Historical Prints and Etchings

A collection of historical prints depicting various scenes including battles, religious figures, and daily life, characterized by intricate engravings and storytelling.

Monks from Noord-Brabant flights to Antwerp, 1637, Jan Luyken (attributed to), 1701 print After the conquest of Breda in 1637, monks and nuns from Noord-Brabant flee in covered wagons to Antwerp and the rest of the Southern Netherlands. print maker: Amsterdampublisher: Frankfurt am Main paper etching / letterpress printing monk(s), friar(s)

Pest pest; Fourth plague of Egypt. A mixing of vermin. On a plain in a city it is crawling from the pest. People and riders ride around and beat around to get the insects off. The print is an imagination of the fourth plague that God left over Egypt.

Two performances of the arrival at the city and of offering the keys to William IV, 1751, 1753 print Leaf with two performances. At the bottom of the arrival of the procession with the carriage of the stadholder at the Rammekens Poort. At the top of offering the keys to William IV by members of the magistrate. Part of the illustrations of the inauguration of William IV as heir to Vlissingen on 5 June 1751. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Surrender of Keys. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Flushing

Earthquake in Persia, 1641 / Pest in Naples, 1656 / Conclave for the election of Pope Innocenti X, 1644 / Plein in Münster during siege by Bishop Christoph Bernhard von Galen, 1657, Caspar Luyken, 1698 print Uncuted leaf with four prints. Amsterdam paper etching earthquake. plague. conclave ~ Roman Catholic church. installation of a pope. siege Persia. Naples. Rome. Münster

Jacques Callot, The Ordeal by Arrows (Saint Sebastian), c 1632 1633 The Ordeal by Arrows (Saint Sebastian)

Fordable place at an aqueduct, anonymous, after Jan de Visscher, after Nicolaes Pietersz Berchem, 1699 - 1756 print Shepherd on horseback and a shepherdin for a fordable place at an aqueduct. There is another shepherd on horseback in the Voorde, with four cattle. Germany paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cow. ford. landscape with bridge, viaduct or aqueduct

Two couple of historical figures in conversation Illustrations of national history (series title), In a garden two pairs of men are talking to each other. This concerns the English admirals Charles Howard, George Anson and Francis Drake and the Dutch admiral Louis Boizot. In the garden on pillars statues of Neptune and Mars. Below the image a text with the date March 1764., statues, sculptures in garden, column, pillar, architecture, Neptune as the lord of the sea, specific aspects, allegorical aspects of Mars, Mars as patron, Charles Howard, George Anson, Louis Boizot, Francis Drake (1540-1596), Simon Fokke, Amsterdam, 1722 - 1784, paper, etching, h 122 mm × w 78 mm

François Chauveau drawing of a Schwurs scene, executed with redel traces, gray spring, gray-lavated technique, elliptical shape, mounted on side paper with black border, circa 1648.

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four scenes from Dutch history. From left to right: Captain Cornelis Schrijver makes peace with a Moorish prince; Figures around a fire; Mutinous people as a result of the bankruptcies caused by the bill-wind trade; Figures behold the Northern Lights., print, engraving, prints, engravings, verso - stamped, 147, 154, 155, 146, height 110 mm, width 249 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

History of Exploration, Canada, 18th century. Daily life in a tribe. Engraving from Manners of the American Savages, by Joseph-Francois Lafitau, 1724.

View of the harbor of the Greek island of Euboea. In the foreground two bulls are being sacrificed in front of a temple. The print is part of a series depicting various places in the Mediterranean, View of harbour of Greek island of Euboea Portus Pontis nigri Ruinarum varii prospectus , print maker: anonymous, Hendrick van Cleve, (mentioned on object), publisher: Philips Galle, (mentioned on object), print maker: Antwerp, Antwerp, publisher: Haarlem, 1585, paper, engraving, h 173 mm × w 245 mm

Staateira and her daughter are brought to Alexander the Great, Leonaert Bramer, c. 1655 - c. 1665 The imprisoned woman, Staateira I, and daughter, possibly Stateira II, of the Persian king Darius III, are entered the tent camp of Alexander the Great. Alexander is waiting for the prisoners in front of his tent. Both women cry and are each in their own car. Numbered at the top right: 23. Drawing is part of an album. paper. ink pen / brush The imprisoned woman, Staateira I, and daughter, possibly Stateira II, of the Persian king Darius III, are entered the tent camp of Alexander the Great. Alexander is waiting for the prisoners in front of his tent. Both women cry and are each in their own car. Numbered at the top right: 23. Drawing is part of an album. paper. ink pen / brush

Teniers, David .

