Historical Religious Art

Engravings depicting Christ and the Virgin Mary in various religious scenarios, showcasing intricate scenes from biblical narratives and the life of Jesus.

Events from the life of Abraham, Adriaen Collaert, After Maerten de Vos, 1579 - 1583 print Abraham and Lot decide to separate roads and to build a existence in various places. Abraham takes the areas on the right, lots of the areas on the left. In the background the rich cattle notes of Abraham and Lot. Upstairs, three medallions with images from the life of Abraham: left the encounter and blessing of King Melchizedek, in the middle of the visit of three angels to Abraham, right the sacrifice of Isaac to God and an angel who stops Abraham. The print has a Latin caption in a cartouche. The print is part of a series with scenes from the Bible book Genesis. paper engraving the visit of the three angels (three men) ~ story of Abraham (Genesis 18). Abraham and Lot separating (Genesis 13). the battle of the kings and the rescue of Lot (Genesis 14:1-17). the sacrifice of Isaac (Genesis 22)

Christ as a twelve -year -old in the temple, 1629 print Christ sits on a throne in the temple. He explains the Scripture to the scribes. Joseph and Maria walk into the temple and find their twelve -year -old son among the scholars. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Oval Medallions and Rondels, from Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin) ca. 1631 Jacques Callot French The scenes depicted in these oval medallions and roundelles are (from left to right and top to bottom): The Adoration of the Shepherds, The Visitation, The Adoration of the Magi, Christ in Limbo, The Descent of the Holy Ghost, and The Entombment.. Oval Medallions and Rondels, from Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesu

Triomferende Maria en Christuskind; Salve Regina, Mater Misericordiæ.Maria is with the Christ child on the clouds. The child has a life-size cross in the poor. The performance is caught in a bead frame. In every corner a medallion with scenes of conquered heretics. In the cartouche down a man kneels for Mary and the Christ child. The print has an overscription in Latin.

Maria with child on throne with the sainty dominic and Sainty Catharina. Maria is sitting on a throne with the Christ child on her lap. Both keep a rosary in their hand. For the throne, the Holy Dominician and Saint Catharina of Siena and other clergymen kneel. The show is surrounded by a border with fifteen small performances from the lives of Christ and Mary, with a caption in Latin on a banderole. In the middle of a coat of arms and assignment in Latin.

Crucifixion with Maria and John. Crucifixion with Maria and John, in oval cartouche with four performances in medallions: at the top of the resurrection, the outpouring of the Holy Spirit, on the right the coronation of Mary and at the bottom of the birth of Christ. Four angels with passion instruments and the veronicooek.

H. Simeon van Jerusalem, Jan Luyken, after Jan Goeree, 1698 print Saint Simeon van Jerusalem looks at the angel who suggests his Bisschopsmijter. Simeon stands on a pedestal where his crucifixion has been portrayed on the front. Print in the middle of it marked: II. Share, pag: 128. Amsterdam paper etching / engraving male saints (with NAME). violent death by crucifixion

Savings; The eight salimions, the seven acts of mercy, the seven deadly sins and the choice between good and evil. Centrally, the heavenly hosts in the clouds and people on earth worship the trinity. Around this representation, small scenes in which the eight clearances are depicted. In the middle in cartouche a Latin text. The print is part of a series about the single central statements of faith.

The Last Judgment, from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on paper, Christ appears in the upper center of the composition, facing the spectator. He is accompanied by two angels blowing trumpets. The Virgin kneels at left; Saint John at right. The blessed and condemned are seen below. Monogram of Dürer near left center., Germany, ca. 1509-1511, Print, Print

Events from the life of Abraham, Adriaen Collaert, After Maerten de Vos, 1579 - 1583 print Abraham and Lot decide to separate roads and to build a existence in various places. Abraham takes the areas on the right, lots of the areas on the left. In the background the rich cattle notes of Abraham and Lot. Upstairs, three medallions with images from the life of Abraham: left the encounter and blessing of King Melchizedek, in the middle of the visit of three angels to Abraham, right the sacrifice of Isaac to God and an angel who stops Abraham. The print has a Latin caption in a cartouche. The print is part of a series with scenes from the Bible book Genesis. paper engraving the visit of the three angels (three men) ~ story of Abraham (Genesis 18). Abraham and Lot separating (Genesis 13). the battle of the kings and the rescue of Lot (Genesis 14:1-17). the sacrifice of Isaac (Genesis 22)

H. Polycarpus van Smyrna, Apostolic Father, Jan Luyken, After Jan Goeree, 1698 print Saint Apostolic Father Polycarpus of Smyrna writes in a book and looks at the angel who sits next to him with a burning torcher and bishops. Polycarpus is on a pedestal. On the front the scene in which he is stabbed to death at the stake because the fire does not want to digest him. Print in the middle of it marked: II: part p. 150. Amsterdam paper etching / engraving male saints (with NAME). violent death ~ fire. violent death by sword

