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Historical Portraits of Women

Depictions of women in historical attire, including a queen, theatrical figures, and everyday settings, showcasing intricate details and classic styles.

The new taste: varied patterns taken according to nature. Annette Boulanger Achille Deveraia (1800-1857) and Rose Joseph Lemercier (1803-1887). The new taste: varied patterns taken according to nature. Annette Boulanger. Lithography. 1831.
The new taste: varied patterns taken according to nature. Annette Boulanger Achille Deveraia (1800-1857) and Rose Joseph Lemercier (1803-1887). The new taste: varied patterns taken according to nature. Annette Boulanger. Lithography. 1831.
253 assets in this story
Petit Commerce. Paul Gavarni (French, 1804-1866). Lithograph;Long live the king ! Long live the nation! (IT)MORETO , AGUSTIN. ESCRITOR ESPÑOL. MADRID 1618 - 1669. FIGURIN PARA SU OBRA " EL DESDEN CON EL DESDEN ". MUSEO DEL TEATRO. ALMAGRO.New drawing for the legend of Gavarni. (Registered title) | News. (Title of the whole)Portrait of Elisabeth of Bavaria on horseback by Andreas Johann Fleischmann, Copper engraving, 1811-1878, Private Collection, 62x51Les Paniers.Two women in 'Paniers'. Left of the front, right from behind. Men's characters and insects in the background. From series of costume prints. 6 pieces. Copy to Herrisset, with added background: figures, plants, birds and insects.Eugene Croe, Three Dolls, c 1938 Three DollsJean François Janinet after Nicolas Lavreince, Les heures du jour Les heures du jourLa Cuisiniere (The Cook). Dated: 1775. Dimensions: plate: 23.9 × 16.9 cm (9 7/16 × 6 5/8 in.) sheet: 39.2 × 26.8 cm (15 7/16 × 10 9/16 in.) (irregular). Medium: etching with aquatint, printed in dark brown on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni David.Published by Jacques Chéreau, Jeune Seigneur François Dame en Mantille, 1720s() Jeune Seigneur François/Dame en MantilleModel for the flag of the Batavian Navy, 1796, Dirk Langendijk, 1796, Design for the allegorical emblem to be added to the upper left corner of the existing flag of the Batavian Republic for the flag of the Navy of the Batavian Republic, effective March 1, 1796. Emblem in which the Dutch Virgin and the Dutch Lion together hold a spear with the freedom hat., draughtsman: Dirk Langendijk, Netherlands, 1796, paper, brush, h 235 mm × w 357 mmMarvel of Peru flower fairy, Mirabilis jalapa, wearing flower hat and dress of leaves and petals, attended by a moth. Belle-de-nuit. Handcoloured steel engraving by C. Geoffrois after an illustration by Jean Ignace Isidore Grandville from "Les Fleurs Animees," Paris, Gabriel de Gonet, 1847.Museum of Orleans. A Cavalcade by Drevet Nancy, vintage engraved illustration. Magasin Pittoresque 1843Paul Gavarni, Et pas le Sou pour Souper Et pas le Sou pour SouperProject Graraal Mandara 2015 Carnavalet Museum, Collection DrawingsFashion, 18th to 19th century, after paintings by Francisco Goya, 1746-1828, from left, King Charles III as a hunter, then the Marquesa Pontejos in 1785, then the Duchess of Alba in 1793, then a self-portrait by the painter Francisco Goya in 1795 and the actress La Tirana around 1800, digitally restored reproduction of an original from the 19th century, exact original date not known, costumes, clothes in SpainEscena romántica. Pareja de jóvenes conversando sentados alrededor de una mesa. Grabado popular coloreado a mano. Siglo XVIII.'Maria Amalia of Saxony', 18th. Museum: Museo Nacional de San Martino, NAPOLES, ITALIA. MARIA AMALIA OF SAXONY. Maria Josepha Amalia of Saxony.George Augustus Sala, 1828-1895, British, Woman Dressing, with Maid, undated. Watercolor, gouache enamel-like paint, and black chalk on medium, slightly textured, gray wove paper.NANTEUIL, CelestÕn (1813-1873). Dulcinea del Toboso. 1856. Litography. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.Camargo Marie to deal with.The invention.Young Louis XIV, King of France, 17th century, from a painting in the Musee de Blois. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.A patriot holding a phrygian hat in his hand Anonymous. A patriot holding a phrygian cap in his hand. Gouache on paper and application of cartons and silk fabrics.A woman sits at a table in a landscape, holding a sheet of paper with an image on it. She supports her head with her left hand. On the ground a watering can, a rake and a hat. Woman with a drawing at a table in a landscape. With her head in her hand she was thinking., print maker: Philippus Velijn, (mentioned on object), intermediary draughtsman: Jan Adam Kruseman, (mentioned on object), publisher: G.J.A. Beyerinck, Netherlands, 1828, paper, etching, engraving, h 114 mm × w 77 mmVie damescoffices. 