Historical Religious Engravings

A collection of intricate engravings illustrating biblical scenes and figures, characterized by detailed line work and narrative depth, reflecting religious themes from the 16th to 17th centuries.

Jacques Callot (1592-1635). "The paintings of Rome, the martyrdom of Saint Peter". Chisel. 1608-1611. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-6 Burin, Gravure

Lesser greeted man and a child, Anonymous, Hans Weiditz (II), 1514 - 1531 print Ornamental edge at the bottom. Print is part of an album. paper letterpress printing Betrayal. the foundling or the adopted child and its foster-parents

The Passion: Pilate Washing his Hands, before 1619. Hieronymus Wierix (Flemish, 1553-1619). Engraving; 8.7 x 5.3 cm (3 7/16 x 2 1/16 in.).

Daniel Cross-Examining the Elders. 1555. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Antwerp, Woons, Cornelis, Sallaert, Antoine, Jegher, Jan Christoffel, Christ before Herod, verso - stamped, King Herod questions Christ, but he does not answer him. Herod and his soldiers then mock Christ., print, engraving, book illustration, prints, engravings, height 90 mm, width 66 mm, 1618-11-03 - 1667-09-18, print maker, printmaker, 1649 - 1649, paper, papier, houtcut, letterpress printing, boekdruk, Work conception, Zuid-Nederlands, 1585 - 1650, after a design by, Publication (Event), Publicatie, publisher

The Servant Begging for Mercy from His King. Dated: probably c. 1576/1580. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Adoration of the Shepherds. Artist: Aertgen Claesz. van Leyden (Netherlandish, Leiden 1498-1564 Leiden). Dimensions: 11 5/16 x 7 7/8 in. (28.8 x 20 cm). Date: early 16th-mid 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Jacques Callot (1592-1635). "The paintings of Rome, the martyrdom of Saint Peter". Chisel. 1608-1611. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-6 Burin, Gravure

Hunter drinks from fountain; Various genre scenes. A hunter drinks water from a fountain. He is accompanied by his hunting dogs. A woman stands along the edge, with a bucket in the hands, and looks at the viewer. In the background a classic monument with on the corners of Ramskoppen, on which a command in Latin.

Tobits Blindheid, Anonymous, After Maarten van Heemskerck, 1556 print To the left in the background, Tobit buries the body of the murdered man, who was found on the street by Tobias. After the funeral, Tobit falls asleep on a few bags of grain. One of the birds in the nest above his head drops his bird droppings into Tobits eyes, making it blind. In the middle of the back he gives clothing to the arms and on the right he is at the feast. At the bottom of the margin a single -line caption in Latin from Tobit 2. print maker: Low Countriespublisher: Antwerp paper engraving a bird dropping falls in Tobit's eyes

The Blue King Asking Support from the King of Dennette. 1514 - 1516. Beck, Leonhard, approximately 1480-1542. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Paying the prices; The course of a lottery is paying the prices to the winners of the lottery. With putti with prices and lottery tickets. Part of a series of three prints about the course of a lottery.

Lot leaves with his family from Sodom, Heinrich Aldegrever, 1555 print Lot and his family at the city gate of Sodom. The angel takes Lot by the arm and urges him to leave. The daughters and wife of Lot are at the gate, a basket and a coffin with him. Third print from a series of four with the story of Lot (Genesis 19). Germany paper engraving the angels urge Lot to hurry in leaving the city

Laurent de La Hyre drawing of the marriage of Maria de Medici, part of the series on her history, executed in black chalk and brown wash.

Artist: Martin Schongauer, German, ca. 1440/50-1491, Christ Presented to the People (EcceHomo), ca.1475, Engraving, 16.4 × 11.4 cm (6 7/16 × 4 1/2in.), Made in Germany, German, 15thcentury, Works on Paper -Prints

Large Family, Anonymous, Hans Weiditz (II), 1514 - 1532 print With an ornamental edge at the bottom. Print is part of an album. paper letterpress printing family life at home

Jager drinks from Fontein, Jan Baptist de Wael, 1642 - 1669 print A hunter drinks water from a fountain. He is accompanied by his hunting dogs. A woman stands along the edge, with a bucket in her hands, and looks at the viewer. In the background a classic monument with rams heads on the corners, on which an assignment in Latin. print maker: GenuaRomeNaples paper etching hunter. garden fountain

