Historical Prints of Events

Engravings depicting significant historical and mythological events, showcasing dynamic action and emotional expressions of characters involved.

After the Conquest of Breda in 1637, monks and nuns from North Brabant flee in covered wagons to Antwerp and the rest of the Southern Netherlands, Monks from North Brabant flee to Antwerp, 1637, print maker: Jan Luyken, (attributed to), publisher: Johann David Zunnern, print maker: Amsterdam, publisher: Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mm

The Conversion of St. Paul. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: Sheet: 11 1/8 in. × 16 in. (28.3 × 40.7 cm). Date: 1509.In a tiny vignette in the left background, Lucas depicted the dramatic moment when Saul of Tarsus (Saint Paul), on a journey to Damascus to arrest the followers of Christ, is confronted by God, who strikes him blind. In this extraordinary print, the artist chose to focus on a less traditional but more emotionally poignant and human aspect of the story. Saul, now blind, is shown in the foreground, his head bowed as he continues on his way to Damascus, helplessly leaning against his companions for guidance.The busy horizontal procession, in front of a peculiar rocky outcropping and under a partially defined sky, full of exotic gesticulating figures who animatedly discuss the event, indicates Lucas' familiarity with Martin Schongauer's engraving Christ Carrying the Cross (35.27). Yet, in contrast to Schongauer's work of ab

Turkish atrocities in the Venice area, 1614, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 112 mm × w 154 mm

Telemachus. Etching by J. Folkema, 1733, after B. Picart.

Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753 The Flight, Joseph at Right and Mary and Angel at Left

Amsterdam, Bosch, Hendrik, Estius, Franco, Haarlem, Goltzius, Hendrick, Herscheppingen van P. Ovidius Naso, Ovidius' Metamorphoses, Bronze Age, Imagination of life during the Bronze Age, which was rougher in nature and people were more quickly prepared for battle than in the Silver Age. In the foreground is Minerva, with a boy with a bundle of stabbing weapons next to her. On the ground are all kinds of weapons: swords, a helmet and shield, a quiver and a morning star. On the left in the background, men are building a defensive structure or fort. On the right, a boy is pulling a duck basket out of the water. Below the representation, two times two lines of verse in Latin. The print is part of an album., print, album sheet, prints, height 174 mm, width 255 mm, Northern Netherlands, 1558-01 - 1617-01-01, print maker, printmaker, 1589 - 1589, paper, engraving, engraving (printing process), Work conception, after a design by, writer, Publication (Event), Publication, Dutch, publisher

. In a summer landscape, a crowd of people enters into the direction of the city in the distance. Some driving cows and another leads a horse with a cart with vegetables. Right at a stream is a large tree and links are a few farmer's homes. Under the print three columns text.

Dike breach at Coevorden, 1673; Image, captive Den Dyck (...) to make the Stercke Stadt Coevorden, by stopping that water, the first October, Ao. 1673, has been bloken (...). Dike breach at Coevorden, October 1, 1673. Enemy riders and guns are washed away by the water, in the distance the city of Coevorden. At the top of the plate the title on a hanging cloth, left a legend 1-11, on the right a verse of 6 lines 'on cozodens miraculous redemption'. The whole in a frame with windkopes and skulls.

The Captain. Dated: 1619. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot after Matteo Rosselli.

Pieter van der Heyden after Pieter Bruegel the Elder, Summer, published 1570 Summer

Landscape with farm cart. Draughtsman: anonymous. Intermediary draughtsman: Jan van Goyen. Dating: 1606 - 1700. Measurements: h 125 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

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European sailors try in vain to let Aboriginals vessels carry barrels, Caspar Luyken, 1698 print European sailors try in vain to let Aboriginals carry barrels with water in exchange for old clothing. print maker: Amsterdampublisher: The Hague paper etching slavery; serfs and the enslaved. Australian and Oceanian races. exploration, expedition, voyage of discovery Australia

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Round village, according to Rubens (Dutuit 27 (20) p. 254) Round village, according to Rubens (Dutuit 27 (20) p. 254). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Tableau Vivant with Perseus and Andromeda; Pulchrae Pro Libertatis Amore. Allegoric Tableau Vivant with Stadtholder Frederik Hendrik who comes to the rescue of Andromeda (the Netherlands) as a perseverance. Left in the water The sea monster (Spain). Display planned - but ultimately not performed - on the water of the Damrak when the Visit of English Queen Henrietta Maria to Amsterdam, 20-22 May 1642. In the caption, the title and 2 times 4 lines in Latin. Second plate in a group of ten displays and triumph arches.

