Historical Prints and Illustrations

A collection of antique prints showcasing historical figures, scenes of funerals, and art instructions, rendered in intricate black and white with detailed engravings.

Hondius, Hendrick (I), Northern Netherlands, Frisius, Simon, Funeral of Walraven of Brederode, 1615, Description of the funeral of Walraven, Lord of Brederode, Free Lord of Vianen Done in the city of Vianen on 29 January. Ano. 1615, Cover print for the funeral procession of Walraven of Brederode (plate 1), Cover print for the description of the funeral procession of Walraven of Brederode, Lord of Vianen, 29 January 1615 in Vianen (plate 1). Cartouche with title decorated with garlands and mascaron, with portrait bust, Fame and Death., print, picture, news print, prints, pictures, Frederik Muller Historieplaten, height 159 mm, width 197 mm, 1575 - 1628, print maker, printmaker, 1615 - 1615, first quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher

Istruzione elementare per gli studiosi della scultura Author Francesco Carradori Italian 1802 Francesco Carradori (1747-1824) was a Florentine sculptor and restorer active in the late eighteenth and early nineteenth centuries. An instructor at the Academy of Fine Arts in Florence from 1786-1821, his 1802 book, Istruzione elementare per gli studiosi della scultura (Elementary Instructions for Students of Sculpture), is a rare example of a didactic, illustrated treatise for students of the fine arts. While a few examples do existthe most well-known being Denis Diderot and Jean le Rond d'Alemberts Encyclopédie (1751-1772)those were intended for amateurs rather than specialists. Carradori, on the other hand, emphasizes the tools and techniques used by sculptors across a variety of media, including marble carving, wax and clay modeling, and plaster and bronze casting. He provides practical information and useful tips on technique. The engravings in this volume not only reveal the multi-step

David plays Harp for Saul; Title page for: P. Dahenus, the CL. Psalms Davids, 1611-1616. Vellum with the title of the book. Above in a medallion a deer drinking from a stream. Under the Vellum an oval with the depicting of the Harp playing David for Saul.

. An oval frame with a turtle in a landscape and the motto: "Sub Parvus Sed Meo". This is the print mark of Raphaël Sadeler.

Hondius, Hendrick (I), Northern Netherlands, Frisius, Simon, Funeral of Walraven of Brederode, 1615, Description of the funeral of Walraven, Lord of Brederode, Free Lord of Vianen Done in the city of Vianen on 29 January. Ano. 1615, Cover print for the funeral procession of Walraven of Brederode (plate 1), Cover print for the description of the funeral procession of Walraven of Brederode, Lord of Vianen, 29 January 1615 in Vianen (plate 1). Cartouche with title decorated with garlands and mascaron, with portrait bust, Fame and Death., print, picture, news print, prints, pictures, Frederik Muller Historieplaten, height 159 mm, width 197 mm, 1575 - 1628, print maker, printmaker, 1615 - 1615, first quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher

Latone et les Paysans. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Minerva binds the stupidity with a rope, Jean Dubrayet, c. 1627 print Title page for a book with drawing examples. paper engraving Stupidity, Poverty of Intellect; 'Stupidití overo Stolidití' (Ripa). (story of) Minerva (Pallas, Athena). tools, aids, implements ~ crafts and industries: rope

The Small Passion (Title Page), Albrecht Dürer, German, 1471-1528, Woodcut on laid paper, 1511, religion, print, print

Cloth with title held by Mercury, Minerva and two angels, playing nine muses playing on musical instruments, Cornelis van Dalen (I), 1643 print print maker: Amsterdampublisher: Rotterdam paper engraving (story of) Minerva (Pallas, Athena). (story of) Mercury (Hermes). (story of the) Muses; 'Muse' (Ripa)