Defeat of the Spanish Army Near the Canal at Bruges by the Troops of King Louis XIV 1667. Sébastien Le Clerc the elder (French, 1637-1714); after Charles Le Brun French, 1619-1690. Date: 1680. Dimensions: 409 × 569 mm (plate); 411 × 570 mm (sheet). Engraving and etching in black on off-white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Part of a procession with men on horseback; Entry of the ambassador of Poland in Rome; Entrata in Roma Dell 'Eccel.mo Ambasciatore Di Pollonia.part of a Procession with Men On Horseback. On The Right A Richer Winged Winged Man On Horseback. Legend (G-H) in Italian in the undermaster. Top Left: 1, Top Right: 2.

Slagveld.A hilly landscape is strewn with the bodies of killed soldiers. At the front right kills a woman, Cleopatra Selene II (), The last survivors. Behind her is a man, king Juba II (), With a shield. On the right a chariot with two horses. At the top right: 5: B.

Dance under Treille (Bartsch 47) Adriaen van Ostade (1610-1685). The dance under the Treille (Bartsch 47). Forte, circa 1653.

Jacques Callot (1592-1635). "The prodigal child, we kill the fatty calf: eighth number of a series of 10 pieces" (Lieure 1412, Meaume 61). Etching. 1635. Museum of Fine Arts of the City of Paris, Petit Palais. 99590-18 Etching, engraving

The preaching of riot among farmers, 1672. The preaching of riot among the farmers in a farm barn, 1672. With caption of two rules. Illustration No. II At a poem by Petrus Johannes Beronicius on the rebellious Zeeland farmers and the Tumult in Middelburg around mayor Philip van den Brande on July 21, 1672.

Print made by Henry William Bunbury, 1750-1811, British, The Judgement of Paris, 1771. Etching on moderately thick, slightly textured, cream laid paper.

A man and a woman conversing at center, surrounded by a row of young men to the right and young women to the left, Mercury appears at top left corner; set design from 'Il Pomo D'Oro'. Artist: Mathäus Küsel (German, 1621-1682); after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)). Dimensions: Sheet (Trimmed): 10 7/16 × 17 1/4 in. (26.5 × 43.8 cm). Date: 1668.The fourth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina--also designed by Burnacini. Museum: Metropolitan Museum of Art, New York, USA.

Antoine Jean Duclos after Charles Monnet, La Fontaine de la Regeneration sur les debris de la Bastille, le 10 avril 1793, probably 1794 La Fontaine de la Regeneration sur les debris de la Bastille, le 10 avril 1793

Lime-Kiln, from Cabinet Reynst. Cornelis Visscher (Dutch, c. 1629-1658); after Pieter van Laer (Netherlandish, 1592-1642). Date: 1655-1658. Dimensions: 325 x 390 mm. Engraving and etching in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Cornelis Visscher.

Figures on the ice near a house, Jan van de Velde (II), 1616 print Figures on the ice at a house. Tenth print of a series of sixteen. Northern Netherlands paper etching skates (winter sports)

King's Palace of King Demetrius Nikanor attacked by the population in Antioch.

Political series, n ° 93. / Come, works! (IT)

The acceptance of the Waardgelders / in Utrecht, in the Jare 1617

Market in the village, Nicolas de Larmessin (III), After Jean Antoine Watteau, 1650 - 1725 print Paris paper etching / engraving village. market. anonymous historical persons portrayed in a group, in a group-portrait

Vignettes. Prints, Vignettes. 1720 - 1729. Jerome Robbins Dance Division. Dance , Germany , 18th century, Outdoor games, Porticoes (Porches)

The prodigal son returns home by boat to a large party. Etching by J. Wachsmuth after C.J. Vernet and J.C. Tardieu.

