Historical Religious Art

Black and white photographs of religious paintings and sculptures from various periods, illustrating biblical scenes and figures in Italian art.

Augsburg, Ridinger, Johann Elias, Feti, Domenico, Adoration of the Shepherds, recto bottom - handwritten in pencil, print, prints, verso - stamped, Domuniquin Feti Romanus Pinxit, height 665 mm, width 472 mm, German, 1698-02-16 - 1767-04-10, print maker, printmaker, 1708 - 1767, paper, papier, mezzotint, etching, 1589 - 1624, after, after a painting by, Publication (Event), Publication, publisher

Campania Caserta Marcianise Chiesa dell' Annunziata2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Bernardo alle Terme4. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture (1598), sculpture, painting Caterina Nobili Sforza, countess of Santa Fiora, patron. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Orvieto S. Domenico7. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Augsburg, Ridinger, Johann Elias, Feti, Domenico, Adoration of the Shepherds, recto bottom - handwritten in pencil, print, prints, verso - stamped, Domuniquin Feti Romanus Pinxit, height 665 mm, width 472 mm, German, 1698-02-16 - 1767-04-10, print maker, printmaker, 1708 - 1767, paper, papier, mezzotint, etching, 1589 - 1624, after, after a painting by, Publication (Event), Publication, publisher

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine0. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rhine, Rembrandt van, The Raising of Lazarus: large plate, verso top center, print, prints, RHL. v Rhine, center, verso bottom left, Rechberger 1814, height 366 mm, width 258 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, ink, inkt, etching, etchings, burin, pen, Work conception, after own design by

Umbria Perugia Perugia Convent S. Pietro28. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lot drunk led by his daughters, Michel Dorigny, after Simon Vouet, 1639 print France paper engraving / etching Lot's daughters make their father drunk

Romano, Giulio, Photographic reproduction of an engraving after The Coronation of the Virgin by Giulio Romano in the Vatican, photograph, photo, reproduction, page, photos, photographically illustrated books, height 200 mm, width 126 mm, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, Work conception, after a print by, Italian, 1499 - 1546-01-11

Abruzzo Pescara Citta Sant'Angelo Collegiata di S. Michele4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14-15th century) Post-medieval: Architecture, architectural sculpture, sculpture, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Francesco3. Hutzel, Max 1960-1990 Post-medieval: Built in 1245, added to in 2nd half 13th century, radically restored 1636. Interior: frescoes restored 1980, 1st half 13th century and 14th century; paintings; Baroque organ/choir loft. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Vallerano Madonna del Ruscello7. Hutzel, Max 1960-1990 Exterior views of 17th c. church, including cupola and inner courtyard, with detail views of facade sculpture, doors and windows. Interior views of nave and altars, stucco decoration, organ, wooden choir, frescoes and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rudolf II of Habsburg (German Emperor), Aachen, Hans von, Munich, Sadeler, Raphael (I), Entombment of Christ, verso bottom center - stamped, In a cave Christ is laid in a tomb by his family, disciples and friends., print, prent, prints, height 241 mm, width 181 mm, South Netherlandish, 1560, print maker, printmaker, 1593 - 1593, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1552 - 1616-01-06, after a design by, 1552-07-18 - 1612-01-20, granter of privilege

The Flight into Egypt. Artist: Francesco Polanzani (Italian, Noale near Venice 1700-after 1783 Venice ()); After Jacques Stella (French, Lyons 1596-1657 Paris). Dimensions: 33.0 x 22.7 cm.. Date: 1700-(). Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury Sokołowski, Jakub (1784 1837)

The Annunciation after Lanfranco, (Dutuit 26, White 25) Cornelis II Blloert, said U Young (1603-1692). The Anroxion of Earth after Lanfranco, (Duutuit P. 26, The White 25). Burin, Curnitely sites. Museums of the city of the city of Paris, small palace.

Copper engraving by Cornelis Galle the Elder depicting Judith and Holofernes, produced around 1616.

