Historical Prints of Events

Engravings depicting significant historical and mythological events, showcasing dynamic action and emotional expressions of characters involved.

After the Conquest of Breda in 1637, monks and nuns from North Brabant flee in covered wagons to Antwerp and the rest of the Southern Netherlands, Monks from North Brabant flee to Antwerp, 1637, print maker: Jan Luyken, (attributed to), publisher: Johann David Zunnern, print maker: Amsterdam, publisher: Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mm

Romanzoff's Victory Over the Turks August 1, 1770 at Kahul. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. Etching

Étienne Parrocel drawing of Noah exiting the ark with his family, executed with pen, brush, and ink wash on brownish paper.

Fight by the sea, Albert Poel, After Adriaen Pietersz van de Venne, 1624 print In the tide line on a beach, a man is being kept in check by three fishermen. There are two boats in the background on the beach and a few walkers walk. Behind the dune row a lighthouse and a church. print maker: Northern Netherlandsafter design by: Middelburgpublisher: Amsterdamprinter: Middelburg paper engraving / letterpress printing Love torturing lover. fisherman. fighting

Mercury haunted by Mars and Faam; Title page for: Europisch Mercury, Sevente Piece, first part: Including the SES first Maenden of the Jaer 1696. Mercury chased by Mars and fame. In the background a siege of a fortress takes place. Under this representation two representations of a bombing and a siege of a city.

Italy, Solimena, Francesco, Zocchi, Giuseppe, Dido and Aeneas overtaken by a storm, verso - stamped, Queen Dido and Aeneas are caught in a storm during a hunting party. In the sky Juno with peacock and angels causing wind and rain. Right Amor and in the background the fleeing hunting party., print, prints, height 256 mm, width 242 mm, Italian, 1711 - 1767-06-22, print maker, printmaker, 1721 - 1767, paper, papier, etching, etchings, 1657-10-04 - 1747-04-05, intermediary draughtsman, after a drawing by, Work conception, after own design by

Léonard Gaultier, The Parable of the Laborers in the Vineyard, probably c 1576 1580 The Parable of the Laborers in the Vineyard

The actions finx jumps from the mountain, 1720; The Schynschoon Action Sphinx jumps Zig Zelsven here, once if Edipus bare the fake secret; The great scene of foolishness. Landscape in which the action finx of a mountain jumps, a man with balloons is blown through the air and in the foreground different groups are busy with the wind trade. In the distance vianen. In the caption a verse in four columns. Print 43 in the series The great scene of foolishness with cartriders at the 1820 wind trade or action trade.

Plate XXIV from Life and Adventures of the Knight Don Quixote de la Mancha

Canto XIV. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. Etching

Civilis and Cerialis negotiate on the broken bridge, 69-70, 1780 - 1795 print Civilis and cerialis negotiate and close peace on the broken bridge. Netherlands paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). peace negotiations Netherlands

Skaters on the ice, Pieter Bout, c. 1664 - c. 1719 print Skating fun on the ice. Near the bank is a tent where skaters warm up and bind their irons. Two sleds with horses on the left. In the distance you can see the next village with a church and mills. paper etching skates (winter sports)

Illustration to the Iliad, John Michael Rysbrack, 1694-1770, Flemish, active in Britain (from 1720), between 1760 and 1769, Watercolor and gouache with pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 9 1/4 × 15 1/8 inches (23.5 × 38.4 cm), battles, literary theme, religious and mythological subject, the Trojan war (94C - 94H)

Augsburg, Pfeffel, Johann Andreas (der Ältere), Holzer, Johann Evangelist, Steinberger, Johann Christoph, Youth of Christ, Die Gebürt Christi, Nativitas Christi, Birth of Christ, verso - stamped, The birth of Christ. Mary and Joseph, two men and a woman worship the Christ child lying in the manger. In the landscape in the background a woman with a jug on her head and two other figures approach. Around the representation a rocaille frame. In the lower margin two seven-line German and Latin texts., print, ornamental print, prints, ornamental prints, height 191 mm, width 293 mm, German, 1680 - 1727, print maker, printmaker, 1719 - 1727, paper, papier, etching, etchings, Work conception, 1709-12-24 - 1740-07-21, after a design by, Publication (Event), Publication, 1674 - 1748, publisher

