Historical Narratives in Prints

Engraved artworks portraying stories of carnival life, violence, and religious themes, reflecting societal challenges through dramatic imagery.

L'assassinat (Litho) , Homicides, Alphonse Legros (1837-1911)

Francisco Goya (1746-1828). "Disappearance. Disabling of Carnival". Museum of Fine Arts of the City of Paris, Petit Palais. NONSENSE. Carnival nonsense CARNAVAL, CARNIVAL, EAU-FORTE, ETCHING

L'assassinat (Litho) , Homicides, Alphonse Legros (1837-1911)

The Agony in the Garden 1647-1657 Holland. Etching and drypoint on cream Japanese paper . Rembrandt van Rijn

Etching 'The Disasters of War: With Reason or Without It' by Francisco Goya, 1812-1815, first edition 1863, depicting war, figures, and scenes of conflict and suffering.

Bitter presence /bitter to be present; Board No. 13 From: The disasters of war The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785 Standing Philosopher and Two Other Figures

Two wizards and two boys, Giovanni Battista Tiepolo, in or before c. 1750 print Italy paper etching sorcerer, magician, wizard, warlock

Philosopher with book and soldier and man by statue, Giovanni Battista Tiepolo, in or Before c. 1735 print Italy paper etching scholar, philosopher

Ni por esas (Neither Do These), pl. 11 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Francisco de Goya y Lucientes / 'Folly of poverty'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

The kolf game.

Francisco de Goya, Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), in or after 1816 Dios los cria y ellos se juntan (God Creates Them and They Join Up Together)

Francisco de Goya, Y son fieras (And They Are Like Wild Beasts), published 1863 Y son fieras (And They Are Like Wild Beasts)

The Discovery of the Tomb of Punchinello, from the Scherzi ca. 1743-50 Giovanni Battista Tiepolo Italian. The Discovery of the Tomb of Punchinello, from the Scherzi 359758

Etching by Francisco Goya from 1815-1820 depicting the death of truth in a war scene, showing figures, suffering, and dramatic postures on paper.

Six people watching a snake, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 8 15/16 x 6 15/16 in. (22.7 x 17.7 cm)Sheet: 15 11/16 x 10 11/16 in. (39.9 x 27.2 cm). Date: ca. 1743-50. Museum: Metropolitan Museum of Art, New York, USA.

Francisco de Goya, No se puede mirar (One Can't Look), published 1863 No se puede mirar (One Can't Look)

Study of group of people ..

Francisco de Goya (1746-1828), the Moors use Aesler as a barrier to defend against Taurus whose horns have been provided with bullets, 1815-1816

Le Baby, dansSaint-Giles. Artist: Paul Gavarni, French, 1804-1866

Two soldiers, Salvator Rosa, c. 1656 - c. 1657 print A soldier with a stick, sitting on a piece of stone. On the left a second soldier with a feathered hat. Italy paper etching / drypoint the soldier; the soldier's life. helmet

Crusaders from a mountain overlooking the city of Jerusalem. Draughtsman: Gustave Wappers. Dating: 1813 - 1874. Measurements: h 369 mm × w 542 mm. Museum: Rijksmuseum, Amsterdam.

Giovanni Domenico Tiepolo after Giovanni Battista Tiepolo, Venus Entrusting Cupid to Time Venus Entrusting Cupid to Time

Card players, Jabes Heenck, after Abraham Bloemaert, c. 1767 - 1782 print Two lying and a sitting figure play card. Northern Netherlands paper etching playing-cards. lying figure. the soldier off duty

Resting reapers and woman with food and drink, Willem Pieter Hoevenaar, 1818 - 1863, draughtsman: Willem Pieter Hoevenaar, 1818 - 1863, paper, h 141 mm × w 230 mm

Bending women in rolling landscape, Johannes Josephus Aarts, 1881 - 1934 print And a group of five women in dresses are bows over something in their midst. The woman in the foreground is on the ground. Behind them a soft rolling landscape with a settlement. Japanese paper (handmade paper) etching bending figure - AA - female human figure. low hill country

Cart players.twee lying and a seated figure play card.