William III and the reports Jacobus II, Romeyn de Hooghe (Manner of), 1690 print William III on horseback. Right in the back of the bending Jacobus II, the former king of England. Left rear statue of religion and freedom. The figures in the Vooostelling are equipped with numbers. Under the show the corresponding numbers with explanatory text. Netherlands paper etching / engraving / letterpress printing Riding a horse, ass, or mule; Rider, Horseman. Freedom, liberty; "Liberta '(Ripa). Allegorical representation ~ Religion; 'Religion' 'religion of SS. Maurice e Lazarus '' Religion True Christian "(Ripa)

Pavpertas commerita. Vacantes potibut consumentur... Well-earned poverty. Furmerius, Bernard Gerbrands (1542-1616). text. Illustrations, Prints. 1585. Spencer Collection

Woman with fruit under a tree, François van Bleyswijck, 1721 print A woman with an apple and a filled fruit basket in her hands is under a fruit tree. A putto takes fruit from the basket and fills its own basket. Figures grow fruit in the background. On the right a face on a city on the water. paper engraving / letterpress printing fruit harvest. fruits

Title print for a series of six ornaments, Gabriel Huquier, Gilles Marie Oppenort, c. 1725 - c. 1750 print Around a central cartouche with the title, among other things, a man with Lier on a dragon, Artemis with a hunting horn, and a crowing rooster. This print is part of an album. Paris paper etching attributes of Diana. dragon. lyre, cithara, psaltery. fowl (cock, hen, chicken, etc.). 'Cornucopia', Horn of Plenty. mask, mascaron ~ ornament

Duin landscape with two fishermen, Gillis van Scheyndel (I), after Jan Porcellis, 1696 - 1727 print Two fishermen hold a canvas on which the series title in Dutch. At the bottom of a cartouche the impressum. Print Maker: Northern Netherlands Publisher: Haarlem paper etching / engraving fishes. fisherman showing catch

Design for a Title Page 18th century () Anonymous, German, 18th century German. Design for a Title Page 381808

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Elluin, François Rolland (1745 Ca 1810), Blanchon, Jean Andre

. A cartouche with the title, flanked by two allegorical figures, each with a palm branch in hand. At the top of a winged female figure with staff and book. Bottom two garlands. Title print of the later added part 2 of the series Portraits of famous reformers by Hendrick Hondius.

Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Northern Netherlands, Saxony, Joost van, Buysen, Andries van (Sr.), The Callotto resuscitato or Newly Established Two-Cabinet, The Doctor of No Parole, Baldus Pofpaf of the Koolen Cabinet, Monsieur le Chevalier Pondeau, Grand Orator at the Parliament of the Holy See and the Ceremonial Habit, The Dwarf Baldus Pofpaf as a Member of Parliament, 1716, A dwarf Baldus Pofpaf as a Member of Parliament, with his hat in his hand. In the caption verses in German, French and Dutch. Print within a decorative frame printed from a separate plate with foliage and fantasy animals, at the top three fighting birds. Numbered right center: 6. Part of the Dutch bound edition of 1716 of a series of caricatures with dwarfs, known as Het Dwergentooneel (The Dwarf Theater), copied after an older German example., print, caricature, books, Frederik Muller Historieplaten, height 160 mm, width 105 mm, height 275 mm, width 172 mm, print maker, printmaker, 1716 - 1716

Emblem with allegory on friendship, François Van Bleyswijck, 1737 print Emblem with allegory on friendship depicts as a woman with a bowl of grapes, she tramples demons under her feet that emerge from the Hellemond. There is a poem under the performance and on the verso. Leiden paper etching Friendship; 'Amicitia' (Ripa). vine. entrance of hell as monstrous mouth (of Leviathan). devil or demons attacking mortals

Emblema XXXIII: Hermaphroditus mortuo similis, in tenebris jacens, igne indiget. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 33, located on page 97.

