerberus and the three Furiën.

De Smidse van de Cyclopen, Cornelis Cort, After Titian, 1572 print The Cyclopes are forging in the blacksmith's weapon. Four Cyclopes hit the anvil with hammers. Another takes iron from the fire. A lion looks at the working cyclopen. paper engraving (story of) Cyclopes as fellow blacksmiths of Vulcan, in the god's forge

Collection of the Manna, François Roëttiers (I), 1695 - 1742 print France paper etching miracle of the manna and the quails (Exodus 16)

Allegorical representation with Ferdinand III (German emperor), Lucas Vorsterman (I), After Cornelis Schut (I), 1633 print It concerns the upper part of a Thesesprent by Georg Erdödy (1614-63), who defended his thesis at the Jesuitic University of Douai in 1633. paper engraving

Venice, Sadeler, Johann (I), Tintoretto, Jacopo, Aegidius, Resurrection of Christ, verso bottom center - stamped, Four angels open the lid of the tomb. Christ rises from his grave. The soldiers lie around his grave in deep sleep. On the right the arrival of the three holy women at the tomb. The print has a Latin caption., print, prints, verso - stamped, height 249 mm, width 201 mm, Work conception, Southern Netherlands, 1570 - 1629, after print by, 1593 - 1600, paper, engraving, engraving (printing process), print maker, printmaker, Italian, 1519 - 1594, after, after painting by, Publication (Event), Publication, 1550 - 1600-08, publisher

Phaëthon drives into the solar car; Metamorphoses from Ovid. Phaëthon, the son of Apollo, drives into his father's solar car and is about to lose power over the reins. The goddess Aurora is watching from her cloud. At the bottom of a tidal wave. In the undermarge a four-line explanation, in two columns, in Latin.

Willem I, sovereign Vorst der Nederlanden, 1814, Anonymous, After Jan Willem Caspari, 1865 photograph Photo of a print with an allegory on the peace and the appointment of Prince Willem Frederik as sovereign Prince of the Netherlands, March 30, 1814. Netherlands photographic support. cardboard

Justitia (Justice), Paul Decker (I), After Doud, after Augustine Terwest (I), 1687 - 1713 print Justitia sitting on a cloud surrounded by putti. print maker: Neurenberg (possibly)after painting by: Germanyafter drawing by: Berlin (possibly) paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. hacking and thrusting weapons: sword. scales

Calaïs and Zetes in battle with the harpies; Metamorphoses from Ovid. On the left the blind king phineus is at a table. His food is constantly stolen by harpies. The two sons of the North Wind Boreas, Calaïs and Zetes, pursue the samples by the air to help phineus. The guests flee. In the undermaster a three-legged explanation of the show in French.

The skeletons.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Prisons, Capricci, Skulls, Ruins

Fight on the bridge in Venice (center part), Domenico Rossetti, 1660 - 1736 print A large tangle of men in a fight on a bridge in Venice. Different figures fall from the bridge into the water. In the background figures on gondolas on the water. Venice paper engraving / etching battle. fighting. bridge Venice

Louis Félix de La Rue drawing depicting amorettes playing on a tree, executed in pen, ink, and bister wash with laved technique, circa 1756-1758.

Rafaël leaves Tobit and Tobias, Jan van de Velde (II), After Moyses van Wtenbrouck, 1603 - 1641 print Tobias and Tobit want to thank the traveling companion with gifts, on which the angel Rafaël makes himself known and leaves them by rising. paper etching / engraving Tobias and his father offer gifts to the angel. the angel Raphael disappears into the sky

Hercules struggles with Acheloüs; Working from Hercules. Hercules fights with the Acheloüs river god that adopted the form of a bull. It is about the favor of Deïanira the daughter of the oeneus river god. Hercules breaks down the bull's horns. In the background you can see how nymphs one of the horns fill and use as a cornucopia.

Amphinomus and Anapias save their parents from the fire of Catania, René Boyvin, after Rosso Fiorentino, 1535 - 1598 print Paris paper engraving (story of) Amphinomus and Anapias. carrying a person

The Olympus, with allegory of painting and the truth.

Aurora According to Fresku Guido Reni was drama by Franciszek Tegazzo. Unknown, Reni, Guido (1575 1642), Tegazzo, Franciszek (1829 1879), Warsaw woodcut

Achilles fights with river god Scamander, J. Alexander Janssens, Victor Honoré Janssens, c. 1700.

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