Marches Macerata Matelica Museo Piersanti6. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Radicondoli Collegiate church0. Hutzel, Max 1960-1990 Six exterior views of 16th c. church, including facade, clock tower, 17th c. portal, right and left flanks. Interior views of nave, altars, altar paintings, and painting details. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jean Michel Moreau, The Sacrifice of Iphigenia, 1769 The Sacrifice of Iphigenia

Marches Macerata Camerino S. Venanzio8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Sezze S. Lucia9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ST. JEROME, AFTER THE PICTURE BY CORREGIO, IN THE MUSEUM AT PARMA, 1870

Lazio Roma Frascati Episcopal Palace12. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo

Artist: Albrecht Dürer, German, 1471-1528, The Lamentation, from The EngravedPassion, Engraving, 11.6 × 7.1 cm (4 9/16 × 2 13/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Campania Salerno Teggiano S. Francesco1. Hutzel, Max 1960-1990 Post-medieval: Architecture; decorated wooden ceiling (18th century); choir stalls; frescoes; paintings on canvas. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata San Severino Marche S. Maria del Glorioso6. Hutzel, Max 1960-1990 Exterior and interior views of this renaissance church (1519) include: the coat-of-arms of San Severino over the main portal, frescoes or paintings of the Flight into Egypt, the Nativity, the Christ Child with St. John the Baptist, and various altarpieces. Object Notes: Hutzel photo campaign date: May 17, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

S. Isidorus, S. Vincentius, S. Hyacinthus 1760 Francesco Bartolozzi Italian. S. Isidorus, S. Vincentius, S. Hyacinthus. Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). 1760. Engraving. Published by Joseph Wagner (Italian, Thalendorf 1706-1780 Venice) , Venice. Prints

François your Roy swears to make you happy / he will hold his oath

Moses ter Borch depicts Christ in the grave with angels using black and white chalks on gray-lavated blue paper, emphasizing figures, gestures, and the grave setting.

Job plagued by Devils, Lucas Vorsterman (I), After Peter Paul Rubens, 1619 - 1675 print Job on the manure heap, plagued by devils. His wife is standing next to him. Antwerp paper engraving Job on the dunghill with Satan (or devils) abusing and tormenting him; Job's wife may be present

Basilicata Matera Matera Chiesa del Purgatorio8. Hutzel, Max 1960-1990 Post-medieval: Built 1747, architecture, architectural sculpture, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Montefalco S. Chiara0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (16th century renovations); frescoes (14-15th century); sculpture Cloisters museum: sculpture, metalwork, painted crucifix, frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Molise Isernia Isernia SS. Cosma e Damiano7. Hutzel, Max 1960-1990 Post-medieval: Architecture; frescos (early 17th century); altarpiece (early 16th century) Object Notes: Isernia environs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Argenta S. Domenico12. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes. Works in museum include 15th century terracotta statues and painting, sculpture Owner: Pinacoteca Comunale Object Notes: Two sets of prints and negatives General Notes: Successivamente alla realizzazione di questo servizio, risalente al l'anno 1978, al Pinacoteca e stato aggiunto. Per questo motivo e in prepazione da parte un servizio aggiornato sulla Pinacoteca di Argenta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province

Wszyscy Święci w MNK Payne, Albert Henry (1812 1902), Andrea del Sarto (1486 1530), Glücksberg, Michał (1838 1907)

Umbria Terni Amelia S. Agostino0. Hutzel, Max 1960-1990 Medieval: Romanesque-Gothic church, 14th century, facade renovated 1477. Architecture. Cloister, 13-15th centuries. Wall paintings in sacristy, 13th century. Post-medieval: Interior renovated 1747. Architecture, architectural sculpture, with views of interior, including frescoes, wall paintings, altars, organ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Josef von Führichs pencil drawing is a preliminary study for the separation of light and darkness in the Altlerchenfeldenkirche, showing architectural forms and tonal contrasts.

Allegorical representation of the Trouw, Frans de Bakker, 1756 - 1767 print A young in love couple is armed. With their hands they hold their hearts together. There is an angel in heaven who points to them. Angels with flowerguirles fly around them. Amsterdam paper etching Fidelity; 'Fedeltí' (Ripa). Abstract Ideas and Concepts (+ symbolical representation of concept). profane heart symbolism ~ love

David playing his harp for a distraught Saul. Steel engraving by J. Rogers after A. Gros.

