Historical Religious Artwork

Prints featuring saints and biblical scenes, showcasing intricate details and vibrant colors that reflect religious themes and stories.

The Annunciation of Mary by the Angel, with in a wide border around the scene the Passion instruments. Below the scene is an inscription, Annunciation Life of Mary (series title), print maker: anonymous, Leiden, 1490 - 1510, paper, h 111 mm × w 75 mm

Heel; Unknown, Kostrycki, Maciej (p Azów; People's Woodmark; Fl. Ca 1830-Ca 1838), Azarski, Zygmunt (1885-1943); 1921 (print); around 1831 (matrix) (1831-00-00-1921-00-00);Jesus Christ, Maria (Mother of Jesus Christ), Purchase (provenance), Lazarski, Field of People's District of the Old 1921, Illustration, Lazarski, Zygmunt (Ca 1885-1943) - collection

St. Francis. 1401 - 1500. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

This colored copper engraving by Meister E.S., from the second third of the 15th century, depicts St. Ursula, showing the saint with detailed clothing, halo, and religious iconography.

Colored woodcut by an anonymous artist depicting Christ on the Mount of Olives, showing figures, gestures, and composition.

Depicts Saint Dionysius by an anonymous artist, created as a colored woodcut at the end of the 15th century, showing the saint in traditional attire with symbolic attributes.

A copper engraving by an anonymous artist from around 1490 depicting a proclamation scene, showing figures in an historical context.

A colored woodcut from 1460-1480 by an anonymous artist depicting Saint Francis, emphasizing figure, attire, and devotional symbolism.

The Annunciation of Mary by the Angel, with in a wide border around the scene the Passion instruments. Below the scene is an inscription, Annunciation Life of Mary (series title), print maker: anonymous, Leiden, 1490 - 1510, paper, h 111 mm × w 75 mm

Anna te Drieën, Anonymous, 1610 print Anna with Mary and Christ Child on one throne paper Holy Family with others, e.g.: Anna. extended representations of 'Anna selbdritt' (Joseph and Joachim, three husbands, three daughters with seven children)

Workshop of Master of the Borders with the Four Fathers of the Church, The Crucifixion, 1460-1480, metalcut, hand-colored in yellow, red-brown lake, and green

Christ on the Cross. Dated: 1486/1488. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Colored print by an anonymous artist depicting Christ speaking with the Samaritan woman at the well, showing figures, gestures, and narrative composition.

Colored woodcut by Urs Graf d. Ä., circa 1510-1514, showing Christ being offered a vinegar sponge, including figures, gestures, and setting.

Assignment of Mary in the Temple with a priest on the right and Anna and Joachim on the left. In a border of floral ornaments., The First Temple Passage of Mary Life of Mary (series title), print maker: anonymous, Leiden, 1490 - 1510, paper, h 104 mm × w 84 mm

This late 15th-century copper engraving by Israhel van Meckenem shows the Madonna in half-figure on Wolchen being worshiped by a monk, highlighting religious devotion and iconography.

Colored woodcut around 1450-1460 depicting Saint Barbara, showing religious figure, tower, halo, and iconographic elements.

Depicts the Holy Trinity, created by Meister E.S. in the second third of the 15th century using copper engraving. The work shows God the Father, Christ the Son, and the Holy Spirit in a religious composition.

Hans Baldung's 1505 colored woodcut depicts the entombment of Christ, highlighting figures, gesture, and religious composition.

Christ's Entry into Jerusalem 15th century Anonymous, German, 15th century German. Christ's Entry into Jerusalem. Anonymous, German, 15th century. 15th century. Metalcut, hand-colored in green, yellow and red. Prints

Workshop of Master of the Borders with the Four Fathers of the Church, The Entombment, 1460 1480 The Entombment

The Entry into Jerusalem, from Das Plenarium 1517 Hans Schäufelein German. The Entry into Jerusalem, from Das Plenarium 670562

Workshop of Master of the Aachen Madonna, Christ Appearing to Thomas, 1460 1480 Christ Appearing to Thomas

The first temple hall of Mary, Anonymous, 1490 - 1510.

