Historical Narratives in Prints

Engraved artworks portraying stories of carnival life, violence, and religious themes, reflecting societal challenges through dramatic imagery.

L'assassinat (Litho) , Homicides, Alphonse Legros (1837-1911)

Etching and aquatint by Francisco Goya from 1815-1820 depicting chaotic scenes of war, illustrating human madness, violence, and suffering in detailed line work.

Ces pauvres gens, ont-ils chaud! (These Poor People, They Are Hot! ), from the series Croquis du jour published in Le Charivari. Artist: Frederic Bouchot, French, 1798-1870Printer and publisher: Aubert et Cie, Paris, founded 1829

Death of Count Ugolino and his Sons, Felice Giani, Italian, 1758-1823, Felice Giani, Italian, 1758-1823, Black crayon, pen and ink, brush and watercolor on paper, Here Giani treats the scene as a classical frieze. A kneeling youth begs a standing man who covers his face with his hand. Three more figures in anguish behind. At right, light streams in through a barred window., Italy, 1815-1823, figures, Drawing, Drawing

Smid with bladderball, Charles Emile Jacque (attributed to), 1848 print France paper etching / engraving / drypoint smith, blacksmith. bellows

Siempre sucede (It Always Happens), pl. 8 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

An ink and feather drawing by Martin Johann Schmidt depicting Socrates with Alcibiades, with laved and white-heighted details on gray-green primed paper, circa 1786.

Children around the fire of a chestnut vendor (), draughtsman: Nicolas Toussaint Charlet, 1802 - 1845, paper, pen, brush, h 115 mm × w 118 mm

Francisco de Goya, Otra locura suya en la misma plaza (Another Madness of His in the Same Ring), in or before 1816 Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)

Dance of Death: Death Refuses, 1919. Percy John Delf Smith (British, 1882-1948). Etching;

Bodmin, Cornwall ,. Thomas Rowlandson (1756-1827). Prints and Drawings

Rubens, Peter Paul, Montecchi, Mattia, Caldesi, Leonida, Rubens & His Wife, By Rubens, Photographic reproduction of a painting of the painter and his wife by Peter Paul Rubens, recto - handwritten, photograph, photo, reproduction, page, photos, photographically illustrated books, No. 34., ANCIENT., recto - printed, In the Collection of The Marquis of Aylesford., London, Published Septr, 1857, by P. & D. Colnaghi & Co, 13 & 14, Pall Mall East & T. Agneur & Sons, Manchester., For the Proprietors., 13, height 221 mm, width 215 mm, Italian, British, 1823 - 1891, photographer, 1853 - 1858, photographic paper, photo paper, albumen print, South Dutch, 1577-06-28 - 1640-05-30

Fable. Children playing under gallows. Wojtkiewicz, Witold (1879-1909), draughtsman, cartoonist

Duro es el paso! (Its a Hard Step!), pl. 14 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Pieszczoch Precious One; from: `Tygodnik Ilustrowany` 1903, no. 40 (October 3rd), p. 786. L.J. (fl. ca 1903), photographer, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Sheet of Sketches 1735 François Boucher French. Sheet of Sketches 398676

2 Illustrations for Le Malheur dHenriette Gerard (The Misfortune of Henriette Gerard). Artist: Alphonse Legros, French, 1837-1911

The beheading of John the Baptist. Mirror-image copy to the Print of the same name from Rembrandt.

De qué sirve una taza (What Is the Use of a Cup), pl. 59 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

'THE DEATH OF ALCIBIADES,' THE ROYAL ACADEMY HISTORICAL PAINTING PRIZE, BY J. POWELL

Quand le boche se retire... Dated: probably 1917. Dimensions: overall: 37.6 x 53.1 cm (14 13/16 x 20 7/8 in.). Medium: black crayon and brush and black ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Composition with two men in a barrel and a seated young man seen on the back, Jean Jacques de Boissieu, 1758 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching wooden container: barrel, cask, bucket

Winter. De vier seizoenen (series title). Draughtsman: Jacob de Wit. Dating: 1744. Measurements: h 140 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Le voleur de poires (2nd plate) , Robberies, Pear trees, Pears, Alphonse Legros (1837-1911)

Francisco de Goya y Lucientes / 'Menos. Album C, 55'. 1808 - 1814. Wash, Brush, Bistre, Black chalk lines on laid paper. Museum: Museo del Prado, Madrid, España.