Fishermen on the beach, Simon de Vlieger, 1610 - 1653 print Group of men, women and children on the beach with fish baskets and two carts pulled by horses. A village behind the dunes. Low Countries paper drypoint / etching sea and coastal fishery. fisherman

Title print for: Journael, or Dagelijcksch Verhael of the Trade of the French in the cities of Uytrecht and Woerden, Serds their Koomst daer inside, until their departure, 1674, Romeyn de Hooghe (attributed to), 1672 - 1674 print Title print for the book: Journael, or Dagelijcksch Verhael from the trade of the French in the cities of Uytrecht and Woerden, their Koomst daer inside, until they depart, 1674. In the lower part of the performance, French soldiers terrorize the population. Above an allegorical representation with the Dutch Virgin who is attacked by the Pope, French warness and a winged monstrous personification of Afgust and Tyranny. Northern Netherlands paper etching massacre ~ war Utrecht. Woerden

Two pairs of historical figures in conversation; Illustrations from the national history. In a garden, two pairs of men are talking to each other. This concerns the English Admiral Charles Howard, George Anson and Francis Drake and the Dutch Admiral Louis Boizot. There are pictures of Neptune and Mars in the garden. Under the image a text with the date March 1764.

. A representation of the resemblance of the vineyard's tenants. In the foreground the son of the owner of a vineyard is murdered by the tenants. In the background the vineyard, where one of the servants of the owner for the pighters flight.

Christ Carrying the Cross, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: sheet: 5 3/4 x 3 7/8 in. (14.6 x 9.9 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Count Stanislaw Potocki, 1678, Romeyn de Hooghe, 1678 print Monument with four scenes of the accident that the Count Stanislaw Potocki meets on July 27, 1678. At the top left, the ship sails with its passengers from Mechelen, on the right the ship explodes near Willebroek, everyone tries to save itself, on the right the intact count standing in the midst of injured and killing. Behind the monument allegorical figures, at the top of the weapon of Potocki. Under the scenes inscriptions in Latin. Northern Netherlands paper etching / engraving shipwreck Mechelen. Willebroek

Jove and the Gods. Dated: 1665. Dimensions: plate: 15 x 14.2 cm (5 7/8 x 5 9/16 in.) sheet: 15.2 x 14.2 cm (6 x 5 9/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Georg Andreas Wolfgang.

Adam and Eve are driven from Eden by an angel. Etching by J.E. Ridinger after himself, c. 1750.

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Alexander the Great and Diogenes, Hans Janssen, 1615 - 1651 print Alexander the Great, accompanied by pages and warriors. Diogenes on the right in his barrel. Amsterdam paper engraving Alexander's visit to Diogenes, who sits by his barrel and asks Alexander to get out of his light

Jan Josefsz. van Goyen's drawing depicts a scene with dice players and pancake bakers, rendered in black chalk with brown-gray lavation, showing figures, activity, and interior details.

Den Haag, Hondius, Hendrick (I), Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, College of Cardinals, plate 23, The Hague, plate 23. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, news print, propaganda print, album sheet, prints, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, first quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1573-06-09 - 1650-10-25, publisher, 1615 - 1620

The promotions Finx jumps from Berg, 1720, 1720 print Landscape in which the action finx jumps from a mountain, a man with balloons is blown through the air and different groups are busy with the wind trade in the foreground. In the distance Vianen. In the caption a verse in four columns. Prent 43 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching / engraving financial panic. sphinx (lion/woman); 'Sfinge' (Ripa) Vianen

August: Fish (Virgin); Agosto; The twelve months (part 1). Imagination of human activity in the month of August. River landscape with fishermen and people swimming in the water or rowing on the water. In the middle above the symbol for the Virgo zodiac sign. Italian fresh and title in undermarge.