History at Obelisk, Anonymous, 1668 print A crowned woman, possibly history, stands at an obelisk with stars. On her shoulder she wears a laurel branch with crown and wreaths. At her feet lie a harness and weapons. paper etching / engraving 'Historia'; 'Historia' (Ripa). obelisk, needle. weapons

Abraham Bosse, Frontispiece for Callot's The New Testament, 1635 Frontispiece for Callot's The New Testament

Paris, Merlen, Jacques van, Bella, Stefano della, Various figures and scribbles, Title print with cartouche with text, verso - stamped, print, title print, prints, height 70 mm, width 90 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, French, 1616-12-15 - 1682-06, publisher

A crown and a laurel wreath, Jacques Callot, 1625 - 1629 print Presentation of a crown that is held in the air by a cherub's head, above a laurel wreath that is held by two hands. Above and below this print Latin and French texts in book print. This magazine is part of the emblem series 'Life of Maria in Emblemen'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in book print without image. print maker: Nancypublisher: France paper etching / letterpress printing trees: laurel. crown (symbol of sovereignty)

Five of diamonds: Architect.. 1702. Parsons, William Barclay, 1859-1932. Prints, Playing cards. Rare Book Division

Cornelis Galle I, Frontispiece for Torniellus, Sacred Annals, Antwerp, 1620, engraving on paper.

Title page of the leaflet: Rendevous Knapsack, 1620. Title page of the leaflet: Rendevous Knapsack, 1620. Allegory on the approaching end of the twelve-year file. The Archdukes Albrecht and Isabella together with the devil are trying to avoid falling from the obelisk of treves (the file). On the left the Dutch lion, a wild soldier and other figures and animals. The flames and weapons are raining out of heaven.

Lodewijk XIII, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance of the French king Louis XIII. Text under the show. Paris paper etching Ruler, Sovereign

61. de Boeckdrucker; Luken, Caspar (1672-1709), Luken, Jan (1649-1712); 1694 (1694-00-00-1694-00-00);

Published in le Charivari (24 April 1872): Actualities (No. 77): Do not be astonished that it is long and with many corrections, 1872. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 29.3 x 27.2 cm (11 9/16 x 10 11/16 in.); image: 22.8 x 20.8 cm (9 x 8 3/16 in.).

A man consulting a physician who is seated behind a table on which is a skull. Engraving, 1652.

Artist: David Coster, Dutch, active 1696 - died 1752, Epistle to theKing, Etching, platemark: 14.4 × 15.4 cm (5 11/16 × 6 1/16 in.), Made in The Netherlands, Dutch, 18thcentury, Works on Paper -Prints

Anna van Austria, Stefano della Bella, 1620 - 1664 print. playing card Play card with a performance by Anna van Austria with her two children in a carriage that is drawn by two unicorns. Text in STUDMARGE. Paris paper etching ruler, sovereign - BB - female ruler. two-wheeled vehicle drawn by two animals. unicorn

Liii as My Fortuijn to Hoogheydt leads, Soo Laet ick gheen Dreck Unheroert. Liii as My Fortuijn to Hoogheydt leads, Soo Laet ick gheen Dreck Unheroert. Third shock. Part of 'SinnePops', R. Visscher, 1614.

France, French crown, Paris, Gras, Henry le, Bella, Stefano della, Jeu des fables, Card game with mythological representations, Les neuf muses, Nine of clubs, Minerva and the nine Muses, Playing card with a representation of Minerva visiting the nine Muses on Mount Helicon. Text and clover in the lower margin., print, playing card, prints, height 88 mm, width 55 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, granter of privilege

Portrait of the King Nebuchadnezzar II, 1653 - 1654 print. text sheet Portrait of Sultan Selim I, used in this album as an image of Nebuchadnezzar II. The accompanying text starts with a small decorated initial D. The magazine is part of an album. paper engraving / letterpress printing

Copper butcher De Kooperslaager (title on object) The Menselyk Bedryf (series title), handicrafts, craftsman at work, coppersmith, brassworker, Caspar Luyken, Amsterdam, 1694, paper, etching, h 140 mm × w 80 mm