Christ as the victor of death and sin, Johann Sadeler (I), After Adriaan de Weerdt, 1577 print Christ as the victor of death and sin. He is sitting on a cloud with the defeated dead and the devil under him. Next to him the chained Adam and Eva. At the top of the personifications justice and peace. At the bottom of the personifications of love (caritas) and grace (misericordia). The print has a Dutch and French caption with an explanation. Antwerp paper engraving triumphant Christ, e.g. on triumphal chariot. Death as skeleton. Adam and Eve (not in biblical context). Christ with penitent sinners (Adam, David, prodigal son, Mary Magdalene, good malefactor, Peter, etc.). IHS ('Iesus Hominum Salvator') ~ symbol of Christ. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Mercy, Compassion; 'Compassione', 'Misericordia' (Ripa)

Lamentation of Christ, Johann Sadeler I, 1560-1600

Crossing of Christ, Anonymous, 1600 - 1699 print Christ carries the cross. In the lower margin two lines of Latin text. Entirely in a frame with on the left Christ with a cross, pierced Maria on the right with seven swords, in the middle above angels and cherubins and in the middle of the suffering of Christ. Netherlands paper engraving carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian). Mary pierced by seven swords. angels. cherubs, i.e. children's heads with wings. single instruments of the Passion. crown of thorns ~ instruments of the Passion. lance ~ instruments of the Passion. nails ~ instruments of the Passion. 'Vera Icon', 'Sudarium', Veronica-portrait

The child and death; Dance dance. A child who sits around with his parents around a fire is brought by death. Parents desperately watch. 30th print from a series of death dance expressions; With a picture frame with time and eternity.

H. Simeon van Jeruzalem; Simeon, Bisschop van Jerusalem, Door last van Attikus, Stadhouder van Syrien, Gekruyst.The Holy Simeon of Jerusalem looks at the angel who puts him his bishopsies. Simeon is on a base where there is crucifixion on the front. PRENT In the middle of labeled: II. Part, p. 128.

The holy church father Gregory of Nazianze the Younger, standing on a pedestal. On the obverse the scene in which he seeks out his friend Basil of Caesarea in hermitage, St. Gregory of Nazianze the Younger, Church Father, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 268 mm × w 169 mm

Germany, Altdorfer, Albrecht, Resurrection of Christ, verso bottom center - handwritten, In the center Christ in an oval of clouds, surrounded by angels and cherubim. A banner in the left hand, making a blessing gesture with the right hand. Below a number of angels and soldiers around the empty tomb., print, prent, prints, prenten, 81, AA 1512, height 230 mm, width 182 mm, 1480 - 1538, print maker, prentmaker, 1512 - 1512, first quarter 16th century, paper, papier, houtsnede

The Holy Trinity, Jacob Cornelisz van Oostsanen, 1520 print Printed from two blocks. Ornamental frame around representation with holy trinity and saints. paper 'Vitam Aernam' ~ Articles of Faith. The Holy Trinity, 'Trinitas Coelestitis'; Father, Son and Holy Ghost ~ Christian Religion

Emblem with worship of holy Francis of Assisi who lived in virtue, Anonymous, After Boëtius Adamsz. Bolswert, 1623 print The Holy Francis of Assisi is honored with palm branches. Man must follow his example and live in virtue to know peace in the heart and to be used, according to the meditation rule in the publication. Antwerp paper engraving founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. the life of man

Resurrection of Christ. In the middle Christ in an oval of clouds surrounded by angels and cherubs. A banner in the left hand, with the right hand making a blessing gesture. Below a number of angels and soldiers around the empty tomb.

Annunciation and prayers from the Lauretan Litanie, Anonymous, After Hieronymus Wierix, 1600 - 1649 print Maria is kneeling on her desk. She is visited by the angel Gabriël. He tells her that she will give birth to a son, which will be called Christ. Above them the pigeon as a symbol for the Holy Spirit. The show is caught in a rosary. At the bottom, praying men receive rosary roses from Engelen. Around the framework with the performances, in seven columns, prayers from the Lauretan litany (litany of the Blessed Virgin Mary) in Latin. Antwerp paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation). Holy Ghost represented as a dove (in flames). aids for prayer, e.g. rosary (+ angel(s))

Youth of Christ, Hendrick Goltzius, 1578 print The Christ child sitting on a pedestal in a fountain or water basin, personifications around him. Around the show a frame with various scenes from the early life of Christ combined with allegorical elements. In the margin at the bottom two lines of Latin. This print is part of a series of six allegorical scenes from the life of Christ. print maker: Haarlempublisher: Antwerp paper engraving symbols and prefigurations of Christ. Christ-child together with others. series of scenes from the life of Christ

Maria als beschermheilige; Salve Regina, Mater Misericordiæ.The kneeled Mary and Christ look up to the tetragram that is in heaven. The performance is caught in a bead frame. A medallion in every corner with scenes of the souls, the sick, sinners and caught those praying to Mary respectively. In the cartouche down the H. Bernardus kneels from Clairvaux for Maria. Milk sprays from her chest on the lips of the Saint (Lactatio Bernardi). The print has an overscription in Latin.