Rome, Pinelli, Bartolomeo, New collection of costume prints from Rome, Costume prints with figures from Rome and its surroundings, Briganti assetati, ad un Fontanile, Bandits at a well, Three bandits at a well. One of them is drinking from the well, while another is using his hat to drink from. Two bulls are also drinking from the well. In the background, a mountainous landscape. The print is part of an album., print, picture, album sheet, prints, pictures, height 203 mm, width 275 mm, Italian, 1781-11-20 - 1835-04-01, print maker, printmaker, 1819 - 1823, paper, papier, etching, etchings, intermediary draughtsman

H. Sebastiaan Martelaar, Louis Monziès, After Théodule Augustin Ribot, c. 1879 print paper etching the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk

A deathbed scene. Etching.

Célestin Nanteuil, Sancho Panza, c 1855 Sancho Panza

Bobalicón (Simpleton), also known as Tras el vicio viene el fornicio (After Vice Comes Fornication), from the series Los disparates (Losproverbios). Artist: Francisco Goya, Spanish, 1746-1828

This Clair OBSCUR woodcut by Ugo da Carpi from 1523-1527 depicts a procession of large fish, showing figures, postures, scale, composition, and aquatic imagery across three plates.

Y aun no se van!. Goya, Francisco (1746-1828). Avery, Samuel Putnam, 1822-1904. Prints. 1799. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Satires (Visual works)

Several figures near two horses loaded with freight, Packing horses, print maker: Marius Bauer, (mentioned on object), 1889, paper, etching, h 238 mm × w 143 mm

'Nothing is Known of This' ; two figures picking up a body in front of a church, a monk singing next to them and another in the background; folio 7 from the Witches and Old Women Album 'D'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 9 5/16 × 5 7/8 in. (23.7 × 14.9 cm). Date: ca.1819-23. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Francisco José de Goya depicting a man on a swing, showing figure, posture, and motion, executed before 1859.

Felix Régamey after Alphonse Legros, The Tinker (Le retameur) The Tinker (Le retameur)

O My Fair Warrior!, plate five from Othello 1844 France. Etching, engraving, roulette, and drypoint on paper . Théodore Chassériau

Misere et sespetits.. Artist: Paul Gavarni, French, 1804-1866

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, 1755, Etching

An etching and aquatint by Francisco Goya from 1810, first published in 1863, titled 'They Don't Know the Way,' depicting confusion and suffering of individuals affected by war.

Faust et Marguerite , Couples, Devil, Faust Legendary character, Alphonse Legros (1837-1911)

Francisco de Goya y Lucientes (Fuendetodos, 1746-Burdeos, 1828). Grabado. Serie "Los desastres de la guerra" (aguafuerte). Plancha 46ª: Esto es malo. Lámina publicada por la Real Academia de Nobles Artes de San Fernando. Primera edición. Madrid, 1863.

The Caprices, plate 78. 'Be quick, they are waking up (Despacha, que despiertan)', 1799, Etching, burnished aquatint and burin on laid paper, 21,8 x 15,2 cm. Author: FRANCISCO DE GOYA (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Augustus Saint Gaudens II (Saint Gaudens and his model) , Sculptors, Artists' models, Saint-Gaudens, Augustus, 1848-1907

Pencil illustration by August Xaver Karl von Pettenkofen for the novel Gil Blas, showing figures and interior scene.

Le chat noir , Dead persons, Cats, Alphonse Legros (1837-1911)

The Search for an Inn 1861 Charles-François Daubigny French. The Search for an Inn 337001

Café concert in Munich, James Ensor, 1880, drawing, between circa 1880 and circa 1883, Belgian Art

Fabel of the farmer and the mice. A farmer runs behind two mice. In the background, his farm is on fire and the farmer looks at the burning house. The fable describes how a drunken farmer accidentally raises his house during a big party. A mouse comes from the burning house, but is caught by the farmer and thrown back into the fire. The morality of the story teaches that friends are hard to find if luckiness is happening.

Puppenspiel., 1930, by Oskar Laske. Gift of Mary Chamot, London, 1972.

Fighting men, Jacob Hoolaart, After Adriaen van Ostade, 1723 - 1789 print In an inn, a man tries to attack another man with a knife, a third stops him. A woman with a child in her arms watches. Dordrecht paper inn, coffee-house, public house, etc.. fighting

The Charge. Dated: 1918. Dimensions: image: 25.08 × 40.96 cm (9 7/8 × 16 1/8 in.) sheet: 28.26 × 43.34 cm (11 1/8 × 17 1/16 in.) support: 37.15 × 55.25 cm (14 5/8 × 21 3/4 in.). Medium: lithograph in black on chine collé. Museum: National Gallery of Art, Washington DC. Author: George Bellows.