Persoo Pood makes man resemble Christ, Gaspar Bouttats, 1679 print Page from a book (p. 185) with text on Verso. In an oval cartouche, the interior of a mounner. In the foreground, two men are beating coins. In the background, a Munter puts a plate in the fire. Above the cartouche the title (motto) of the print and a quote from the Bible (Galatians 4:19). Under the print a caption: 'Den Slagh Maect Rijck, and Oock Gelijck' and a description that the print explains. The setback is compared here with the munition process. The coins are heated and beaten so that each coin is equal. Comparable, adversity is a method to make people equal to each other. Moreover, every setback is a reminder of the suffering of Christ. print maker: AntwerpDiestpublisher: Utrecht paper etching / engraving / letterpress printing Abstract Ideas and Concepts (+ emblematical representation of concept). minter. Adversity, Misfortune, Bad Luck; 'Fortuna infelice', 'Infortunio' (Ripa)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Amphion. Twenty-first number of a suite of 48 pieces. (A. de Vesme 528; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Udolf Haron, Laatse Houtch of Friezen, Pieter Feddes van Harlingen, 1618 - 1620 print Udolf Haron, Late Duke of the Frisians. Standing back, sword over the shoulder. In the background stallion and horsa. In an ornamental frame. Illustration, with text on the back, from the book: Frisia Seu de Viris Rebusque Frisiae Illustribus Libri Duo. Friesland paper etching / letterpress printing Ruler, Sovereign Friesland

Ferdinand II (German emperor), Antwerp, Plantiniana, Officina, Moretus, Balthasar (I), Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Title page for: J. Lipsius, Opera omnia, Antwerp: 1637, Allegorical title page with stone arch with a medallion portrait of Justus Lipsius, verso - stamped, A medallion portrait of the writer Justus Lipsius is placed on a stone arch. On either side, the personifications of Philosophy and Politics depict the main subjects within his oeuvre. Next to the arch are two portrait busts of ancient authors that Lipsius edited: Seneca and Tacitus. Next to them are Minerva and Mercury and the seated personifications of Virtue (left) and Prudence (right). Proof of a title page for Lipsius' collected works., print, title page, prints, height 325 mm, width 202 mm, 1576 - 1650-03-29, print maker, printmaker, 1637 - 1637, paper, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publ

Louis XIII (king of France), Paris, Henriet, Israel, Nancy, Callot, Jacques, The prodigal son, La vie de l'enfant prodigue, Title print for print series 'The prodigal son', verso lower left - stamped, French text on a cartouche in the form of a sheet of paper that is attached to a wall between two gates. Through one gate the prodigal son can be seen as a swineherd, through the other gate he can be seen is being chased by people with sticks. This print is the title page for a series of ten prints with scenes from the story of the prodigal son., title print, prints, height 63 mm, width 82 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1590 - 1661, publisher, 1601-09-27 - 1643-05-14, granter of privilege

Title page: Seer Aerdige Grotissen, 1684 print Grotesque decoration with stylized leaf vines and a mask at the bottom. Leaf from series with opposite copies to the series De Grotesco by Nicasius Rousseel. Amsterdam paper engraving / etching

Hondius, Hendrick, Haarlem, Berendrecht, Johannes Pietersz., Porcellis, Jan, Netherlands, Northern Netherlands, Scheyndel, Gillis van (I), Various beaches and water views done by Jan Percelles, Dune landscape with two fishermen, verso under - stamped, Two fishermen hold a cloth with the series title in Dutch. At the bottom on a cartouche the imprint., print, title print, prints, height 76 mm, width 89 mm, 1595 - 1660-12-24, print maker, printmaker, 1645 - 1645, paper, papier, etching, etchings, engraving, engraving (printing process), 1584 - 1632-01-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1590 - 1645, publisher, uitgever, Publicatie

Noord-Holland, Wandelaar, Jan, Penning met Mercury, verso middle bottom - stamped, Mercury sits on a stone platform. In his left hand he holds a caduceus and with his right hand he engraves a text in a copper plate. He leans on an overturned pot with coins. On a banderole above him is the Latin translation of 'credibility of incidents' and below him the designation for the 'Royal University of inscriptions and memorial medals, founded in 1663'., print, prints, height 51 mm, width 51 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1710 - 1759, paper, papier, etching, etsen

Icones Prophetarum Veteris Testamenti n.d. Jan van der Straet, called Stradanus Netherlandish. Icones Prophetarum Veteris Testamenti 383692 Artist: Jan van der Straet, called Stradanus, Netherlandish, Bruges 15231605 Florence, Icones Prophetarum Veteris Testamenti, n.d., Engraving, sheet: 6 7/8 x 4 15/16 in. (17.5 x 12.5 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.600.71)

Pippin of the younger, King of the Franks.

