Historical Religious Engravings

A collection of 18th-19th century engravings depicting religious and mythological themes, featuring figures like Mary, Joseph, and Minerva, with intricate detailing and dramatic lighting.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Adoration by De Herders, Achille Désiré Lefèvre, After Correggio, 1850 - 1864 print Dresden paper. etching / engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Pan en Drie Gratiën, Benoît Audran (I), After Antoine Coypel, 1718 print Pan lies in the foreground against a tree. Two angels float above him with a cloth on which the title is noted. The three graces dance in the background. print maker: Francepublisher: Paris paper etching (story of) Pan. Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

March; Martius; The twelve months of the year. In a rocaille frame a representation of a young and an old couple for a farmhouse. The young man and woman listening to advice from the old man and woman. On the left are a horse, buck and beef. A four-line French text in the undermarge.

Minerva at portrait bust of a man, Johann Caspar Weinrauch, 1775 - 1846 print print maker: Germanypublisher: Vienna paper etching historical persons. piece of sculpture, reproduction of a piece of sculpture. (story of) Minerva (Pallas, Athena)

Sickbed of the prince, 1574, 1782 print Philip van Marnix at the Prince of Orange's sickbed in Rotterdam, August 1574. A boy keeps the prince a bottle under the nose. Fourteenth singing. paper etching visiting the sick; sick person together with others Rotterdam

Allegorical performance with attributes of the arts. A woman in Greek robe shows a naked putto on a coat of arms. The shield is on a memorial stone and is flanked by the attributes of architecture, sculpture, painting and print art. In the background a rooster.

Salvator Mundi; Masieski, Jan (fl. Ca 1750-1800), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1750-1800 (1750-00-00-1800-00-00);

Prophet Isaiah, Cesare Fantetti, After Rafaël, 1675 print The Prophet Isaiah, a scroll with Hebrew text in the hands. Left and right of him on Putti elevation with garlands. Between the putti a Greek text on tablet. Print is part of an album. paper etching Isaiah (not in biblical context); possible attributes: branch with leaves, saw, scroll or book. ornament ~ festoon, garland. cupids: 'amores', 'amoretti', 'putti'. scroll

Etching by Bartolomeo Pinelli illustrating scenes from Virgil's Aeneid, produced in 1811, showing classical figures, narrative elements, and Roman attire.

Copper engraving and etching by Jean Audran between 1682 and 1756 depicting Christ and the Samaritan, showing figures, gestures, attire, and composition.

Paris City Hall / Emperor Salon / Apotheosis of Napoleon 1st

Title print with a boy and a girl drawing in the open air, Johann Rudolph Schellenberg, 1781 print Winterthur paper etching draughtsman at work - CC - out of doors. children's art

A man kneel for a woman under a pergola. .

Copper engraving and etching by Quirin Mark from 1770-1811 showing Susanna with two elders, highlighting figures, gestures, and biblical narrative.

Assessment of the artist, Mathäus Küsel, 1680 print A Roman in Toga and with Lauwerkrans, expert in the arts, assesses anyone who wants to be an artist because not everyone is suitable for following the Roman example. A man, dressed in Lodewijk XIV's fashion, has humbly taken his hat. By a curtain, a bacchus figure drops down on a figure surrounded by men with torches. Under the performance four lines of text in Latin. The print is part of an album. Augsburg paper etching artist in non-work situation

Study for a plate from The Task 1795-1805 England. Ink wash on paper . Thomas Stothard

Salvator Mundi. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Masieski, Jan (fl. ca 1750-1800), graphic artist

Marriage of Maximilian and Maria van Burgundy; entry from Ferdinand in Antwerp in 1635 (no. 13); Conjugium Maxaemiliani, Archiducis Austriae, Cum Maria Belgarum AC Burgondionum Principe: Media Arcus Tabula, Maiori Form. The central representation with the marriage between Maximilian and Maria van Burgundy in 1477. In front of the triumphal arch of Philip on the corner of the Skin Fatters and the Meir. Signature at the top right: Pag. 26. With caption of 2 lines Latin. Leaf no. 13 In a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand in Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

H. Ignatius van Loyola Genest possessed, William Unger, after Peter Paul Rubens, 1861 - 1889 print Vienna paper. etching miraculous healings of St. Ignatius of Loyola

Print, The Letter G; Designed by Giovanni Battista Betti (Italian, active 1754 - 1777); Italy; Overall: 23.6 x 32.6 cm (9 5/16 x 12 13/16 in.); 1918-17-8

Bliżej Kultury Łopaciński, Jan Nikodem (1747 1810)

Medallon flanked by Melpomene and Thalia, Simon Fokke, 1747 print Empty medallion flanked by the muses of the mourning and comedy, melpomene and Thalia respectively. Melpomene has a dagger in her hands, there is a crown with scepter on her lap. Thalia holds a fool, there is a smiling mask at her foot. In the background, a woman with Lier points under her arm on the stage where Minerva shifts two diabolical figures. In the clouds, an angel is lauded by a putto. Amsterdam paper etching Melpomene (one of the Muses); 'Melpomene' (Ripa). Thalia (one of the Muses); 'Talia' (Ripa). (story of) Minerva (Pallas, Athena)

A copper engraving and etching by Jean Audran depicting Amor with Psyche, created between 1699 and 1756, representing classical mythology and allegorical figures.

