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Historical Religious Artwork

A collection of historical religious frescoes and paintings depicting biblical scenes, featuring intricate details and rich textures in a monochromatic style.

Abruzzo Pescara Citta Sant'Angelo Collegiata di S. Michele6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14-15th century) Post-medieval: Architecture, architectural sculpture, sculpture, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
Abruzzo Pescara Citta Sant'Angelo Collegiata di S. Michele6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14-15th century) Post-medieval: Architecture, architectural sculpture, sculpture, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
156 assets in this story
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The life class, second stone , Artists' models, Classrooms, Art education, Drawing. George Bellows (1882-1925). Prints and Drawings
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Lazio Roma Albano Laziale Santa Maria della Rotonda3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Campania Caserta Caserta Palazzo Reale44. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Campania Salerno Cava dei Tirreni Museo22. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Members of an antiquarian society discussing a broken chamber pot; other antiquities are shown on the back wall. Engraving, 1772.
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Lazio Roma Rome S. Gregorio Magno4. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site compl
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Abruzzo L'Aquila Celano S. Maria Valleverde0. Hutzel, Max 1960-1990 Medieval: Sarcophagus (Early Christian); stoups (9-10th centuries) Post-medieval: Architecture; architectural sculpture; sculpture; frescoes; intarsia; miniatures German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Mier General, a study; Gierdziejewski, Ignacy (1826-1860); 1848-1860 (1848-00-00-1860-00-00);
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Introductions , Boxers Sports, Sports spectators, Salutations. George Bellows (1882-1925). Prints and Drawings
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Marches Macerata Ussita Parrocchiale9. Hutzel, Max 1960-1990 Medieval: Architectural fragments. Post-medieval: Architecture, architectural sculpture, painting, fresco fragments, sculpture, sculptural fragments Object Notes: See article on site provided by Hutzel. Also see TCI, Marche, p. 529 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Drawing, The Four Evangelists, Study after Giambologna; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper; 30.7 x 23.1 cm (12 1/16 x 9 1/8 in.)
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Umbria Perugia Spoleto S. Domenico2. Hutzel, Max 1960-1990 Exterior views of 13th-14th century church restored in 1960: striped facade, bell tower, and portals. Interior views reveal a gothic structure with high ceilings, pointed arches, and an apse with stained glass windows. Fragments of preserved frescoes are visible in the white walls. Most views are of paintings and frescoes in the three chapels and crypt. In the chapel of St. Mary Magdalen are extensive fresco cycles (early 15th century), of the saint. The Callicola chapel and Chapel of the Sacrament are baroque chapels with stucco decoration and marble altars. In the crypt--formerly the Chiesa di S. Pietro Martire--are 14th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including ob
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Emilia-Romagna Ferrara Ferrara S. Francesco5. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Man shows two other men exhibited weapons, Jan Luyken, 1711 print Amsterdam paper etching
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Tuscany Siena Poggibonsi S. Lucchese4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Abruzzo L'Aquila Paganica Santuario della Madonna d'Appari3. Hutzel, Max 1960-1990 Post-medieval: Architecture (13-15th century); exterior views of facade, with details of portal and window; interior details of 16th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Abruzzo L'Aquila L'Aquila S. Maria di Collemaggio8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, wall painting (13-15th centuries) Post-medieval: Architecture, architectural sculpture (18th century), sculpture, frescoes, wall painting, metal crucifix Coverage of the paintings; some views of interior architectural features. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Abruzzo, Pescara, Loreto Aprutino, S. Maria in Piano, Italy, 20th century, photo, photography, Europe