Two women. A woman is sitting at a table and supports her hand her head, the other woman is sitting on a stool. Copy to a representation from the drawing book of Abraham Bloemaert, in the edition of Nicolaas Visscher. Numbered 52.

Goya Por que (Why) Francisco de Goya, Por que (Why), Spanish, 1746 - 1828, published 1863, etching, lavis, drypoint, burin, and burnisher, Rosenwald Collection

Three drinking men, Johann Andreas Benjamin Nothnagel (Possible), 1739 - 1804 print paper etching inn, coffee-house, public house, etc.. drinking

Jean Louis Forain, The Notables (large plate), c 1915 The Notables (large plate)

Artist: Henri Fantin-Latour, French, 1836-1904, Baigneuses, Lithograph, image: 17 × 18.3 cm (6 11/16 × 7 3/16in.), French, 19thcentury, Works on Paper -Prints

The Entombment Rembrandt (Rembrandt van Rijn) Dutch ca. 1654 The startling difference between this impression and the impression of the first state (20.46.17) has less to do with the many hatched lines Rembrandt added to the composition in the second state than with the veil of ink he left on the copperplate as it was printed. This ink turns the previously brightly lit scene into a dark one in which only the faces and hands of the central figures are illuminated. By initially leaving this tone on the copperplate and wiping away the ink only where he wanted to leave touches of light, Rembrandt printed both the etched lines and the layer of ink left on the surface. As a result of this exceptional painting of the plate before printing, each impression Rembrandt pulled was unique.

Italiananizing landscape with man and dog and shepherd and horse; Small landscapes. Is part of leaves with eight small etchings

Forestish landscape with people, crows and sater; Fantastic composition with crows. In a tree-covered environment, a woman holds a bunch of grapes in her hand raised. Behind her wears a crowd of wine jugs and a bowl of grapes. Furthermore, also a Sater with a glass of wine. Crows here and there.

Francisco de Goya (1746-1828), not from them (11), 1810-1820

Yo lo vi. (I Saw It.), pl. 44 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

No llegan á tiempo. (They Do not Arrive in Time.), pl. 52 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Francisco de Goya, Por que (Why), published 1863 Por que (Why)

Rijn, Rembrandt van, The Adoration of the Shepherds: with the oil lamp, verso lower left, print, prints, Rembrandt f., center lower, verso upper left, height 105 mm, width 129 mm, North Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1656, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Giovanni Battista Tiepolo, Italian (1696-1770), Women and Men Regarding a Burning Pyre of Bones, published 1785, etching

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of a plein-air painter taking a nap under a tree - unidentifiedillustration, Graphite, pen and ink and wash, Wove, 12.7 × 20.4 cm (5 × 8 1/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Venice Receiving Neptune's Homage 1750-1804 Italy. Etching on paper . Giovanni Domenico Tiepolo

Inn interior, Anthonie van den Bos, after Adriaen van Ostade, 1778 - 1838 print Five men are in an inn by the fireplace. A sixth man allows his back to the fireplace to warm up. The men smoke pipe and chat with each other. A servant just walks towards the window. A dog is sleeping on the floor between two chairs. Netherlands paper etching hotel, hostelry, inn (+ four persons or more ~ traffic and transport). pipe ~ tobacco. chimney

Jean-François Millet (French, 1814 - 1875). The Gleaners (Les Glaneuses), ca. 1855-1856. Etching printed in brown ink on Asian laid paper. Plate: 190 mm x 254 mm (7.48 in. x 10 in.). Second of two states.

The Proverbs: The Folly of Fury, 1864. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

The Barque of Dante. Artist: After Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris); Lovis Corinth (German, Tapiau, Prussia 1858-1925 Zandvoort, Holland). Dimensions: Sheet: 11 11/16 x 17 5/8 in. (29.7 x 44.8 cm). Date: 1920-21. Museum: Metropolitan Museum of Art, New York, USA.

