Historical Portraits and Photography

Images of historical portraits, including artistic and theatrical representations, captured through early photography techniques.

Mary Cassatt, Waiting, American, 1844 - 1926, c. 1879, aquatint and soft-ground etching

Campania Caserta Caserta Palazzo Reale23. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Herme for a city, Arnold Houbraken, 1710 - 1719 print Amsterdam paper etching pedestal of a piece of sculpture (perhaps in the form of a herm). weighing-instruments. tools, aids, implements ~ crafts and industries: axe. hacking and thrusting weapons: sword

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Georgia O'Keeffe -- Hands. Artist: Alfred Stieglitz (American, Hoboken, New Jersey 1864-1946 New York). Dimensions: 22.9 x 18.9 cm (9 x 7 7/16 in. ). Date: 1919.This photograph, one of more than three hundred images Stieglitz made of O'Keeffe (1887-1986) between 1917 and 1937, is part of an extraordinary composite portrait. Stieglitz believed that portraiture concerned more than merely the face and that it should be a record of a person's entire experience, a mosaic of expressive movements, emotions, and gestures that would function collectively to evoke a life. "To demand the portrait that will be a complete portrait of any person," he claimed, "is as futile as to demand that a motion picture be condensed into a single still.". Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Grottaferrata S. Maria0. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

John Lane, after John Singleton Copley Unknown. John Lane, after John Singleton Copley, ca. 1801-1810. Oil on canvas, 50 x 39 13/16 in. (127 x 101.1 cm). John Lane, after John Singleton Copley Unknown. John Lane, after John Singleton Copley, ca. 1801-1810. Oil on canvas, 50 x 39 13/16 in. (127 x 101.1 cm). Unknown American Art American Art

Campania Caserta Marcianise Chiesa dell' Annunziata7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Gesu80. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Spirit of the Joshua. Louis Fleckenstein (American, 1866 - 1943)

Can with decoration in the form of a woman and dragons, from the Louvre, Charles Thurston Thompson, 1866 - 1890 photomechanical print Louvre Museum paper container of ceramics: jar, jug, pot, vase Louvre Museum

Allegory in wisdom with Minerva, Anonymous, 1837 - 1880 print On the right a few owls fly down, where a woman with raised arms stands. paper adult woman. owls. attributes of Minerva: owl

Etching by Franz Stöber from 1834 depicting portraits of Friedrich von Amerling and Johann Fischbach, showing detailed facial features, attire, and aristocratic posture.

Marches Macerata Camerino Museo Diocesano1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale01. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Acquasparta Palazzo Cesi9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Model for Illustration of Emil Gebhart's "Cloches de Noël et de Pâques," Paris. Alphonse Maria Mucha, photographer (Czech, 1860 - 1939) negative 1900, print about 1980 (Verso, sheet) inscribed in pencil, at lower right corner: "34"

Betty Reynolds with Doll on Lap. Artist: Thomas Eakins (American, Philadelphia, Pennsylvania 1844-1916 Philadelphia, Pennsylvania). Dimensions: 5.5 x 5.3 cm (2 3/16 x 2 1/16 in.). Date: ca. 1885. Museum: Metropolitan Museum of Art, New York, USA.

Aline Sanden like Salome

Marches Macerata Castelsantangelo sul Nera S. Martino6. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century); campanile with bifora windows; architectural sculpture: capitals, etc.; tabernacle carved with lion heads; gothic altar. Post-medieval: Frescos (15th and 16th centuries); sculpture in wood (16th century); terracotta bust of a bishop (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Skrzyszów The Church of St. Stanisław Szczepanowski Sculpture unknown

Emperor Maximilian I in His Coffin. Artist: François Aubert (French, 1829-1906). Dimensions: Image: 22.4 × 14.4 cm (8 13/16 × 5 11/16 in.). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Bagnaia Villa Lante023. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"MRS. MACGUIRE AND ARTHUR FITZJAMES", FROM THE PAINTING BY SIR THOMAS LAWRENCE, P.R.A., 1897

Card with three reproductions of paintings by Julian Fa ATA (1852-1929), recto: Chriewiec, type in Verso: Forest with after -trees; before 1924 (1899-00-00-1924-00-00);

