Historical Religious Artworks

Engravings and prints depicting religious figures, including Mary and saints, with intricate details and historical significance.

Bliżej Kultury Heissig, Franz Carl, Kleck, Matthias

Assumption of the Virgin 1578-ca. 1620 Anonymous. Assumption of the Virgin. Anonymous. 1578-ca. 1620. Engraving. Justus Sadeler (Netherlandish, Antwerp ca. 1572/83-ca. 1620 Leiden). Prints

Bliżej Kultury unknown

Mary with the Christ child on the moon melifet ,, Raphaël Sadeler (I), 1617 print The Virgin Mary with the Christ child on her arm. She is on the crescent. Both with the rosary in hand and surrounded by a wreath of pearls and roses München paper engraving Mary devotion. Madonna on the crescent of the moon (sometimes called Queen of Heaven) (in mandorla). Madonna of the Rosary

Bliżej Kultury Heissig, Franz Carl, Kleck, Matthias

Portrait of Saint Agatha of Sicily, martyr and virgin, with Bible, palm frond and halo, within decorative border of foliage. Vignettes of Saint Romuald, Camaldolese founder, Saint Joan of Valois, Joan of France, Saint Blaise, Bishop of Sebaste, and martyr Saint Ignatius of Antioch. Chromolithograph from Legende Celeste, nouvelle histoire de la Vie des Saints, Celestial Legend, Lives of the Saints, Paul Mellier, Paris, 1845. Chromolithograph by Jules Desportes, professor of lithography at the Institut Royal des Sourds-Muets.

Bliżej Kultury unknown

Saint Mary (the Blessed Virgin) with the Christ Child. Engraving, 1875.

Bliżej Kultury unknown

Bliżej Kultury unknown

Bliżej Kultury unknown

German 16th Century, Madonna and Child, engraving

H. Gertrudis van Nivevel, Theodor Matham, after Abraham van Diepenbeeck, 1615 - 1676 print Saint Gertrudis van Nivelles, with a staff in her hand against which mice crawl. A crown on her feet. Cherubies in the air. Print from a series of eight prints with saints. paper engraving saints. cherubs, i.e. children's heads with wings. the abbess Gertrude of Nivelles; possible attributes: book, pastoral staff, crown, cup, demon, mouse or mice, model of church or hospital, palm, (healing) well

Blessed Giuliani.

Our Lady of Consolation from the church Saint. Catherine of Alexandria and Saint. Małgorzata in Krakow unknown, Feyertag, Jan

Saint Bernard of Clairvaux. Gouache painting.

Campania Caserta Capua Museo Campano95. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Notre Dame du Puy / Our Lady of Puy, no 302 Unknown, Glémarec, Lacour, François fl. 1842 1858

Nuestra Señora de los Angeles, Collection of Mexican religious engravings, 1798

Photo production of a painting by Bartolomé Esteban Murillo, representing the Immaculate Conception of Mary; Murillo.- La Conception de la Vierge. (Au Musée du Prado). Part of travel album with pictures of sights in Spain and Morocco.

Ejaculatory prayer. Engraving, Our Lady of the Immaculate Conception, 19th century.

Our Lady of Tursko. Zimnicki, Jakub (fl. ca 1820-ca 1827), graphic artist

St. Mathew, from the cycle: the Four Evangelists. Beham, Sebald (1500-1550), graphic artist

Painting showing Mary with the child Jesus on a crescent moon, encircled by apostles depicted in medallions, colored around 1470.

Our Lady of San Juan de los Lagos, Collection of Mexican religious engravings, 1766.

The Trinity: Father, Son and Holy Spirit. 19th century coloured woodcut

Saint Mary (the Blessed Virgin). Lithograph.

MaterDolorosa. Artist: Currier & Ives, American, active 1834-1907

Copper engraving and etching by Christoph Greuter from 1600-1633 depicting Mother Mary, illustrating the Virgin with devotional figures in early modern European print technique.

Photo production of a painting by Fra Angelico, representing Maria with child, c. 1875 - c. 1900 photograph Uffiziafter Painting by: Italy gallery cardboard. photographic support albumen print Madonna: i.e. Mary with the Christ-child Uffizi Gallery

View of Murillo's Immaculate Conception, National Shrine of the Immaculate Conception, Washington, D. C. , Churches, Tichnor Brothers Collection, postcards of the United States

Maria Einsiedeln, Notre-Dame-des-Ermites ..

Annunciation, Arnoud Schaepkens, 1831 - 1904 print paper etching the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

The Holy Cross, surrounded by Saint Sebastian, Saint Roch, and Saint John Nepomuk, and (above) the appearance of the Trinity; serving as an amulet against plagues, witchcraft etc. Coloured etching.