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Officials of the papal court on horseback, plate 11, plate 11. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, picture, news print, propaganda print, album sheet, prints, pictures, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, 17th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Two princes in a triumphal wagon, Anonymous, 1520 - 1570 print Illustration from a book by Jodocus Dammhoudere () About Roman history. Two men in car, accompanied by men on horseback and on foot. paper chariot, triumphal car

Suppliers on horseback, Jan van Huchtenburg, After Adam Frans van der Meulen, 1674 - 1733 print A consultation between three men on horseback and one on the ground standing in the foreground in a landscape. On the left a man holds a horse with the reins. unknown paper engraving / etching landscapes (+ landscape with figures, staffage). war and peace (+ cavalry, horsemen)

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Johannes, Den Grooten Figuer-Bibel, History of David and Absalom, The Histories of Absalon, Simi Curses King David, bottom right - handwritten in brown ink, Simi curses King David and throws stones at him. David's soldiers want to defend him but the king stops them. Below the image a reference in Latin to the Bible text in 2 Sam. 16:5. This print is part of an album., print, album leaf, prints, 164, height 193 mm, width 258 mm, South Netherlands, 1549 - 1618, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

Rider and death; No man Soo Klokeck, nor animal soo quickly, the kills and removes them. In stormy weather flight a rider for death, presented as a framed, that behind him comes on a horse with wings and with a horse skull as head. Death solves a shot with a gun that he holds in his left hand. A battle in the background. In the middle of the show three rules in Latin, left and right two rules in Dutch.

Roman soldiers have collapsed a tower on the wall of Gamala by undermining, Jan Luyken, 1704 print Amsterdam paper etching / letterpress printing collapsing building

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François Eisen drawing of a garden scene representing love, executed in black ink with pen and gray wash.

Pandoer and his wife dancing after victory .. in a landscape with two rocaille motifs dancing a pando and his wife after victory. Two men play music on a throm and a flute on the left and right. On the right is a man chained to a chain. In the underwear twice a four-line French and German text. Publisher number 10.

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Jozef sold by his brothers, Caspar Luyken, 1712 print Amsterdam paper etching Joseph is sold for twenty pieces of silver

Landscape with Vegetables car, Theodorus van Kessel, after Peter Paul Rubens, 1630 - 1660 print In a summer landscape, a crowd of people go with merchandise in the direction of the city in the distance. Some float cows and another leads a horse with a cart with vegetables. On the right at a stream is a large tree and on the left there are some farmhouses. Three columns text under the print. paper etching / engraving herd, flock. farm or solitary house in landscape. two-wheeled vehicle drawn by one animal

Drunk company at Stadspoort, Cornelis de Wael, 1630 - 1648 print A drunken group stumbles under a city gate. One man is worn by two others. On the right a woman with a child on her arm. Italy paper etching drunkenness. city-gate. mother and baby or young child

The Holy Family Between Two Angels, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Lion Hunt, Egbert Jansz., Antonio Tempesta, Johann Theodor and Johann Israel de Bry, 1598.

Some figures try to get a piece of the globe for themselves; The childish pleasure.