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Amsterdam, Vlieger, Jan, Doré, Gustave, Ettling, Jacques, Pannemaker, Adolphe François, Pisan, Héliodore Joseph, Bijbelsche kinderprenten, verso - stamped, Sheet with 4 images of stories from the New Testament. The apostles preaching the Gospel, the stoning of Stephen, the liberation of Peter by the angel and Paul preaching in Ephesus. Below each image a Bible text. Numbered top right: No. 23., print, popular print, popular prints, prints, height 430 mm, width 346 mm, French, 1822-07 - 1890, print maker, printmaker, 1869 - 1908, paper, papier, heliogravure, letterpress printing, 1822-07-30 - 1900-02-09, 1832 - 1883-01-23, intermediary draughtsman, after drawing by, Publication (Event), Publication, 1844-11-10 - 1908-01-14, publisher
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Umbria Perugia Spoleto S. Nicolo9. Hutzel, Max 1960-1990 Medieval: Architecture. 4 views of the facade and portal are found in the Medieval core colletion. Other exterior views of the arcade. Interior views focus on the polygonal apse which is perforated by a series of high double windows.. Post-medieval: Fresco painting and a detail of the portal lunette fresco. Object Notes: Included in part of a zone of late medieval urban expansion. Church has plan of simple rectangle with the four angles reinforced by robust buttresses. See xerox copy of descriptive information provided by Hutzel. General Notes: The apse of S. Nicolo sits directly above the church, Santa Maria della Misericordia German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et
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Image reproduction: Walery Eljasz Radzikowski (1841-1905), X. Augustyn Kordecki from: Sok T. III, Vienna 1898 (); Perles, Maurycy (Vienna; 1869-1938; publishing house); 1898 () (1883-00-00-1883-00-00);
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Lazio Latina Cori S. Oliva72. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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A scene from a large cell; around 1908 (1903-00-00-1912-00-00);Semerau-Siemianowski, Władysław (1849-1938), Semerau-Siemianowski, Władysław (1849-1938)-collection, poster, gift (provenance), occasional prints, Islamic art, Turkish art
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Lazio Frosinone Veroli S. Maria dei Franconi9. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--PRINTS FILED, NEGATIVES PROCESSED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Seven female dancers as nymphs. Baron Adolf de Meyer (American, born France, 1868 - 1946)
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Consultation of physicians, Engraving by William Hogarth;18th century
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The Three Sisters Louis (George Louis Robert) Bouché (American, 1896-1969). The Three Sisters, 1918. Graphite on cream, moderately thick, moderately textured laid paper, sheet: 24 3/16 x 18 7/8 in. (61.4 x 47.9 cm). Louis Bouchés portrait of the three Stettheimer sisters—from left to right, Florine, Carrie, and Ettie—evokes the whimsical decorative style and material opulence of their New York apartment, the site of a salon frequented by Bouché, Marcel Duchamp, and other figures of the artistic vanguard. Although he treated forms in a simplified and Cubist manner, Bouché imbued each of his sitters with a unique personality, conveying their eccentricity and independence. Florine was herself a successful artist, Ettie was a writer, and Carrie was a hostess and creator of a dollhouse replica of the Stettheimer home (Museum of the City of New York). American Art 1918
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Lazio Frosinone Arpino S. Michele8. Hutzel, Max 1960-1990 Post-medieval: Exterior views; general views of interior. Interior remodelled in the 18th century, with stucco decoration and paintings (documented with close-up views), wooded crucifix from the 16th century German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Resting countrymen, oil painting by Johann Matthias Ranftl
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Lazio Roma Rome S. Giuseppe dei Falegnami1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, reliefs Connected with Carcero Mamertino where St. Peter was imprisoned before his Crucifixion German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Houthakkers, Lucien Pissarro, 1894 print Four lumberjacks with axes. A scene from the "The Queen of Fishes" fairy tale. England paper woodcutting, woodcutter ~ forestry. tales and fairy tales
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By force towards freedom, with love towards unity! Study for the mural at the Lord Mayor's Hall, Prague, Mucha, Alfons Marie (1860-1939)
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The Immaculate Conception. Artist: Lorenzo Tiepolo (Italian, Venice 1736-1776 Madrid); After Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: plate: 12 1/2 x 8 3/16 in. (31.8 x 20.8 cm)sheet: 15 x 10 3/4 in. (38.1 x 27.3 cm). Date: ca. 1770. Museum: Metropolitan Museum of Art, New York, USA.
