Historical Religious Art

Black and white photographs documenting medieval and baroque religious artworks, including frescoes, sculptures, and architectural details from Italy.

Hendrik Goltzius (Dutch, 1558 - 1617), The Resurrection, 1596, engraving

Lazio Roma Rome Gesu e Maria0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco, gilding General Notes: Located next to S. Giacomo in Augusta, built by Rainaldi in 1675. Church was built for the Bolognetti family, and has come to be called "church of the beautiful tomb monuments" (Hutzel notes), making it resemble a Baroque theater. Restoration of fresco cycle depicting life and death of a martyr from 13th century Roman school. Site has been sent in duplicate. One set of negatives (37) and two sets of prints (72). There should be one more print, but no. 15 from the original set is missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Copper engraving by Wallerand Vaillant depicting the biblical scene of Jakob's dream, produced between 1660 and 1675, showing angels and a ladder in a European religious context.

Lazio Viterbo Canino Collegiata, SS. Andrea e Giovanni Battista8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Camerino Museo Diocesano0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A woman delouse a man, Jan van Somer, Willem Basse, 1655-1700

Mantua, Andreani, Andrea, Bologna, Treviso, Girolamo da (II), Gandini, Alessandro, Virgin and Child Surrounded by Saints, verso - stamped, Virgin and Child is seated in the centre with the standing Christ Child next to her. They are surrounded by saints and angels. In the foreground on the right is Saint John the Baptist., print, prent, prints, enten, height 358 mm, width 243 mm, print maker, prentmaker, 1610 - 1610, third quarter 16th century, derde kwart 16e eeuw, fourth quarter 16th century, vier kwart 16e eeuw, first quarter 17th century, paper, papier, chiaroscuro woodcut, Italian, 1497 - 1544, after, after painting by, Publication (Event), Publication, 1559 - 1629, publisher

The Last Judgment early 15th century Circle of Ottaviano Nelli The inscription at the lower left, "Ottaviano," has often been identified as the hand of the sixteenth-century biographer and artist, Giorgio Vasari, and as an indication that the drawing once belonged to his celebrated album of drawings, containing sheets by artists about whom he wrote in his Lives of the Artists. Evidence against this theory is suggested by the fact that Vasari did not write about Ottaviano Nelli, a significant exponent of the international gothic in Umbria. The stark contrast of light and dark tones and the densely packed composition recall the technique of niello, in which an engraved silver plate is inlaid with a black metallic substance.. The Last Judgment. Circle of Ottaviano Nelli (Italian, Gubbio ca. 1370 - 1444() Gubbio). Italian, Gubbio. early 15th century. Brush and brown ink, brown wash, heightened with white, on greenish blue paper.. Drawings

Campania Napoli Naples S. Lorenzo Maggiore20. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

On verso: interior of chapel Bentivoglio, in San Giacomo in Bologna. Pen and ink, brush and brown wash on paper. Date: 1813-18. Museum: Cooper Hewitt, Smithsonian Design Museum.

Bliżej Kultury Shot

Liberation of Petrus, Abraham BLOTELING, Michel Dorigny, After Simon Vouet, 1640 - 1665 print print maker: Amsterdamafter print by: France paper engraving / etching the angel leads Peter past the sleeping guards

Umbria Perugia Gubbio Chiesa della Madonna del Prato8. Hutzel, Max 1960-1990 Exterior views of the Baroque archtecture of the church; interior photos show the extensive Baroque painting, sculpture and stucco decoration. Object Notes: Hutzel shot this campaign in 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sardinia Sassari Castel Sardo Ancient walls; general views. Hutzel, Max 1960-1990 Post-medieval: General views Antiquities: Remains of ancient wall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Lorenzo in Panisperna3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculptural relief, sculpture, painting, fresco Antiquities: Sculptural fragments Object Notes: Antique structure (c. 3rd-4th century) erected on site where tradition places the martyrdom of S. Lorenzo. Building dates from late 16th century in style of Counter-Reformation after a probable project by Francesco da Volterra. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Ear of Malchus (L'oreille de Malchus) James Tissot (French, 1836-1902). The Ear of Malchus (L'oreille de Malchus), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 7 3/16 x 4 11/16 in. (18.3 x 11.9 cm). European Art 1886-1894

The Madonna on the Crescent, frontispiece from The Life of theVirgin. Artist: Albrecht Dürer, German, 1471-1528