Albrecht Dürer (1471-1528). The little passion on wood: appearance in front of Caïphhe (Bartsch 29). 1508-1509. Museum of Fine Arts of the City of Paris, Petit Palais. 77216-13 Catholic art, Chretian art, religious art, Christianity, Holy History, Christian iconography, Religious Iconography, New Testament, Passion of Christ, Renaissance, Life Christ, Engraving

Reverse Copy of The Judgment of Solomon. Artist: after Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 6 3/8 × 4 11/16 in. (16.2 × 11.9 cm)Plate: 4 7/16 × 3 1/16 in. (11.2 × 7.8 cm). Date: 1569.Solomon, seated on a throne at left, addresses the two mothers at right, one of whom kneels in the foreground. Museum: Metropolitan Museum of Art, New York, USA.

Haarlem, Casteleyn, Abraham, Noordelijke Nederlanden, Hooghe, Romeyn de, Title page for the Hollandsche Mercurius over het jaar 1679, Northern Netherlands, Title page for the Hollandsche Mercurius over het year 1679. Mars is chained by two angels, Mercury and Peace look on., print, engraving, title page, prints, engravings, Frederik Muller Historieplaten, height 166 mm, width 120 mm, 1645-09-10 - 1708-06-15, print maker, printmaker, 1680 - 1680, fourth quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1628 - 1681-01, publisher

The Lost Son (Left Leaf), Jacques de Gheyn (II), After Karel van Mander (I), 1596 - 1760 print Left part of a performance on two magazines of a company that entertains themselves in the open air with food, drinks, music and freedoms. A DAR illustrates the foolishness of this behavior. In the background you can see how a man is chased away from a building. Under the show the first four lines of an eight -line Latin poem. print maker: Leidenpublisher: Amsterdampublisher: Haarlem paper engraving the parable of the prodigal son (Luke 15:11-32)

Judith and Holofernes Dining. Artist: Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: Sheet: 2 × 3 1/16 in. (5.1 × 7.8 cm). Series/Portfolio: Scenes from the Old Testament. Museum: Metropolitan Museum of Art, New York, USA.

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Samuel anoints David, verso - stamped, View of a room where Samuel anoints David. Behind Samuel are four figures and behind David are another four figures. In the foreground on the left is an altar., print, prent, prints, prenten, height 155 mm, width 186 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Black ink drawing by Christoph Murer depicting a feldscher (field surgeon) on a disc-shaped sheet with laved technique, showing figure and activity, dated 1594.

An English satire on the French Consulate. Date: 1800

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, King and Death, The king sits at a table for a meal with court servants on the left and right. On the right is Death pouring a jug into a bowl. On the left of the table is an hourglass. The text Eccle is in the margin above the print. X., print, book illustration, prints, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

Odysseus kills one of the free vanes with his bow; Les Travaux d'Ulysse; Odysseus works. With his arrow, Odysseus kills one of the freemers of his wife Penelope. The other freemers around the fallen table are looking for coverage. The print is part of an album.

Visscher, Claes Jansz. (II), Florence, Straet, Jan van der, Antwerp, Galle, Philips, Amsterdam, Acta Apostolorum, Acts of the Apostles, Cornelius Kneels Before Peter, verso center bottom - stamped, The centurion Cornelius kneels before the apostle Peter. In the background Peter baptizes Cornelius and the rest of his family, in the presence of the Holy Spirit in the form of a dove. The print has a Latin caption and is part of a 35-part series on the subject of the Acts of the Apostles., print, prent, prints, prenten, height 202 mm, width 262 mm, Noord-Nederlands, 1586 - 1652-06-19, print maker, printmaker, 1643 - 1646, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1537 - 1612-03-29, after print by, 1523 - 1605-11-02, after design by, Publication (Event), Publicatie, publisher

Koning stabs table companion, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing evening meal, dinner, supper. violent death by lance, spear

Woodcut by Albrecht Dürer from 1525 depicting a draftsman measuring a seated man, showing figure, posture, and technical composition in Nuremberg.