Lente, Melchir Hams (Possibly), after cornelis de wael, 1628 - print A company in a garden avoids the water jets of a fountain under a loggia. after design by: Italypublisher: Antwerp paper etching / engraving spring, 'Ver'; 'Primavera' (Ripa)

Celebration of the fall of the Egyptian army, Julius Goltzius, After Hans Bol, 1586 print The Egyptian army drowns in the Red Sea. In the foreground, the prophetes of Mirjam and a procession of women with musical instruments celebrate the victory. In the background, the Israelites thank God. The print has a Latin caption and is part of a series about the flight from Egypt. Antwerp paper engraving Miriam takes up a tambourine and dances; all the women follow her

La Rose Ou La Fete de Salency; Unknown, Moreau, Jean-Michel (1741-1814), Greuze, Jean-Baptiste (1725-1805); after 1768 (1768-00-00-1800-00-00);Billardon de Sauvigny (1763-1812), Czartoryska née Krasiński, Ludwika Maria (1883-1958), Czartoryska née Krasiński, Ludwika Maria (1883-1958)-collection, Działyńska from Czartoryski, Izabela (1830-1899), Działyńska née Czartoryski, Izabela (1830-1899) - collections, Gołuchów - collection, album Dessins de Maîtres, Czartoryski deposit, illustrations, copies (imitation), French drawings, historical scenes, castles (architect.), Holidays (customs)

Group Beggars in landscape. A group of five beggars, including one beggar with child on the back, in a landscape with ruins. Text in Latin in undermarge.

Laban Searching for Family Idols among the Possessions of Joseph. Giovanni Benedetto Castiglione; Italian, 1609-1664. Date: 1630-1635. Dimensions: 245 x 330 mm (image); 250 x 340 mm (plate); 260 x 345 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

A group of people from Puerto Rico Date: circa 1700

Count Willem II drops through the ice at Hoogwoud, 1256, Jan Luyken, 1698 print Amsterdam paper etching violent death, being killed; being mishandled and maltreated; seeking death. attempt, political murder High forest

Amsterdam, Luyken, Jan, Caravan of the Israelites travels under Ezra to Jerusalem, verso - manuscript in brown ink, print, prints, verso - stamped, 183, height 112 mm, width 149 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Plate 5: two pilgrims with hats rest to the left, seen from behind, a horseman rides towards the background to the right, from 'Various Figures' (Agréable diversité de figures) 1642 Stefano della Bella Italian. Plate 5: two pilgrims with hats rest to the left, seen from behind, a horseman rides towards the background to the right, from 'Various Figures' (Agréable diversité de figures) 375796

Rinaldo LeavingArmida. Etcher: Lorenzo Baldissera Tiepolo, Italian, 1736-1776 After: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

Plate 35: Philip of Spain as Neptune, riding in a chariot drawn by two sea horses; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' 1636 Pieter de Jode II On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.. Plate 35: Philip of Spain as Neptune, riding in a chariot drawn by two sea horses; from Guillielmus Becanus's 'Serenissimi Principis Ferdi

Abigail Before David. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1502-1512. Dimensions: 273 x 196 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Farm-wedding. Farm-wedding with guests sitting at the table with a banquet and dancing farmers. Different obscene details have been processed in the scene, a dog eats the vomit of a man and another dog licks the dirty buttocks from a child. In the margin under a mocking verse in three couplets by C. Tiel.

Italië, Busca, Antonio, Veldheer met zijn retinue, Italy, verso - stamped, A young general (possibly Emperor Augustus) sits under a tree and is surrounded by soldiers and servants. Above his head is an eagle., print, prent, prints, prenten, height 224 mm, width 307 mm, 1625 - 1686, print maker, printmaker, 1635 - 1686, paper, papier, etching, etchings

A brown ink drawing by Adriaen de Weerdt depicting Boas wearing sneakers, executed with gray wash.

Augsburg, Nilson, Johann Esaias, Eisen, Charles Joseph Dominique, Rustieke scènes, Les Amusements Champêtrès, Landelijk amusement, verso - stamped, On the edge of a forest, on the left, a couple of shepherds in love sit with a birdcage and a bird's nest. On the right, a second couple in love sit with a flower basket and a wreath., print, ornamental print, prints, ornamental prints, height 167 mm, width 225 mm, print maker, printmaker, 1731 - 1788, paper, papier, etching, etchings, Work conception, French, 1720-08-17 - 1778-01-04, after a design by, Publication (Event), Publication, German, 1721-11-02 - 1788, publisher

David with De Beer and De Leeuw, Pieter Serwouters, After David Vinckboons, 1608 print David grabs a bear with his bare hands, which threatened his herd. At his feet is a killed lion. Under the print four verses in Latin and a reference to 1. Sam. 17.34. Amsterdam paper engraving David kills a lion and a bear (or tells Saul about it)

