Historical Portraits and Sculptures

A collection of historical portraits, including etched figures and photographs, alongside classical sculptures featuring deities and ancient figurines.

Study for 'l'Offrande' (The Offering) by Khnopff, Fernand (1858-1921) / Albertina, Vienna / Symbolism / 1891 / Belgium / Pencil on Paper / Mythology, Allegory and Literature / 16,7x30,4

Camera Work: A Model, 1906. Robert Demachy (French, 1859-1936). Photogravure;

"The Street Singer" by Manet. Anatole Godet (French, 1839 - 1887)

Etching by Rembrandt Harmensz. van Rijn depicting Jacob Haaringh with neckline and Jan Lutma, created around 1656.

John Henning. Hill & Adamson (Scottish, active 1843 - 1848)

Die Ferngeliebte (Erinnerung), Verworfene Platte. Klinger, Max (1857-1920), graphic artist, Pan-Verlag (Berlin ; wydawnictwo ; 1895-1900), publishing house

Athènes. Musée de l'Acropole - statue archaïque , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Tanagra figurine and a bust of Aphrodite , Antiquities, Sculpture, Goddesses, Figurines, Aphrodite Greek deity. Nicholas Catsimpoolas Collection

Campania Napoli Naples S. Lorenzo Maggiore158. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Study for 'l'Offrande' (The Offering) by Khnopff, Fernand (1858-1921) / Albertina, Vienna / Symbolism / 1891 / Belgium / Pencil on Paper / Mythology, Allegory and Literature / 16,7x30,4

Reproduction of drawing: Feliks Cichocki (1861-1921), A study ; from: "Tygodnik Ilustrowany" 1892(I)225. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), reproduction atelier, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Lacressonnière in the role of Quasimodo in Notre-Dame de Paris, Théâtre des Nations, Paris. Photograph by Otto Van Bosch. Card-album. 1885. Paris, house of Victor Hugo. 79198-22 Map, card-album, French co-nomination, traditional costume, Notre-Dame de Paris, Tambourin, Theater, Theater of Nations, XIXth XIX 19th 19th 19th 19th century, Piece

Abruzzo L'Aquila L'Aquila S. Silvestro7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Post-medieval: Architecture, architectural sculpture, painting, fresco, baptismal font Nine exterior views, including 1320 facade. Views of interior both before and after 1968 restoration, many showing apse frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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Lazio Rieti Casperia Chiesa dell'Annunziata0. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting. Church was built in 1609 by Girolamo Saraceni. Painting by Sassoferrato depicting the Annunciation above main altar. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Head of a Man. Alphonse Legros (French, 1837-1911). Etching and aquatint;

Lazio Roma Frascati Episcopal Palace17. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo

Genrevesting based on the paintings of Jan Vermeer, Guido Rey (attributed to), 1908 photomechanical print Japanese paper (handmade paper). paper writing-table, writing-desk

Campania Napoli Naples S. Lorenzo Maggiore13. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

John Lane, after John Singleton Copley Unknown. John Lane, after John Singleton Copley, ca. 1801-1810. Oil on canvas, 50 x 39 13/16 in. (127 x 101.1 cm). John Lane, after John Singleton Copley Unknown. John Lane, after John Singleton Copley, ca. 1801-1810. Oil on canvas, 50 x 39 13/16 in. (127 x 101.1 cm). Unknown American Art American Art

Statue scarcely freed from wood model , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

Lazio Viterbo Caprarola Palazzo Farnese28. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore155. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Piotr Stachiewicz (1858-1938), melancholy; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939); 1913 (1913-00-00-1913-00-00);

Gelatin silver print - Grace Scanlan, Montreal, Quebec, 1911-1915 Joseph Napoléon Laprés (1864-1926)

John Gregory, process, lithograph , Artists, Lithographs, Processes & techniques. The Massachusetts WPA Federal Art Project Photograph Collection

Print made by Philip Dawe, ca.1745-ca.1809, British, The Letter Woman, ca. 1769. Mezzotint and etching on moderately thick, slightly textured, cream wove paper.

Portrait of Louis Royer with the sketch design for the grave monument of Prince Alexander (1818-1848) ..

Woman view of front, mid-body Norbert Goenuette (1854-1894). Woman view of front, mid-body. Brown pencil lithography.

Bliżej Kultury Hanfstaengl, Franz (1804 1877), Vermeer van Delft, Jan

Abruzzo, L'Aquila, Celano, Museum, Italy, 20th century, photo, photography, Europe

Järnefelt, Eero, work, Sketch book, 1916, special category: sketch book, 50.5 cm x 34.5 cm, Järnefelt, Eero, 1916, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Laughing Model I Made 1898 Sweden. Soft ground etching on light blue laid paper . Anders Zorn

Group Glas negatives from the legacy of the painter Laurens Lodewijk Kleijn, Laurens Lodewijk Kleijn (attributed to), c. 1865 - c. 1900 Group Glas negatives from the legacy of the painter Laurens Lodewijk Kleijn, still lifes, portraits, self -portraits and art reproductions. glass

Johanna Friederike Garvens, b. Deter (1785-1870). .

