Historical Portraits and Etchings

A collection of historical etchings and copper engravings featuring biblical figures, nymphs, heroes, and notable portraits, showcasing detailed artistry from the 16th to 17th centuries.

Etching by Giuseppe Diamantini from 1650-1700 showing a walking nymph in a landscape, illustrating Italian seventeenth-century figure studies and engraving techniques.

An etching by Wenzel Hollar from 1642-1646 depicting John the Baptist and his beheading, showing figures, gestures, and narrative elements from the biblical story.

Copper engraving by Christoffel van Sichem I depicting a portrait of John Calvin of Noyon, produced between 1565 and 1624.

Etching by Giuseppe Diamantini from 1650-1700 showing a walking nymph in a landscape, illustrating Italian seventeenth-century figure studies and engraving techniques.

Copper engraving by Léonard Gaultier depicting Jeanne d'Arc, showing the French heroine in armor, created in 1612.

A copper engraving and etching by Dominicus Custos depicting a portrait from the 16th to 17th century, showing detailed features and attire.

Etching by Georg Kaspar Prenner depicting the allegorical figure of Abundance, created in 1744.

Etching by Ferdinand Bol titled 'The Hour of Death', created around 1644, depicting a personified moment of mortality.

Copper engraving by Coenraet Waumans from 1630-1670 showing a portrait of Thomas Willebairts Bosschaert, highlighting facial features, attire, and composition.

A 1519 woodcut title leaf by Ambrosius Holbein depicting the battle of Arminius and the defamation of Apelles, showing figures and compositional elements.

Copper engraving and etching by Frans Floris depicting greed as a personified figure, showing facial features, posture, and symbolic elements, created in the 16th century.

Etching by Andreas Altomonte depicting the biblical Sacrifice of Isaac, produced between 1719 and 1780, showing Abraham, Isaac, altar, angel, and landscape.

Jean Audran's copper engraving (1679-1756) depicts Camille Le Tellier de Louvois and Antoine Anselme, showing figures, facial features, attire, and formal portrait composition.

Etching by David Weiss from 1814 depicting Charles-Joseph de Line, showing a formal portrait with attention to attire, posture, and symbolic elements of status.

Etching by Joachim von Sandrart showing a scene with amor holding glasses, illustrating symbolic and allegorical imagery, created between 1620 and 1688.

Etching by Vespasiano Strada showing the Lord's proclamation, created between 1600 and 1622.

Etching by Claude Henri Watelet from 1754 depicting Claude Alexandre de Villeneuve, Count of Vence, showing formal attire, posture, and facial expression.

Copper engraving and etching by Simon François Ravenet from 1740 depicting a portrait of Nicolas Boileav Despreavx, showing figure, attire, and facial detail.

Jacob de Gheyn II created a copper engraving print between 1591 and 1592 depicting Johannes, representing a biblical figure in Christian art.

Etching by Christian Wilhelm Ernst Dietrich from 1772-1821 depicting a girl's knee, showing human anatomy, figure, and composition.

Etching by Salomon Savery depicting portraits of Carlos Stuart and Philips van Dorp, created between 1615 and 1683. The print shows detailed facial features and attire of the sitters.

Copper engravings and etchings by Georg Friedrich Schmidt depicting portraits, created in the 18th century, showing detailed facial features and attire.

Copper engraving by Bartolomeus Willemsz Dolendo depicting portraits of scholars Joseph Scaliger and Philipp Clüver, created between 1580 and 1629.

Etching by Franz Edmund Weirotter featuring various representations and texts, created in 1764, demonstrating 18th-century engraving techniques and illustrative compositions.

Portret van Jacques Bénigne Bossuet, Jean -Baptiste de Gratteloup, after Hyacinthe Rigaud, 1769 - 1770 print This print is part of an album. paper etching historical persons. archbishop, bishop, etc. (Roman Catholic). theologian

Etching and copper engraving by Benigno Bossi from 1764 depicting a frontispiece and title leaf with ornamental borders and decorative elements.

Depicts Mary with a child and head studies, including a woman with a child and an old man, created as an etching between 1790 and 1858.

Copper engraving and etching by Johann Friedrich Bause from 1753-1809 depicting Pope Paul III and Nicolaus Ludwig Graf von Zinzendorf with detailed portraiture and formal attire.

Jan van der Straet engraved a title page around 1580, showing Apollo on the sun's chariot and allegorical figures representing the four seasons in copper engraving format.

Copper engraving and etching by N. Thomas, 1803, depicting Lavinia with her mother before Latinus, showing figures, gestures, and narrative composition.

Bliżej Kultury unknown

Woodcut from 1489 by an unknown contributor depicting a letter of misery and care, showing detailed narrative and figures.

An etching by Jan Wierix from 1572 titled 'A Jabelis in a Portris, Vender,' depicting a figure in portrait format.

Copper engraving and etching by Antoine Masson from 1683 depicting Marie Herinx, showing detailed portraiture in Baroque style.

Etching with punch stitch by Johann Adam von Bartsch created between 1798 and 1802 depicting a figure named Fanny.