H. Ireneus van Lyon, church father, Jan Luyken, after Jan Goeree, 1698 print The Holy Church Father Ireneus of Lyon is in his hands with an open book. Next to him, an angel supports a sword that was stabbed in a Bisschops smiler. Ireneus is on a pedestal where his beheading has been portrayed on the front. Amsterdam paper etching / engraving male saints (IRENAEUS OF LYON). violent death by beheading

Maria and seven biblical mothers; Benedicta Tu in Mechanic. Maria sat in the midst of seven mothers from the Bible, including Anna, Elizabet, Sara, Rachel and Lea. Above their heads a fountain from which fruits and babies descendant. To make the show an ornamental border with emblems and bible texts.

. A couple is in the real connected by an angel with a burning torch in his hand. The pair stands on either side of a column with a burning heart. Amor flamed his torch at the fire of the heart. Juno with her peacock is in the clouds above the couple.

Maria zoogt het Christuskind; Salve Regina, Mater Misericordiæ.Maria sucks the Christ child that is on her lap. They are surrounded by musician angels. The performance is caught in a bead frame. In every corner a medallion with scenes of Maria who offers comfort to the needs. In the cartouche down the believers pray to Mary. The print has an overscription in Latin.

Woodcut by Lucas van Leyden, circa 1517, depicting King Solomons idolatry from the Hebrew Bible.

Church interior with Eucharistic celebration. There is a curtain in the choir part of the church that is flanked by images from Petrus and Paul. Downstairs for the high altar, on which an altarpiece with the worship of the Christ child, the priest who supports H. Mass to God. Behind him, several people kneel in prayer, including the pope and the emperor of the Holy Roman Empire. In the top corners the coat of arms of the pope and the emperor.

The Last Supper, Jacob Cornelisz van Oostsanen, After Albrecht Dürer, 1517 print From series of twelve prints. Christ at the table with his twelve disciples. Round performance ornamental frame. Bottom frame with text in Latin. Printed from multiple blocks. paper Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Saints Lawrence, Sixtus, Peter, and Paul adoring the Coronation of the Virgin by Christ above ca. 1576 Anonymous. Saints Lawrence, Sixtus, Peter, and Paul adoring the Coronation of the Virgin by Christ above. Anonymous. ca. 1576. Engraving. Adamo (Ghisi) Scultori (Italian, Mantua ca. 1530-1587 Rome). Prints

Allegorical Presction with personification of the Roman Catholic Church, Martin Bouche, After Erasmus Quellinus (II), 1688 print The personification of the Roman Catholic Church with bishop's staff, papal tiara and a book with altar and the title of the book, surrounded by Putti. Above her a pigeon as a symbol of the Holy Spirit. On the right two putti with a papal coat of arms. At the bottom Romulus and Remus and the Wolvin. paper engraving / etching triumph of the Church (or Religion). insignia of the pope, e.g. tiara

Christ shown to the people (Ecce Homo) Devotion prints (series title), Christ with crown of thorns, purple mantle and cane stem as scepter. His hands are tied together and show injuries. Passion tools lie next to his feet, also with wounds. The show is framed with seven scenes from passion. A caption in Latin, Christ alone (also called 'Ecce Homo'), Pierre Firens (mentioned on object), Paris (possibly), 1600 - 1639, paper, engraving, h 138 mm × w 92 mm

A duke on a throne. There are various symbols on the canopy above the throne. The duke is flanked by a statue of justice (Justitia) and caution (Prudentia). With his right hand he hand over a paper (with title) to a female personification of a city. She is crowned with a wall wreath. A lion with the coat of arms of the Dukes of Brabant is located at its feet.

. In the middle a pedestal with the portrait of Moses in an oval list. On the pedestal the title of the book work. Around the pedestal a few figures from the Bible such as Christ, Aaron, the prophet Jeremiah and the prophetes ester. On the left the personification is truth, a sun on her chest and with a forest keys and a zeis as attributes. An angel in the background.

