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Historical Religious Art

Black and white photographs documenting medieval and baroque religious artworks, including frescoes, sculptures, and architectural details from Italy.

Hendrik Goltzius (Dutch, 1558 - 1617), The Resurrection, 1596, engraving
Hendrik Goltzius (Dutch, 1558 - 1617), The Resurrection, 1596, engraving
210 assets in this story
4409-17473688
The Holy Family with the Infant Saint John. Dated: probably second half 16th century. Dimensions: overall size: 15 x 10.3 cm (5 7/8 x 4 1/16 in.) image: 14 x 9.6 cm (5 1/2 x 3 3/4 in.) gross weight: 5763 gr. Medium: bronze with traces of gilding. Museum: National Gallery of Art, Washington DC. Author: Central Italian 16th Century.
4409-17479428
The Adoration of the Magi. Dated: late 15th - early 16th century. Dimensions: overall: 9.9 x 6.6 cm (3 7/8 x 2 5/8 in.) gross weight: 138 gr. Medium: bronze//Dark brown patina (rubbed on exposed surfaces). Museum: National Gallery of Art, Washington DC. Author: MODERNO.
4048-21183302
Three Crosses, by Rembrandt van Rijn, 1633-53, Dutch print, engraving, drypoint. This is a second state of a copperplate drypoint engraving, the artist developed through several versions. Through the process he eliminated figures, generalized the forms and increased the dark tonality and expressive intensity (BSLOC_2016_3_35)
6145-51831945
The Ascension James Tissot (French, 1836-1902). The Ascension, 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 7 9/16 x 6 3/16 in. (19.2 x 15.7 cm).   European Art 1886-1894
4409-17440550
Christ Taken Down from the Cross. Dated: late 15th - early 16th century. Dimensions: overall (without loop): 6.9 x 5.1 cm (2 11/16 x 2 in.) gross weight: 59 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: North Italian 15th or 16th Century.
6145-58990468
Alexandre Cabanel. The Titan. Oil on wood. 1884. Paris, house of Victor Hugo. 57625-4 Oil on wood, titan, mythology
6145-46554672
. Lower part of a print with an allegory on the victory of King Louis XIV. Monsters and personifications of defeated opponents and overcome vodes, trampled by Louis XIV's horse. The text refers to J. N. Colbert's Tractaat, Sorbonne, December 30, 1677.
6145-59245341
Allegorical equestrian portrait of Louis XIV, King of France, 1677 print Lower part of a print with an allegory over the victory of King Louis XIV. Samples and personifications of defeated opponents and overcome vices, trampled by the horse of Louis XIV. The text refers to the tractate of J. N. Colbert, Sorbonne, December 30, 1677. print maker: Parisafter design by: Parisprint maker: Paris (possibly)France paper engraving
6145-59191021
Abruzzo L'Aquila Celano S. Maria Valleverde7. Hutzel, Max 1960-1990 Medieval: Sarcophagus (Early Christian); stoups (9-10th centuries) Post-medieval: Architecture; architectural sculpture; sculpture; frescoes; intarsia; miniatures German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-30078334
Free! Desombrages. "Or liberty!". Paris, carnavalet Mus�e.
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