Historical Portraits and Photography

Images of historical portraits, including artistic and theatrical representations, captured through early photography techniques.

Mary Cassatt, Waiting, American, 1844 - 1926, c. 1879, aquatint and soft-ground etching

Salon of National Society of Fine Arts (1910) / Portrait of Polar Mademoiselle, by Jean Sala.

Umbria Terni Foce Church4. Hutzel, Max 1960-1990 Medieval: Architecture & architectural sculpture. Facade, nave, portals, portico, Evangelist symbols, capitals. Post-medieval: Architecture & architectural sculpture. Interior views, 17th century restoration. Includes cabinets, 17th century paintings, 13th century frescoes, 15th century holy water font German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Hanfstaengl, Fr.

Photo production of Esmeralda by Antoine Wiertz, Edmond Fierlants, after Antoine Joseph Wiertz, c. 1863 - in or before 1868 photograph photographic support albumen print historical persons not known by name - BB - woman

Card Number 360, Carrie Perkins, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes. Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm). Publisher: Issued by W. Duke, Sons & Co. (New York and Durham, N.C.). Date: 1880s.Trade cards from the set "Actors and Actresses" (N145-7), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the seventh subset, N145-7. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo Aquila San Sebastiano S. Sebastiano4. Hutzel, Max 1960-1990 Medieval: Architecture (12th-13th centuries): very primitive--probably built by local inhabitants; early Romanesque interior; frescos (13th-15th century) ; fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Citta della Pieve S. Lucia6. Hutzel, Max 1960-1990 Views of details of the 17th century painting and architectural decoration; in addition, details of a 14th century fresco cycle. Object Notes: Hutzel photo campaign date: November 8, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculptural Shoulders 1861-67 Pierre-Louis Pierson French. Sculptural Shoulders. Pierre-Louis Pierson (French, 1822-1913). 1861-67. Albumen silver print from glass negative. Photographs

Engraving by Thomas Gosse depicting Joseph introducing his father Jacob to Pharaoh, created in 1790.

Mary Cassatt, Waiting, American, 1844 - 1926, c. 1879, aquatint and soft-ground etching

Lazio Rieti Leonessa S. Francesco2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14-15th century). Post-medieval: Metalwork, sculpture (16th century), painted wood statues (15th century), frescoes, sculpture Presbytery serving as museum: sculpture, painting (17th century), frescoes, metalwork--processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Painting of partially nude female figure. Unknown

Lazio Roma Rome S. Maria della Scala8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, decorative arts (furniture, objects d'art), manuscripts. Pharmacy of art of herbal-cure dating from 16th century still exists today; many publications with wood-cut illustrations on healing plants and other artifacts. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Barry, James .

Lazio Roma Rome Maddelena1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco, stucco Object Notes: Rococo church of 18th century, facade by Sardi in 1735. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Th�r�se Riesener, child, covered with a linen Th�r�se Riesener, child, covered with a linen. Daguerreotype. Museum of Fine Arts of the city of Paris, small palace.

Lazio Rieti Casperia S. Giovanni Battista4. Hutzel, Max 1960-1990 Medieval: Architecture. Campanile dating from the 12th century, with two registers of double-arched windows and a loggia on the uppermost register. Post-medieval: Architecture, painting, sculpture. In the apse, painting of the Baptism of Christ, by Iacopo Siculo dated to 1524. On the predella is depicted Christ and the Apostles. Statue of Christ holding lamb and book with seven seals, Crucifix of marble. Views of campnile, fountain in piazza in front of church, and interior views of nave, crucifix, cupola, choir, paintings and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance

Abruzzo Pescara Penne Palazzo Vescovile, Museo33. Hutzel, Max 1960-1990 Medieval: Architecture; architectural sculpture (detatched); sculpture. Post-medieval: Sculpture, painting, architectural sculpture (detached), altar cloth: objects from Penne and Loreto Apruntino. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Master Lambton, Print made by Samuel Cousins, 1801-1887, British, after Sir Thomas Lawrence, 1769-1830, British, 1827, Mezzotint (first published state) on medium, slightly textured, cream laid paper, Sheet: 18 1/2 × 14 1/4 inches (47 × 36.2 cm) and Image: 15 1/4 × 28 1/4 inches (38.7 × 71.8 cm), beach, boy, branches, figure study, jacket, moon, ruffle, shoes, stockings

Etching by Géraud Vidal titled 'I reread them with pleasure,' created between 1770 and 1801, using a punctuation manner style to depict reading activity.