The setting sun according to the image of Johann B. Wittkamp. French magazine Bogaerts, H. (n.n.), Walter (n.n.), Wittkamp, Johann Bernhard (1820 1885)

Portrait of Edward D. Adams 1892 Alphonse Legros. Portrait of Edward D. Adams. Alphonse Legros (French, Dijon 1837-1911 Watford, Hertfordshire). 1892. Copper plate, gilded. Edward Dean Adams. Plates

Medea Sichel, Nathaniel 1843-1907. 1883 - 1892. still image. Reproductive prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Medea (Greek mythology), Mythology, Greek, Drapery in art

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-80. Edgar Degas (French, 1834-1917). Softground etching, drypoint, aquatint, and etching; platemark: 26.7 x 23.2 cm (10 1/2 x 9 1/8 in.).

The Madame B Album Made 1870-1879 France. Albumen prints and watercolor (in album) . Marie-Blanche Hennelle Fournier

Campania Napoli Naples S. Lorenzo Maggiore151. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Lazio Roma Rome S. Bernardo alle Terme6. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture (1598), sculpture, painting Caterina Nobili Sforza, countess of Santa Fiora, patron. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sans titre, femme voilée, 1870-1879, Félix Bonfils, French, 1831 - 1885, 8 13/16 x 6 5/8 in. (22.38 x 16.83 cm) (image)14 x 11 in. (35.56 x 27.94 cm) (mount), Albumen print, France, 19th century

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Self-Portrait in Exotic Dress. Artist: Nadar (French, Paris 1820-1910 Paris). Dimensions: Image: 22.1 x 13.2 cm (8 11/16 x 5 3/16 in.), arched, unevenly trimmedMount: 30.8 x 21.3 cm (12 1/8 x 8 3/8 in.). Date: 1863. Museum: Metropolitan Museum of Art, New York, USA.

H. Bellew; Napoleon Sarony (American, born Canada, 1821 - 1896); about 1885; Albumen silver print

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. 1854-56, printed 1862 Guillaume-Benjamin-Amand Duchenne de Boulogne French. Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. 623047

Lazio Roma Rome S. Andrea della Valle6. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Penllergare; Printing. Artist: John Dillwyn Llewelyn (British, Swansea, Wales 1810-1882 Swansea, Wales); James Knight (British). Dimensions: Image: 10.8 × 13.9 cm (4 1/4 × 5 1/2 in.) (a), ovalImage: 12.6 × 10.3 cm (4 15/16 × 4 1/16 in.) (b). Date: 1853-56. Museum: Metropolitan Museum of Art, New York, USA.

La petite Marie , Alphonse Legros (1837-1911)

Statue of Naiad, Garden of Plants, 5th arrondissement, Paris Statue of Naïade, Garden of Plants, Paris (Fifth arrest). 1860-1880. Anonymous photography.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Helena Kurcewiczówna, the image of the heroine of Henryk Sienkiewicz's saying "with fire and sword"; Stachiewicz, Piotr (1858-1938); 1896 (1896-00-00-1896-00-00);With Fire and Sword, Sienkiewicz Henryk - Illustration, Papal, Leon (1859-1917) - collections, TZSP - exhibition stickers, TZSP - ownership stickers, Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Valois 1866 André-Adolphe-Eugène Disdéri French. Valois 306161

Brothers Arthur B. Davies (American, 1862-1928). Brothers, 1917. Aquatint on cream-colored machine-made Japan paper, Sheet: 11 15/16 x 8 9/16 in. (30.3 x 21.7 cm). American Art 1917

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Untitled Untitled, 19th century. Albumen silver photograph, 8 7/8 x 6 5/16 in. (22.5 x 16 cm). Arts of the Islamic World 19th century

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Autoportret w kapeluszu. Strzałecki, Wandalin (1855-1917), draughtsman, cartoonist

Portrait of a Woman. Jacob Byerly (American, 1807 - 1883)

Campania Caserta Sessa Aurunca S. Pietro (Duomo)62. Hutzel, Max 1960-1990 Medieval: Architecture (c. 1103), architectural sculpture, pavement (12th century), pascal candle, baptismal font with re-used Roman fragments. Post-medieval: Frescoes (13th century) Baroque interior (c. 1758), sculpture Object Notes: Site restored 1980 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Reproduction to a photo, painting, drawing or print, various manufacturers, c. 1860 - c. 1915 photograph Netherlands paper. cardboard. photographic support. tissue paper gelatin silver print

Sèriè à la Ristori 1860s Pierre-Louis Pierson French. Sèriè à la Ristori 261315

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Statue of Germania in Rheinlagen.