Illustration for Basedow's 'Elementary Work'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. Etching

Four Scenes of Village Life, 1785 - 1790 print On a village square, two quarreling men, both a sword in the hand, are kept apart. One man has a woman. A small group of bystanders watches. Part of a series of four genre performances of village life. paper fighting

Francesco I d'Este is Named the Deputy of the Catholilc King and is Sent to Catalogna, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este is Named the Deputy of the Catholilc King and is Se

View of Derbent, 1726, 1726 print View of Derbent in Persia, in the foreground funeral parade en route to a cemetery. Plate no. 469 in part XIX of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching / engraving cortege, funeral procession Derbent

Bonaparte: Pacificator A. GAUCHER. Bonaparte, pacifying.

Fire. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jan van de Velde II after Willem Buytewech.

The magnificent entrance to the Infante of Future Reyne from France, in Paris on March 2, 1722. (IT)

France, Louis XIV (king of France), Paris, Henriet, Israel, Goyrand, Claude, Views of Rome, Paris and other cities, Diverses Veuës et Perspectives nouvelles de Rome, Paris et des autres lieux, Title print with figures at an altar with two broken vases in a river landscape, verso - stamped, print, title print, prints, height 131 mm, width 251 mm, French, 1620 - 1662, print maker, printmaker, 1645 - 1645, paper, papier, etching, etchings, Publication (Event), Publication, 1590 - 1661, publisher, uitgeverij, 1638-09-05 - 1715-09-01, verlener van privilege

Skating riders at the Sint-Jorispoort in Antwerp. Ice provision and skaters on the water around the city of Antwerp at the Sint-Jorispoort. On the right someone has fallen on the ice. Left in the foreground a child on a prikslee.

Giovanni Guerra / 'Beheading of Sixtus II'. Early Segunda mitad del siglo XVI - XVII century. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Jokes on directorial administration or directorial smoke. (TF)

The Rape of the Sabine Women 1781 Charles Nicolas Cochin II French. The Rape of the Sabine Women 336499

Chairing the Members. January 1758, by Ernst Riepenhausen.

Arrival of King Charles II of England in The Hague, 1660, 1660 print Arrival of the English king Charles II from Delft in The Hague, 25 May 1660. Episode during his tour through and departure from the Netherlands. Arrival at the Vijverberg and the Groene Zoodje, Salute shots are fired at the Hofvijver. In the air the fame and putti with the weapons of the English king, Holland and The Hague. On the left part of the signs of the zodiac. Marked at the top: p. 34. Printed on the leaf under the plate a verse in 3 columns in English. Northern Netherlands paper etching / engraving / letterpress printing Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Vijverberg. Hofvijver

Aaron changes the water of the river into blood, Jan Luyken, 1708 print Before the Pharaoh and his entourage, Moses and Aaron changed the water of the Nile into blood. The residents of the city are shocked on the banks of the Nile. On the right the city with a tower and a temple. The print is an imagination of the first pest that God brought over Egypt. Amsterdam paper etching the plague of water turned into blood: as Pharaoh goes down to the Nile, Aaron strikes the surface of the river with his rod; the water turns into blood and all the fishes die

. Allegory in which a small Keeshond (patriots) and orange customers are weighed on a scales on a tree. De Keeshond does the scales spoke despite all the frantic attempts from the orange customers to get the weight on their side. On the side of the Keeshond are the freedom, caution, love and religion at a monument with a portrait of the Amsterdam mayor Hendrik Hooft Danielsz., 1787. In the caption verses of fourteen rules in Dutch and German.

Flying the Kite, Francis Hayman, 1707/8-1776, British, ca. 1740, Pen and brown ink, brown wash and gray wash on medium, slightly textured, beige laid paper, Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm), building, children, genre subject, kite, ladder, sporting art

A gardener looks at his lilies; Life of Maria in emblems. Presentation of a gardener who, supporting his kick, admires the lilies in a fenced garden. This leaf is part of the 'Life of Maria's Life in Emblems'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in letterpress without image.