Stachiewicz Piotr in the Studio

Abruzzo Chieti Chieti Museo Nazionale di Antichita. Hutzel, Max 1960-1990 Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita. Views also of the gardens, fountain (17th century) and the restored interior. The so-called "Capestrano Warrior" (5th century B.C.) is found in the Antiquities core collection under Men, Youths, Warriors--Stone--Etruscan, Italic. Hutzel views include statues, funerary monuments, portrait busts and mosaics, many of which were excavated from Alba Fucens. Hutzel paid particular attention to the colossal statue of Hercules (late Hellenistic); the funerary temple reliefs of Lucius Storax; various nudes, torsos and heads, including the portrait bust of Agrippina Minore and the sepulchral portrait relief of Lucius Poditius (1st century A.D.); gravestones with inscriptions and bas-reliefs; Roman coins; bronze figurines (mainly warriors); and bronze vessels, utensils, helmets and ornaments.

Ristori in the role of medee Ristori in the role of Medea ". Photograph of Andr� Adolphe Eugene Dissier (1819-1889).

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Apple Tree. Willem Witsen; Dutch, 1860-1923. Date: 1880-1890. Dimensions: 467 x 360 mm (plate); 528 x 410 mm (sheet). Etching on tan laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

"MAY I COME IN" FROM THE PICTURE BY GASTON LINDEN, EXHIBITED IN THE PARIS SALON, 1897; A LADY ENTERING THROUGH A DOOR

Bliżej Kultury unknown

Hollyhocks in a Long-Necked Vase. Dated: 1891. Dimensions: image: 29.53 × 14.29 cm (11 5/8 × 5 5/8 in.) sheet: 44.45 × 27.94 cm (17 1/2 × 11 in.). Medium: drypoint in black. Museum: National Gallery of Art, Washington DC. Author: James David Smillie.

A trade card depicting a boy.. Trade cards. 1876 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Boys, Decoration and ornament

Margaret Mather as Joan of Arc

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Abruzzo L'Aquila Assergi S. Maria Assunta2. Hutzel, Max 1960-1990 Medieval: Architecture, views of restoration, crypt, silver urn, tomb Post-medieval: Architecture, frescos, views of restoration, sculpture, tabernacle German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Naked op. Heydenblle, Martha (1870-); 1902 (1902-00-00-1902-00-00);

UN DELICADO PAR DE BOTAS - 1965 - JIM DINE. Author: DOMENICO GNOLI (1933-1970).

Midnight Alarm. Artist: Grant Wood (American, Anamosa, Iowa 1892-1942 Iowa City, Iowa). Dimensions: image: 12 x 7 1/2 inches (30.5 x 19.1 cm) sheet: 16 x 11 3/4 inches (40.6 x 29.8 cm). Date: 1939. Museum: Metropolitan Museum of Art, New York, USA.

Campania Napoli Naples S. Lorenzo Maggiore25. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Le bournous. Artist: Pierre-Louis Pierson (French, 1822-1913). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Bagnaia Villa Lante54. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A Study

Versailles, Vase. Jean-Eugène-Auguste Atget; French, 1857-1927. Date: 1906. Dimensions: 22 × 17.6 cm (image); 22 × 17.9 cm (paper). Albumen print. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Skiopticone image with motifs from Wurtzburg. Unknown statue.

Figure 26: Expression of painful attention and attention, attentive gaze. Artist: Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806-1875); Adrien Tournachon (French, 1825-1903). Dimensions: Image (Oval): 28.5 × 20.3 cm (11 1/4 × 8 in.)Sheet: 29.7 × 22.5 cm (11 11/16 × 8 7/8 in.)Mount: 40.3 × 28 cm (15 7/8 × 11 in.). Date: 1854-56, printed 1862. Museum: Metropolitan Museum of Art, New York, USA. Author: ADRIEN TOURNACHON. Guillaume-Benjamin-Amand Duchenne de Boulogne.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Gilmer, the conventional old (registered title (letter)), 1862. House of Victor Hugo - Hauteville House.

Miriam Florence Squier Leslie (también Miriam Peacock o Miriam Wilde). (1836-1914). Editora y autora estadounidense. Esposa de Frank Leslie y la heredera de su negocio editorial. Retrato de Miriam Leslie como viuda de Frank Leslie. Grabado. La Ilustración Española y Americana, 15 de agosto de 1883.