ALBUM DE SANLUCAR-ALBUM A 1796-1797 - DIBUJO PREPARATORIO PAR EL CAPRICHO 17 - BIEN TIRADA ESTA - AGUADA DE TINTA CHINA. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Karl Schild, sculptor, Ferdinand Küss -, photographer

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo95. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Butler Davenport. "The Violin-Maker of Cremona". Cummins (American, active 1870s)

New Year's wish for the year 1910 with portrait of an unknown man, Anonymous, 1909 photograph. photomechanical print Portrait stuck on postcard with the text 'Bone Année!', Addressed to Monsieur A. Courbet. France Baryta Paper. paper gelatin silver print / collotype / letterpress printing adult man. horseshoe. plants and herbs: mistletoe. anonymous historical person portrayed France

Nicolaus Copernicus Portrait Jarobi, Sender

Portrait of a Lady John Hoppner (British, 1758-1810). Portrait of a Lady, 1800-1805. Oil on canvas, 50 x 40 1/2 in. (127.0 x 102.9 cm). European Art 1800-1805

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lilburne, John .

Marches Macerata Camerino Museo Diocesano2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Il Fauno. Baron Wilhelm von Gloeden (German, 1856 - 1931)

Giorgio de Castiglione. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: Image: 36 x 27.9 cm (14 3/16 x 11 in.). Date: 1861, printed 1895-1910. Museum: Metropolitan Museum of Art, New York, USA.

Berlin Gemaldegalerie Portrait of the merchant Georg Gisze Hans Holbein the younger unknown

James Watson, 1740-1790, British, Samuel Johnson, 1770. Mezzotint.

Karl Friedrich Schinkel, 1781-1841, Prussian architect, town planner and painter, who also designed furniture and stage sets, Historic, digital reproduction of an original 19th-century design, original date unknown

Print of 'Saint Genevieve watching over Paris' by Puvis de Chavannes (1824-1898) a French painter, who became the co-founder and president of the Société Nationale des Beaux-Arts. Dated 19th Century

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Teodor Axentowicz, M ODA HUCU Pastel reproduction; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948); 1910-1916 (1910-00-00-1916-00-00);Axentowicz Teodor, reproduction, Hutsul region, Witke-Jeżewski Dominik, collection, gift, painting, Polish painting, portrait, women's portrait

On the Boulevards (Sur les boulevards). Dimensions: 44.7 cm x 30.9 cm, 26 cm x 11.4 cm, 26 cm x 11.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: Eugène Deltre.

The Observatory; Thereza Llewelyn. Artist: John Dillwyn Llewelyn (British, Swansea, Wales 1810-1882 Swansea, Wales); Miss Bush (British, active 19th century). Dimensions: Image: 9.8 × 15.6 cm (9.8 × 15.6 cm) (a)Image: 12.8 × 10.6 cm (5 1/16 × 4 3/16 in.) (b). Date: 1853-56. Museum: Metropolitan Museum of Art, New York, USA.

Easter, Mazurin, Alexei Sergeevich (1846-after 1914)

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Daguerreotype of a young lady, three-quarter figure, seated with a painted backdrop showing a temporary steamship, around 1850.

The Bubble and The Dancing Nymph. Arthur F. Kales, photographer (American, 1881 - 1936) 1917 Female nude crouched at a body of water, placing a "bubble" on top. (Recto, second mount) inscribed in pencil, at upper right edge: "300" (Verso, second mount) inscribed in black fountain pen ink, at upper left edge, by Kales: "Arthur F. Kales"; in black fountain pen ink, at upper left, by Kales: "Pittsburgh Salon space 1917 / Toronto Salon space Hon. Mention. / London Salon space 1917 / Yonkers Salon space 1917 / Wanamaker Salon space 1981 - Hon Mention / Los Angeles Salon space 1918 / Sacramento State Fair space 1918 / space / Photograms space 1917."

Studio scene , Studios, Painting, Massachusetts Normal Art School

Jacob Epstein

Model for mural , Artists' models, Costumes, Massachusetts Normal Art School

Deborah Hall William Williams (American, 1727-1791, active in America 1746-1776). Deborah Hall, 1766. Oil on canvas, 71 3/8 x 46 3/8 in. (181.3 x 117.8 cm). These two full-length portraits were painted in two colonial American cities Philadelphia, Pennsylvania, and Lima, Peru. Despite that distance, they share a formality of pose and an emphasis on fine costume, grand setting, and symbolic details that reveal their common source in European portrait models. The enclosed gardens, for example, suggest the chaste purity of the sitters. The two portraitists practiced under dramatically different circumstances. The Lima painter operated within a guild, modeled on Hispanic royal tradition. The guild specialized in religious art for the Catholic churches in what was then the viceregal capital city of Peru. The selftaught Philadelphia painter served a more modest market (in this case the Quaker community), whose wealth and social ambitions paled in comparison to their South American counterp

RETRATO DE JAIME BALMES (1810-1848) - FILOSOFO Y SACERDOTE ESPAÑOL - SIGLO XIX.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Baker

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

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