Allegorical representation with divine virtues and Mary, Anonymous, 1600 - 1700 print For an empty oval medallion are the three divine virtues faith (with cross and chalice), hope (with anchor) and love (with three children). At the top is on the left Maria who tramples a snake with apple. On the right is an angel. In the middle, God appears with globe from behind the clouds. On the right a pigeon flies as a symbol of the Holy Spirit. With his rays, he shines on the lily that is held by Mary. Antwerp paper engraving the Three Theological Virtues. Mary (without the Christ-child). God the Father. Holy Ghost represented as a dove (in flames)

The holy church father Basil of Caesarea, standing on a pedestal. On the obverse the scene of Basil distributing food to the poor., St. Basil of Caesarea, Church Father, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 269 mm × w 167 mm

Triptych after Anth. Blocklant: resurrection of Mary, Mary with the infant Jesus, the donee with his patron saint, proclamation to Mary and adoration by the shepherds. On 3 plates, print maker: Paulus Constantijn la Fargue, after: Anthonie Blocklandt, , 1739 - 1782, paper, etching, engraving

Life of Saint Hieronymus, Anonymous, After Francesco Vanni, 1604 print The saint Hieronymus standing with a stone and crucifix in his hand. The lion is at his feet. Around this performance thirteen smaller performances with scenes from the life of Hieronymus. after design by: Italypublisher: ItalyVaticaanstad paper engraving / etching the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone. miraculous activities and events ~ St. Jerome - stigmatization of male saint. St. Jerome as penitent in his study

Ascension of Christ; Ascension Christi in Coelvm. Christ, with hands raised, is included in heaven. His disciples are full of wonder. Two angels keep an eye on them. At different elements from the show are letters that correspond to the legend in the margin.

Creation of EVA and the fall; Heilsweg of man. Two biblical allegories in architectural frame. On the left the creation of EVA from a RIB of Adam. On the right the fall: Adam and Eve stand at the tree of good and evil and take the apple from the snake, which surrounds a skeleton. Skeleton and skyrocket refer to the mortality of man as a result of the violation of God's commandment. Song behind them the personification of God's wrath, who also holds a skull in the hands. Above the show on the right in the arch a Bible verse in German. In the middle the tetragram. Under both performances a four-line verse in the Nederduits and a four-line text in Latin. Number 1 and 2 from a reformational series about the sinity and justification of humans.

Maria sucks the Christkind, Hieronymus Wierix, 1611 - Before 1619 print Maria sucks the Christ child who is sitting on her lap. They are surrounded by musician angels. The show is caught in a frame of beads. In every corner a medallion with scenes by Maria that consoles the needy. In the cartouche at the bottom, the believers pray to Maria. The print has a top in Latin. Antwerp paper engraving Christ-child suckling, or beginning to suckle, e.g. Mary uncovering her breast ~ Madonna-representations (+ angel(s)). consoling the sorrowful ~ one of the (seven) spiritual Acts of Mercy. Mary devotion

Triumph van de Waarheid, Anonymous, After Johannes Wierix, After Maerten de Vos, 1593 print Truth tramples the personification of fraud (half human, half skeleton). In her hand she holds a burning oil lamp, an open Bible on her lap. She is flanked by the female personification of uprising (rebellio), with snakes in her hands, and the male personification of Catholic obedience (Catholica Obedientia). Above them the pigeon of the Holy Spirit. Two angels hold a banderole with a inscription in Latin, they bring truth a laurel wreath and a palm branch. In heaven the tetragram as a symbol of God the Father, surrounded by Cherubin. In the margin an eight -line caption, in two columns, in Latin. Antwerp paper engraving Truth; "True" (Ripa). "Obedienza verso Dio '(Ripa). 'Revolution'; 'Rebellion' 'sedition civil' (Ripa). Falsehood. Holely Ghost Represented as a Dove (in the flames). Tetragram (in a Roman or Hebrew script) ~ Symbol of God the Father (+ Angel (s))

Ascension of Christ, 1629 print Christ, with raised hands, is included in heaven. His students look full of wonder. Two angels keep an eye on them. There are letters with different elements from the performance. The print is part of an album. paper the Ascension (Christ surrounded by radiant light or in a mandorla)

The Martyrdom of Saint Cristina di Bolsena with God the Father above 1570-1615 Cherubino Alberti (Zaccaria Mattia) Italian. The Martyrdom of Saint Cristina di Bolsena with God the Father above 651225

Two women show a medallion with the worship by the shepherds; Title page for: Two books about the birth (...) of Jesus Christ, 1710. Two women show a medallion with the worship of the shepherds. The medallion rests on a base. The right figure holds a mirror in her hand and tramples a snake with her foot, the left trampled a narring staff. The two women are under a bow. Images have been processed in the arch that deals with the birth of Christ. Above the annunciation to Mary and the announcement to the shepherds. On either side the birth of Christ and the presentation in the temple.

Title page for 'Règlement et establissement de la Compagnie des Pénitens Blancs de la Ville de Nancy'. Two clergymen, wrapped in robes with hoods covering the entire face as masks (members of the brotherhood of the white penocases) are kneeling for an altar on which a pieena show (Maria who pretty to her dead son became).

. Jan II Kazimierz, king of Poland, on a throne with scepter, crown and migration, surrounded by allegorical fguren. Above him FAMA, left Hercules with the caught Cerberus and the right Minerva.

Birth of Christ. Two angels kneel in worship for the Christ child that lies in his manger. Maria watches, the os is next to haart. Joseph gives hay on the donkey. On the left in the background the proclamation to the shepherds. The performance has been caught in an ornamental picture frame that is decorated with different birds and plants.