Artist: Jean-François Millet, French, 1814-1875, Les Glaneuses (TheGleaners), Etching with chine collé, 19.2 × 25.2 cm (7 9/16 × 9 15/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

The Horse Of The Plasterer, Théodore Géricault, 1822 print A restless horse, with a muzzle, tired for a cart. The plasterer comes running, two bags on his shoulder bearing. From a series of twelve prints. print maker: Franceprint maker: Franceprinter: Parispublisher: Paris paper horse (+ conveyance for transport of loads and cargoes). stuccoeing

English. Anthony Gross; English, 1905-1984. Date: 1956. Dimensions: 405 × 550 mm (plate); 530 × 680 mm (sheet). Etching on white wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Rijn, Rembrandt van, The little monk in the corn, verso lower left - stamped, print, prints, height 48 mm, width 65 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1644 - 1648, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Andromache Rochegrosse, Georges, 1859-1938. still image. Art reproductions. 1889. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. City walls, Soldiers , Greek , To 499, War casualties , To 499, War destruction & pillage , To 499, Trojan War, Andromache (Legendary character)

Recto: Marriage of the Virgin, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and ink, brush and bistre wash on paper, Horizontal rectangle. Two scenes: left: The marriage ceremony; the couple and the High Priest standing center, on a podium, surrounded by guests. Right - the Supper, with Christ seated lower right, beside the wine casks; the couple in the background, guests, left and right. Mounted., Netherlands, 1589 or before, figures, Drawing, Drawing

Adoration of the Magi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 16 15/16 x 11 3/8 in. (43.1 x 28.9 cm). Date: ca. 1753 (). Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo.

Les Trimardeurs (The vagabonds). prints, lithographs, works on paper

Don Quixote Defeated by the Windmill. Dated: 1780s. Dimensions: overall: 41.7 x 29.7 cm (16 7/16 x 11 11/16 in.). Medium: brush with brown and gray washes over charcoal on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

Francisco de Goya (Spanish, 1746-1828). The Healthy and the Sick (Sanos y Enfermos), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

The Morning, 1864. Charles-Émile Jacque (French, 1813-1894). Etching;

Depiction of a Bacchants scene by Johann Josef Schindler, executed in sepia with Feder and Laugs techniques, 1817, showing figures, movement, and composition.

Violin player / hearing, Cornelis Visscher (II), After Adriaen Brouwer, 1638 - 1658 print In an inn, three men and a woman are singing by the fireplace. They are accompanied by the violin player in the foreground. This print may be an imagination of the 'Hearing' sense. Haarlem paper engraving / etching violin, fiddle. hotel, hostelry, inn. vocal music, singing. hearing, listening (one of the five senses)

The Search for an Inn 1862 Charles-François Daubigny. The Search for an Inn. Charles-François Daubigny (French, Paris 1817-1878 Paris). 1862. Pen and ink on tracing paper, redrawn in graphite on verso. Drawings

The Pied Piper with his servant, Henricus Wilhelmus Couwenberg, After Cornelis Visscher (II), 1829 print A rat catcher with his dog and servant. The boy holds a staff with a rat cage. The rat catcher carries a bag and tools, a rat runs on his cloak. Amsterdam paper etching rat exterminator

Los desastres de la guerra, n.º 52: No llegan a tiempo, 1810 -1814, Francisco de Goya, primera impresión de 1863, realizada por la Real Academia de Bellas Artes de San Fernando de Madrid, convento de San Francisco, Santo Domingo de la Calzada, La Rioja, Spain.

Les bûcherons (3rd plate) , Woodcutters, Trees, Alphonse Legros (1837-1911)

Three women on a bridge in wind and rain, Willem Witsen, 1891 print Amsterdam paper etching walking - AA - female human figure. bridge in city across river, canal, etc. - II - ideal city. walking Amsterdam

Moorish Shepherd, Sketch. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1912. Dimensions: 136 × 202 mm (image/plate); 181 × 239 mm (sheet). Etching on off-white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Print, Home from the War; After Winslow Homer (American, 1836-1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; 28 × 39.9 cm (11 × 15 11/16 in.)

Five men at Kaarslicht, Jan van Somer, After Adriaen van Ostade, 1655 - 1706 print Five men are drinking and smoking at candlelight around a table. Amsterdam paper candlestick. drinking. pipe ~ tobacco

Leaflet from the scenes Mierci Fehima Pasha; around 1908 (1903-00-00-1912-00-00);Semerau-Siemianowski, Władysław (1849-1938), Semerau-Siemianowski, Władysław (1849-1938)-collection, gift (provenance), occasional prints, Islamic art, Turkish art, leaflets

Zaguzna gardener (II); Mehoffer, Józef (1869-1946); 1912 (1912-00-00-1912-00-00);Young Poland (Styl), Nike (Warsaw - Antiquarian - 1945-1951), Nike (Warsaw - Antiquarian - 1945-1951) - collection, Partage Plus, Polish Graphics, Women, Consach, Gardens, Ogrody, Landscapes, POLAND (Culture) , symbolic scenes, sickle, symbolism (style), skeletons, purchase (provenance), death (personification)

On the way to Emmaüs ..