Lazio Roma Sasso S. Croce. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, fresoes. The interior of the church is decorated with trompe-l'oeil architectural niches in which are placed frescoes deicting the Virgin and various saints. Object Notes: 3 prints have extra negatives. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Sulmona S. Francesco della Scarpa1. Hutzel, Max 1960-1990 Views of the Baroque interior include: a baroque organ, a dome frescoed with perspectival architecture, a loggia and confessional, wooden ciborium (16th century), altar statues and architectural sculpture, altar paintings of the Visitation, Saint Anthony of Padua, and the Assumption of the Virgin, wooden crucifix, wooden statue of St. Francis, holy water font, and a marble sarcophagus with a life-size dead Christ lying on the top. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Lazio Roma Gallicano nel Lazio S. Maria0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes, coffers Object Notes: Completed over a term of some centuries, already built in the 15th century as evidenced by the tower. Facade is example of late Baroque. Interior in Renaissance style. Altar screens attributed to Sebastiano Conca. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Nativity. Artist: John La Farge (American, New York 1835-1910 Providence, Rhode Island). Dimensions: image: 7 5/16 x 4 13/16 in. (18.5 x 12.3 cm)sheet: 11 1/4 x 8 13/16 in. (28.6 x 22.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Rome S. Andrea della Valle03. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo63. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Bliżej Kultury unknown

Truth shines her light on reason, philosophy and other personifications of arts and sciences, Benoit Louis Prevost, 1751 - 1776 print Under the allegory a performance of working on the encyclopedia in the printing company. paper etching / engraving symbolic representations, allegories and emblems ~ science, 'Scientia'; 'Scienza', 'Studio' (Ripa). single Muses. Reason; 'Ragione' (Ripa). 'Philosophia'; 'Filosofia' (Ripa). printing press

Lazio Latina Valvisciolo SS. Pietro e Paolo5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Magliano Sabina Cathedral2. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Christ Child Adored by Angels. Artist: Gottfried de Wedig (German, Cologne 1583-1641 Cologne). Dimensions: 11-7/8 x 8 in. (30.2 x 20.3 cm). Date: late 16th-mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"40. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara S. Francesco68. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Velletri Museo Civico di Velletri48. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Lazio Roma Rome S. Agnese in Agone9. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting. Object Notes: Founded under Pope Innocent X in 1652 with construction carried out by the Rainaldis, passing to Borromini. The site is located above the traditional site of the martyrdom of St. Agnes, above the circus of Domiziano dating from the 1st century A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Isola del Liri S. Lorenzo, Collegiata4. Hutzel, Max 1960-1990 Post-medieval: 18th century architecture and architectural sculpture (1727); facade clocks; sculpture; carved portal with scenes from the life of San Lorenzo; paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto S. Rocco. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, fresco painting fragments, sculpture, fresco painting General Notes: See Hutzel's description of site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chalk illustration by Heinrich Friedrich Füger, 1797, for Klopstocks Messiade, executed with feather strokes and brown washes on blue paper, showing a detailed scene with figures and composition.

Abraham's Sacrifice John Murphy (British, 1748-1820). , 1781. Mezzotint on laid paper, 50 5/16 x 35 5/16 in. (127.8 x 89.7 cm). European Art 1781

The Holy Family with Saints recto. Dated: c. 1616/1617. Dimensions: overall: 17.4 x 14.5 cm (6 7/8 x 5 11/16 in.). Medium: pen and black ink and gray wash over black chalk, heightened with white, on laid paper prepared with pink wash. Museum: National Gallery of Art, Washington DC. Author: Hermann Weyer.

Print, St. Aignan Guerissant Agrippin (St. Aignan Healing Agrippa), plate 110, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier); Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by Jean-Joseph Baléchou (French, 1716-64); Published by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; 44.8 x 31 cm (17 5/8 x 12 3/16 in.)