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Pilate Washing his Hands early 1530s Bernard van Orley Netherlandish. Pilate Washing his Hands. Bernard van Orley (Netherlandish, Brussels ca. 1492-1541/42 Brussels). early 1530s. Black chalk, squared in red chalk, on four joined sheets of paper. Drawings
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Campania Caserta Santa Maria Capua Vetere Cathedral0. Hutzel, Max 1960-1990 Medieval: Architectural sculpture--capitals. Post-medieval: Built c. 432 by San Simmaco on site of grotto of S. Prisco. Enlarged 787 by Arechi II, an 1666 by Decio del Balzo. Renovated in 1700's and 1884. Architecture, architectural sculpture, Baroque interior, ceiling painting, painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Roma Rome S. Ignazio di Loyola49. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc
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Abruzzo L'Aquila Celano Museum35. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Passage through Red Sea. Raphael (Italian, 1483-1520) (school, designed after) painter Herzeele, Joost van (Netherlandish (before 1600) - Flanders, act.1570-1585) (workshop, attr.) weaver c. 1550 Tapestry Dimensions: H 391 x W 556 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Segovia, Segovia, Palacio de San Ildefonso, accno. A.264-7789. Inscriptions: Weaver mark location unknown; not visible in photograph With his people safe on shore, Moses raises his hands & causes water to return; Pharaoh's army perishes in water (Red Sea) (BRD) carved relief with spiraling acanthus leaves, interspersed with grotesques Unknown flemish cartoonist; the designs partially based on the frescos in the Vatican Loggia (school of Raphael). Junquera de Vega, Catalogo de Tapices, Vol. I (1986), 163-170, series 24 Mahl JbKhistWien 63 (1967), 1
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Lazio Viterbo Ronciglione S. Lucia. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, architectural sculpture, painting. Object Notes: Ronciglione environs, near Lago di Vico. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Umbria Perugia Gubbio S. Francesco. Hutzel, Max 1960-1990 Exterior views of this church include: the octagonal bell tower, polygonal apse, ogival windows, rose window and courtyard. The interior views focus on the apse chapel fresco cycles, one with scenes from the Life of the Virgin, and the other with scenes from the life of St. Francis of Assisi (14th and 15th centuries). Other fresco and painting subjects include: the Crucifixion, the Deposition, and Christ Pantokrator. Object Notes: Hutzel photo campaign date: November 11, 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in It
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Scheurl, Christoph.
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Multitude, 1962 print Various anthropomorphic figures, seen from below, with a naked pointing man on his back to the left of the middle. paper. printing ink
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Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) painter Besnier, Nicolas (French, b.1686-d.1754) (workshop) weaver Charron, André-Charlemagne (French, fl.1754-1780) (workshop) weaver c. 1736-1760 Tapestry Dimensions: H 8' x W 6'8" Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: French & Co. purchased from Edward I. van Housen, received 7/17/1961; sold to Aleata Inc., 12/10/1961. 2 girls on bank of earth, one seated & one reclining & holding stick with grapevine twisted around it, face crouching woman with basket of grapes who extends her hand towards the pair (L); young man, seated on grassy bank, holds gun & caresses dog, 2 dead rabbits are under dog's paw, behind him groom holds 2 horses as one drinks from large fountain, 2 dogs in front of groom; beyond figures are bridge, ruined wall or structure & cottage with thatched roof The stock sheet state that this tape
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Zanobi Strozzi (attributed). The rape of Helena
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The Battle of Beth-Horon - Joshua Commanding the Sun and Moon to Stand Still. Date/Period: 1863. Brown wash and chalk on paper. Width: 560 mm. Height: 1860 mm. Author: Edward Burne-Jones.
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Henryk Siemiradzki (1843-1902), Pochodnie Nerona Nero’s Torches fragment. Sphinx (Kraków ; fl. ca 1914-ca 1918), merchant employer, Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Jabłoński, T. i Spółka (Kraków ; zakład reprodukcyjny ; 1890-1926), reproduction atelier, Muzeum Narodowe w Krakowie (1879- ), publishing house
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Archimedes .
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Abruzzo Pescara Loreto Aprutino S. Maria in Piano0. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o
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Abruzzo Teramo Teramo Pinacoteca5. Hutzel, Max 1960-1990 Collections include a panel painting of Pope Clement by Giovanni da Sulmona, a polyptych by Giacomo da Campli, painted Castelli ceramics, paintings of St. Sebastian and other saints, and a Last Supper, perhaps by Bernardo Rantvic or the Fiammingo School. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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George Bellows, Introducing John L Sullivan, 1916 Introducing John L. Sullivan
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Abruzzo L'Aquila L'Aquila S. Giusta. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Medieval section: all exterior views Hutzel collection: interior views of naves, chapels, frescoes, sacristy and paintings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Viterbo Viterbo S. Maria della Verita, Cloister10. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t
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Milano 10012, Photo reproduction of painting The Marriage of the Virgin by Raphael, Milano - Sposalizio di Maria Vergine - Raffaello. 10012, photograph, photo, photos, height 236 mm, width 186 mm, photographer, 1890 - 1920, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, paper, papier, photographic paper, fotopapier, cardboard, kaart, gelatin silver print, developing gelatin silver print
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Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)04. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u
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Education of Clovis Zonen, Johann Heinrich Maria Hubert Rennefeld, After Lourens Alma Tadema, 1866 print In the courtyard of a monastery, one of the three sons of King Clovis is about to throw an ax. Those present, including the queen, watch. Amsterdam paper etching / engraving education. tools, aids, implements ~ crafts and industries: axe
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Scenery and Landscapes - North Carolina. Photographs Relating to National Forests, Resource Management Practices, Personnel, and Cultural and Economic History