Artist: Michael Wolgemut, German, 1434-1519, The Crowning withThorns, Woodcut (trial proof for an illustration for the Schatzbehalter, Nuremberg, 1491), sheet: 25.2 × 17.6 cm (9 15/16 × 6 15/16in.), Made in Germany, German, 15thcentury, Works on Paper -Prints

Woodcut by Hans Wechtlin, circa 1508, titled 'Clipping', illustrating a scene with figures and objects, printed in early 16th-century European style.

The Flagellation of Christ, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 3/4 x 3 7/8 in. (14.6 x 9.8 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Print at the top right labeled: II. Partie pag. 112.

David tears his cloak, Heinrich Aldegrever, 1540 print King David sitting on his throne, tears his cloak with both hands. He thinks all his sons are killed. His brother Sima stands next to him and explains that only Amnon was killed. At the top left a cartouche with text in Latin. Seventh print from a series of seven with the story of Amnon and Tamar. Germany paper engraving David is told of Amnon's death; he rends his clothes

King and Death, Hans Holbein (II), 1538 print The king is sitting at the table for a meal with left and right court students. On the right is the death that a can give empty in a bowl. On the left on the table is an hourglass. In the margin above the print is the text ECCLE. X. paper king. dance of Death; Death together with one or more human beings

When Your Purse Is Empty, You Eat Bones Not Bacon. Dated: c. 1592. Dimensions: plate: 24 x 17.2 cm (9 7/16 x 6 3/4 in.) sheet: 39.7 x 27.4 cm (15 5/8 x 10 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hendrick Goltzius, after Karel van Mander I.

The Passion, 1596-98. Hendrick Goltzius (Dutch, 1558-1617). Engraving;

Nuremberg, Solis, Virgilius, Rich man and the poor Lazarus, verso - handwritten in brown ink, print, prints, verso - stamped, 74, height 49 mm, width 77 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1541 - 1541, paper, engraving, engraving (printing process), etching

The men's bath The bath house. 1498. Dürer, Albrecht, 1471-1528. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bathhouses, Bathing customs, Musicians

Job in conversation with his friends. Under the show is a Latin text from the book Job: Non Estis LOQVVTT CORAM ME Rectum SiChvt Servvs MEVS Hiob Hiob 42.

The fatty calf is slaughtered, Philips Galle, After Maarten van Heemskerck, 1596 - 1633 print In honor of the lost son's return, a fat fertilized calf is slaughtered. In the courtyard the lost son dances with the guests. A long table is ready for the feast. print maker: Haarlempublisher: Antwerp paper engraving preparations, e.g. the prodigal son is given new robes; slaughtering of the fatted calf; the elder son objects. the parable of the prodigal son (Luke 15:11-32)

Copper engraving by Monogrammist MV depicting the martyrdom of Saint John.

Job in conversation with his friends, Hans Sebald Beham, 1547 print Under the performance is a Latin text from the book Job: Non Estis Loqvvtt Coram Me Rectum SICVT SERVVS MEVS HIOB HIOB 42. paper engraving Job discussing with his friends

Wolf Huber (German, c. 1485-1490-1553), The Adoration of the Magi, woodcut

Jacques Callot (1592-1635). "Notre-Dame de l'Annonciade de Florence miracles", "Domenico". Twenty-ninth issue of a suite of 42 pieces (Lieure 106, Meaume 288). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-28 Burin, Gravure

Merciful Samaritan pays the innkeeper, Heinrich Aldgrever, 1554 print The merciful Samaritan sitting on his donkey, the innkeeper pays two denarie. In the inn is the robbed man in a bed and is cared for by a woman. Under the show The text: Samaritanus Proficische Stabulario Duos Obtulit denarios ut Hominis Curam Haberet Lu 10. Fourth print from a series of four. Germany paper engraving the Samaritan pays the innkeeper

Geleerde in studeervertrek.A scholar is behind a writing table in his study room and receives three men. There is a globe on the floor next to the table and there is a violin. There is a bookcase against the wall. There is a second globe on the cupboard.