Sculptuur van H. Aignan, Bisschop van Orleans, Pierre Chenu, just Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching piece of sculpture, reproduction of a piece of sculpture Orléans

Lazio Roma Rome S. Gregorio Magno1. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site compl

Interior of a notary or lottery office, Charles Nicolas Cochin (II), 1725 - 1790 drawing Possible design for a print. paper. chalk notary. raffle, lottery

The Nativity n.d. John La Farge American. The Nativity 381682 Artist: John La Farge, American, New York 18351910 Providence, Rhode Island, The Nativity, n.d., Wood engraving on Japan tissue, image: 7 5/16 x 4 13/16 in. (18.5 x 12.3 cm) sheet: 11 1/4 x 8 13/16 in. (28.6 x 22.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1921 (21.65.6)

Basilicata Matera Matera S. Francesco d'Assisi07. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Statio VIII. Tiepolo, Giovanni Domenico, 1726-1804. 1723 - 1797. Leonardis, Jacopo, 1723-1797. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Giotto and Cimabue, from "L'Artiste" July 7, 1844 Armand Vastine This print represents an extremely popular subject exhibited at the French Salon in the 1840s. The critic Arsène Houssaye, editor-in-chief of "L'Artiste," wrote that each year, one could anticipate a half-dozen pictures of Giotto and Cimabue. The narrative of these works derived from Giorgio Vasari's sixteenth-century account of the meeting of these two masters of the late middle ages. At the 1844 Salon, Houssaye cited four examples, noting that Hennet's, reproduced in this lithograph, was the most distinguished. Hennet was a student of Ingres, who showed regularly at the Salon from 1837-61. Vastine, the lithographer, was a student of Paul Delaroche and also a frequent Salon exhibitor.. Giotto and Cimabue, from "L'Artiste". After Alphonse Hennet (French, 1815-after 1861). July 7, 1844. Lithograph. Prints

Saint Cecilia, chart 1, Verein für Original-Radierung in München, IV, 1895. Wetteroth, Heinrich (Monachium ; zakład graficzny ; fl. 1860-1925), printing house, Bruckmann, Friedrich (Monachium ; wydawca ; 1815-1898), printing house, Verein für Original-Radierung (Monachium ; stowarzyszenie ; fl. 1850- ), society, Diez, Julius (1870-1954), graphic artist

Shakspeare. First part of King Henry Sixth : Countess of Auvergne's castle : Countess, Porter, Talbot, etc. , Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry VI. Thomas Pennant Barton Collection

Lazio Roma Rome S. Maria in Aquiro1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola S. Maria della Consolazione3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, coffering, woodworking, intaglio, fresco painting, painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Last Supper; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. .

Moritz von Schwind's 1833 steel engraving and etching illustrates Venturia pleading with Coriolan to spare a city, highlighting character interaction and dramatic narrative in book illustration.

printing process), Work conception, Zuid-Nederlands, 1570 - 1634-08-09, after a design by, Publication (Event), Publication, 1613 - 1690, publisher

Lazio Viterbo Caprarola Palazzo Farnese53. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese17. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Tuscania Cathedral7. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (largely restored in the 18th century); paintings on canvas and panel; fresco; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Stefano Rotondo. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, fresco painting, sculpture, architectural fragments, sculptural fragments. Post-medieval: Sculpture, fresco painting, painting, architectural sculpture Antiquities: Sculpture Object Notes: Called the "second Pantheon of Rome", this church dates from the 5th century A.D. Alberti worked on the restoration in the 15th century. These photographs date from March, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lamentation at the Foot of the Cross; Henri Lehmann (Karl-Ernest-Rodolphe-Heinrich Salem Lehmann), French, 1814 - 1882; 1847; Black and white chalk, graphite and gray wash on brown paper; 42.9 x 29.2 cm (16 7/8 x 11 1/2 in.)

Rijn, Rembrandt van, The Descent from the Cross: second plate, verso lower left - stamped, print, prints, engravings, Rembrandt. f. cvm pryvl.o .1633., center lower, height 530 mm, width 413 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1633 - 1633, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

The Entombment Made 1585 Italy. Androi Andreani reproduced the works of the major artists of his century-such as Raphael, Parmigianino, and Titian-in color woodcuts. This impressive composition honors Raffaellino da Reggio , a little-known Florentine painter of the mid-16th century. The work may have been commissioned by Giovanni deí Medici, the Italian general to whom the work is dedicated.. Chiaroscuro woodcut in black and burnt sienna, on white laid paper . Andrea Andreani

Umbria Terni Foce Sanctuary. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture. Views of facade, tower. Interior views include 16th century choir stall; vaulted ceiling, Baroque altar, altar painting, organ, 13th century wooden crucifix, 17th century main altar in wood, with wood sculpture and statues; 17th century copper oil lamp German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cayetano Palmaroli (Lithographer) (After Dyck, Anthony van); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'Pietá'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper; 1829 - 1832. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Annunciatie, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, h 115 mm × w 160 mm

Maria von Oignies.