German 15th Century, Saint Bridget, c 1480 1500 Saint Bridget

German 15th Century, Christ as Salvator Mundi, c. 1475, woodcut

Partially colored woodcut by an anonymous artist from 1460-1480 depicting the Last Judgement, showing figures, gestures, and symbolic elements of heaven and hell.

German 15th Century, Madonna and Child Seated on a Grassy Bank with Angels, 1480 1490 Madonna and Child Seated on a Grassy Bank with Angels

Saint Sophia. Dated: c. 1480. Medium: metalcut, hand-colored in red lake, green, and yellow. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Aachen Madonna.

German 15th Century, Christ between Maria and John, 1480-1500, woodcut

Christ Talking to the Disciples, 3, from Das Plenarium 1517 Hans Schäufelein German. Christ Talking to the Disciples, 3, from Das Plenarium 670725

Christ between Maria and John. Dated: 1480/1500. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

German 15th Century, Christ Bearing the Cross, c 1500 Christ Bearing the Cross

Master S (Flemish, active 1505-1520), Saint Dominic, engraving

Bliżej Kultury unknown

Madonna on the Moon Mons, Anonymous, 1490 - 1510 print Maria with child on her arm, standing on the crescent. Two angels hold a crown over her head; At her feet two angels looking up to Maria. paper Madonna on the crescent of the moon (sometimes called Queen of Heaven) (in mandorla) (+ angel(s))

Woodcut by an anonymous artist depicting Saint Wenzel, showing the saint in religious attire and symbolic elements, dated around 1430-1440.

"Copper engraving by Meister E.S. portraying Saint John, created in the second third of the 15th century, showing medieval religious iconography and attire."

Adoration of the Magi. unknown, graphic artist, Łazarski, Zygmunt (1885-1943), publisher

Copperplate 'Birth of Christ' by an anonymous artist, depicting the Nativity scene with Christ, Mary, Joseph, and surrounding elements.

Woodcut from the last third of the 15th century depicting Christ before Pilate, showing detailed figures, gestures, and narrative composition.

Descent from the Cross. Dated: c. 1490. Medium: hand-colored woodcut. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Before Caiaphas. Dated: c. 1490. Medium: hand-colored woodcut. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Christ on the Cross. Dated: c. 1460. Medium: woodcut, hand-colored in red lake, tan, yellow, green, and gray. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Workshop of Master of the Aachen Madonna, The Pietà, 1470-1480, metalcut, hand-colored in green, light rose, and yellow

The Man of Sorrows between the Virgin and Saint John (Schr. 996). Artist: Anonymous, German, 15th century. Dimensions: sheet: 6 1/8 x 3 7/8 in. (15.5 x 9.8 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Albrecht Altdorfer, The Beautiful Virgin of Regensburg, c 1519 1520 The Beautiful Virgin of Regensburg

Christ on the Mount of Olives. Dated: c. 1460. Medium: woodcut, hand-colored in orange-red, gray, green, rose, light yellow, brown, and gold. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Colored woodcut by an anonymous artist depicting the foot washing and sacrament, showing figures, gestures, and religious elements.

The Adoration of theMagi. Artist: Cenni di Francesco di Ser Cenni, Italian, active Florence, 1369-1415

German 15th Century or Attributed to Master of the Housebook, The Virgin in the Clouds, c 1470 1480 The Virgin in the Clouds

Unknown Holy, Anonymous, 1800 - 1899 print This print is part of an album. paper saints

An anonymous 1460-1480 print depicts Saint Ursula, emphasizing figure, posture, and religious iconography.