Bliżej Kultury unknown

Garmershouse shrill houseMeissen. Carrier Schilderhaus

Pascal Adolphe Jean Dagnan-Bouveret (1852-1929). Illustration for "Contemplations" of Victor Hugo. Oil on canvas marouflaged on cardboard. Around 1886. Paris, house of Victor Hugo. 78640-7 Love, lover, office, night, write, set, woman, man, illustration, interior, lamp, contemplations, books, interior view, night view, 19th XIX 19th 19th 19th 19th century, couple, oil on canvas, feather

Lazio Roma Anzio Villa Albani1. Hutzel, Max 1960-1990 Post-medieval: 17th c. architecture and sculpture (c. 1650). Antiquities: arhaeological remains Object Notes: Undocumented Hutzel name. Now owned by the Borghese family, originally by the Costaguti family German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Description: Native types. africa

The Scullion. Théodule Ribot; French, 1823-1891. Date: 1860. Dimensions: 36 3/8 × 20 5/8 in. (92.5 × 52.5 cm). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Augustin Théodule Ribot.

Mary Madonna. Julia Margaret Cameron, photographer (British, born India, 1815 - 1879) 1864 The striking and unusual effect that Julia Margaret Cameron achieved in many of her portraits is due in large part to the closeness of the camera to the subject. In Mary Madonna, inscribed actual size Life, Mary Hilliers (1847-1936) head fills the entire composition. In a letter to Sir John Herschel (see 84.XM.349.3) in December 1864 Cameron clearly stated her unorthodox approach: I believe in other than mere conventional topographic photographymap making and skeleton rendering of features and form without that roundness and fullness of face and feature, that modelling of flesh and limb, which the focus I use only can give.> > Cameron perceived photography as a graphic medium of expression to be directed primarily at artists and cared little for the photographic conventions of the time. Throughout her career she submitted prints for sale or exhibition even if the negative was cracked or fingerpri

La veste de cygne. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 5.1 x 8.6 cm. (2 x 3 3/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Portrait de Charles Deburau (1829-1873), MIME, in Pierrot Portrait of Charles Deburau (1829-1873), MIME, in Pierrot ". Drawing on salt paper with a protective layer with gelatin (called" leather varnish ") between 1854 and 1855. Photography of Nadar (1820-1910).

Animal Locomotion: Emptying a Bucket of Water, 1887. Eadweard J. Muybridge (American, 1830-1904). Collotype; image: 22.5 x 34 cm (8 7/8 x 13 3/8 in.); paper: 47.4 x 60.4 cm (18 11/16 x 23 3/4 in.); matted: 50.8 x 61 cm (20 x 24 in.).

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Last Token: A Christian Martyr. Artist: Gabriel Max (Austrian, Prague 1840-1915 Munich). Dimensions: 67 1/2 x 47 in. (171.5 x 119.4 cm). Museum: Metropolitan Museum of Art, New York, USA.

A woman is perfoming physical exercises. Process print.

RECLAMO MISTICO - 2005 -ACRILICO/TELA - 250x200 - FOTOMONTAJE PINTADO. Author: GALINDO JORGE 1965/. Location: GALERIA SOLEDAD LORENZO, MADRID, SPAIN.

Lazio Viterbo Caprarola Palazzo Farnese57. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gamet, André. "Propaganda photography: carpentry masterpiece of a companion in the Tour de France". The craftsman never stands out ni / traditions of his profession, nor from his terroir. / It is customary among the companions / of the Tour de France that everyone does / a masterpiece. / Here is that of a companion / carpenter. Gelatino-silver-bromide draw. Dactylographed legend in black ink. in 1903-04-1903-04. Paris, Carnavalet museum. 144781-4

Friedrich LAllandand -, battles painter, Ferdinand Küss -, photographer

COURBET. The encounter Gustave Courbet (1819-1877). The meeting, 1854. Projection plate. 1900-1930. Anonymous.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Photographic albumin paper sheet by Johann Victor Krämer from 1898-1900 showing artists' templates with detailed sketches, study drawings, and layout compositions.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Young artist in terms of a straight ahead in the background a fragment of the painting composition unknown

Hayashida Teiken (decapitated). Frederick William Sutton (British, active Japan 1860s)

Poll photo collection. Wood carving of Tillmann Riemenschneider. Detail of the Maria-Retable in the Herrgottskirche in Creglingen, the hands of Philip. undated. Baden-Württemberg, Creglingen, Germany, West Germany

EL ALFARERO - AUTORRETRATO - 1938. Author: JUAN CRISTOBAL (1897-1961).