. In the foreground Emperor Otto the big sleeping in a chair. In the air an angel flies with a miter. In his dream, Emperor Otto gets a vision that he must call the first spiritual that he encounters when awakening as a bishop of Regensburg. In the background, Emperor Otto meets the Saint Gunther, the gatekeeper of the St. Emmeram monastery after his awakening. The H. Gunther offers the emperor a shoe in exchange for the bishop's office of Regensburg. The print has a Latin caption and is the 37th print of a 60-part series with the saints of Bavaria.

H. Gregorius van Nyssa, Jan Luyken, After Jan Goeree, 1698 print The holy Gregorius of Nyssa sees an angel on the back of a devil's beast and keeps it in toom with chains. Gregorius stands on a pedestal. On the front the scene in which he prays with his deacon to God while they are chased by Roman soldiers. Amsterdam paper etching / engraving male saints (GREGORY OF NYSSA)

Feeding the hungry; Esurientes Pascere; The seven works of mercy. Feeding the hungry as the first of the seven works of mercy. The show is caught in an architectural frame with arc. Above, in cartouche, the title. In the middle a large table to which people are eating; In the foreground an old and a young man at baskets with loaves. In the background the wonderful bread multiplication (right) and the last supper (left). In the frame on the left Christ in a niche, which holds a tablet on which texts from Lucas 3 and Luke 16, and right Isaiah in a niche with a tablet on which text from Isaiah 32. In the four extreme corners of scenes from the O.T.en N.t. who have to do with food. With explanatory texts from O.T. and N.T. Under the show four lines of Latin. This print is part of a series of prints of the works of mercy (consisting of a title page and seven numbered prints).

The holy church father Clemens of Rome studies a scripture while an angel adorns a coat of arms with a bishop's mitre before him. Clemens stands on a pedestal. On the obverse the scene in which he is thrown into the sea tied to an anchor. Print marked top center: II: Part. Fol: 115., Saint Clemens of Rome, Church Father Clemens, Bishop of Rome, By Aufidianus burden, thrown into the sea , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 278 mm × w 171 mm

Our father in heaven, let your name be sanctified. Depiction of the first part of our father's prayer. Kneaded men and women pray towards heaven. In the clouds the trinity surrounded by angels. On the earth it can be seen that believers do the works of mercy: the hungry food, give the thirsty drinking, visiting the sick and prisoners, hutting the nudes, house the stranger and burial the dead. The print is part of an album.

Crossing, monogrammist S (16th century), 1510 - 1530 print Crossing in frame with musician angels and two other scenes. Low Countries paper engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Pilate shows Christ to the people (ECCE GOMO), Izabel threatens Elia and the Babylonians demand Daniëls dead .. upper part of and leaf from a biblia pauperum. Left Izabel threatens Eilalas with death, in the middle Pilate, Christ shows the people, on the right the Babylonians demand Daniëls dead. Front frame with four prophets. Text in French among the performances.

Christ Dideled by the soldiers, Johann Sadeler (I), After Marcus Gheeraerts (I), 1560 - 1600 print Christ is stripped of his clothing by soldiers on Golgota. In standing oval with ornament. In the foreground, the well is dug in which the cross will stand. The ninth print of a thirteen -part series of ornament prints about the passion of Christ. unknown paper engraving Christ disrobed

. Christ rises from his grave. On either side of his grave an angel. In ornament list, the Soldiers flight and on the right the three women going to the grave. In the four corners of scenes from the passion of Christ in ovals. In the middle angel choirs with God the Father.

SCHOOD DELATION OF CHRIST (Crucifixion), Hendrick Goltzius, 1578 print Series of twelve allegories of the Christian faith. Each of the allegories consists of a central performance surrounded by a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. print maker: Haarlempublisher: Antwerp paper engraving the Virtues ~ crucified Christ

Christ on the Kruis, Jacob Cornelisz van Oostsanen, 1517 print From series of twelve prints. Christ on the cross. John, Maria and the three Maria's at the foot of the cross. Round performance ornamental frame. Bottom frame with text in Latin. Printed from multiple blocks. paper crucified Christ, with particular persons under the cross

Joío de Almeida, standing, right hand on his chest and in the other hand a scourge and crucifix. On either side two caryatids: on the left Anglica, his native country, on the right Brasilia the country where he worked in the mission., Portrait of Jesuit Joío de Almeida, print maker: Richard Collin, (mentioned on object), intermediary draughtsman: Erasmus Quellinus (II), (mentioned on object), Antwerp, c. 1660 - c. 1680, paper, engraving, h 220 mm × w 164 mm

Visioen of Saint Dominicus, Theodoor Galle, After Pieter de Jode (I), After Joannes Nys, 1611 print The Holy Dominicus is kneeling on the ground. He gets a vision that the Virgin Mary protects his order by covering them with her cloak. The print has a Latin inscription and caption and is part of a press series for a book about the life of the Holy Dominicus. print maker: Antwerpafter drawing by: Antwerpafter design by: AntwerpPolandpublisher: Antwerp paper engraving visions of St. Dominic (+ Mary)

Christus deelt kronen uit; Salve Regina, Mater Misericordiæ.Christ shares crowns from flowers. He is accompanied by Maria in her role as a person's intercession. The performance is caught in a bead frame. In every corner a medallion with scenes of people who suffer and want to have their pain soothed by Maria. In the cartouche down, men kneel, among whom a pope and an emperor, and ask for help to Maria. The print has an overscription in Latin.