Johan Martin Preisler (1715-1794); Charles-Nicolas Cochin D.Y. (1715-1790), medallion on the occasion of Countess Bernstorff's inoculation, 1754

Dagobert II, Chilperik II, Theuderik II, Childerik III and Lodewijk V, Stefano della Bella, 1620 - 1664 print. playing card Play card with performances of the Kings Dagobert II, Chilperik II, Theuderik II, Childerik III and Lodewijk V. Text among the performances. Paris paper etching Ruler, Sovereign

The barbarian; Collection of the diversity of clothes .....

Portraits of Jan van Wely and his two assassins Jan de la Vigne and Jan van Parijs. In the background right, the assassins bury the corpse of Jan van Wely. On the left in the background the radbraken of the murderers. Below the print is a letterpress poem in Dutch referring to the victim's profession and the murder, Portraits of Jan van Wely and his two murderers, 1616 Waerachtige afbeeldinge van Ian van Weli ivwelier tot Amsterdam (...) , print maker: Crispijn van de Passe (I), Utrecht, 1616, paper, engraving, letterpress printing, h 95 mm × w 194 mm, h 195 mm × w 249 mm

Allegory with mythological and biblical figures Title vignette for: Bybelsche keurstoffen, Rotterdam 1732, print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), publisher: Philippus Losel, (mentioned on object), print maker: Leiden, publisher: Rotterdam, 1681 - 1732 and/or 1732, paper, etching, h 70 mm × w 55 mm

Kosciego, Tadeusz.

Emblem with allegory on poetry, François van Bleyswijck, 1737 print Emblem with allegory on poetry depicts as a man with paper roll and pen and laurel wreath on his head. The eagle illustrates the flight that poet can take the poet, according to the poem under the performance. In the landscape, the muses are on Mount Parnassus and Apollo plays on his harp while Pegasus flies by. The poem is continued on the verso. Leiden paper etching symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). predatory birds: eagle. Parnassus, sacred to Apollo Musagetes. Apollo and the Muses, Apollo Musagetes. Pegasus, the winged horse

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), renowned queens' game. Alceste. Thirty-sixth issue of a sequence of 52 pieces. (A. de Vesme 628; Dutuit 118) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Mens creation, Abraham Blotling (attributed to), after Antonio Tempesta, 1671 print Page from a book with text on recto and verso and an illustration at the beginning of Book 1. God creates man. He stands on a cloud and wears a crown. Man leans naked against a tree. Animals, a lion, deer, bull and a camel are walking around him. Amsterdam paper etching origin of man

Coat of arms. The coat of arms for the virgins are retained by two putti, which are surrounded by vines. The shield shows a tongue on vine leaves. The text describes which qualities this tong has. Page from a book with text on recto and verso.

Odilbald, Sixth Duke of Frisians; Odilbaldus. Dux Frisiae sextus; Kings and potestocks from Friesland; Frisia, SEV, the viris. Odilbald, sixth duke of Frisians. Full of feet, sword over the shoulder. Different cities in the background. In an ornamental frame. Illustration, with text on the back, coming from the book: Frisia Seu de Viris Rebusque Frisiae Illustrus Libri Duo.

XV Who Deys, Soo Geyts. XV Who Deys, Soo Geyts. Third shock. Part of 'SinnePops', R. Visscher, 1614.