GREAT VOYAGES 1590. AMERICA. GRABADO-MUJERES AMAZONAS MATANDO A LOS INDIOS QUE LAS ATACAN - S XVI. Author: THEODORE BRY (1528-1598). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Valkenjacht op fazanten; Feasant Hawking; Jachtpartijen; Severall Wayes of Hunting, Hawking, and Fishing, According to the English Manner. .

Design for title page for Contemporary History, part VII, draughtsman: Jan Caspar Philips, c. 1735, paper, pen, brush, h 172 mm × w 106 mm

Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work, James Gillray, eighteenth century, 1757-1815, British, after unknown artist, ( Sir John Dalrymple ), 1798, Etching

The Triumph of Modern Art 18th century Attributed to Jean Barbault French. The Triumph of Modern Art 385443

Jean-Honoré Fragonard oil grisaille painting depicting the Roman Senate in front of a temple deliberating on war or peace.

Cologne, Hogenberg, French, Series 7: Dutch Events, 1576-1577, Murder in Maastricht, 1576, Murder and plundering by Spanish soldiers in Maastricht, October 20, 1576. Along the banks of the Meuse, Spanish soldiers kill inhabitants of the city, in the clouds of smoke from burning buildings. With a 16-line caption in German. Numbered lower left: 109. The print is part of an album., print, picture, history print, album sheet, prints, etchings, Frederik Muller History plates, height 209 mm, width 277 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1576 - 1579, paper, papier, etching

Unpublished piece. Landscape (Dutuit 117) Herman van Swanevelt (1600-1655). Unpublished Piece. Landscape (Dutuit 117). Floor, 17th century.

. A triumphar with personifies of fame and victory by two horses. Personifications of caution, with mirror, and faith, are with pelican on the horses. In the margin a two-legged caption in Latin. Title print for a series of thirty with horse breeds.

Various Figures and Landscapes: A Group of Polish Gentlemen, 1649. Stefano Della Bella (Italian, 1610-1664). Etching;

Engraving depicting clothing and dress from Havana, Cuba, circa 1700. The dimensions of the print are 21.4 x 27.3 cm

Healing of Naäman, Nicolaes de Bruyn, 1628 - 1682 print Naaman is bathed in the Jordaan River. Soldiers on the banks of his entourage. Naaman was the commander of the Aramean army and suffering from skin reasons. The prophet Elisa advised him to bathe in the Jordaan in seven times to cure his illness. Antwerp paper engraving Naaman comes to the Jordan, dips himself seven times and is cured. low hill country (+ landscape with figures, staffage). landscape with tower or castle

Plate 8: Polyphemus and Palemonius led by Ceres (Polifemo e Palemonio Argonauti condotti da Cerere), with sterncastle in the form of a volcano, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608 1664 Anonymous. Plate 8: Polyphemus and Palemonius led by Ceres (Polifemo e Palemonio Argonauti condotti da Cerere), with sterncastle in the form of a volcano, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608 412676

Vuur (Ignis), Jan van de Velde (II), after Willem Pietersz Buytewech, 1622 print Landscape with figures, representing the element fire. On the left a forge, in the background lime kilns and on the right figures busy with fire on the land. Second print from a series of four with landscapes as imaginations of the four elements. Northern Netherlands paper etching / engraving fire (one of the four elements). smith, blacksmith. smoke-stack. smoke. open fire (in general). burning as process