Johannes shows Paulus Het Gospelie, Jan Luyken, 1688 print John shows Paulus the gospel. Behind John are the three other evangelists Matthew, Marcus and Lucas. In the distance the worship of the sages, the crucifixion and the resurrection of Christ. Amsterdam paper etching the apostle Paul of Tarsus; possible attributes: book, scroll, sword. the four evangelists ~ other themes. the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh). Resurrection of Christ

Thirsty Laven; Potum Dare SitientiBus; The seven works of mercy. Laven of the thirsty as second of the seven works of mercy. The show is caught in an architectural frame with arc. Above, in cartouche, the title. In the middle in the background the wedding in Kana, and Christ and the Samaritan woman at the source; In the foreground gets thirsty people to drink. A man transports a wine barrel on a wooden trolley. In the four extreme corners scenes from the O.T.: Eliezer and Rebekka at the source, Hagar gets in the desert to drink an angel, Moses strikes water from the rock, Simson drinks water from the source after he has defeated a hundred Philistines. On the right the Apostle Matthew; On the left a king from the O.t. With explanatory texts from O.T. and N.T. Under the show four lines of Latin. This print is part of a series of prints of the works of mercy (consisting of a title page and seven numbered prints).

Bertha van Biburg and her brother found a monastery by order of two saints, Raphaël Sadeler (I), after Johann Mathias Kager, 1615 print Bertha van Biburg and her brother, St. Everardus van Salzburg, are on the right. In their hands the certificate of the double monastery from Biburg. The H. Otto van Bamberg and Abbot Everard van Biburg appear in the clouds in the top left corner and order them to found the monastery. In the background the construction of the double monastery in Biburg. The print has a Latin caption and is the 51st print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching male saints (with NAME). male saints (with NAME). female saints. building-site of church indicated by a miracle. building of church Bavaria

H. Pantenus of Alexandria, church father, Jan Luyken, After Jan Goeree, 1698 print The Holy Church Father Pantenus of Alexandria with a book in his hands. In front of him is an angel also with a book. Pantenus stands on a pedestal where on the front his teaching in the school of Alexandria has been portrayed. Amsterdam paper etching / engraving male saints (PANTAENUS OF ALEXANDRIA). male saints (PANTAENUS OF ALEXANDRIA) - male saint writing, studying, teaching, dictating (e.g. as Doctor of the Church)

Life of the sacred Francis of Assisi; Saints lives. The sacred Francis of Assisi standing with a cross in the hands. Around this representation sixteen smaller performances with scenes from the lives of Francis.

Ascension of Elijah. Fragment of a leaf from a biblia pauperum. Printed of two blocks. Elijah sitting on the ground and sitting in a car with fire in the sky, while his cloak falls. Front frame with two prophets.

A drawing by an anonymous artist depicting the Ascension of Mary, with figures and decorative elements, executed with pen, ink, and wash.

Pinksteren, Virgil, 1524 - 1562 print paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

Boetvaardige H. Maria Magdalena, 1589 - 1659 print Maria Magdalena kneels with a tree. She holds an open book. In front of her is an ointment pot and a crucifix. There is a skull with her knee. Her Ascension is shown in the distance. With frame in four parts consisting of floral motifs. Above the performance three lines of text: Magdalena Seer Vuyrigh ... The print is part of an album. paper letterpress printing the assumption of St. Mary Magdalene: she is lifted up to heaven by angels; sometimes a hermit looks up at her. the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge - portrait of female saint

In the middle a person saw on the back, which has the choice between the world left and the faith on the right. The worldly is being personalized by a woman with a mask on the head and mask to her clothes. She has a donkey to her feet and refers to the wide road that flows into the firport. On the right faith as an angel with a sheep, which man points to the narrow, road, which flows into the sky gate. Allegorical figures are located in both ports. In the middle of a cloud column and fire towards the presence of God.

Allegorical performance with figures from the Old Testament. Left Adam and Eva, Isaac and Abraham and Noah. On the right Moses and Aaron and King David. Christ joined a cloud in heaven, surrounded by the symbols of the four evangelists. The flame of belonging to belongs to its head. He tramples death (as skeleton). A tetragram in heaven as a symbol of God the Father. Under the show in a cartouche with the motto of Picart in Latin the title and the imprint in French. A two-legged Bible quote in the margin. 11:13 in French.