. An allegory on Germany. In the middle under a tree the Gods Ceres (agriculture) and Bacchus (wine). Ceres holds a scepter in the hands. The German emperors crown on her shot. Bacchus has the rich and a vineyard. Around them on the ground lie weaponty and agricultural equipment. A printing press behind them. In the background right partying farmers, left an army. The print is part of a four-part series with allegorical representations from European countries.

The Last Supper, 1523, Albrecht Dürer, German, 1471-1528, 5 x 3 13/16 in. (12.7 x 9.68 cm) (sheet), Woodcut, Germany, 16th century

. In the foreground the city mandate of Amsterdam. For her, a putto is a map to draw. Two nymphs show the cities segregate rolls printed sheet. In the air, Mercury flies with rolls printed sheet in hand. In the background merchants on a quay in Amsterdam.

Title vignette with library and goddess Minerva and Putti with books, François van Bleyswijck, 1681 - 1746 print Title vignette with interior of large library in frame with curling ornaments. For the list, Godin Minerva with Putti travels who consult books. Leiden paper etching / engraving public library. (story of) Minerva (Pallas, Athena). book. vignette

The Prodigal Son in a House of Ill Repute ca. 1636 Abraham Bosse French. The Prodigal Son in a House of Ill Repute 385957

Christ and the Adulterous Woman. Artist: Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: Sheet: 2 3/8 × 3 1/4 in. (6.1 × 8.3 cm). Museum: Metropolitan Museum of Art, New York, USA.

Lucas van Leyden (Netherlandish, 1489-1494-1533), Joseph Interprets His Dream to Jacob, 1512, engraving

Card playing company. Draughtsman: Balthasar van den Bossche. Dating: 1691 - 1715. Measurements: h 380 mm × w 380 mm. Museum: Rijksmuseum, Amsterdam.

Fael van de boer en de sater, aegidias sater (ii), after marcus ghaerts (i), print A farmer and a saat at a table in a house. The Sater looks fascinated at the farmer who blows in his soup. The Fabel describes how a Sater is a guest at a farmer. The farmer first blows into his numb hands and then soup in his bowl. The Sater is surprised that the farmer can blow both warmth and cold from his own mouth and regards him as a wizard. Prague paper etching / engraving / letterpress printing the satyr and the peasants; according to Aesop: the satyrs and the peasant (meal, blowing to cool food, etc.)

Tobiolus Makes a Propitiatory Sacrifice, from The Story of Tobias. Artist: Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: Sheet: 2 3/4 × 4 3/16 in. (7 × 10.6 cm). Series/Portfolio: The Story of Tobias. Date: 1543. Museum: Metropolitan Museum of Art, New York, USA.

Leyden, Lucas van, Amsterdam, Muller, Jan Harmensz., Passion of Christ, Crowning with Thorns, Executioners place a crown of thorns on Christ's head and place a reed in his hand. In the background a man stands ready to strike Christ., print, engraving, prints, height 119 mm, width 78 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1613 - 1622, paper, engraving (printing process), Work conception, 1494-06 - 1533-08, after print by, 1800 - 1900

Copper engraving by Marcantonio Raimondi depicting Venus and Amor with a volcano in the background, created around 1504-1505, illustrating mythological figures and landscape.

Illustrations to Proverbs 10: 1-3 ca. 1534 Daniel Hopfer German. Illustrations to Proverbs 10: 1-3 372998

Dircksz, Barend, Northern Netherlands, Baptism of the Anabaptists, 1535, Meeting of the Anabaptists in a house where Anabaptism is practiced. Without the verse. Picture cut out of the book, with text on verso., print, picture, history print, prints, pictures, Frederik Muller History plates, height 102 mm, width 80 mm, print maker, printmaker, 1657 - 1659, third quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after a print by, 1500 - 1566

Some figures at a table on which bread and a knife; The knife.

Artist: Wolfgang Huber, German, ca. 1485-1553, TheCircumcision, Woodcut, sheet: 11.9 × 9.4 cm (4 11/16 × 3 11/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Copper engraving by Meister E.S. from the second third of the 15th century depicting a large love garden, showing figures, trees, and garden elements.

. A performance in a cartouche of palm branches. A man shares clothes for his house to naked arms, one of the works of mercy.