German 15th Century, The Descent of the Holy Ghost, c 1490 The Descent of the Holy Ghost

Album n � 4; Stained glass project: Christ and Madeleine Gsell-Laurent workshop. Album n � 4; Stained glass project: Christ and Madeleine. Black stone.

Bliżej Kultury unknown

Italian wood carving of Death of St. Joseph, Franciscan Monastery, Washington, D. C. , Religious facilities, Tichnor Brothers Collection, postcards of the United States

Saint Paul in monk's habit and capuchon hood receiving his mission Seirapoledos from God in a halo. Saint Paul recevant sa mission. From the Letter to the Galatians in a manuscript Bible, MS T.L. 2, Bibliotheque de l'Arsenal, 13th century. France, XIIIe Siecle. Chromolithograph by Emile Beau after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

The Death of the Virgin. Dated: c. 1460. Dimensions: Overall: 9.7 x 8.1 cm (3 13/16 x 3 3/16 in.) overall (external frame dimensions): 39.4 x 31.8 cm (15 1/2 x 12 1/2 in.). Medium: woodcut, hand-colored in carmine, brown, green, and ochre. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

The Nativity. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The Virgin and Child with Saint Conrad and Saint Pelagius. Dated: 1504. Dimensions: sheet: 24.4 × 14.1 cm (9 5/8 × 5 9/16 in.) mount: 31 × 26.2 cm (12 3/16 × 10 5/16 in.). Medium: hand-colored color woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jorg Breu I.

The tombstones of a woman and a young man from the fifteenth century found themselves In the church in Frankfurt am Main; Lesser, Aleksander (1814-1884); around 1839 (1839-00-00-1839-00-00);Frankfurt am Main (Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884)- collections, Lesser, Wiktor Stanisław Zygmunt (Baron- 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron- 1853- 1935) - collection, Germany, 15th century, gift (provenance), tombstones, women, men, sculpture (artist), Gothic sculpture, sepulchral sculpture, clothing, women's clothes, men's clothes

Master of St. Wolfgang (Austrian, active c. 1440-1450), Saint Benedict and the Monk Romanus, c. 1440-1450, hand-colored engraving

Our Lady of the Rosary; 1850-1870 (1850-00-00-1870-00-00);

The Saints Silvester and Martinus, print maker: Jacob Cornelisz van Oostsanen.

Christ and the Woman of Canaan, from Das Plenarium 1517 Hans Schäufelein German. Christ and the Woman of Canaan, from Das Plenarium 670698

Christ on the Mount of Olives. Dated: c. 1450/1460. Medium: woodcut, hand-colored in red lake, yellow, green, orange, brown, gray, and rose. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Saint Francis Receiving the Stigmata. Dated: c. 1480. Medium: woodcut, hand-colored in brown, yellow, green, blue, and tan. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Colored pen drawing showing God appearing to Moses, dated between 1420 and 1430, depicting two central figures with symbolic gestures.

Madonna and Child Enthroned. Dated: c. 1466. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master E. S.

Colored woodcut by Urs Graf the Elder showing Christ ascending to heaven after his resurrection, depicting the biblical Ascension event.

German 15th Century, Saint Margaret, c. 1460, woodcut, hand-colored in gray, rose, and yellow

Saint Pantaleon. Engraving, 1818.

Crucifixion. unknown, graphic artist, Łazarski, Zygmunt (1885-1943), publisher

Geiges Fritz (1853-1935), window for the cathedral in Merseburg (1913): View glass window. Ink, pencil watercolor on the box, 159 x 60.1 cm (including scan edges)

Christ Taking Leave of His Mother (Schr. 639) 15th century Anonymous, German, 15th century German. Christ Taking Leave of His Mother (Schr. 639). Anonymous, German, 15th century. 15th century. Woodcut, hand-colored. Prints

Anonymous artwork showing Christ's entry into Jerusalem, depicting figures, gestures, palm branches, and architectural elements, created in the late 15th century.