Plate 35: Philip of Spain as Neptune, riding in a chariot drawn by two sea horses; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. Artist: Pieter de Jode II (Flemish, 1606-ca. 1674). Dimensions: Sheet (Trimmed): 11 5/8 × 15 1/8 in. (29.5 × 38.4 cm). Published in: Antwerp. Publisher: Johannes Meursius (Flemish, active 1620-47). Date: 1636.On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Mus

Telemachus is having a conversation with the honored Mentor, between them is a third person holding an olive branch. In the background a group of soldiers waits, on the left an army camp. Illustration made for a story from 'Adventures of Telemachus', written by François de Fénélon, Telemachus in conversation with Mentor Adventures of Telemachus (series title), print maker: Jacob Folkema, (mentioned on object), Jacob Folkema, (mentioned on object), 1715, paper, etching, h 149 mm × w 114 mm

Drie Solden En Jongen, Giovanni Battista Tiepolo, in or Before c. 1735 print paper etching private soldier

The Madonna and Child at Left, with a File of Angels. Dated: published 1753. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo.

Augustus, Adriaen Collaert, After Hans Bol, 1578 - 1582 print Round list of summer landscape with summer scenes. August is the harvest month. So the harvesting of grain is central. Harvest cars bring the grain to the shed. Some farmers are ready for their break. In the middle of the constellation Virgo. The print is part of a twelve -part series over the twelve months. Antwerp paper engraving reaping, picking, mowing ~ harvest. dipping, washing (sheep or other animals). August and its 'labours' (+ with zodiacal signs). rest during harvest (eating, dancing, making love, etc.)

Shepherd and shepherdess in a front. In a front, a shepherd man points to two shepherdesses with dogs. The shepherd has two cows.

Summer; Aestas; Four Seasons. Landscape with activities that take place in the summer: men harvesting grain and the hay is stored on haymilers. Under the margin is a verse of four lines in Latin.

Battle: the month of August and the element fire; Four August; Landscapes with the months, elements and seasons. A battle takes place between riders and foot volkes in a landscape. At the bottom of the margin a two-legged fresh in Dutch and a two-legged fresh in French. Print from a series of different months, which also depict an element or season.

William Hogarth, 1697-1764, British, Hudibras Sallying Forth (no.2). Engraving on wove paper mounted on laid paper.

Fryderyk II Moved by the Concern of the Wounded NCO for his Life Illustration No. 1 (from 8) to the Publishing House C.G.D. Stone Characteristics of Frederick the Second, King of Preussen. Characteristics of Fryderyk II, King of Prussia. Three parts (with the portraits of Friedrich II) Berlin, 1798, with Joh. Friedr. Chodowiecki, Daniel Nikolaus (1726 1801)

Remains of Arnoldus are released from the flush in Rome, Jan Luyken, 1685 print Amsterdam paper etching violent death ~ fire. (human) skeleton Rome

Saints Romualdus and Marinus, pl. 20 of 25 from the series Trophaeum Vitae Solitariae (MaleHermits). Publisher: Johann Sadeler I, Flemish, 1550-1600 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Rafael Sadeler I, Flemish, 1560-1628

Brussels, Orley, Richard van (II), Il pastor fido, Mirtillo dressed as a nymph, verso - stamped, Mirtillo is dressed as a nymph by the nymphs to get closer to his beloved Amaryllis. In the background the other shepherds in the field. Print from a series of 12 prints illustrating the play Il pastor fido, 1st scene of the 2nd act., print, prints, height 258 mm, width 193 mm, South Netherlands, 1663-07-16 - 1732-06-20, print maker, printmaker, 1695 - 1705, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Amsterdam, Luyken, Jan, Korach, Dathan and Abiram and their families are swallowed up by the earth, verso - manuscript in brown ink, print, prints, verso - stamped, 72, height 116 mm, width 149 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

The Bohemians: The Bohemians Marching: The Vanguard, c. 1621-1625. Jacques Callot (French, 1592-1635). Etching and engraving; sheet: 12.4 x 23.6 cm (4 7/8 x 9 5/16 in.).