Childebert I, Chlotarius I, Chilperik I, Childerik II en Charibert I, Stefano della Bella, 1620 - 1664 print. playing card Play card with performances of the Kings Childebert I, Chlotarius I, Chilperik I, Childerik II and Charibert I. Text under the performances. Paris paper etching Ruler, Sovereign

Trozendorf, Valentin .

Isabella Clara Eugenia, Infanta of Spain, Louis XIII (King of France), Ferdinand II (German Emperor), Antwerp, Nutius, Heirs of Martin (II), Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Title page for: C. van der Steen, Commentaria in Pentateuchum Mosis, 1623, Moses and five scenes from the Pentateuch, recto lower left - manuscript brown ink, Moses with the tablets of the law enthroned on a pedestal with the title of the book. On either side and below five cartouches with scenes from the first five books of the Old Testament, the Pentateuch., print, engraving, title page, prints, engravings, verso - stamped, Corn. Galle sculpt., recto lower right - manuscript brown ink, PP Rubens invenit, height 322 mm, width 200 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1623 - 1623, paper, papier, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher, German, 1578-07-09 - 1637-02

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), renowned queens' game. Parysatis. Sixth issue of a sequence of 52 pieces. (A. de Vesme 606; Dutuit 118) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

A Cancer looks at the sun, Jacques Callot, 1646 print Presentation of a lobster that, on a coast, looks at the rising sun. Above and below this print Latin and French texts in book print. This magazine is part of the emblem series 'Monastic Life in Emblemen'. In addition to an illustrated title page and 26 emblems, the second state of this series is a title page and a magazine with assignment, both in book print without image. print maker: Nancypublisher: Paris paper etching / letterpress printing crustaceans: lobster. sunrise

Claudia Octavia, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Claudia Octavia, a daughter of the Roman emperor Claudius and the wife of the Roman emperor Nero, sitting in a chair. Text in STUDMARGE. Paris paper etching ruler, sovereign - BB - female ruler

Three men bow to Apollo, Cornelis Claesz. Duysend, Lowijs Elzevier (III), 1640

Fables Nouvelles, Dediées au Roy 1719 Lamotte-Houdar French Although he was not trained as a professional printmaker, Gillot found a robust market for his whimsical small-scale designs for book illustrations, which he often etched himself with remarkable fluidity.. Fables Nouvelles, Dediées au Roy 349471

Keizerlijk hof, Augsburg, Engelbrecht, Martin, Hildt, JS, Wachsmuth, Jeremias, Einige und nach der neüesten Façon eingerichtte Vassi, Rocaille cartouche, verso - stamped, Rocaille cartouche with series title, in a landscape. Print number 180, publisher number 37., print, ornamental print, title print, prints, ornamental prints, height 183 mm, width 274 mm, German, 1711 - 1771, print maker, printmaker, 1721 - 1756, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1684-09-16 - 1756-01-18, publisher, uitgever van privilege

Allegory on Reason, Anonymous, 1685 print A woman, in classic robe, sitting behind a writing table, in hand a trail, as a reference to reason. On the table an hourglass, as a symbol of transience. At her feet a rooster, as a symbol of vigilance. On the column behind her a sundial, which refers to the passage of time. Two angels hold a banner on which the title in Latin. paper engraving Reason; 'Ragione' (Ripa). writing-table, writing-desk. spur

A woman with arm raised at a wheelbarrow in which a plant. Some houses in the background. Print from a book in which 36 prints with sentence images. Print used in: F. van Hoogstraten, the schooly of the world, 1682.

. Two fishermen hold a cloth on which the serene title in Dutch. At the bottom of a cartouche the imprint.

Three men bow for Apollo, Cornelis Claesz. Duysend, 1640 print Three men arrive at the Sun GOD Apollo who stands on a hill. The middle man bends for the god. A winged horse in the air. Amsterdam paper engraving (story of) Apollo (Phoebus)

Xxxviii breeding to bench. Xxxviii breeding to bench. First shock. Part of 'Sinnepoppen', R. Visscher, 1614.

XXXIV He Leut Diet Leut Iick and Leut Neat. XXXIV He Leut Diet Leut Iick and Leut Neat. Third shock. Part of 'Sinnepoppen', R. Visscher, 1614.