1. A LA Bouqueticon; 2. AU PELERINAGE; 3. A LA POINNENA; 4. A LaMADA2French revolutionary women, celebrate in Paris; 1789Genre scene First lesson". unknown, graphic artistAmor, luigi manzotti, museo teatrale alla scalaMarguerite de Valois (1553-1615) La reine Margot, Queen of France and Navarre and Louise de Savoie (1476-1531) Queen of France mother of King Francis I of France. Old XIX century engraving illustration. Les Français Illustres by Gustave Demoulin 1897Victorian Sun Shade, Industrial America - InventionOne under the heap. (Title registered (letter))The vine personified Date: 1847Jessie Remained Alone at the Table, 1868. Winslow Homer (American, 1836-1910). Wood engraving;Nathalie Fitzjames and Auguste Mabille dancing in Giselle, 1842., 1842. Fitzjames, Nathalie, b. 1819; Mabille, Auguste; Giselle (Choreographic work Coralli and Perrot). Lithographs., 1 print lithograph, b&w; 21 x 16 cm. Library's copy has been trimmed and lacks identifying captions. Penciled on the verso Quadrille dansé par Melle Natalie Fitz James et Mabille dans Giselle ou les WillisWoman in front of the fountain at Place Gaillon, Paris. She wears a cashmere shawl with arm holes called la visite over her crinoline. The carrefour Gaillon and the fountain, 1848. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzannes Fashion in Paris, William Heinemann, London, 1898.Austria, Lady at the harspichord, color engraving, 1827After Thomas Worth, His Mother-In-Law, c. 1877, Hand-colored lithograph.France, Rapilly, 18th Century Print showing Headdresses Engraving, hand-tinted gouache 11 5/8 in. X 9 3/8 in. (29.5 x 23.8 cm.). France, Rapilly, 18th century. Prints; engravings. Engraving, hand-tinted gouacheFour putti with a dog in a basket of roses on a pillow, Jean Baptiste Vérité, After Pierre Bouillon, c. 1788 - c. 1805 print print maker: Parisafter design by: Francepublisher: Paris paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. dog. Flowers: RoseKing Henry VI (kneeling in prayer) and his queen, Margaret of Anjou, with a courtier. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Florence, 1847.Four women at a table during trip to Falmouth. Color drawing of four women in dresses, with headscarves behind a table, visible from their waist. This is part of the dinner party whose table arrangement is drawn on the back of this sheet. Part from Jan Brandes, DL sketchbook. 2 (1808), p. 81.Lady Francis Scott and Lady Elliot. Date/Period: Ca. 1770. Painting. Watercolor and graphite on medium, cream, moderately textured laid paper. Height: 127 mm (5 in); Width: 130 mm (5.11 in). Author: Paul Sandby.Postcard of Wiener Werkstätte No, Biedermeiermode, Urban Janke -, Artist, Wiener Werkstätte, Publishing HouseGeorge Walker, active 1792-died 1795, British, Industrious Jenny, undated. Watercolor with pen and brown ink on medium, smooth, cream wove paper.Dancing females, from a bas relief in the Villa Borghese still image. Reproductive prints. 1812. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Bas-reliefs, Dance , Greece , To 499, Women , Greece , To 499, Drapery in art, Dancers'Cherries', St James's Palace, London, 1805. Artist: UnknownOmnium pene Europae, Asiae, Aphricae atque Americae Gentium Habitus. Abraham de Bruyn (Flanders, Antwerp, 1540-1587). Belgium, 1540-1587. Books. Engraved on paper, some gouache coloringLetters w, v and z; Bilder A B C / Buch. / Prints a b / book. Leaf with 4 performances to cut out and together to bind to booklet over the alphabet. Three imaginations of the letters w (wolf), v (father) and z (ziege). At the bottom left of the title print with a mother who puts her daughter a wreath on the head. Under each image a caption in German and in Dutch. Numbered bottom left: No. 109.France, 19th century. Square of the Paris Bourse (stock exchange), Paris, 1885. Engraving.Woodcut "On Snowy Heights", yearbook "Moderne Kunst in Meisterholzschnitten", German for "modern art in masterful woodcuts", 1900Woman Spinning From a Manuscript of the 12th century in the Royal Library of Brussels, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857