Decimation. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Apollo entrusts Aesculapius to Chiron; Metamorphoses from Ovid. Apollo hands His son Aesculapius, the child of Apollo and Coronis, at the Centaur Chiron who will raise the child. The child grew into the god of medicine. In the margin a four-line caption, in two columns, in Latin.

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Salentine soldiers on the left attacking the inhabitants of Manduria. The scene is framed by an ornamental border with olive branches and a bow at the bottom. Numbered top right: No. II. Salentine attack on the inhabitants of Manduria, print maker: Jean-Baptiste Tilliard, (mentioned on object), intermediary draughtsman: Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, intermediary draughtsman: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 316 mm × w 247 mm

Antiochus Thrown from His Chariot. Nöel Hallé (France, Paris, 1711-1781). France, 1739. Prints; etchings. Etching

Antwerp, Jode, Gerard de, Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Gideon, Selection of Gideon's men, Gideon has led his men to the water and lets them drink. Those who lick the water with their tongues he takes into battle. The men who kneel to drink the water are sent home. Below the representation a reference in Latin to the Bible text in Judg. 7. This print is part of an album., print, album leaf, prints, height 202 mm, width 264 mm, Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Capricci di varie battaglie. Dated: 1635. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Wilhelm Baur.

Weigel, Christoph, Amsterdam, Luyken, Jan, Abraham and Lot leave for Canaan, verso - stamped, print, prints, height 253 mm, width 199 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

France, French crown, Langlois, François, Bella, Stefano della, Varie figure, Diverse figures, Soldiers in battle, verso - stamped, Soldiers on foot and on horseback in battle on the battlefield., print, prent, prints, height 105 mm, width 156 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Jacques Callot (1592-1635). "The miracle of Saint Mansuy" (Lieure 378, Meaume 641). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99592-28 Etching, engraving

Etching by Giovanni Lanfranco depicting the triumph of David, showing figures celebrating his victory in a biblical scene, created in 1607.

Zomer, Nicolaes de Bruyn, After Maerten de Vos, 1581 - 1656 print Landscape with activities that take place in the summer: men harvest grain and the hay is stored on hay solders. At the bottom of the margin is a verse of four lines in Latin. Netherlands paper engraving summer ~ human activities (the four seasons of the year)

Port with merchants at Trakkar; Italian ports; Aliqui Pandus. Port with links Three merchants, to the right thereof, three merchants loaded a tractor behind a horse. On the right two merchants, one with tubs and in the background sailing ships. Eighth print from a series of twelve with Italian ports.

Winter (Hyems), Jan van de Velde (II), 1617 print Fighting farmers for a house. Imagination of the season, fourth print of a series of four. Northern Netherlands paper etching / engraving winter, 'Hyems'; 'Inverno' (Ripa). winter landscape; landscape symbolizing winter (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months)

Monkeys on a mountaintop engage in education, science and the arts Part of a series consisting of a title print and 16 unnumbered plates from c 1720 in which monkeys as people are depicted in various scenes of everyday life Each print has a two-line verse in the caption, Apes on a mountain top Apenspel in de wereld 't Aapenspel in de Werelt , print maker: Leonard Schenk, (possibly), publisher: Leonard Schenk, (mentioned on object), Amsterdam, 1720, paper, etching, engraving, h 165 mm × w 196 mm

David Dijoofdt goliat; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. Goliat is on the ground and David is about to hack his head. Under the rectangular representation a fresh in Latin from 1 Sam. 17:51.

Picart, Bernard, Amsterdam, Allegory of the Road to Rome, verso lower left - stamped, Landscape with in the foreground a Roman engineer showing a road map to a magistrate. On the left in the foreground the Tiber, which rests along the river bank with Romulus, Remus and the she-wolf. In the background men are leveling a road. With an empty margin., print, prent, prints, prenten, height 220 mm, width 159 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1728 - 1728, Work conception, after own design by

Odysseus is tied by his men to the mast of the ship to withstand the singing of the sirens. The remaining men are rowing. On the shore stand three sirens. Behind them lie the bones of previous victims., Odysseus and the sirens, print maker: anonymous, Abraham van Diepenbeeck, print maker: Low Countries, Southern Netherlands, 1622 - 1725, paper, engraving, h 289 mm × w 198 mm