Lazio Roma Rome S. Spirito in Sassia. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco, coffers. Object Notes: Medieval building on this foundation was venerated by Saxon pilgrims (from which it derives its name) arriving from Great Britain. Church was almost completed in 1544; facade was added about 1585 by Mascherino. Located on Borgo San Spirito. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Armand-Jean du Persis Hertog van Richelieu presents a book to Maria with Kind, Claude Mellan, c. 1646 print paper engraving historical persons

Lazio Roma Rome S. Maria in Aquiro09. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Confirmation 1723-1739 France. Etching in black on cream laid paper . Pierre Charles Trémolières

Angels Carrying the Cross with Saints below (upper left section of the Last Judgment). Artist: Engraved by Niccolò della Casa (French, active Italy, ca. 1543-48); After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: sheet: 32 7/8 x 26 9/16 in. (83.6 x 67.5 cm). Date: 1548.One of a set of prints intended to fit together. The accession numbers are: 62.602.652(1-3) and 59.570.46(1-2). Date traced in ink and changed from 1543 to 1548. Museum: Metropolitan Museum of Art, New York, USA.

Huit hommes drapes.

Mr. Henderson in the Character of Macbeth. Artist: after George Romney (British, Beckside, Lancashire 1734-1802 Kendal, Cumbria). Dimensions: Image: 15 15/16 × 19 3/4 in. (40.5 × 50.2 cm)Plate: 17 15/16 × 21 1/16 in. (45.5 × 53.5 cm)Sheet: 19 × 26 in. (48.2 × 66 cm). Engraver: John Jones (British, ca. 1745-1797). Sitter: John Henderson (British, baptised 1747-1785). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1787.The actor John Henderson portrays Macbeth encountering the weird sisters in the first act of Shakespeare's play. Accompanied by Banquo within a stormy landscape, the thane receives hints about his future that encourage him to pursue the murderous course that defines the tragic action. Jones's mezzotint is based on painting by Romney. Museum: Metropolitan Museum of Art, New York, USA.

EL FORZUDO - 1929-1930 - GRISALLA Y ORO SOBRE LIENZO - 4,20 x 2,53 m - LAS BODAS DE CAMACHO - COMEDOR DEL HOTEL ASTORIA DE NUEVA YORK. Author: SERT JOSE MARIA. Location: HOTEL WALDORF ASTORIA. NEW YORK.

Umbria Perugia Bettona Palazzo Podesta. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ON THE ATLANTIC STEAMER

Umbria Perugia Gubbio S. Francesco0. Hutzel, Max 1960-1990 Exterior views of this church include: the octagonal bell tower, polygonal apse, ogival windows, rose window and courtyard. The interior views focus on the apse chapel fresco cycles, one with scenes from the Life of the Virgin, and the other with scenes from the life of St. Francis of Assisi (14th and 15th centuries). Other fresco and painting subjects include: the Crucifixion, the Deposition, and Christ Pantokrator. Object Notes: Hutzel photo campaign date: November 11, 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in I

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo82. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Die Anbetung der Hirten. The adoration of the shepherds.. Poussin, Nicolas, 1594-1665. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Donkeys, Shepherds, Jesus Christ , Birthplace

Lazio Roma Rome S. Maria in Vallicella54. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Aquila Sulmona S. Chiara8. Hutzel, Max 1960-1990 Exterior views of the 16th century baroque church and adjacent cloister. Views focus on the sculpted wooden portal by the Master from Pescocostanzo. Interior views include: pulpit, cupola, frescoed pendentives of the four evangelists, ceiling frescoes, altar paintings, ornate altars, marble architectural sculpture and gilt architectural details. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Les Graces au Tombeau de Watteau', c1720-1770 (1924) Artist: François Boucher

Umbria Terni Porano Torre S. Severo1. Hutzel, Max 1960-1990 Post-medieval: An example of a grand aristocratic residence of the late Renaissance aristocracy, built by Cardinal Simoncelli. The palace was never completed, and is now in a state of great disrepair. No written or visual documentation exists for this site prior to Hutzel's campaign and attributions for the frescoes have not been made. Exterior views; interior views of frescoes and stucco work on ceilings and walls Object Notes: Site not recorded in TCI German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Tuscany Grosseto Massa Marittima S. Agostino0. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hans Baldung Grien (German, 1484-1485 - 1545), Saint John, 1519, woodcut