France, French crown, Paris, Gras, Henry le, Bella, Stefano della, Jeu des fables, Card game with mythological representations, Jupiter et Danäé, Three of clubs, Jupiter and Danaë, Playing card with a representation of golden rain (Jupiter) falling from a cloud onto the reclining Danaë. Text and clover in the lower margin., print, playing card, prints, height 88 mm, width 55 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, granter of privilege

Numa ontmoet Hersilia, Henri-Joseph Godin, 1790 print Behind the temple of Minerva, Numa finds the sleeping Hersilia. With a French caption. print maker: Luikpublisher: Brussels paper engraving / letterpress printing male literary characters (with NAME). (story of) Minerva (Pallas, Athena). female literary characters (with NAME). temple, shrine ~ Roman religion

Cartoon at Madame de Maintenon, 1705; La Boite de Pandore, Repandu sur Les Dessins Louis XIV. OU LES LAMENTATIONS DE MADAME THE MAINTENON / PANDOUS BOX OF PANDOOR, LOUYS DE XIV designs. Or the tears of Madame de Maintenon; Royal Almanach from 1705 / 't Lusthof from MoMus. Cartoon on Madame de Maintenon, 1705. Left a great bust from King Louis XIV. In the plate inscriptions in Dutch and French. On the blade on either side and verses below the plate in Dutch and French. Part of a series of 7 cartoons on the French and allies from the year 1705.

New Year's wish from the Night Wakers of Haarlem for the year 1689, Isaac Vincentz. van der Vinne, 1689 - 1691 print In the middle a night watchman with a lance. In addition, eight columns with six lines each Dutch text. Haarlem paper letterpress printing coat of arms (as symbol of the state, etc.) (+ city; municipal) Haarlem

unknown, Haarlem, Soutman, Pieter Claesz., Visscher, Cornelis (II), Peplus sive Gothorum, Wandalorum, Svevorum, Herulorum, Gepidarum, Marcomannorum et quadorum veterum Imagines ex antiquis monumentis et museo Marci Zuerii Boxhornii, Ancient peoples living here, Title print for the Peplus series, verso - stamped, Title print with the title of the print series on a cloth held up by angels. Left Gustaf II Adolf, King of Sweden, trampling on Envy, right Queen Christina of Sweden standing on pieces of armor., print, prints, height 445 mm, width 312 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1650 - 1650, paper, papier, etching, etchings, engraving, engraving (printing process), 1601 - 1657-08-16, Publication (Event), Publication, publisher, uitgever, gever van privilege

Emblem with allegory for eternity; Evergheyt. Emblem with allegory for eternity represented as a father's time with snake in a ring (tail in mouth) and firebird in his hand. In a landscape the dead hunt meets a king with servant on horseback. There is a poem under the show and on verso.

Woman from Poland, Stefano della Bella, 1620 - 1664 print. playing card Play card with a performance of a standing woman with a coat of arms from Poland. Text in STUDMARGE. Numbered in the top left: 6. Paris paper etching Europeans Poland

In a room, a pharmacist or doctor holds a bottle in his hand and accepts herbs from a boy. To the right a man in bed, from whom a vein is being let. On the left, a room with distillation apparatus, Preparation of medicines and a venesection Title page for: 't Vierde deel der wyse jaer-beschryver of Wonderlcke genees en heel-konst, 1662, print maker: Julius Milheuser, (mentioned on object), publisher: Cornelis Jansz Zwol, (mentioned on object), Amsterdam, 1662, paper, etching, letterpress printing, h 95 mm × w 138 mm, h 198 mm × w 153 mm

Woodcut and type print by Albrecht Dürer for the Small Passion series, depicting the title page with Christ in suffering, printed around 1511.

Allegorical scene with History seated on a cloud above Study with a history book, medallion with portraits, a globe and chart. Two winged genie write the History of Remus and Romulus. Copperplate title page with round vignette by Jean Baptiste Piauger from Professor Joseph Rudolf Zappes Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millots Abrege de lHistoire Romaine.