A circa 1470 colored woodcut by an anonymous artist depicting Saint Katharina with the defeated emperor, emphasizing figures, attire, and narrative composition.

St. Philip and St. James the Less, from the series The Apostles 15th century Master ES German. St. Philip and St. James the Less, from the series The Apostles 367055

Saint with a staff, anonymous, 1800 - 1886 print paper saints

German 15th Century, The Virgin in a Robe Embroidered with Ears of Corn, c 1470 1480 The Virgin in a Robe Embroidered with Ears of Corn

Christ and the Woman of Samaria (Schr. 2215) ca. 1460-70 Master with the Cologne Arms German. Christ and the Woman of Samaria (Schr. 2215) 337754

American 20th Century, Plate 8 Saint Anthony of Padua From Portfolio Spanish Colonial Designs of New Mexico, 1935 1942 Plate 8: Saint Anthony of Padua: From Portfolio Spanish Colonial Designs of New Mexico

E Boyd, The Christ Child Retalba El Nino Perdido, (The Lost Child) a Retabla, 1935 1942 The Christ Child-Retalba El Nino Perdido, (The Lost Child) a Retabla

Christ before Caiaphas. Medium: hand-colored engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the Dutuit Mount of Olives after Master of St. Erasmus.

Colored woodcut depicting the Holy Anna Selbdritt, showing three figures in devotional scene, created around 1475.

Three Figures, Mathieu Lauweriks, 1935 print Three figures representing religion, philosophy and art. At the top two birds. Japanese paper (handmade paper) Religion and Magic. art. philosophy. standing figure

Album # 2; Stained glass project; Saint vast Gsell-Laurent workshop. Album # 2; stained glass project; Saint Vast. Pencil, watercolor, gouache on layer.

The Lamentation. Dated: c. 1480/1500. Medium: woodcut, hand-colored in red, green, and yellow. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

St. Joseph, March 19th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. St. Joseph, March 19th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

German 15th Century, Saint Agnes, c 1490 Saint Agnes

German 15th Century, The Last Supper, c 1480 1500 The Last Supper

Single Leaf from a Biblia Pauperum: Christ Crowned with Thorns (recto), c. 1410. Germany, Bavaria. Ink and tempera on vellum; sheet: 19.8 x 14.2 cm (7 13/16 x 5 9/16 in.). Also known as the "Poor Man's Bible," the Biblia Pauperum was a simple picture book used to explain biblical prophecies and symbolism. These volumes served as an aid for preachers to demonstrate the unity of the Bible. The iconography of these popular books juxtaposed two Old Testament scenes with one from the life of Christ. In this example, the image of Christ crowned with thorns. The Biblia Pauperum appeared first in manuscript form in the 1200s, became a popular picture book with miniatures in the 1300s, and after 1450 it emerged as a print book with woodcuts.

St. John and St. James the Greater, 16th century, Unknown Russian, 7 1/2 x 5 1/4 in. (19.05 x 13.34 cm), Tempera and gold leaf, Russia, 16th century

The Mass of Saint Gregory. Dated: c. 1470. Medium: woodcut, hand-colored in red lake, green, yellow, tan, brown. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Late 15th-century copper engraving by Israhel van Meckenem depicting Saint Michael, showing figure, posture, gesture, and religious iconography on paper.

Madonna and Child in a Glory. Dated: c. 1475. Medium: woodcut in brown, hand-colored in red lake, blue, yellow, green, gold, and orange; retouched with pen and ink. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

The Three Maries at the Tomb. Dated: 1460/1480. Medium: metalcut, hand-colored in yellow, red-brown lake, and green. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Borders with the Four Fathers of the Church.

museo de los iconos, castillo Real, Sanok, voivodato de subcarpacia,,Polonia, eastern europe.

Workshop of Master of the Borders with the Four Fathers of the Church, The Three Maries at the Tomb, 1460 1480 The Three Maries at the Tomb

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