Copper engravings and etchings by Melchior Küsel from the 17th century depicting multiple portraits, showing detailed facial expressions and attire.

Woodcut by an unidentified monogrammist from 1519 depicting Emperor Maximilian I, showing facial features, attire, and symbolic regalia in early 16th-century European printmaking style.

Copper engraving by Cornelis Galle the Elder depicting the title page for Herbert Rosweydes 'Life of the Fathers', showing figures, religious symbols, and decorative elements, created in 1628.

Etching by Bernard Picart from 1714 showing a large ornamental frame for a title page. The print demonstrates Baroque linework and decorative motifs.

Copper engraving and etching by Jacques Grignon from 1650-1689 depicting Jean Louis d'Orléans, Count of Dunois and Longueville, showing detailed facial features, attire, and upper-body composition.

A copper engraving by Philippe Thomassin from 1580-1622 depicting a rustic state scene, showing rural figures, animals, and landscape in detailed composition.

Woodcut by Hans Weiditz, 1518, depicting epitaphs for Philipp the Catholic and Maximilian, showing heraldry, inscriptions, and figures.

An etching showing portraits of artists Cimabue, Gaddi, Stefano, Giotto, Simone Sanese, and Agnolo Gaddi by Georg Christoph Eimmart the Younger.

Anna van Boeckel's copper engraving from 1632-1650 depicts Prince Christopher of Portugal, showing portraiture details, attire, and compositional framing.

Copper engraving and etching by an anonymous artist from 1610-1750 depicting Lucrezia, showing human figure, facial features, and posture.

Etching by Pieter Jansz. Saenredam depicting a portrait of Laurent Coster, showing facial features, attire, and posture, created 1610-1665.

A copper engraving and etching by Pierre Guillaume Alexandre Beljambe from 1780 to 1820 depicting a child referred to as 'The Little Nanette'.

Reproduction of Petrus and Johannes healed a paralyzed man at the Tempelpoort by Albrecht Dürer, Simonau & Tooey, After Albrecht Dürer, c. 1866 - in or before 1871 photomechanical print The performance is based on the text from Acts 3: 4-31. maker: Brusselsafter print by: Neurenberg paper Passion of Christ. disabilities, deformations. healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31)

A 16th-century etching by an unknown monogrammist depicting Venus, the Roman goddess, with symbolic and decorative elements.

Copper engraving by Cornelis van Dalen, 1653-1664, depicting portraits of Louise-Juliana of Orange-Nassau and Johann Moritz, Prince of Nassau.

Sitting nude, Adamo Scultori, After Michelangelo, c. 1585 Sitting naked man, turned to the left, with a garland of acorns behind him. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 13. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Sitting naked man, turned to the left, with a garland of acorns behind him. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 13. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Collection of etchings after 1822 executed by Joseph Fischer and other engravers reproducing works by Pierre Paul Rubens, showing detailed compositions, figures, and Baroque artistic style.

Copper engraving by Paulus Pontius depicting portraits of Adriaan Pauw and Johan van Mathenesse, created between 1648 and 1660.

Etching of figures holding fruit baskets and a banner on a title page by Jan van de Velde II, created in 1617, showing human figures in decorative composition.

Sitting old man; Paintings in the Sixtin Chapel. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 50. The print is part of an album.

This 1763 etching by Claude Henri Watelet depicts portraits of Pierre-François Valsi Ridili and L. Bay de Curys, showing facial features, posture, and formal attire in European 18th-century portraiture.

Etching by Nicolas Gabriel Dupuis from 1730-1771 depicting portraits of painters Charles Parrocel and Jean-Baptiste-Siméon Chardin, showing facial features, attire, and posture.

Copper engraving and etching titled 'The Beneficial Monarch' by Pierre Etienne Moitte, created between 1755 and 1780, depicting a ruler.

This etching by Kauffmann, dated between 1770 and 1815, depicts nymphs making a sacrifice to Mercury, showing figures in ritual gestures with classical attire and organized composition.

Photo production of Saskia van Uylenburgh by Rembrandt van Rijn, Edmond Fierlants, after Rembrandt van Rijn, c. 1856 - in or before c. 1861 photograph Brussels photographic support albumen print historical persons - BB - woman

Copper engraving by Nicolas Pitau depicting Gustav Otto Stenbock, created between 1664 and 1671, showing detailed male portrait and noble attire.

Etching by Christian Wilhelm Ernst Dietrich from 1796 depicting the resurrection of Lazarus, showing figures, gestures, and biblical narrative.

Lithograph by François Séraphin Delpech depicting François Gérard, created between 1798 and 1825. The artwork presents a portrait emphasizing the sitter's appearance and status in the late 18th and early 19th century.

Etching by Ange Laurent de Lalive de Jully showing the title page 'Les Elements' dedicated to Madame de Roissy, depicting allegorical elements, created between 1740 and 1779.

This copper engraving by Jacob de Gheyn II, created between 1591 and 1592, depicts Jasobus as an executor, highlighting the figure's role through detailed portraiture and engraving.