Sacred image, Maria Immaculate, Historic, digitally restored reproduction from a 19th century original, exact date unknown

Lazio Rieti Rieti S. Agostino6. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, painting. The church dates from the 13th century, and still possesses two gothic portals. The main portal, of the 14th century, contains a semicircular tympanum within which is a fresco of the Madonna and Child with S. Augustine and S. Nicholas of Bari, a work of the Sienese school from 1354. Above the lunette in the gable is a relief of the Lamb of God. The other medieval portal on one of the transept arms is less elaborate than the main portal, consisting of double-arcaded windows and a central round window above. Post-medieval: Architecture, sculpture, painting. The interior of the structure dates from the Baroque period (end 17th century). In a left side chapel is a cycle of frescoes dating from the 16th century, depicting Christ blessing. In a right side chapel is a cycle of scenes from the life of S. Augustine, dating from the 17th century. Above the altar of the left transept arm, is a paint

Christ showing his Sacred Heart. Colour lithograph.

Broadsheet with Christ in the cross flanked by two angels. Artist: Anonymous. Dimensions: Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm). Publisher: Antonio Vanegas Arroyo (1850-1917, Mexican). Date: 1910.Indistinct artist's name and date along bottom of image. Possibly 'Posada Mex 1910'. Museum: Metropolitan Museum of Art, New York, USA.

The image of the wonderful the image of the Redeemer on Mr. Iezus ...; Verso: Salvator Mundi; I.K. (graphic designer; Fl. CA 1760-1800); 1780-1790 (1780-00-00-1790-00-00);

A 1517-1527 copper engraving by Marco Dente depicting Christ, emphasizing sacred portraiture and devotional representation.

Saint Elizabeth of Hungary (1207-1231). Hungarian Princess. Engraving by Capuz. Christian Year, 1852. Colored.

Holy picture, communion picture, the holy family, praised and blessed are Jesus, Mary and Joseph, from the year 1880, Historic, digitally restored rep...

Lot's wife transformed into a pillar of salt by an angel after turning to look back at Sodom burning. Depicted in the fashions of Italy, early 14th century. La femme de Loth changee en statue. From Italian MS T.L. 42 B, Bibliotheque de l'Arsenal. Italie XIVe Siecle. Chromolithograph by Moulin after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Saint Veronica. Gouache painting.

Saint Marian. Colored engraving. 19th century.

Maria of the Immaculate Conception, James Mcardell, After Bartolomé Esteban Murillo, c. 1745 - 1765 print Maria standing on a cloud with a half moon, worn by putti. They hold a palm branch, roses and lilies. London paper (immaculate) conception of Mary represented symbolically

Annunciatie. .

Development Picture Our Lady in Kalwaria Zebrzydowska unknown

The Madonna and Child with a Pear. Dated: c. 1440/1460. Medium: engraving, hand-colored in red, orange, green, yellow, blue, and tan. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Maria, saints.

Religion, Biblical Scene, Image of a Saint, Virgin Mary with Child Jesus, Historical, Digital Reproduction of an Original Original from the 19th century

Illustration for the Fairy tale Vasilisa the Beautiful, Zvorykin, Boris Vasilievich (1872-after 1935)

Wszyscy Święci w MNK Lithographic plant: Sytin I.D. Company

Portrait of Holy Roman Emperor Henry II holding lance and sword, with Jesus Christ and angels, from an illuminated parchment in Hamberg library. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier and published by Heinrich Keller. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Virgin and Child in a Heart n.d. Hieronymus (Jerome) Wierix Netherlandish. Virgin and Child in a Heart. Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553-1619 Antwerp). n.d.. Engraving, copy a in reverse. Prints

Tuscany Grosseto Montemerano S. Giorgio4. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Wszyscy Święci w MNK unknown

A framed representation, most of the upper edge being circular. Three angels support an oval wreath as a frame for a small picture. It is surrounded by a glory of rays and cherubim. Below are four angels upon clouds and most of them revering. A garland is on top of the upper part of the frame. Usual background. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1773-1774. Museum: Cooper Hewitt, Smithsonian Design Museum.

S. Anselme, évêque de Cantorbéry (St. Anslem, Bishop of Canterbury), April 21st, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Anselme, évêque de Cantorbéry (St. Anslem, Bishop of Canterbury), April 21st, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Faith, 1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

The triumph of religion Anonymous. The triumph of religion. Water-loud colored.

Saint Luke, depicted in an 11th century English gospel Date: early 11th century

Imagen religiosa troquelada de la Virgen Milagrosa. Impresa en Alemania. Años 1900.

Saint Cunegunda and Saint Aloysius Gonzaga; above them the figures of Charity, Faith and Hope sitting under a tree. Coloured engraving with gold foil.

Santa Elena (250-329), emperatriz romana, madre del emperador Constantino. Litografía de 1890.

19th century coloured illustration (French); depicting Jesus Christ. Circa 1854

Franc¸ois Georgin (French, 1801 - 1863). Notre Dame du Saint Rosaire, ca. 1875. Woodcut with hand coloring on laid paper. Image: 601 mm x 375 mm (23.66 in. x 14.76 in.) (image dimensions are for block).