Lazio Rieti Posta S. Rufina6. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, sculpture, metalwork (tabernacle), wooden statues, stucco decoration. This church has a greek cross plan and a Baroque interior. Object Notes: Posta environs. Undocumented Hutzel name. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ellen Terry. Alice Boughton (American, 1865 - 1943)

Parks in Saxony, Sculptures in Aue, 1909, Erzgebirgskreis, Aue, In den Anlagen, Germany

Lazio Roma Rome Gesu33. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Genazzano Santuario della Madonna del Buon Consiglio3. Hutzel, Max 1960-1990 Exterior views of neoclassical facade (1844), romanesque bell-tower and 15th century portal. Views of richly ornate baroque interior: gilt stucco ceiling decoration, balustrade by Bernini, altarpieces, ceiling painting of the Madonna of the Good Counsel, marble stoup with a statue of John the Baptist and a marble ciborium. Object Notes: Hutzel photo campaign date: May 4, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Anagni Casa Barnekow. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, fresco painting. Views are of the exterior only, with detail shots of the fresco, columns, windows. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Actress wearing exotic costume, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes ca. 1891 Issued by W. Duke, Sons & Co. Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.. Actress wearing exotic costume, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes 650545

Casting of a victim of volcanic eruption in Pompeii; Pompei Release. Part of travel album with pictures of sights in Italy and southern France.

Portrait of Miss L...,or A Door Must Be Either Open or Closed 1876 James Tissot French. Portrait of Miss L...,or A Door Must Be Either Open or Closed 389680

Rembrandt van Rijn (1606-1669), Hollander painter. Strong waters. Portrait of John Six Rembrandt van Rijn (1606-1669), Hollander painter. Strong waters. Portrait of John Six. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Rose Dance of the South. Louis Fleckenstein (American, 1866 - 1943)

Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), greener given to François I by the Republic of Venice, interior of the Saint-Sulpice church, 6th District, Paris. (Dummy title), 1903. Draw on albumin paper. Carnavalet museum, history of Paris. Religious architecture. Bredes given to François Ier by the Republic of Venice, interior of the Saint-Sulpice church, 6th arrondissement, Paris.

Tomb family Moser, Berlin: View Grabengel

Umbria Perugia Bevagna Pinacoteca F. Torti0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vittorio. .

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo34. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Bas-relief, Renaissance Homemade, 25 rue du Jour, 1st arrondissement, Paris BAS-RELIEF, Renaissance Vintage House, 25 rue du Jour, Paris (IER ARR.). August 1901. Photograph of Emmanuel Pottier (1864-1921).

Musée du Louvre, Neue Photographische Gesellschaft, Paris: Louvre: Jeune pêcheur Napolitain, par Rude, Sculpture by François Rude in the Musée du Louvre in Paris, depicting a young Neapolitan fisherman, recto - printed, stereograph, stereo photo, photos, NPG, 51, height 88 mm, width 179 mm, photographer, 1894 - 1910, cardboard, photographic paper, photo paper, gelatin silver print, developing gelatin silver print

Process chair in the Sint Baafskathedral in Ghent. .

Lady Di Beauclerk. Ronald Ruthven Leslie-Melville (Scottish,1835 - 1906)

Napoli - Museo Nazionale. Pane ed Olimpo - Farnese , Sculpture, Antiquities, Gods, Panpipes, Pan Greek deity. Nicholas Catsimpoolas Collection

Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Disasters of War. Plate 1. Sad presentiments of what must come to pass (Tristes presentimientos de lo que ha de acontecer). San Fernando Royal Academy of Fine Arts. Madrid. Spain.

Campania Napoli Naples S. Lorenzo Maggiore36. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Christopher Columbus from a Copy By Furse from the Original By Parmigiano in the Royal Gallery at Naples. Original caption: Christopher Columbus - From a copy by Furse from the original by Parmigiano in the Royal Gallery at Naples. Eclectic magazine of Literature, Science, and Art. May-Aug 1863 Vol. 59 p. 266.

Tete de femme vue de face; Le Prince, Jean-Baptiste (1734-1781); 1768 (1768-00-00-1768-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, collection from Sucha-collection, Le Prince, Jean -Baptiste (1734-1781). I Suite de Coiffres Dessinées d'A apres Nature, Russia, Tarnowska, Anna (1876-1953), Tarnowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864-1917), Tarnowski, Juliusz (1864-1917)- Collections, Tarnowski, Juliusz Gabriel (1901-1989), Tarnowski, Juliusz Gabriel (1901-1989)-collections, French (culture), illustrations

Photo reproduction painting by Christoffel Bisschop: Dimanche matin, photograph, foto, foto's, height mm, width mm, photographer, 1880 - 1883, fourth quarter 19th century, albumen print, albumendruk

Lazio Rieti Casperia Chiesa dell'Annunziata1. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting. Church was built in 1609 by Girolamo Saraceni. Painting by Sassoferrato depicting the Annunciation above main altar. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madame Récamier 1906 Timothy Cole American. Madame Récamier. After Jacques Louis David (French, Paris 1748-1825 Brussels). 1906. Wood engraving. Scribner's Monthly. Timothy Cole (American, London 1852-1931 Poughkeepsie, New York). Julie Récamier (French, Lyon 1777-1849 Paris). Prints