Overflowing Hart, Cornelis van Noorde, 1767 print Allegorical representation about the good and divine things that allow the heart to flood. A overflowing heart like a fountain is on a table with an open Bible. On either side of the table are religion with a flame on the head, a candle that provides light, the simplicity, which shows a mirror with the text: learns from everything. Drawing arts sketches good. At the top, worn by Putti, the portrait of the writer Jan Luyken. Haarlem paper etching heart symbolism. Simplicity; 'Simplicití' (Ripa). the Bible as a book. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. cupids: 'amores', 'amoretti', 'putti'

Germany, Cranach, Lucas (I), Heavenly Staircase of Saint Bonaventure, Journey of the Soul to God according to Bonaventure, verso lower left - stamped, This print shows the steps in the journey of the philosophical soul to God, according to the teachings of Saint Bonaventure. Bonaventure kneels together with Elector Frederick of Saxony and two groups of men and women in prayer at the bottom of the ladder or staircase that symbolizes this journey of the soul. The ladder is composed of text bands with fragments from the teachings of Bonaventure. At the top of the ladder is a medallion with the Holy Trinity, surrounded by the symbols of the four evangelists. On the left and right in heaven, the souls purified from all vices worship the Trinity. At the bottom of the ladder are two demons., print, prints, height 385 mm, width 294 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1508 - 1512, first quarter 16th century, paper, woodcut

Allegory on the creed with the four evangelists; The Algemeyn Christian believes. The four evangelists along with the divine virtues around a large column with the Christian creed. At the bottom of the print, various scenes from the New Testament are shown: the baptism of Christ, the last supper and the wonderful fishing.

Christ is crowned with the crown, Johann Sadeler (I), After Marcus Gheeraerts (I), 1560 - 1600 print Christ is mocked by the soldiers. He gets a crown on his head and a blade of grass as a scepter. In standing oval with ornament. The sixth print of a thirteen -part series of ornament prints about the passion of Christ. unknown paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3). ornaments ~ art

The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus 1576 Cornelis Cort Netherlandish. The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1576. Engraving. Lorenzo Vaccari (Italian, active Rome, ca. 1575-1608). Prints

Christ on the Wereldgrobe, Gaspare Oselli, 1568 print Christ sitting on the world globe with a scepter in his right hand. With his left hand he makes a blessing gesture. He is flanked on either side by a female saint and an angel. He is in front of an architectural niche with different inscriptions and shields. Among them are diabolical figures and a skeleton. Above an angel with a sword and a banderole with text. Assignment in Latin in STUDMARGE. Italy paper engraving Christ. angels. female saints. devil(s) and demons. (human) skeleton. inscription

Annunciation, Sciled Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print This print is part of an album. print maker: Southern Netherlandspublisher: Antwerp paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Emblem with veneration of Saint Francis of Assisi who lived in virtue, Boëtius Adamsz. Bolswert, Anonymous, Hendrik Aertssens, 1620 - 1623.

Christ preaches to his disciples, Boëtius Adamsz. Bolswert, 1622 print paper engraving Christ preaching or teaching (in general)

Title page for: 'contemporary history of the Ryk des Groten Mogol, part 4', 1770. Title page with five men with turbans at a tent. In addition to the tent a tower of blocks on which shows.

Christ heals the sick person of Betzata (Bethesda), Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ heals a man who has been sick for thirty -eight years, at the bath of Betzata. Sick, blind, cripple and deformed walk around the water. An angel flies in the air. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ says to a paralytic man: 'Rise, take up your pallet (bed)'. sick people lying near the pool of Bethesda ~ Christ healing paralytics (John 5:1-9)

Engraving depicting a sacred ceremony in the streets. The illustration is set within an ornate frame.

Graf monument for Johannes Schelhammer, François van Bleyswijck, after Augustine Terwest (II), After Johannes Hannart, 1730 - 1736 print Grave monument or epitaph for German theologian Johannes Schelhammer in the Evangelisch Lutheran Church on the Lutheran Burgwal in The Hague. A record with Latin inscription in memory of him is the center of an architectural accompaniment. This is crowned with a medallion on which the symbol of Christ's suffering is depicted: a pelican feeds her boy with her own blood. Two mourning women flank a portrait of Schelhammer. print maker: Leidenafter drawing by: The Hagueafter sculpture by: The Haguepublisher: Delftpublisher: Amsterdam paper etching epitaph. 'pleurants' Lutheran church

Five sad mysteries; Rosario doloroso; Fifteen mysteries of the rosary. Bare tree with thorns, in the middle of the piea. A rosary with five medallions in which a mystery is depicted on the tree. At the top Christ in the court of Getemane, and then from left to right, the flogging of Christ, the thunderstron, the crossbreeding and the crucifixion.