GOYA Y LUCIENTES, Francisco de (1746-1828). Here too. 1812-1815. Plate 43 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Amarga presencia (Bitter To Be Present), pl. 13 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Sanos y enfermos. (The Healthy and the Sick.), pl. 57 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

He Will Not Laugh ("Y el no se rie") 1807-45 Leonardo Alenza y Nieto Spanish. He Will Not Laugh ("Y el no se rie") 335150

The Flight Into Egypt: A Night Piece, Rembrandt van Rijn, 1651 print paper etching / drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Fighting card players, Adriaen van Ostade, 1941 In an interior of an inn, a man jumps up from a stool and swings threatening with a pulled knife. His opponent shrugs up and holds his hat in front of his chest. A sitting man tries to calm the angry man and a woman protects an arm around the child on her lap. The reason for this fight is a card game that lies on top of a barrel that falls through the tumult. The print is part of a portfolio and is printed on one album magazine with another print. Haarlem paper etching In an interior of an inn, a man jumps up from a stool and swings threatening with a pulled knife. His opponent shrugs up and holds his hat in front of his chest. A sitting man tries to calm the angry man and a woman protects an arm around the child on her lap. The reason for this fight is a card game that lies on top of a barrel that falls through the tumult. The print is part of a portfolio and is printed on one album magazine with another print. Haarlem paper etching

Y no hai sic remedio (And There’s No Help for It), pl. 15 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Boy Returning Joyfully, with Plough and Oxen, from Thornton's "Pastorals of Virgil" William Blake British Author Virgil Italian Editor Robert John Thornton British 1821

Abraham's sacrifice, 1655, after the work by Rembrandt Harmenszoon van Rijn. From Histoire de La Gravure, published 1880

Francisco de Goya y Lucientes / 'What is the use of a cup'. 1812 - 1814. Wash, Etching, Aquatint, Burnisher on ivory paper. Museum: Museo del Prado, Madrid, España.

Francisco de Goya (1746-1828), also these (25), 1810-1820

Flood from the Rijndijk in Gelderland, 1770.Watering Through Flooding of the Rijndijk in Gelderland, January 1770. In The Foreground a Desperate Family With Household Goods. Design for a print.

Francisco de Goya (1746-1828), yet they can do avail (24), 1810-1820

Goya Disparate conocido (Well Known Folly) 2 Francisco de Goya, Disparate conocido (Well-Known Folly), Spanish, 1746 - 1828, in or after 1816, etching and burnished aquatint, Print Purchase Fund (Rosenwald Collection)

A child on a couch, no. 2. Whistler, James McNeill (1834-1903). 1873 - 1875. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Groupe de quatre pauvres jeunes garçons se reposant dans un ravin ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Édouard Manet, The Gypsies (Les Gitanos), 1862, etching on ivory wove paper.

The Sedan Chair. Dated: c. 1815/1819. Dimensions: plate: 12.1 x 8.2 cm (4 3/4 x 3 1/4 in.) page size: 44.5 x 29.9 cm (17 1/2 x 11 3/4 in.). Medium: etching and drypoint on chine coll. Museum: National Gallery of Art, Washington DC. Author: Sir David Wilkie.

Taked from a Mooring being in the Plaza /Moor Implated on Horns in the Arena; Board No. 8 from: Bullfighting Bullfighting, ed. III, 1876 Goya, Francisco de (1746 1828)

Francisco de Goya (Spanish, 1746-1828). This Too (Tambien Esto), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

GOYA Y LUCIENTES, Francisco de (1746-1828). He deserved it. 1810-1820. Plate 29 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Ugolino and His Sons in Prison Artist's working dates 1821-1873 Italy. Pen and brown ink on cream wove paper laid down on cream wove paper . Carlo Arienti

GOYA Y LUCIENTES, Francisco de (1746-1828). It will be the same. 1810-1812. Plate 21 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

The same /The Same; Board No. 3 from: The disasters of war The Disasters of War, ed. II 1892 Goya, Francisco de (1746 1828)

Warunek, pl.38, Namiot II, Op.XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house

A Seated Shepherd with His Dog and Sheep. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: 7 5/16 x 12 in. (18.6 x 30.5 cm). Date: 1830-75. Museum: Metropolitan Museum of Art, New York, USA.