In 't Jaar 1787. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

Vuur (Ignis), Jan van de Velde (II), after Willem Pietersz Buytewech, 1622 print Landscape with figures, representing the element fire. On the left a forge, in the background lime kilns and on the right figures busy with fire on the land. Second print from a series of four with landscapes as imaginations of the four elements. Northern Netherlands paper etching / engraving fire (one of the four elements). smith, blacksmith. smoke-stack. smoke. open fire (in general). burning as process

Jacques Callot (1592-1635). "The prodigal child," the prodigal child keeps the perceaux: fifth number of a series of 10 pieces "(Lieure 1409, Meaume 58). Eau-tie. 1635. Museum of Fine Arts of the city of Paris, Small palace. 99590-15 Etching, engraving

View of the Pyramids of Gizh, Anonymous, 1837 print paper letterpress printing Egyptian pyramids (Wonder of the World). desert Pyramids from Gizeh

Luyken, Jan, Northern Netherlands, Mattheiu Mair, noyé à Wier, Ao. 1592, Matheus Mair zu Wier ertränket, Mattheus Mair te Wier drowned, 1592, The Mennonite Mattheus Mair te Wier drowned, 1592. An executioner lowers the tied prisoner into the water from a jetty. On the scaffolding a judge and a monk., print, engraving, historical print, prints, Frederik Muller Historical plates, height 115 mm, width 143 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1685, fourth quarter 17th century, paper, etching, etchings, Work conception

Vienna, Prater, Hauptallee, Ferris wheel and Hochschaubahn , Wiener Kunstverlag E, Schreier, Producer

Sleigh ride by unknown painter, etching, 1750, Private Collection, 22,5x38

A guche, un canon. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The treasure seekers of Muiden leave in procession towards the site of the supposed treasure In front, a man carries a cross, behind him the German swindler with a whiting brush Illustration of the story of the deception of the superstitious Catholic Lieutenant-Colonel Dirk Cornelis van der Meulen by a German swindler, at Muiden in the night of 12 to 13 August 1800 In the margin a four-line verse, Treasure seekers of Muiden, 1800, print maker: anonymous, Netherlands, 1800, paper, etching, h 170 mm × w 216 mm

A Party Picnicking Near a Village, c. 1760-1770. Louis Nicolas van Blarenberghe (French, 1716-1794). Gouache on antique laid paper; sheet: 12.1 x 16.6 cm (4 3/4 x 6 9/16 in.). Louis Nicolas van Blarenberghe was known for drawings such as this one, which were executed on a small scale with exacting detail. His designs attracted the attention of the French monarchy, and he received numerous royal commissions. This work shows well-dressed figures enjoying outdoor leisure in a rural village. Its panoramic landscape and dense crowd were both characteristic of Van Blarenberghes miniaturist style.

De la Mosaique de Palestrine Detail from the Nile Mosaic of Palestrina still image. 1804. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nile River, Egypt , Social life and customs, Mosaics, Roman, Mosaic pavements, Antiquities , Roman+, Nile mosaic (Palestrina)

Return of Versailles. (TF)

Callot, Jacques, Florence, The Massacre of the Innocents, Oval representation of a street or courtyard, lined with stately buildings, where soldiers are busy murdering small children, while women desperately try to protect their offspring., print, prints, height 137 mm, width 106 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1617 - 1618, first quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, engraving, book illustration, prints, engravings, Dirk Willemsz. saves his pursuer from the ice at Asperen, 1569, verso - stamped, 82, Frederik Wilhelm Ao 1569, height 118 mm, width 141 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, Noord-Nederlands, after own design of, Publication (Event), Publication, publisher, uitgever, - 1693-06-26

August 1772 Hendrik Meijer Dutch. August. Hendrik Meijer (Dutch, Amsterdam 1744-1793 London). 1772. Black chalk, brown, black or gray ink and watercolor. Drawings

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Varii Capricci Militari. Battery of cannons pulling on a city. Sixth number of a suite of 6 rooms. (A. de Vesme 263; Dutuit 126) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Dutch political cartoon about the partitioning of the Netherlands shows the shorning and dismembering of the 'Nederlandsche' cow. The Netherlands c1800.