H. Basilius van Caesarea, church father, Jan Luyken, After Jan Goeree, 1698 print The holy church father Basilius of Caesarea, standing on a pedestal. On the front the scene in which Basilius distributes food to the poor. Print in the middle of it marked: III. Share p. 311 (for the most part cut off). Amsterdam paper etching / engraving Basil the Great (Basilius Magnus), bishop of Caesarea; possible attributes: dove, (column of) fire. giving alms or other charity, e.g.: handing out food

Life of the Saint Catharina van Siena; Saints lives. Siena Saint Catharina standing in a landscape with a crucifix in her hand with lilies. Stigmata is visible on her hands. Around this representation thirteen smaller performances with scenes from the life of Catharina. Order with coat of arms in the middle.

Christ is undressed by soldiers, 1560 - 1600 print Christ is, sitting on the cross, undressed by soldiers. From series of 14 ovals with grotesken in which scenes from the passion are depicted. Shaded background. Netherlands (possibly) paper engraving Christ disrobed

A triumphal arch decorated with Papal, Christian, Imperial and Habsburgian emblems: in the centre Philip II of Spain, surrounded by emblems of peace, justice and plenty, receives the crown from his father, Charles V; representing the good and Christian reign of Philip II. Engraving by N. Nelli.

Reliekhouder met de verzoeking van Adam en Eva.Relic holder with Adam and Eva's temptation. On verso, fragment of a relative holder is depicted, possibly with the nails of the cross of Christ.

. Christ is considered by Maria and four other women after the cross collection. In standing oval with ornament. In the foreground two men close the tomb with the corpse of Christ. The eleventh print of a thirteen-part series of ornament prints about the passion of Christ.

Miracle of the Holy Dominicus during a crossing; Life and madrangles of the Holy Dominicus; Vita et miracula s.p. Dominicians. The Holy Dominician wants to make a crossing with a boat, but does not own money for the feeder. Due to a miracle, the Holy Dominician discovers a speed on the ground. The print has a Latin inscription and caption and is part of a postal series for a book about the life of the Holy Dominicus.

Augsburg, Pfeffel, Johann Andreas (der Ältere), Holzer, Johann Evangelist, Steinberger, Johann Christoph, Youth of Christ, Die Reinigung der Heiligen Jüngfraüen, Lustralia B Virginis, Assignment in the Temple, verso - stamped, The dedication in the temple a temple Simeon offers the Christ child to God in the presence of Mary and Joseph and the prophetess Anna. Between Mary and Joseph stands a cage with two doves, the offering for the purification of Mary. Around the representation is a rocaille frame with doves. In the lower margin two seven-line German and Latin texts., print, ornament print, prints, ornament prints, height 190 mm, width 297 mm, German, 1680 - 1727, print maker, printmaker, 1719 - 1727, paper, etching, etchings, Work conception, 1709-12-24 - 1740-07-21, after a design by, Publication (Event), Publication, 1674 - 1748, publisher

Visiting the sick; Aegrotos enter; The seven works of mercy. Visiting the sick as fifth of the works of mercy. The show is caught in an architectural frame with arc. Above, in cartouche, the title. In the foreground in the middle is a sick person. In addition to him is a priest; A lady and lord come to visit him and bring food. On the second plan, right, Christ healing a sickness. On the left the merciful Samaritan that helps the injured along the way. Links in the frame is a king from the O.T. with the text of preacher 38 and 18; On the right the Apostle James as a pilgrim, with text from John 5. In the four extreme corners of scenes with sick and healings from the O.T. and N.T. With explanatory texts from O.T. and N.T. Under the show four lines of Latin. This print is part of a series of prints of the works of mercy (consisting of a title page and seven numbered prints).

Interior of the church of San Lorenzo in Florence, five pillars, each with a large figure of death on a pedestal, ten hooded figures with staffs in foreground, two altars in the background, cartouches containing female figures above, from 'Ceremonies for the Funeral of Emperor Ferdinand II' (Funérailles de l'empereur Ferdinand II) 1637 Stefano della Bella Italian. Interior of the church of San Lorenzo in Florence, five pillars, each with a large figure of death on a pedestal, ten hooded figures with staffs in foreground, two altars in the background, cartouches containing female figures above, from 'Ceremonies for the Funeral of Emperor Ferdinand II' (Funérailles de l'empereur Ferdinand II) 410779

Portrait of a young woman with headscarf ..

Temple with scenes from the Old and New Testament, Willem van Senus, 1783 - 1851 print Temple with scenes from the old and New Testament. Left on a pedestal Moses and on the right Christ. In the foreground putti with texts. The temple shows scenes from the old and the New Testament and bovan the Personified Truth, with Crucifix, Heart and Anker, the symbols for faith, hope and love. Amsterdam paper etching / engraving Christian religion. 'I am the way and the truth and the life' ~ sayings of Christ (John 14:6)

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