Umbria Perugia Corciano santuario della Madonna del Soccorso. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Charles Eisen (French, 1720 - 1778), The Holy Family in the Carpenter's Shop, c. 1755, pen and gray ink with gray wash, watercolor, white gouache, and touches of brown ink on laid paper

Lazio Roma Rome S. Maria in Aquiro13. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Death of Konrad Wallenrod. Andriolli, Elwiro Michał (1836-1893), draughtsman, cartoonist

Looking up man with fur hat and book, Johann Lorenz Haid, after Giovanni Battista Piazzetta, 1712 - 1750 print Germany paper old man. head-gear (with NAME)

Lazio Roma Carpineto Romano S. Pietro6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

La Grande Descente de Croix; Bisson Frères (French, active 1840 - 1864); Paris, France; 1858; Salted paper print; 43.4 x 33.5 cm (17 1,16 x 13 3,16 in.)

Lazio Roma Rome S. Giuseppe dei Falegnami4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, reliefs Connected with Carcero Mamertino where St. Peter was imprisoned before his Crucifixion German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Uylenburgh, Hendrik, Rijn, Rembrandt van, The Descent from the Cross: second plate, print, prints, height 530 mm, width 410 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1633 - 1633, second quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1610, publisher

Abruzzo L'Aquila L'Aquila S. Maria di Collemaggio7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, wall painting (13-15th centuries) Post-medieval: Architecture, architectural sculpture (18th century), sculpture, frescoes, wall painting, metal crucifix Coverage of the paintings; some views of interior architectural features. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Visitation. Dated: 1735. Dimensions: image: 36.3 x 26.3 cm (14 5/16 x 10 3/8 in.) sheet: 38 x 28 cm (14 15/16 x 11 in.). Medium: chiaroscuro woodcut printed from four blocks in yellow, buff, brown, and gray on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Annibale Carracci John Baptist Jackson.

The Virgin Nursing the Child Albrecht Dürer (German, 1471-1528). , 1503. Engraving on fine-laid reinforced paper, 4 1/2 x 2 13/16 in. (11.5 x 7.2 cm). European Art 1503

Esther makes her toilet. Troy, Jean François de (French, 1679-1752) (cartoon creator) painter Neilson, Jacques (French, b.1714-d.1788) (workshop) weaver dated 1764 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Lord Foley (). Baron Albert de Rothschild coll. at Halton Castle, England, 1900 (). French & Co. Inscriptions: Woven signature in central field, lower right corner: NEILSON.ex.1764 In interior of classical palace with rich hanging draperies, a eunuch stands behind 7 female attendants preparing Esther to be presented to King Ahasuerus; richly embroidered clothes, a mirror, a box of jewels on table (R) & a basin with ewer are used to make Esther's toilet Borders missing (Soustelle). The present tapestry may be recorded in Fénaille p.22 & 38 as having been part of a set of 4 tapestries woven on low looms in the workshop of Jacques Neilson between 1761 & 1765. The set would have been executed for an English nobleman, Lord Foley & trac

Allegory of the election of Leopold II as Roman-German Emperor, print maker: Gottlieb Friedrich Abel, (mentioned on object), Victor Wilhelm Peter Heideloff, (possibly), Stuttgart, 1790 - 1792, paper, engraving, h 318 mm × w 195 mm

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine16. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima S. Agostino3. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Campello sul Clitunno Chiesa della Bianca4. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (1529) with portal by Cione; interior decoration and frescos (16-19th centuries) by Valadier, Angelucci, and lo Spagna German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara S. Francesco4. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Orte Chiesa della Trinita2. Hutzel, Max 1960-1990 Post-medieval: Architecture; fresco: 15th century and later (recently restored) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

print of a painting by Titian, Anonymous, Titiaan, c. 1860 - c. 1870.

A graphite drawing by Antonio Daniele Bertoli depicting the Holy Trinity, with rounded upper edges.

Abruzzo L'Aquila L'Aquila S. Maria di Collemaggio6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, wall painting (13-15th centuries) Post-medieval: Architecture, architectural sculpture (18th century), sculpture, frescoes, wall painting, metal crucifix Coverage of the paintings; some views of interior architectural features. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tale-Bearers--Blasts of Wind (Soplones) Francisco de Goya y Lucientes (Spanish, 1746-1828). , 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). European Art 1797-1798

After Andrea Mantegna, Descent from the Cross, engraving on laid paper.