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Church. S. Bernardino, Cloister)2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, paintings, frescoes. Views of the cloister from several vantage points and detailed views of the columns and capitals. Views of exterior and interior, with extensive coverage of mausoleum by Silvestro dell'Aquila. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Card Number 333, Sarah Bunyan, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes. Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm). Publisher: Issued by W. Duke, Sons & Co. (New York and Durham, N.C.). Date: 1880s.Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy. Museum: Metropolitan Museum of Art, New York, USA.

The spell photographic prints, gelatin silver prints, works of art, vintage prints

Waiting, Cassatt, Mary, 1880.

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Marches Pesaro e Urbino Urbania Pinacoteca Comunale. Hutzel, Max 1960-1990 Post-medieval: Paintings, including portraits; drawings; sculpture; globes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madrid, June 1910. A notable exhibition of portraits in Madrid, partial view of the room where several works by the notable pastelist D. Pablo Antonio Bejar are exhibited.

Umbria Perugia Terni Palazzo Bianchini-Riccardi3. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century) with rusticated portal; frieze decorated with fleur-de-lis; fountain; sculpted busts mounted on column fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo collection Government information service. Painting, paintings. undated

Postcard to Willem Bogtman, Richard Nicolaüs Roland Holst, 1928 Juan-les-Pinspublisher: Paris cardboard. ink writing (processes) / pen / collotype applied arts, arts and crafts; industrial design

Amsterdam, Buffa and Sons, Frans, Head, Guy, Hodges, James Newman, The Invincible Horse, Head of a horse with a bridle, verso - stamped, print, prints, height 748 mm, width 454 mm, English, 1786 - 1821-12-29, print maker, printmaker, 1796 - 1821, paper, papier, mezzotint, 1753 - 1800-12-16, after, after painting by, Publication (Event), Publication, publisher

Image reproduction: Wojciech Kossak (1856-1942), meal for the wounded, 1907; from: "Tygodnik Illustrowany" 1908; Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939), Wierzbicki B. and S-ka (Warsaw; Zakłady Graphicczne; 1897-1944); 1908 (1908-00-00-1908-00-00);

Fresco process , Processes & techniques. The Massachusetts WPA Federal Art Project Photograph Collection

Nude Study, Josep Maria Sert, 1931 - 1932 photograph Nude study L'Hommage á la Maison d'Albe, Palacio de Liria, Madrid, seen from the front. Preliminary study with quadrature and puna rates in the corners. Madrid photographic support gelatin silver print

Reproduction of a painting: Buchbinder, Szymon (1853-1908), The Painter; from: "Tygodnik Ilustrowany" 1899, II, 649. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

King Tut, Museum of Cairo. King Tut, Museum of Cairo

Zaida Ben-Yusuf. Artist: F. Holland Day (American, Norwood, Massachusetts 1864-1933 Norwood, Massachusetts). Dimensions: Image: 16.3 x 10.9 cm (6 7/16 x 4 5/16 in.)Mount: 17.1 x 11.5 cm (6 3/4 x 4 1/2 in.). Date: 1898.For a few years before and after 1900, Day rivaled Stieglitz as a promoter of Pictorialism, as turn-of-the-century artistic photography was called, with Boston rather than New York as its geographic center. Day was a largely self-taught photographer, connoisseur, and collector; a great admirer of Keats, Yeats, and Wilde; a publisher in the mold of British Arts and Crafts leader William Morris; and, like Stieglitz, an elected member of the Brotherhood of the Linked Ring, a Pictorialist breakaway from the Royal Photographic Society. In 1900 Day organized a massive exhibition, "The New School of American Photography," containing some 375 photographs by forty-two American Pictorialists. Sensing a threat to his international stature as the dominant photographic tastemaker, Sti

Pioneers SchilderhausMeissen. Pioneers Schilderhaus

Etching by Christian Wilhelm Ernst Dietrich from 1800 depicting Jesus and the adulteress, showing figures, gestures, and narrative scene.