Job Conversing with His Friends Made 1547 Germany. Engraving in black on ivory laid paper . Hans Sebald Beham

Sick Kreupele man is sitting in front of a city gate; Dance dance. A crippled and sick man isgging at a city gate, he sits on the floor while people walk past him and go through the gate. Remarkable is that death has not been depicted at this picture while it is part of the series of book illustrations of the dancing. The text ROM VII is located in the margin above the print.

Nuremberg, Weigel, Christoph, Amsterdam, Luyken, Jan, Rich man counting coins at a table, Emblem: wealth, verso lower left - stamped, Interior of a house. A richly dressed man sits at a table counting money. Two men stand in front of the table and ask for money. Next to the table is a money chest., print, book illustration, prints, height 100 mm, width 116 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1695 - 1705, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Amsterdam, Luyken, Jan, Adoration of the Shepherds, verso - stamped, print, prints, height 126 mm, width 72 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Suicide by suspension and stabbing in the neck, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing seeking death, suicide. (story of) Nero, the Roman Emperor

Christ, which exploits the transfers of the same; Altdorfer, Albrecht (CA 1480-1538); around 1519 (1514-00-00-1524-00-00);

Allegory with personifications of the good intention (Bona Intentio) and the Divine power (Discordia), c. 1575 - c. 1590 print A devil confuses the yarn of good intentions (D.Wz. confuses his thoughts). The devil was sitting behind Double Spints yarn from her spider skirt. In the background, warning stations referring to the uprising. With captions in Dutch, French and German. paper engraving spinning (manufacture of yarn). human-shaped devil. Disagreement, Discord; 'Discordia' (Ripa). quarrel, argument. dominating wife.

Cornelia, the virtuous mother of the Gracchi, Theodoor Galle, After Jan van der Straet, 1593 - 1597 print Cornelia, wife of Tiberius Gracchus and mother of the Gracchi brothers as a virtuous housewife. She is presented as a good mother who plays with her child and as a diligent housewife who deals with sewing and crocheted. In the background on the right, her husband Tiberius kills a snake. The print has a Latin caption and is part of a six -part series about famous Roman women. Antwerp paper engraving (story of) Cornelia, mother of the Gracchi

The dance of death: the advocate. Woodcut after Hans Holbein the younger.

Copper engraving by Wolfgang Kilian showing the publishers gnomon with a detailed view of Kilians workshop, circa 1620.

Leonhard Beck (German, c. 1480-1542), A King on a Throne, before him Four Men, 1514-1516, woodcut

Ain iunger Khnacht von Znaym ... Dated: c. 1503. Dimensions: sheet: 26.3 × 17.9 cm (10 3/8 × 7 1/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Master of the Miracles of Mariazell.

Joachim's sacrifice is refused, Albrecht Dürer, 1502 - 1506 print Joachim stands with Anna at a table, around which many people stand. The high priest behind the table pushes the lamb that Joachim offers off the table. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper Joachim's and Anna's sacrifice refused

Judith in front of Holofernes tent. monogramista, graphic artist

Tailor; Uncle Baernt; Genre scenes. A tailor (Uncle Baernt) is sitting on a table. Laps hanged behind him. The print is part of a series of 32 prints with genre scenes.

Peasant Settling his Debt, c. 1647-53. Adriaen van Ostade (Dutch, 1610-1684). Etching;

. At a table under a pergola partying people making drinks, minus and music. In the margin a two-legged caption in Latin.

The Passion: Christ Before Pilate, c. 1480. Martin Schongauer (German, c.1450-1491). Engraving;

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Suffer Man is stripped of the Nar by the Barber that grows out of his head, Jacob van der Heyden, 1608 print Numbered at the bottom right: 26. With caption in German. paper engraving shaving, being shaved. shaving (pretending to cure simpletons). Morality. 'album amicorum', 'Stammbuch'. barber, barbershop. fool, simpleton, numskull

Five men view the contents of various drawers from a cabinet, Jan Luyken, 1711 print Amsterdam paper etching 'Art cabinet'

February, Jan Collaert (II), After Joos de Momper (II), 1586 - 1618 print In the foreground on the left, a middle -aged man is warming up on a fire. In the background a city square with skating people. Some people with candles go to Maria Lichtmis in procession. In the middle of the clouds, the astrological sign of fish. The print has a Latin caption and is part of a twelve -part series for the months of the year. paper engraving February and its 'labours' (+ with zodiacal signs). Candlemas (2nd February). skates (winter sports). warming oneself at a fire (or hearth, stove, fire-pan, brazier)

Massacre des Innocent (Bartsch 38, Hollstein 58) Israel van Meckenem (v.1445-1503). Massacre of the Innocents (Bartsch 38, Hollstein 58). Burin, 15th century.