Philip, Palatin and Duke of Bavaria, with the Rijksappel and Karel III, Duke of Savoye, with the Keizerskroon, plate 25, 1620 - 1699 print Philip, Palatin and Duke of Bavaria, with the Rijksappel and Karel III, Duke of Savoye, with the Keizerskroon, plate 25. Procession of Charles V with the Pope Clemens VII in Bologna after his coronation to Emperor, 24 February 1530. Mechelen paper etching / engraving festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

William III honored as lord of Friesland, 1328, 1748 - 1750 print Count William III on a shield raised and honored as Lord of Friesland, 1328. Northern Netherlands paper etching new ruler raised on the shield Friesland. Netherlands

Courtois Le Bourguignon, Jacques, Antwerp, Vorsterman, Lucas (II), Cavalry fights, Two riders shooting at each other, verso lower left - stamped, print, prints, height 102 mm, width 154 mm, Southern Netherlands, 1624-05-27, print maker, printmaker, 1651 - 1652, paper, papier, etching, Work conception, 1621 - 1675-11-14

Cavalteriegebecht, Hendrik Verschuring, 1635 - 1690 print Riders in fight with an obelisk. paper etching / drypoint battle (+ cavalry, horsemen). obelisk, needle

La Chasse au Tigre (The Tiger Chase) 18th century Jean Jacques Flipart French. La Chasse au Tigre (The Tiger Chase) 413455

Slaves work on a pier; Ports with slaves and sailors. A ship is moored at a pier. Slaves are at work around the ship. One of them cleans the ship with a cloth. A supervisor provides instructions.

View of the ruins of the interior of the Neptune temple. The title card of the series "Différentes Vues de Qelques Restes de Trois Grands Edifices Qui Subsister encore dans le Milieu de l'ncienne ville de pesto autrement nationinia qui est sitée dans la lucanie"; Piranesi, Francesco (1758-1810), Piranesi, Giovanni Battista (1720-1778); 1778 (1778-00-00-1778-00-00);

God creates man and woman. Line engraving by E. Charpy after J. Sadeler.

Venice, Sadeler, Marcus, Stevens, Pieter (II), Pieter (I), Prague, Aegidius, The twelve months, September, verso lower left - stamped, September is the fruit month. On the right an orchard in which the apples are picked. They are collected in baskets and transported by donkey or on farm carts. On the left front a shepherd playing the flute, sitting on the ground with a small herd of goats. Hilly landscape with a chapel along a country road. The print has a Latin caption., print, prints, height 212 mm, width 285 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1607 - 1607, paper, engraving, engraving (printing process), Work conception, 1540 - 1620, after a design by, 1567 - 1624, Publication (Event), Publication, German, 1614-04-11 - 1650, publisher

Engraving depicting native men with leopards in a mountainous landscape. The illustration is set within an ornate frame.

Entry of Cosimo I Medici into Rome in 1569 Mediceae familiae rerum (...), dl. 3 (series title), draughtsman: Jan van der Straet, 1570 - 1583, paper, pen, h 207 mm × w 287 mm

Plate 146: Hippolytus Saved from Death (Hippolitum Dianae impulsu ad vitam revocat AEsculapius et Virbius vocatur), from Ovid's 'Metamorphoses' 1606 Antonio Tempesta Italian. Plate 146: Hippolytus Saved from Death (Hippolitum Dianae impulsu ad vitam revocat AEsculapius et Virbius vocatur), from Ovid's 'Metamorphoses'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1606. Etching. Prints

Two peasants and two peasant women dancing hand in hand to the music of a bagpiper. The latter is seated on a barrel on the left., Dancing peasants to the music of two musicians, David Teniers (II), print maker: anonymous, Quirin Boel, Low Countries, 1630 - 1718, paper, etching, h 104 mm × w 138 mm

Copper engraving by Cornelis Cort from 1564 illustrating 'The Triumph of Poverty (Inopia)' from the series 'The Cycle of Human Life', depicting allegorical figures and symbolic gestures.