Imprisonment of Christ, Crispijn van den Broeck, 1576, draughtsman: Crispijn van den Broeck, 1576, paper, pen, brush, h 244 mm × w 201 mm

Lazio Roma Rignano Flaminio SS. Vincenzo e Anastasio6. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: 16th century architecture and architectural sculpture, including stucco decoration; 16th century wooden crucifix; sculpted marble altars and tombs; frescos; paintings on canvas; stoup (1578) Antiquities: Fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Leandro Bassano / 'The Crowning with Thorns'. 1590 - 1598. Oil on slate. Museum: Museo del Prado, Madrid, España.

Soldiers Discovering the Body of Holofernes 1545-1555 Germany. Pen and black ink and brush and black wash, over lilac wash, heightened with white gouache, on cream laid paper, laid down on cream laid paper . Master of the Liechtenstein Adoration

Job's Sacrifice. Dated: 1825. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Campania Napoli Naples S. Lorenzo Maggiore132. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

The Agony in the Garden (one of seven) mid-16th century Workshop of Jean II Pénicaud French All but the Christ Saying Farewell to His Mother and the Betrayal are free adaptations of woodcuts in the series "The Fall and Redemption of Man" by Albrecht Altdorfer (1480-1538). The former was based on a woodcut by Albrecht Dürer (1471-1528).. The Agony in the Garden (one of seven) 210779

The miracle of the loaves and fishes, after O. Murill, print maker: Jules Gabriel Levasseur, after: Bartolomé Esteban Murillo, printer: Goupil & Cie., 1833 - 1933, paper, etching, engraving

Middle ages initial capital letter N of the grotesque alphabet engraved by Lemaitre, 1466. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

SS. Paul and Barnabas at Lystra. Raphael (Italian, 1483-1520) (cartoon creator) painter Lefebvre, Pierre (French, b.1579-d.1669) (workshop) weaver c. 1650 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Cardinal (Jules) Mazarin (d. 1661) coll. (9 pieces). Marquis de Mancini coll. (9 pieces ). Crown of Italy, Palazzo reale (Milan) (7 pieces). Additional panel in set documented in archives in Monaco. Italy, Marches, Pesaro e Urbino, Urbino, Palazzo Ducale. Preparation of sacrificial celebration with oxen & garlands in front of temple of Jupiter (Zeus), (Acts: 14:8-18); lame man with his crutches on ground; priest holds up axe, ready to stun ox; Paul (with halo) tears at clothes; classical temples (UPR BRD) coat of arms flanked by putti heads & festoons tethered to corbels (L, R & LWR BRD not visible in photo) There are 7 panels at the Palazzo ducale, Urbino. This set may have been woven to complete the partial Mobilier set which Mazarin acq

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo64. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

The Book of Job: Pl. 10, The just upright man is laughted to scorn, 1825. William Blake (British, 1757-1827). Engraving;

Judah and Thamar, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). chalk pen / brush Judah's love-affair with Tamar; he gives her his signet(-ring), bracelets and staff

The Adoration of the Shepherds. Dated: c. 1590/1600. Dimensions: overall: 18.7 x 14.9 cm (7 3/8 x 5 7/8 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Paulus van Vianen I.

Emilia-Romagna Forli Rimini Palazzo Comunale, Museo e Pinacoteca Comunale08. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Sacrifice of Polyxena 1645-1655 Venice. Oil on canvas . Giulio Carpioni

Photograph by Paul Pretsch circa 1860 using photogalvanography showing a reproduction of a fresco depicting the personification of music.

Campania Napoli Naples S. Lorenzo Maggiore45. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

THE PIECE TO HEPS FLOWERS Harmensz van Rijn Rembrandt (1606-1669). The piece with hundred florins, (B 74 - 2nd state). Strong water and dry point, Burin, 1649. Museum of Fine Arts in the city of Paris, small palace.

Abruzzo L'Aquila Corcumello S. Nicola4. Hutzel, Max 1960-1990 Medieval: Pulpit with symbols of the evangelists and SS. Peter and Paul, c. 1267 Post-medieval: Architecture (16th century); paintings (3, unidentified) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, Luco dei Marsi, S. Maria delle Grazie, Italy, 20th century, photo, photography, Europe

'Martyrdom of St James the Great'. 1605. Dimensions: 51x38 cm. Museum: State Hermitage, St. Petersburg. Author: Cigoli (Lodovico Cardi).