Copper engraving and etching by Gabriel Marchand from 1770-1792 depicting a happy meeting between figures, with attention to gesture and composition.

Copper engraving by Cornelis van Caukercken depicting Tobias Veraecht, created between 1646 and 1680.

Album, Album of Prints: First Series of Vases by Different Masters, Designed by Louis Doré and Engraved by F. Brard; Designed by Louis Doré (French, active 18th century); Print Maker: F. Brard (French, active 18th century)

Sitting woman with child, Adamo Scultori, After Michelangelo, c. 1585 Figures from Michelangelo's ceiling painting. Numbered below: 52. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figures from Michelangelo's ceiling painting. Numbered below: 52. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Etching by Jost Amman from the second half of the 16th century depicting a ruler with a coat of arms, showing facial features, regalia, and heraldic symbols.

Joseph Fischer produced volume II of Antoine Van Dyck engravings after 1822, containing works by various 17th-century engravers in copper engraving format.

Copper engravings and etchings by Jacques Grandhomme depicting Philipp Melanchthon and Daniel Tossman, showing facial features, attire, and posture, produced between 1588 and 1613.

Copper engraving by Jan Wierix depicting portraits, created between 1569 and 1620, showing facial features, attire, and compositional detail.

Etching by Rembrandt depicting Portering Clement the Boyhe, created in 1651 using a pinnate technique.

Copper engraving and etching by Jacobus Neeffs showing a portrait of Anthonis van Dyck, detailing his facial features, hair, and attire, created in the 17th-18th century.

Pencil portrait by Louis Marin Bonnet created between 1760 and 1793 showing a female figure in detailed rendering.

Copper engraving print by Theodor de Bry depicting the ancient Greek poets Homer and Hesiod, created in 1613.

Etching created by Joseph Fischer after 1822 depicting a scene related to adultery. The artwork demonstrates detailed line work and composition typical of early 19th-century prints.

An etching by Bernard Picart created in 1734 depicting Hl. Maria and the Danaides, illustrating religious and mythological figures with classical composition.

Woodcut by Tobias Stimmer from 1556 depicting a portrait of J. Valerian Bolzanus, showing facial features, attire, and compositional detail.

A 16th-century woodcut title leaf by Ambrosius Holbein depicting the Genius of the Arts, showing allegorical figures, symbols, and compositional elements.

Etching by Joseph Fischer from the series Roman de Hooghe, Volume I, produced after 1822. The work includes detailed line work and depicts architectural and landscape elements.

Copper engraving by Charles Le Brun depicting a half-length portrait of St. Charles Borromeo, created between 1640 and 1690.

René Gaillard created a copper engraving and etching around 1773 showing a portrait of Galileo Galilei, depicting his facial features and attire.

Copper engravings of medals depicting Jakob II of England and Johann III Sobieski by Simon Thomassin, circa 1696.

This copper engraving and etching by Jacob Houbraken, produced between 1751 and 1759, shows a portrait of Jan Wagenaar for the Patriotic History, featuring formal attire, facial details, and book illustration style.

Etching by William Wynne Ryland depicting a young man holding a sword and wearing a hat, created in 1763.

Copper engraving by Cornelis Galle the Younger II depicting portraits of Henri Groundart and Carolus Baro the Augauges, created between 1648 and 1660.

Johann Adam von Bartsch etching plate showing twelve sketches of various figures and motifs, including an illustration of a Turkish Arnaut-Obrist, created 1790.

An etching by Jacob de Gheyn III from 1616 depicting Cleobulus Lindius, presented as a classical figure, rendered with 17th-century engraving techniques and detailed line work.

Etching by Mathias Zundt from 1546 and 1567 depicting portraits of Wilhelm von Grumbach and Georg Hartman, showing facial features, attire, and expressions.

Etching by Joseph Fischer depicting a scene titled 'Rembrandt Bésceces Flight III', showing figures in motion with detailed composition and visual elements, created after 1822.

Sitting old man; Paintings in the Sixtin Chapel. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 41. The print is part of an album.

Etching by multiple artists produced between 1717 and 1726 with assorted human figures.

A copper engraving and etching by Hyacinthe Legrand between 1780 and 1820 depicting the mythological scene of Jupiter and Io.

Copper engraving and etching by Jean Daullé depicting Louis Philippe I of Bourbon, created between 1731 and 1763, showing detailed 18th-century royal portrait features.

Copper engraving and etching by Lucas Kilian from the 16th to 17th century depicting a self-portrait of Lucas Kilian with detailed facial features and period attire.

Etching showing a man standing at a door and other figures smoking at a window, highlighting 17th-century Dutch rural architecture, domestic life, and clothing.

Etching by Johann Adam von Bartsch from 1775-1821 depicting a man with a beard holding a feather and book, showing figure, posture, and compositional details.

Copper engraving by Jan van der Bruggen depicting two older farmers drinking and a dentist performing a procedure, produced between 1655 and 1730, showing a European rural scene.

Etching by Johann Georg Seiller depicting portraits of Annibale Carracci between 1680 and 1740, showing figures, faces, and clothing.

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