La Rixe (The Brawl). Dated: c. 1792. Dimensions: Overall (outer framing line): 31 x 23.5 cm (12 3/16 x 9 1/4 in.) plate: 39.2 x 29 cm (15 7/16 x 11 7/16 in.). Medium: etching and wash manner, printed in blue, red, yellow, white, green, and black inks. Museum: National Gallery of Art, Washington DC. Author: Charles-Melchior Descourtis after Nicolas Antoine Taunay.

Johann Adam Klein, Painters on Their Travels (Die Maler auf der Reise), 1819 Painters on Their Travels (Die Maler auf der Reise)

Northern Netherlands, Six representations of the arrival of William III to England, 1688, Sheet with six representations of the arrival of William III to England and other events in the year 1688, such as the birth of the Prince of Wales and the arrest of the seven bishops. Each scene with captions in Dutch and English., print, prent, prints, prenten, Frederik Muller Historieplaten, height 475 mm, width 380 mm, print maker, prentmaker, 1688 - 1688, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etsen

Horse market near Wawel. Juliusz Kossak (1824-1899), painter

Winter; Hyems; Four Seasons. Elegantly dressed figures entertain themselves on the ice in a wooded area in various ways. On the left is a building.

Victory of telemachus; Adventures of Telemachus. A crowd of spectators looks at how telemachus wins car rowing in a Roman circus. Illustration manufactured at book 5 from "Adventures of Telemachus", written by François de Fénélon.

United States of America. 16th century French expedition. Florida. Seminoles Indians. Food and meal preparation. Jacques Le Moyne de Morgues (1533-1588) made the illustrations during the expedition. 19th century engraving after the original of Jacques Le Moyne. Panorama Universal. History of the United States of America, from 1st edition of Jean B.G. Roux de Rochelle's Etats-Unis d'Amerique in 1837. Spanish edition, printed in Barcelona, 1850.

Ask Breslaus April , Unknown

Claude Gillot (French, 1673-1722) and Jean Audran (French, 1667-1756). Birth (La Naissance), ca. 1718-1722. From Life of the Satyrs. Etching and engraving on laid paper. Plate: 258 mm x 344 mm (10.16 in. x 13.54 in.). Third of three states.

Expulsion from Paradise 1540-83 Etienne Delaune French. Expulsion from Paradise 399358

Memorial of European events in the year 1714. Engraving by Christoph Weigel, c. 1722.

Amsterdam, Gogh, Cornelis Marinus van, The Hague, Lankhout & Co, Samuel, Netherlands, Bauer, Marius, The Funeral of the Dutch Etching Club, Cartoon on the dissolution of the Dutch Etching Club on 13 January 1896. Behind the hearse a funeral procession with the members of the etching club. At the bottom a verse of 4 lines. Published in the supplement of 'De Kroniek' of January 19, 1896., print, prent, cartoon, prints, prenten, height 305 mm, width 497 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1896-01-19 - 1896-01-19, fourth quarter 19th century, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1824-03-15 - 1908-09-03, publisher

Group picture.

Indiasi keringen (Court von Peking)

Fire of Cirque du Palais-Royal Fire of Cirque du Palais-Royal ". Anonymous Drawing.

Scene in the Tuileries: The Chairs 1760 Gabriel de Saint-Aubin French. Scene in the Tuileries: The Chairs 360056

Sarai Orda Batyia na Volge.. Passek, Vadim, 1807-1842. Illustrations, Prints. 1840. General Research Division

Vue de la Foire de Bezons. Artist: Gabriel de Saint-Aubin (French, Paris 1724-1780 Paris). Dimensions: image: 5 7/16 x 6 3/8 in. (13.8 x 16.2 cm), trimmed to image. Date: 1750. Museum: Metropolitan Museum of Art, New York, USA.

Firing the Canon, plate twelve from The Military Exercises. Jacques Callot (French, 1592-1635); published by Israël Henriet (French, 1590-1661). Date: 1635. Dimensions: 60 × 82 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

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