Black, gray, and white brush and pen drawing by Albrecht Dürer on green-primer paper, 1504, depicting the cross scene in the Green Passion series. Emphasizes figure study and composition.

La muerte del justo The Death of the Just Man. Painting. Oil on copper Oil on copper. Height: 630 mm (24.80 in); Width: 470 mm (18.50 in). Author: ANONYMOUS.

Wamve A Cordetère Scene Ary Scheffer (1795-1858). Hamlet scene at the cemetery. Watercolor, first half of the 19th century. Paris, museum of romantic life.

Victory, Winning Warrior and Trophy, by Unknown, 62 - 79, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, From Pompeii. Whole artwork. Woman man Victory warrior soldier.

Rotterdam, Beman, Jan Daniel, Wandelaar, Jan, Nederland, Fokke, Simon, Title page for: Arnold Hoogvliet, Abraham the patriarch, in XII Boeken, sa, Allegorical title page with patriarch Abraham and Truth, Netherlands, verso - stamped, Truth, a radiant sun above her head, sacrifices a lamb on an altar. In her hands she holds a sacrificial bowl and a knife. Next to her the patriarch Abraham, who holds the chained Vanity, Idolatry and a man with a feather headdress. At his feet kneels Temperance, with a horse's bridle on her arm. She grasps his winged foot. On the left in the background three shepherds with their flock of sheep., print, title page, prints, height 189 mm, width 142 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1728 - 1784, second quarter 18th century, tweede kwart 18e eeuw, third quarter 18th century, derde kwart 18e eeuw, paper, papier, engraving, engraving (printing process), Work conception, 1690-04-14 - 1759-03-26, after a design by, Publicatio

Keisnijder (the feeling), Anonymous, After Petrus Staverenus, After Jan Verkolje (I), 1670 - 1800 print The sense feeling. A man cuts a rock out of the head of another man. The print is part of a series with the five senses. paper feeling (one of the five senses). stone-operation, e.g.: by the witch of Malleghem

Abraham and the Angels Italian (probably Neapolitan School). , 17th century. Oil on canvas, 27 15/16 x 41 1/4 in. (71 x 104.8 cm). European Art 17th century

`Jezus upada pod krzyżem po raz pierwszy`, sculpture by Pius Weloński - cast of group for station no. 3 of the Way of the Cross in Jasna Góra, Poland photograph made at the foundry of Pius Weloński in Mokotów near Warsaw?. Karoli, Aleksander (1838-1916), photographer

Vincenz Georg Kininger's drawing is an allegorical depiction of Franz I, executed with brown brush, white highlights, and pen outlines.

Marionettes, Sargent, John Singer, 1903.

Lazio Roma Rome S. Ignazio di Loyola39. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Umbria Perugia Campello sul Clitunno Chiesa della Bianca7. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (1529) with portal by Cione; interior decoration and frescos (16-19th centuries) by Valadier, Angelucci, and lo Spagna German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"Othello" - painted by H.C. Selous - from the Exhibition of the British Institution, 1854. 'In this little picture...Mr. Selous treats with considerable vigour and pictorial effect the last tragic scene in "Othello". The jealous Moor has just drawn aside the curtain of the bed, and contemplates the calm features of the sleeping Desdemona; his hand still resting on the dagger by his side, but as if on the point of removing it, as he exclaims: "Yet I'll not shed her blood; nor scar that whiter skin of her than snow, and smooth as monumental alabaster. Yet she must die&qu

Luis Carlos Legrand (Lithographer) (After Ribera, Jusepe de, lo Spagnoletto); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Martyrdom of Saint Philip'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio6. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annunciat

Misfortune Hans Sebald Beham (German, 1500-1550). , n.d. Engraving on laid paper, 30 11/16 x 20 1/16 in. (78 x 51 cm). European Art n.d.

ROSSO FIORENTINO, Giovanni Battista di Iacopo de Rossi, called (1494-1540). Deposition. 1521. Mannerism art. Oil on canvas. ITALY. TUSCANY. PISA. Volterra. Pinacotheca (Picture Gallery).

Hubert Robert (1733-1808). "Sculptor working at the statue of Saint Bruno in Saint-Pierre de Rome". Museum of Fine Arts of the City of Paris, Petit Palais. 37424-4 Cathedral, Saint Bruno, Saint-Pierre, sculpt, sculptor

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