Un cavalier espagnol brisant des rejoncillos’ avec l’aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition). Artist: Francisco Goya, Spanish, 1746-1828

Monster with fleeing people, Johannes Josephus Aarts, 1881 - 1934 print A monster with hollow eyes and dressed in a robe rises above a crowd of people who flees for him. Some people raise their arms to heaven. Japanese paper (handmade paper) etching monsters larger than normal. flight, running away; pursuing

Macbeth and the Witches. Eugène Delacroix; French, 1798-1863. Date: 1825. Dimensions: 322 × 250 mm (image); 545 × 353 mm (sheet). Lithograph from two stones in black and ivory on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Francisco de Goya (1746-1828), another way to hunt on on foot, 1815-1816

Félix Ziem (1821-1911). "Jesus chasing the merchants of the temple", copy after Rembrandt. Plume on paper glued on cardboard. Nineteenth century. Museum of Fine Arts of the City of Paris, Petit Palais. 50137-19 Cardboard, Catholic, chasing, Christian Christian, son God, merchant, New Testament, glue paper, neerlandian painter, biblical scene, feather, temple

Depicts 'Neither for Those' from Goyas 'The Disasters of War', created with etching and aquatint around 1810, showing figures in suffering and chaos, representing the indiscriminate nature of wartime violence.

Netsbutters, 1899 (signed). .

Francisco de Goya (1746-1828), SOELLE DEARNING (two heads are better than one), 1815-1824

Roadworkers at Lunch. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: 10 7/8 x 8 7/8 in. (27.6 x 22.5 cm). Date: ca. 1850-52. Museum: Metropolitan Museum of Art, New York, USA.

Francisco de Goya y Lucientes / 'Appeals are in vain'. 1812 - 1814. Wash, Etching, Burnisher, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

Bacchantenzug, After Franz Stück, print maker: William Unger, after: Franz von Stuck, printer: Gesellschaft für vervielfältigende Kunst, Germany, 1847 - 1932, paper, etching

Flooding of the Rijndijk in Gelderland, 1770, Jacobus Buys, 1787 - 1789, Flooding of the Rijndijk in Gelderland, January 1770. In the foreground a desperate family with household goods. Design for a print., draughtsman: Jacobus Buys, Northern Netherlands, 1787 - 1789, paper, h 143 mm × w 91 mm

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Figures Overlooking Bay and Small Boat, Cullercoats, England, Winslow Homer, American, 1836-1910, Charcoal on heavy off-white wove paper, Horizontal view of groups of figures gathered at a railing overlooking a bay and a small boat; a small strip of land with the ruins of the Tynemouth Priory, in background., Cullercoats, England, USA, 1881-82, seascapes, Drawing, Drawing

Men from different countries, Johann Wilhelm Baur, 1636 print Rome paper etching clothes, costume (+ men's clothes)

Men Fighting, Jacob Hoolaart, 1723 - 1789.

Muertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Unordered foolishness; Disparate desordenando; Solve disparates (the follies); Los Proverbios (the proverbs). A grotesque man and woman together. The man points to a group of grotesque spectators. From a series of eighteen prints.

Plate 8 from 'Los Caprichos': They carried her off! (Que se la llevaron!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Man with hat sitting on the corner of a street near a box and monkey, Guillaume Joseph Vertommen, after Jules de Senezcourt, 1825 - 1863 print paper. etching adult man. street. monkeys, apes. chest, coffer

Azarza; Brangwyn, Frank (1867-1956); 1908 (1908-00-00-1908-00-00);cripples, celebrations, Lazarus, beggars

Tampoco. (Nor Do These Either.), pl. 10 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Rhine, Rembrandt van, The Ship of Fortuna: the Closing of the Temple of Janus after the Defeat of Mark Antony at Actium, verso lower left - stamped, print, prints, Rembrandt f. 1633, verso lower left, height 107 mm, width 158 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1633 - 1633, second quarter 17th century, parchment (animal material), parchment, etching, etchings, Work conception, after own design by

Francisco de Goya (Spanish, 1746-1828). What Is This Hubbub (Qué Alboroto Es Este), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

L'Hiver from the Four Seasons 1735 Charles Joseph Natoire French. L'Hiver from the Four Seasons 376708

GOYA Y LUCIENTES, Francisco de (1746-1828). It's no use crying out. 1812-1815. Plate 58 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

A man in oriental dress riding a donkey, Ottoman man on a donkey, print maker: Marius Bauer, (mentioned on object), 1889, paper, etching, h 168 mm - w 102 mm

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