Max Liebermann, A Tavern Garden in Rosenheim, 1895 A Tavern Garden in Rosenheim

Study for Vignette in Abbé Dinouart's "Vie du Venerable don Juan de Palafox", p. 391. Hubert François Gravelot; French, 1699-1773. Date: 1757-1773. Dimensions: 129 × 78 mm. Pen and gray ink with brush and gray-brown wash, with graphite, on gray laid paper, laid down on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fainting at the Hearing. Dated: 1910. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Copy after Delacroix's "Bark of Dante" ca. 1859 Edouard Manet French This is one of two versions by Manet of Delacroix's celebrated painting of 1822 (Musée du Louvre, Paris). The other one, a more literal copy (Musée des Beaux-Arts, Lyons), dates from about 1855, when the original was on view at the Exposition Universelle. The present freely executed color study is thought to have been painted about 1859, the year of Manet's first Salon submission.. Copy after Delacroix's "Bark of Dante" 436949

The same, plate 3 of 'The Disasters of War' - 1810/14 - 16,2x22,3 cm - etching, lavis, drypoint, burin and burnisher. Author: FRANCISCO DE GOYA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Photo production of drawing by F. Barrias: Virgilius Scene from the Georgicon, slaughter of a cow.

Successful yields; Bigos Skki, Leon (1871-1928); around 1910 (1900-00-00-1915-00-00);Sphinx (Warsaw-1908-1917)-Illustration, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Witke-Jeżewski, Dominik (1862-1944)-stamp, peasants, Harvest festivals, illustrations, summer, Poland (culture), Polish drawings, snopes, dance, folk dance (iconogr.), Collective signs

A Morrocan farrier at left accompanied by another figure attending to the hoof of a mule. Artist: Mariano Fortuny, 1838-1874 (Spanish, 1838-1874). Dimensions: Sheet: 13 7/8 in. × 19 in. (35.2 × 48.3 cm)Plate: 8 1/16 × 10 5/16 in. (20.5 × 26.2 cm). Date: ca. 1860-70. Museum: Metropolitan Museum of Art, New York, USA. Author: 1838-1874 Mariano Fortuny.

Children Playing Robert Loftin Newman (American, 1827-1912). Children Playing, n.d. Oil on canvas, 10 x 14 1/8 in. (25.4 x 35.8 cm). American Art n.d.

Etching by Jean-François Millet from 1855 showing a peasant returning from spreading manure, depicting rural life, agricultural work, and a figure in motion.

Landing and cleaning fish , Fishermen, Boats, Fishing. Charles H. Woodbury (1864-1940). Prints

Five river gods with urns, Salvator Rosa, c. 1660 - c. 1661 print Italy paper etching / drypoint river-gods

Rijn, Rembrandt van, The Flight into Egypt: Crossing a Stream, verso lower left, print, prints, Rembrandt f. 1654, lower left, verso lower center, Rembrandt House Amsterdam (in a circle), height 93 mm, width 143 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1654 - 1654, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Francisco de Goya, A caza de dientes (Out Hunting for Teeth), published 1799 A caza de dientes (Out Hunting for Teeth)

Alphonse Legros, Sinbad the Sailor (Sinbad le marin) Sinbad the Sailor (Sinbad le marin)

Wilfried surrounded by his warriors. Wilfried was surrounded by his warriors. Illustration of a scene from a book with poems called 'helene'.

They escape between the flames /they escape through the flames; Board No. 41 from: The disasters of war The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

Francisco de Goya y Lucientes / 'Esto ya se be. Album C, 51'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink, Black chalk lines on laid paper. Museum: Museo del Prado, Madrid, España.

Etching by Francisco Goya from 'The Disasters of War', titled 'These Are Also', created 1810-1812, first edition 1863, depicting additional war atrocities.

Drawing, Two Friezes with Women and Sea Monsters; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and dark brown ink, brush and sepia wash over black chalk on off white laid paper; 27.7 x 20.7 cm (10 7/8 x 8 1/8 in.)

Potato harvest prints, lithographs, works on paper, forgeries

Vagabond 1833-1894 France. Etching on ivory wove paper . Charles Émile Jacque

Jean Louis Forain, Toward Peace, c 1914 1919 Toward Peace

Camille Pissarro, The Haymakers, c. 1895, color monotype on antique laid paper.

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