Campania Caserta Caserta Palazzo Reale51. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni S. Valentino1. Hutzel, Max 1960-1990 Post-medieval: Architecture (early 17th century); marble altar bearing the arms of Leopold of Austria; paintings (17th century); grave monuments of the Sciamanna family German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Euthydikos Kore, Acropolis Museum, Athens , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Bliżej Kultury unknown

The Holy Shepherd by Murillo (El Divino Pastor por Murillo). Emilio Beauchy, photographer (Spanish, 1847 - 1928) 1870

Lazio Roma Rome S. Maria in Vallicella17. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

L'Écolier, from "L'Univers Illustré" May 16, 1861 Henry Linton Linton's wood engraving reproduces Reynolds's charming 1779 conception of a schoolboy, a painting owned by the Earls of Warwick, and included in seven nineteenth century exhibitions. Its appearance at Manchester in 1857 was noted in the "Illustrated London News" (October 1857), and the present image subsequently reissued in "LUnivers Illustré" in 1861. The conception echoes Rembrandt, as well as more recent images by Philippe Mercier and Jean Baptiste Greuze, and the accompanying text in the French periodical mused: "Who among us has not pondered our youth in melancholy moments. Our anxiety is assuaged when we laugh at things we once perceived to be unjust tribulations!...The famous English painter Reynolds must have painted his delightful study of the schoolboy...in response to such thoughts, and we do not think anything more natural or expressive than this urchin's head is possible.". L'Écolier, from "L'Univers Illustré"

Emilia-Romagna Modena Nonantola Abbazia di Nonantola62. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

1911. text. 1911 - 1913. General Research Division. Art , Poland

Lazio Roma Grottaferrata Museo8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

John Henning as Edie Ochiltree from Sir Walter Scott's "The Antiquary" 1843-47 Hill and Adamson British, Scottish. John Henning as Edie Ochiltree from Sir Walter Scott's "The Antiquary" 268471

Lazio Viterbo Acquapendente S. Sepolcro, Cathedral1. Hutzel, Max 1960-1990 Exterior and interior views. Marble reliefs by Agostino di Duccio, altarpiece by Beneventano, wooden choir by Mario Tedescho; statues, friezes, views of crypt's columns and capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculpture 'The Forced Prayer.', 1850 - 1930, 1876, Philadelphia, Pennsylvania, Publisher, Centennial Photographic Co., Centennial Exhibition (1876 Philadelphia, Pa.), Albumen prints

Anders Leonard Zorn, Pilot, 1919, etching on paper.

Stiehl Otto (1860-1940): Sketch and photo album 19: Heiliger Georg, Koblenz

Statuary 19th Century Mathew Brady, Quartermaster, and Other Civil War Photographs

$Guard. Arthur F. Kales, photographer (American, 1881 - 1936) about 1922 (Verso) inscribed in red crayon, at upper left corner: "117"; in pencil, at upper left: "18 encircled" (crossed-out); in pencil, at upper left edge: "No 'o' underlined 6 all underlined; in pencil, at upper center: "Guard"; in pencil, at upper center: "Kales"; in pencil, at upper center: "Los Angeles"; in pencil, at left center, by Kales: "$10\00"; in black crayon, at left center: "151 crossed-out in pencil"; in blue crayon, at right center: "118 encircled" (crossed-out in pencil); in pencil, at lower center: "illeg. / 229 / 6 1/2"$

This 1882 Woodburytype by Victor Angerer shows a still life with objects from the Ambras collection and a Danube female model by Hans Gasser, highlighting historical and visual details.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Cast of a victim of the volcanic eruption in Pompeii, c. 1870 - c. 1900 photograph Part of Reisalbum with photos of sights in Italy and southern France. Pompeii paper. photographic support albumen print eruption (of volcano). the corpse Pompeii

Lazio Roma Rome S. Ignazio di Loyola4. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusca

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Church. S. Bernardino, Cloister)04. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, paintings, frescoes. Views of the cloister from several vantage points and detailed views of the columns and capitals. Views of exterior and interior, with extensive coverage of mausoleum by Silvestro dell'Aquila. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Foligno S. Maria Infraportas2. Hutzel, Max 1960-1990 Medieval: frescoes paintings on panel, wooden sculptures. Post-medieval: frescoes, paintings on panel, paintings on canvas, stucco, baptismal font, architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Andrea della Valle07. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Olympia - Zeus, Pelops, and Oenomaus , Antiquities, Drawings, Gods, Kings, Pelops Greek mythology, Zeus Greek deity. Nicholas Catsimpoolas Collection

The Water Dipper. Original caption: The Water Dipper - Eclectic Magazine of Foreign Literature, Science and Art. Sept. - Dec. 1846 vol 9 p. 292.

Umbria Perugia San Giacomo di Spoleto S. Giacomo2. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

The tale of Foo Wong , Heads Anatomy, Decapitations. The Massachusetts WPA Federal Art Project Photograph Collection

The Adventure of the Final Problem'. Professor Moriarty '...the Napoleon of crime, ...'. Illustration by Sidney E Paget (1860-1908) for 'The Adventures of Sherlock Holmes' by Arthur Conan Doyle in 'The Strand Magazine' (London, 1893). Paget was the first artist to draw Holmes.

Portrait painter Han van der Kop, portrait painting. .

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