Specklin, Veit Rudolf, Holbein, Hans (II), Sacrifice of Elijah consumed by fire, The altar with the sacrifice of Elijah is lit by fire by God as a sign of his power. On the left are the priests of Baal who have tried in vain to make their sacrifice burn, on the right Elijah kneels while calling on God. In the margin of the image is the text III Regvm XVIII 2 Kings 18., print, book illustration, prints, height 60 mm, width 85 mm, height 83 mm, width 97 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1538 - 1538, second quarter 16th century, paper, woodcut, French - 1550, block cutter

The sinful humanity before the flood, Johann Sadeler (I), After Dirck Barendsz., 1581 - 1583 print A group of naked people at a set table in the open air. They party, make music, eat and commit fornication. At the back left the flood with the Ark. The print has a Latin caption with an explanation. Antwerp paper engraving the wickedness of mankind; the wicked are usually shown feasting and revelling. celebration meal, feast, banquet. the ark is floating on the waters, while life on earth is destroyed ~ story of Noah

Gideon recommends his man's water to drink.

The Betrayal. Dated: c. 1624/1625. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The Four Seasons: Summer, 1570. Pieter van der Heyden (Netherlandish, c. 1530-c. 1575), after Pieter Bruegel (Flemish, 1527/8-1569). Engraving;

Rider fight. Draughtsman: Pieter Cornelisz. Verbeeck. Dating: 1635 - 1645. Measurements: h 90 mm × w 160 mm. Museum: Rijksmuseum, Amsterdam.

Spectacle with the chariot of Neptunus, Pieter de Jode (II), 1636 print Spectacle with Neptunus (Philip IV) standing in his chariot pulled by seahorses. Scaffolding set up on a square in Ghent. In the background the scaffolding with the giant fish, houses and masts with burning pektons. In the margin a caption in Latin. Thirty -five prints of a series of 42 that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Antwerp paper engraving / etching specific aspects, allegorical aspects of Neptune; Neptune as patron. other decorative structures (~ triumphal entry, etc.) Ghent

Moses Strikes the Rock 1865-81 After Sir Edward John Poynter British, born France. Moses Strikes the Rock 642900

The Martyrdom of Saint Paul, plate two from The Martyrdoms of the Apostles Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

Raymond Lafage brown and gray lavated ink and black chalk drawing depicting Josua stopping the sun, showing figures, gestures, sun, landscape, and horizon.

Odysseus and the Sirenen, Anonymous, After Abraham van Diepenbeeck, 1622 - 1725 print Odysseus is tied to the mast of the ship by his men to resist the singing of the sirens. The other men row. There are three sirens on the coast. Behind them are the bones of earlier victims. print maker: Low Countriesafter design by: Southern Netherlands paper engraving Ulysses, tied to the mast of his ship, passes the Sirens

Punchinello Retrieving Dead Fowls from a Well. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 13 3/4 x 18 5/16 in. (35 x 46.5 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Domenico Tiepolo.

Pastoral landscapes: A shepherdess spinning, c. 1660, by Jan de Visscher, Nicolaes Berchem the Elder, Reinier & Iosua Ottens.

The arrival of Maria de 'Medici in Amsterdam in 1638 (plate 2); Design drawings for the print arrival of Maria de 'Medici in Amsterdam in 1638. The procession in which Maria de Medici did its entry into Amsterdam, on August 31, 1638: a driver, two boys on foot, another rider and twice three riders next to each other.

. Print at the top right numbered: 97.

Etching by Gasparo Massi showing the first fireworks scaffolding for the Chinea festival in Rome on September 8, 1730, depicting the Trojan horse.

Wolvenhacht. A richly dressed man who has just killed a wolvin is attacked by a wild child. Two men sitting at a tree are trying to catch the wild child with a bow. A shepherd or farmer raises his arms in despair when seeing the scene.

Uciekający Turek. Baur, Johann Wilhelm (1607-1642), graphic artist

Jacques Callot, Fisher of Men, 1635 Fisher of Men

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