Jesus as a carpenter, communion picture from 1899, Historic, digitally restored reproduction of an original from the 19th century, exact original date...

Santa Ana, esposa de San Joaquín y madre de la virgen María. Grabado popular pintado a la trepa en 1870.

Biblical History, The Church of Christ, Historical steel engraving from 1860

Bliżej Kultury unknown

Religion, biblical scene, communion picture, St. Rosa of Lima, Peru, Historical, digital reproduction of an original from the 19th century, South America

Unpublished Print for Immaculate Conception. Dated: 1935/1942. Dimensions: overall: 35.6 x 28 cm (14 x 11 in.). Medium: screenprint on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Detail of the Virgin of Guadalupe, titled: Sorrowful lamentations, how sad it is to tell of distressful events, circa 1915.

Saint Gaetano holding the infant Christ. Colour lithograph.

Wszyscy Święci w MNK Salb, Marcin (Fl. 1862 1899)

Wszyscy wici w MNK unknown

Vilnius - Our Lady of Ostrobramska - a reproduction of engravings; 1970s (1870-00-00-1880-00-00);Our Lady of Ostrobramska (picture), Vilnius (Lithuania), Wohl, Henryk (1836-1907) Collection, gift (provenance)

The Resurrection of our Lord Jesus Christ. Colored Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853

GSELL-Laurent workshop. Album n ° 3; Stained glass project of the Saints-Pères church in Paris: virgin and child in a mandorle, ecclesiastics with 2 crowns. Pencil, watercolor and gouache on layer. Paris, Carnavalet museum. Album n ° 3, Catholic, Christian, Couronne, Pencil, Ecclesiastique, Holy-Peres Church, child, Figure Oval form, Son God, Washer Watercolor, Mandorle, Presentation, Presentation, Project, Rehaut White Gouache, Holy, Virgin, Virgin,

Drawing by Samuel Blesendorf of Janus holding a temple key, executed with a lead handle, brown brush, and white highlights on brown-rounded paper.

Unknown queen on her throne, or holy figure with halo, 770-850AD. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Joh. Klipphahn, and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

French 19th century illustration depicting St Matthew

19th century coloured illustration (French); depicting Jesus Christ. Circa 1854

Communion picture, Jesus with cross and chalice, from the year 1880, Historic, digitally restored reproduction of a 19th century original, original date unknown

Saint John the Evangelist; Netherlandish; Bruges (), South Netherlands; about 1490; Colorless glass, vitreous paint, and silver stain; 20.5 x 11.3 x 1 cm (8 1,16 x 4 7,16 x 3,8 in.)

Saint Euphemia. Lithograph by Dor.., 1862.

The Queen of the Holy Rosary, historic steel engraving from 1860

Holy picture, communion picture, the holy family, praised and blessed are Jesus, Mary and Joseph, from the year 1880, Historic, digitally restored reproduction of a 19th century original, original date unknown

Lviv (Lviv, Ukraine). Department of Armenia - Kamienna Zofia with daughters in the sacristy wall (17th century); Jaworski, Józef Ko Ciecza- (Fl. Ca 1911-Ca 1929); 1912 (negative); 1912-OK. 1922 (print) (1912-00-00-1927-00-00);

Saint George and Saint Antony of Padua, Saint Catherine of Alexandria, Saint Peter the Apostle, Saint Philomena, Saint Anne, Saint Barbara, Saint John the Baptist and Saint Agnes. Coloured etching with embossed border.

Biblical History, Childhood Society, Historical Steel Engraving from 1860

Saint Mary (the Blessed Virgin). Colour photogravure.

The August Mother of God by Russian icon / Private Collection/ after 1915/ Russia/ Tempera on panel/ Russian icon painting/ 53,5x44,5/ Bible,History

Santo Negro, portrait of San Beníto de Palermo, also known as St. Benedict the Moor.. 1786. Prints. Schomburg Center for Research in Black Culture, Photographs and Prints Division. Angels, Christian saints, Saints , Italy , Palermo, Blacks , Italy, Benedict, the Moor, Saint, 1526-1589

Colored woodcut depicting the Virgin Mary in glory, showing figures, gestures, and composition by an anonymous artist.

Saint Mary (the Blessed Virgin). Colour photogravure.

Saint Raphael the Archangel. Colour lithograph.

'A Figure of Christ', 15th century, (c1909). Artist: Fra Angelico.

Heylig Hert Van Maria / Sacred Heart of Marie, 1833 - 1911 print Mary with the Holy Heart. Caption in Dutch and in French in two columns. Completely surrounded by decorative edge. Numbered below: N. 73. Turnwood paper letterpress printing the Sacred Heart

The Grotto of Our Lady of Lourdes, Bronx, New York , Caves, Tichnor Brothers Collection, postcards of the United States

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