Jozef is sold by his brothers to merchants at De Put, Jan Luyken, 1712 print Amsterdam paper etching

The Triumphal Arch, from Grotteschi (Grotesques) ca. 1748 Giovanni Battista Piranesi Italian. The Triumphal Arch, from Grotteschi (Grotesques) 359965

The loving Herder Damon, Crispijn van de Passe (I), 1612 print The shepherd Damon who plays bagpipes, surrounded by his herd cows and sheep. In the margin a four -line caption, in two columns, in Latin. Utrecht paper engraving (story of) Damon, friend of Pythias (Phintias) - love-affairs of person from classical history

Augustin Hirschvogel, The Punishment of Ananias and Sapphira, 1549 The Punishment of Ananias and Sapphira

Vignette with an allegory of the second centenary of the siege of Alkmaar 1573-1773. On the right, the Dutch Virgin, seated on a reclining lion in her right hand a lance on which is placed the liberty hat, with her left hand on the coat of arms of the city of Alkmaar on which is placed a wreath through a staple. At the feet of the Virgin, a second staple is seated with the privilege of wife Jacoba April 1426. On the left, a third staple, with a wreath at an altar, on which a yoke, a mask and a book with the inscription 'Aristocracy' are burning, Allegory of the second centenary of the siege of Alkmaar, 1773, print maker: Johannes Petrus van Horstok, (mentioned on object), Northern Netherlands, 1773, paper, etching, h 89 mm × w 128 mm

Because the Spanish thirst for gold, the Indians pour liquid gold into them. (From: Americae pars qvarta) by Bry, Theodor de (1528-1598) / Private Collection / 1594 / Flanders / Copper engraving / History /Baroque

Whale stranded between Katwijk and Scheveningen, 1617. Whale (pitchfish) stranded between Katwijk and Scheveningen, January 21, 1617. The animal is measured, left and right visitors. Photo of the print in the MR collection. Simon van Gijn in Dordrecht. In framed shellfish with a large shell at the bottom.

Portrait of Johann Alten, member of the Swiss Guard and Guide. Portrait of Johann Alten, standing on the Quirinaal in Rome. Behind him Piazza del Quirinale with the images of Castor and Pollux of the Fontana di Monte Cavallo and on the right the Palazzo del Quirinale. In the background a face on Rome with the dome of the Pantheon and on the right the Sint-Pietersbasiliek. Assignment and three lines of Latin text in undermarge.

The silver era; Aetas Argentea / De Silveren Century; The four world time limits. The silver century: people edit and build the country and work on their homes. Under the show a verse in Latin and Dutch of four rules. Print from a series of four prints with landscapes that depict the eras of the world.

Etching by Cesare Fantetti from 1675 depicting the crossing of the Red Sea, showing Moses, the Israelites, and the parted waters in a biblical scene.

Herod drowns Aristobulus, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 112 mm × w 160 mm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various figures and paesi. Title. First issue of a series of 8 rooms. (A. de Vesme 165; Dutuit 142) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Pastoral landscapes, Rocky landscape with a shepherd and his flock, verso - stamped, print, engraving, frontispiece, prints, height 267 mm, width 212 mm, 1633 - 1692, print maker, printmaker, 1650 - 1701, paper, papier, etching, engraving (printing process), 1620 - 1683-02-18, intermediary draughtsman

Galeischip Saves Schipwruitingen, Jacob Houbraken, After Ottmar Elliger, 1708 - 1780 print A Galeischip in which many figures and two other sloops also save drowning people from the sea with figures. The sky is littered with stars. Amsterdam paper etching / engraving night. drowning, shipwrecked person. trireme, galley

DON QUIXOTE History of Don Quixote: Don Quixote and Sancho mounted on a wooden horse imagine through the air to go to Venger Doloride. Illustration of Charles Antoine Coypel.