Xi Semel, Non Saepe. Xi Semel, Non Saepe. Third shock. Part of 'SinnePops', R. Visscher, 1614.

Emblem with allegory in wisdom, François van Bleyswijck, 1737 print Emblem with allegory in wisdom depicts as a minerva with burning oil lamp, opened book and helmet. Her foot rests on a winged government apple. Decorated in round frame with ornaments. There is a poem under the performance and on the verso. Leiden paper etching Wisdom; 'Sapienza', 'Humana Sapienza', 'True Sapienza' (Ripa). Oil-Lamp

Title page for: P.J. Kasteleijn, Essay on the art to be always cheerful. In four songs. Amsterdam, The Netherlands, 1780, Cornelis Bogerts, Albrecht Borchers, 1780.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cartes of the Kings of France, Louis XIII Le Just. Thirty-nineteenth issue of a suite of 40 pieces. (A. de Vesme 650; Dutuit 119) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Judgment of Paris; Koppen Three; Jugement de Paris; Card game with mythological performances; Jeu des Fables.Playing Card with a Representation of Paris with Juno, Venus and Minerva. Text and kicking in the undermarge.

unknown, Paris, Gras, Henry le, Bella, Stefano della, Cartes des rois de France, Card game with rulers of France, Charles huicte, Karel VIII, Playing card with a representation of the French king Charles VIII. Text below the representation., print, playing card, prints, height 90 mm, width 54 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, granter of privilege

Salmacis and Hermaphroditus; Windows eight; Salmacis et hermaphrodite; Card game with mythological performances; Jeu des Fables. Playing card with a representation of salmacis and hermaphroditus sitting on the waterfront with their feet in the water. Text and diamond in the undermarge.

French and Spanish. (IFF 137) (dummy title) | Joyful and pleasant proverbs. Book II. (IFF 30-272) (Title of the whole)

Two putti spread a cloth; Birdbook; Livre d'Oyesavx.After a weapon with two lions, two putti open a large white cloth. On the canvas a French text with, among others, the series title. A landscape in the background. Title print for a series of landscapes with different bird species.

Title page for: The Européis Magnyn of particular matters, in the Ryk der Natuur, in the statements, and in the sciences stalling, 1754. Fame blows on a trumpet and has a laurel wreath in her hand. She stands on a globe with a cornucopia on either side.

PEPILLO ERRANTE, ROMANCERO, SIGLO XIX. Museum: Barcelona.

Pure and Pleasing Face, Antique Skeletons of Amsterdam

Syrie 1644 Etched by Stefano della Bella Italian. Syrie 382669 Artist: Etched by Stefano della Bella, Italian, Florence 16101664 Florence, Artist: Designed by Jean Desmarets de Saint-Sorlin, French, 15951676, Publisher: Published by Henri Le Gras, French, Dedicatee: Made for Louis XIV, King of France, French, Saint-Germain-en-Laye 16381715 Versailles, Patron: Commissioned by Cardinal Jules Mazarin, Italian, Piscina 16021661 Vincennes, Syrie, 1644, Etching, state iii. The Metropolitan Museum of Art, New York. Gift of the Estate of James Hazen Hyde, 1959 (59.654.19(21))

unknown, Paris, Gras, Henry le, Bella, Stefano della, Cartes des rois de France, Playing cards with rulers of France, Clouis 2nd, Clotaire 3rd, Thierry 1st, Clovis 3rd, Childebert 2nd, Clovis II, Chlothar III, Theuderic I, Clovis III and Childebert II., Playing cards with representations of the kings Clovis II, Clovis III and Childebert II. Text below the representations., print, playing card, prints, height 90 mm, width 54 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, granter of privilege

Architectural setting with Januskop, in or after 1589 print Architectural accompaniment with pediment with Januskop in medallion on top. A putto with laurel wreath on either side. Above that an eagle. paper engraving / letterpress printing architecture. Janus' head, two-faced head

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