Campania Napoli Naples S. Lorenzo Maggiore110. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Marches Pesaro Fossombrone S. Filippo2. Hutzel, Max 1960-1990 Post-medieval: Baroque architecture (c.1608-1613): unfinished exterior and very highly decorated interior; paintings on canvas; wooden sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

unknown, Schut, Cornelis (I), Crucifixion of Christ, verso lower left - stamped, St. John looks up at Christ on the cross. Mary Magdalene is kneeling. Behind her are the other holy women., print, prints, height 108 mm, width 65 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings, Work conception, after a design by, granter of privilege

Study for a Painting: The Glory of Saint Dominic, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and gray watercolor on paper, The saint kneels upon clouds surrounded by three pairs of angels. The lowest ones carry a lily and a book, respectively. A dog holding a lighted torch and a globe crouches below. Framing lines' the top one is drawn twice., Italy, ca. 1800, Drawing, Drawing

Poussin, Nicolas, Italy, Po, Pietro del, Noli me tangere, Christ Appearing to Mary Magdalene, verso - stamped, Christ Appearing to Mary Magdalene as a Gardener with a Spade., print, prints, height 290 mm, width 232 mm, Italian, 1610 - 1692-07-22, print maker, printmaker, 1620 - 1692, paper, papier, engraving, engraving (printing process), Work conception, French, 1594-06 - 1665-11-19

Marches Pesaro e Urbino Cagli S. Giovanni Battista7. Hutzel, Max 1960-1990 Medieval: architecture. Post-medieval: 15th centruy architecture, paintings on canvas, paintings on panel, fresco Object Notes: Also known as S. Domenico German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Diocesano2. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Players at Cards. Artist: Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616-1677 Haarlem). Dimensions: 7.2 x 5.5 cm. Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Author: Thomas Wijck.

Study for Divine Justice. Artist: James Barry (Irish, Cork 1741-1806 London). Dimensions: Sheet: 27 7/16 in. × 19 in. (69.7 × 48.3 cm). Date: ca. 1802.Barry presents rows of historical figures attended by angels, the imagery derived from "Elysium and Tartarus," one of his murals in the Great Room at the Society of the Arts, London. Painted between 1777 and 1783, the work celebrates "those great and good men of all ages and nations, who were cultivators and benefactors of mankind." Ranged at top are Trajan, Titus, Peter the Great, Henry IV of France, Andrea Doria of Genoa, Scipio Africanus, Cosimo de' Medici, Alexander the Great, Louis XIV, and Pope Julius II. Immediately below, the theologians Origen, Pascal, Bossuet, Antoine Arnauld, and Bishop Butler converse with angels. Finally, the sublime form of Divine Justice rests at the edge of Tartarus and tilts her scales toward the abyss to suggest the historical prevalence of evil over good. Barry made this drawing to create an etching at

S. Kazimierz , in: Eight Silesian paintings located in the cathedral church at the Royal Castle in Krakow , in Krakow by D.E.friedlein, in Warsaw at Rudolf Friedlein., Vol. 1. Friedlein, Daniel Edward (1802 1855), Serz, Johann Georg (1808 1878)

Raffaello Sanzio and pupil: Marine crowning. Pinakothek, Vatican Museums, Rome. .

The Pieta', c. 1515-17. Marcantonio Raimondi (Italian, 1470/82-1527/34), after Raphael (Italian, 1483-1520). Engraving;

Lazio Viterbo Montalto di Castro Parrocchiale0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, sculpture. The facade of the church is decorated with engaged pillasters and a tympanum, and the interior contains sculpture and paintings in the altars. Object Notes: Undocumented Hutzel name. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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