The Hague, Kloot, Isaac van der, Huchtenburg, Jan van, Northern Netherlands, View and Representation of the Battle of Cassano, given on 16 August 1705, Battle of Cassano, 1705, The battle of Cassano d'Adda, between the Allies under the Prince of Savoy and the French under the Duke of Vendome, 16 August 1705. In the centre foreground Prince Eugene of Savoy, in the sky putti and gods. Numbered lower right: Tom. I. No. 21. Illustration in the first part of: Jean du Mont, Oorlogskundige beschryving van de veldt en besiegen, der drie ... weldverfamde warchiefsten ... den Prince Eugene of Savoye, den ... Duke of Marlborough, en de Prince van Oranje en Nassau-Vriesland, in the edition of 1729. This first part is devoted to the deeds of Eugene, Prince of Savoye., print, picture, history print, books, Frederik Muller Historieplaten, height 458 mm, width 570 mm, 1647-11-20 - 1733-07-02, print maker, printmaker, 1727 - 1729, paper, papier, etching, etsen, engraving, graferen (drukprocedé), Public

Jacques Callot, The Hanging, c 1633 The Hanging

Three figures wave off a sailing ship, Jan Luyken, 1689 print Amsterdam paper etching sailing-ship, sailing-boat. waving farewell ~ departure on a journey

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history LXXIX. The doctor Simon de Villa lies in a ditch. Bulsamaco stands behind him dressed as an animal., print, engraving, book illustration, prints, engravings, height 74 mm, width 79 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

Het martelaarschap van Petrus; Mar. Beati Petri Appostoli; De kleine apostelen; Het martelaarschap van de apostelen.Peter is crucified upside down in the presence of many soldiers. Above this scene, Petrus is shown again, on a cloud in the sky, a key in hand. Under the show a caption in Latin. This print is part of a series of 16 prints consisting of a title page and 15 performances of the torture that the apostles have undergone.

Achilles fights with Cygnus, Antonio Tempesta, 1606 print Achilles in fight with Cygnus. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching battle. (story of) Achilles

Etching by Augustin Hirschvogel from 1545 depicting a scene of crossing, possibly a bridge or river, with human figures in motion and landscape elements.

Africa; Four continents. Triumphar from the Africa's world part. Triumphag drawn by elephants. Print from series of four continents.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), entrance to the Polish ambassador to Rome in 1633. Third part of the procession. Third issue of a sequence of 6 pieces (A. de Vesme 46. Dutuit 28) (main title), 1633. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Bride's Wedding Coach Being Burnt behind her, Adriaen Pietersz van de Venne, c. 1628, Design for a print., draughtsman: Adriaen Pietersz. van de Venne, 1623 - 1628, paper, pen, brush, h 50 mm × w 66 mm

Canary Islanders circling a fountain tree (Spathodea campanulata) and filling their urns with the water it secretes. Wood-engraving, ca. 1748.

Ferdinand and the Argonauts; entry from Ferdinand in Ghent in 1635 (no. 14); Ausi Sunt Vada Salsa Cita Decorre Puppi; Tabula II. Argonautae Cum Ferdinando Navigante Collati. Ferdinand van Austria is sailing on the ship with Jason and the Argonauts. Presentation at the top right of the rear of the triumph port Arcus Fernandi on the Friday market. Leaf No. 14 In a whole of 42 plates that illustrate the publication of the description of the arrival of the Cardinal Infant Ferdinand in Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

. Allegorical representation of the independence of America. Personification of America sitting on throne for which a statue of freedom is established. Part of a group of clip art with small allegories on the political situation in the year 1780.