Plate, from Moonstrip Empire News. Sir Eduardo Paolozzi (British, 1924-2005); printed by Kelpra Studio, London. Date: 1967. Dimensions: 380 × 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Brigitta Wenz. Artist: Frank Eugene (American, New York 1865-1936 Munich). Dimensions: 12.0 x 16.8 cm. (4 3/4 x 6 5/8 in.). Date: 1900. Museum: Metropolitan Museum of Art, New York, USA.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Girl (one of a pair) ca. 1760-70 Niderviller Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

An assignation in a film entitled 'Curses! They Remarked', 1914. The words 'come to the oak' show on the wall.

The lesson, circa 1940s, by H. Farmer McDonald. Gift of the Fastier family in memory of Gillian Fastier, 2013.

The actors () V. Arenzvari-Juksny () And D. Libidius for a painted representation of Saint Petersburg; Saint Petersburg 1825 V. Arenzvari-Juksny and D. Libidius.

Abruzzo L'Aquila S. Giuliano S. Giuliano6. Hutzel, Max 1960-1990 Two exterior views and numerous interior views, including altars, sacristy, and paintings; several views of the cloister with intensive coverage of the lunette frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sultry Night. Grant Wood (American, 1892-1942); published by Associated American Artists. Date: 1939. Dimensions: 228 x 296 mm (image); 250 x 320 mm (sheet, sight). Lithograph in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Plaster Model of Clinker for an Equestrian Relief of General Grant; Thomas Eakins (American, 1844 - 1916); 1892; Platinum print; 8.9 x 10.6 cm (3 1,2 x 4 3,16 in.)

Beauty is truth, by Fred Holland Day (1864--1933), American photographer and publisher. He was prominent in literary and photography circles in the late 19th century and was a leading Pictorialist. He was an early and vocal advocate for accepting photography as a fine art.

Angelus. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Charles-Albert Waltner (French, Paris 1846-1925 Paris). Dimensions: image: 17 5/16 x 20 in. (44 x 50.8 cm)sheet: 21 1/16 x 23 1/2 in. (53.5 x 59.7 cm). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Olga Niewska with the bust of Marshall Józef Piłsudski, at her workshop at Zakroczymska Street in Warsaw. Brzozowski, Stanisław (1883-1968), photographer

Princess Elizabeth Poses For A Bust. The Finished dust of Princess Elizabeth. The dust of Princess Elizabeth, has just been completed in marble by Professor, the famous sculptor, specially commissioned by H.M. The Queen, before it does to ***** Palace, the bust will be Exhibited at the Coronation ***** Academy, it is considered in art circles to be the best Bust for a long time. May 11, 1937. (Photo by Keystone).

Anonymous. "Propaganda photography: sculptor practitioner at work in a workshop". The practitioner reports on the statue of / stone that he is growing / the measures taken on the original points of the original. / (2357). Gelatino-silver-bromide draw. Dactylographed legend in black ink. in 1943-09-1943-09. Paris, Carnavalet museum. 144784-1

st, Schmerlingplatz - Anzengruberdenkmal figure of the stone tapper hannes,Martinelli, postcard, Brothers Kohn KG B, producer

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Friends of Art, illustration from the yearbook Moderne Kunst in Meisterholzschnitten, Modern Art in Master Woodcuts, 1900

LA SUBASTA - 1989 - 130x195 cm. Author: JIRI GEORG DOKOUPIL 1954-. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Muratore

Anefo photo collection. Arti exhibition Dutch painters "Hansje" by Lessy Ansingh. February 3, 1956

French Monument To Late King Albert - M. Busnell, the sculptor, at work in his studio on the plaster model of the fine statue.The monument to the late king of the Belgians will be inaugurated in a few months near HAVRE, where the Belgian Government took refuge during the Great War. August 17, 1937.

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