People at the age of seventy; Ten ages of man. An old man with glasses is sitting next to a table on which a globe, a book and writing utensils. Behind the man a boy who wants to put him a winged hat and a donkey. In the frame a peripheral in Latin. Seventh print from a series of ten with the ten ages of man.

David sees Batseba taking a bath in his garden, Lucas Cranach (I), 1528 - 1554 print Batseba takes a bath in the garden of King David's palace, helped by two servants. On the roof of the palace is the king with his harp, he sees Batseba baths in his garden. This story refers to the sixth commandment You will not commit adultery. Sixth print in a series of ten prints. paper David, from the roof (or balcony) of his palace, sees Bathsheba bathing

Shoemaker and his wife, drinking beer in a departure, Frans Hogenberg, 1540 - 1590 print A shoemaker and a woman are sitting in a departure at a low round table, drinking beer from big mugs. Shoes and a prime lie on the floor. To see a kitchen on the left by seeing a doorway. In the middle behind a woman who brings her things to the Lommerd. On the right a man looks through a window. Under the window you can read the text that he pronounces and in which the drinkers are compared with relaxed animals. The caption makes it clear that man and woman have to bring their things to De Lommerd as a result of alcoholic. paper etching / engraving beer, ale. drunkenness. shoe-maker, cobbler. pawnbroker, lombard

The festive house, ca. 1600, 1600 - 1649 print The festive house, ca. 1600. Interior of an inn in which a well -to -do company entertains with parties, eating, drinking and making love. On the right a sleeping man between wine barrels, behind it a peeing and destroying man. With caption of 3 times 2 lines in Latin. Low Countries paper engraving inn, coffee-house, public house, etc.. carousal, drinking-bout, orgy Low Countries

Duyfken and Willemynken for the magistrate; Duyfkkens and Willemrykens Pilgrimagie to Loved Haren within Iervsalem.willemynken is responsible for the magistrate. Another scene from the story shows Willemynken engaged in a game with narring hood on her head and the subsequent reproof by Duyfken.

Man Food on fire with one blowball; The bellows.

The Peasant and His Wife at Market Made 1519 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Groeningen, Gerard van, Antwerp, Huys, Frans, Salvation path of man, Ingenuity and the penitent man, verso - stamped, Two biblical allegories in an architectural setting. On the left the personification of blind Ingenuity, the inadequate human intellect, blindfolded and with a burning torch to show Man the way to justification before God. On the right Man in the habit of the penitence, kneeling before an altar with a representation of the Pieta. Man follows his ingenuity to avoid hell and earn heaven by performing good works. Below both representations a four-line verse in Low German and a four-line text in Latin. Numbers 9 and 10 from a reformed series on the sinfulness and justification of man., print, prints, height 273 mm, width 364 mm, 1522 - 1562, print maker, printmaker, 1546 - 1562, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1515 - 1599

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Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Tobias, Tobit and Anna with the little goat, In the background Anna earns her money by spinning and weaving for her clients. In addition to her wages, she receives a young goat to take home. Anna stands with the goat under her arm in front of her blind husband Tobit, who thinks she has stolen it. In the background on the right, Tobit is praying to God. Below the image is a reference in Latin to the Bible text in Tobit. 2:13. This print is part of an album., print, prent, albumblad, prints, height 200 mm, width 288 mm, Zuid-Nederlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, 1585 - 1585, paper, papier, engraving, graveren (drukprocedé), print maker, prentmaker, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Louis XIII receives a delegation from merchants from Paris after his return from Rochelle, 1629. King Louis XIII sits on a throne, surrounded by Edellen, and receives the progroost and aldermen of Paris after the surrender of La Rochelle. The window of La Rochelle can be seen through the window.

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