Augsburg, Nilson, Johann Esaias, Vanity of the world, Quae cernuntur temporaria sunt, Group of men and women under a signpost, verso - stamped, A group of men and women sit on the right in a landscape under a signpost. Three figures are hiding behind a globe and playing a game of cards. Three figures point a young couple to a church in the background. Around the scene a rocaille frame with leaf motifs and a cartouche. In the lower margin two columns with three-line German text. Publisher number XXIII., print, ornament print, prints, ornament prints, height 194 mm, width 291 mm, German, 1721-11-02 - 1788, print maker, 1731 - 1788, paper, etching, Work conception, after own design of, Publication (Event), Publication, publisher

Skirmish in a Roman Circus. Dated: c. 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Place de la Concorde: in 1754 LOUIS XV inaugurates the Place Louis XV, later the Place de la Concorde, completed in 1763; street children scramble for coins Date: 1754

Sadeler, Johann (I), Vos, Maerten de, Keulen, Scenes from the New Testament, Temptation of Christ in the Desert, verso center bottom - stamped, On a mountaintop the devil tries to tempt Christ by offering him all the kingdoms of the world. The print has a Latin caption with a Bible text (Matt. 4) and is the second print in a series of four., print, prints, verso bottom center - stamped, height 245 mm, width 203 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1582 - 1582, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Scylla looks at minos from the walls of the castle; Minois Pulchritudine Inflammatur Scylla; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.Scylla, the daughter of Nisus, sees Minos from the city wall and will be falling in love. Title in Latin in undermarge.

Amsterdam, Wolsgrein, Aart, Luyken, Jan, Traveler saves a man from a pit, print, book illustration, prints, height 88 mm, width 77 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1693 - 1693, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Scylla looks at minos from the walls of the castle; Minois Pulchritudine Inflammatur Scylla; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.Sescylla, The Daughter of Nisus, See Minos from the City Wall and is falling in love. Title in Latin in undermarge.

A mountain landscape with a river in the center plan. In the foreground is a hiker looking at the mountain., Emblem: mountains Mountain landscape with hiker, print maker: Caspar Luyken, intermediary draughtsman: Jan Luyken, publisher: Christoph Weigel, Neurenberg, c. 1700, paper, etching, h 108 mm × w 124 mm

Lazio Roma Grottaferrata Museo4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Italy, Baur, Johann Wilhelm, Battles by different peoples, Battaglia d'Antichi Romani, Romans in a battle, verso - stamped, print, prints, height 106 mm, width 140 mm, German, 1607-05-31 - 1642-02, print maker, printmaker, 1633 - 1633, paper, etching, etchings, plate tone

Way to explain the enemy to war, Theodor de Bry, After, 1591 print Five original Americans place arrows in the ground along the road that leads from a hostile village. paper engraving / letterpress printing declaration of war. Native peoples of the Americas North and Central America

ESCENAS DE LA VIDA DE POLICHINELA - SIGLO XVIII. Author: PIER LEONE GHEZZI (1674-1755). Location: MUSEO SAN MARTINO. NEAPEL. ITALIA.

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Northern Netherlands, Hooghe, Romeyn de, Pertinent Illustration and Accurate Description of the Three Victorious Naval Battles of the Year 1673. Occurrences between the Dutch, English, and French Fleets., Three Naval Battles from the Third English War, 1673, 1673. At the bottom left in a cartouche in small print the first two naval battles off the Zeeland coast on the plain of Schoonevelt on June 7 and June 14. The main scene shows the battle of Kijkduin on 21 August between the fleet of the Republic under De Ruyter and the combined English-French fleet under Prince Rupert and Count Jean d'Estrées. At the top medallions with portraits of William III, Michiel de Ruyter and Cornelis Tromp. Top left portraits of the two English commanders and their main ships, right the French with their ships. Below the print is a text sheet with the title., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 487 mm, width 520 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15,

Chorus of Shepherds and Ergasto. Dated: 1640. Dimensions: overall: 6.5 x 9 cm (2 9/16 x 3 9/16 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Wilhelm Baur.

Kenau with the Siege of Haarlem, 1573 in the background; Kennaua Femme d'un Courage Mle, Defend La Ville de Harlem.kenau Simonsdaughter Hassselaer, Full of Peak, in the Background The Siege of Haarlem, 1573.

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