Lazarus deathbed, Reinier Vinkeles (I), 1795 print Lazarus is in bed. His sister Maria is bent over him. Martha and the doctor Taddeus arrive on the left. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving the story of Lazarus (John 11:1-44)

A Woman is Unmasked, Gravelot, French, 1699 - 1773, active in England, Louis-Simon Lempereur, French, 1728 - 1808, Etching on paper, France, 1758, Print, Print

Hegesippus summoned Philokles to return at the request of Idomeneus, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Idomenus, sitting on a stone under a tree, reads a letter. Hegesippus is on the left. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. Ii. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). ornament ~ festoon, garland

Two women for a statue, Joseph de Longueil, 1740 - 1792 print France paper etching / engraving kneeling figure - AA - female human figure. monument, statue

Devils, witches and samples appear from a fallen bottle acid, Félicien Rops, 1868 print paper etching / drypoint witch, sorceress. devil(s) and demons. nightmare

La Vierge à la poire. Bisson Frères (French, active 1840 - 1864)

This copper engraving by Cornelis Bloemaert, produced between 1620 and 1692, depicts the Holy Family with John the Baptist as a child, emphasizing devotional composition and figure detail.

Etching by Matteo Piccioni depicting the infant Moses being placed in a basket, created in 1641.

Etching by Christian Wilhelm Ernst Dietrich depicting the violation of Hagar, showing human figures, gestures, and dramatic composition, created in the second half of the 18th century.

Print, Paris, plate from a suite of 6 ornamental designs with the Judgement of Paris; Designed by Adriaen Collaert (Flemish, ca. 1560 - 1618); Netherlands; engraving on laid paper

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Bloemaert, Abraham (1566 1651)

Etching by Werner van den Valckert depicting the Holy Family, created in 1612.

Vignette with a woman with the attributes of vigilance, labor, power and art, anonymous, 1700 - 1800 print A standing woman with the crane of vigilance next to her, a hammer in hand as a symbol of labor, a flame on the head as a symbol of power and a measuring instrument as a symbol of art. At the top of the motto: Deo Duce. Netherlands paper etching Skill, skill; 'Artifice', 'readiness' (Ripa). Alertness, vigilance; 'Guardia', 'Vigilance', 'Supervision to defend yourself & oppose others' (Ripa) (+ Symbolical Representation of Concept). Labor. The Liberal Arts Represented Otherwise, E.G. By Emblems, Symbols

Medallon with the portrait of the Athenian Staatman Cimon, Reinier Vinkeles (I), After Jacobus Buys, 1797 print Amsterdam paper etching (story of) Cimon the Athenian

Woman Filling Water-Cans. Pierre Millet (French, 1833-1914); after Jean François Millet (French, 1814-1875). Date: 1854. Dimensions: 145 × 96 mm (image); 330 × 267 mm (sheet). Woodcut on ivory wove Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Resting rider for an inn, Adrien Joseph Verhoeven -Ball, 1834 - 1882 print paper etching / drypoint riding a horse, ass, or mule; rider, horseman. hotel, hostelry, inn

Badende Woman, Herderin, two cupidos and a herd of goats and sheep, Martin Schedel, 1687 - 1748 print paper etching adolescent, young woman, maiden. washing and bathing - AA - in the open air. cattle

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Outkin, Nicolai Ivanovitch (n.1780-05-19-D.1868-03-17), Saint Jean-Baptiste after Raphael Mengs (Main title), 1802. Churin on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.

Roman soldier on horseback, Anonymous, 1750 - 1850 print Italy (possibly) paper etching / engraving riding a horse, ass, or mule; rider, horseman. the soldier; the soldier's life. helmet

Figures provide a garden with a statue of Priapus, Léon Davent, After Francesco Primaticcio, 1540 - 1556 print Fontainebleau paper etching Priapus-herm. gardening

Man with two children and a sheep near a tree, Nicolaas Verkolje, 1683 - 1746 print Amsterdam paper father and child(ren), man and child(ren) (family group). sheep

Street musician with violin and dancing dog; The Compleat Work of Etchings by John Chalon / Oeuvre Complette des Eaux Fortes Par Jean Chalon. A street musician plays violin for a maid. Two dogs dance around him. The print is part of an album.

Memorial column for Juliana Cornelia de Lannoy. Memorandum in a forest for the poet Juliana Cornelia de Lannoy. A crying putto and a grieving woman on the monument.

Print, The Letter H; Designed by Giovanni Battista Betti (Italian, active 1754 - 1777); Italy; Mat: 23.4 x 33 cm (9 3/16 x 13 in.); 1918-17-9

For the Sexes: The Gates of Paradise, Plate 10, 'My son! my Son!', Print made by William Blake, 1757-1827, British, 1826, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Spine: 13 3/4 inches (34.9 cm), Sheet: 13 3/8 x 9 3/8 inches (34 x 23.8 cm), and Plate: 3 5/8 x 2 3/8 inches (9.2 x 6 cm), beard, leaf, literary theme, men, nudes, religious and mythological subject, ruins, spear, stones, text, trees

Oranjezaal in Huis ten Bosch, Anonymous, 1880 - 1925 photomechanical print paper palace. wall-covering. palace - AA - civic architecture: inside The Hague. Palace Huis ten Bosch

Austrias children, a constant monument the great war, as a sign of thanks, for gifts of love, and acts of loyalty, Memorial sheet to the First World War, Austrias children, a permanent monument, great war , Rudolf Jettmar -, Artist, Albert Berger Kunstanstalt, Printer, and K, War welfare office, editor

GIPSModel for sculpture on the Palais du Louvre: "L'Bondance" by Louis Léopold Chambard, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Offer by Abraham, Johannes Wierix, After Maerten de Vos, 1582 - 1583 print Abraham sacrifices a ram instead of his son Isaac. An angel has just prevented him from this. Two servants with a donkey are waiting at the bottom of the mountain. In the margin a three -line Bible quotation from Gen. 22 in Latin. Antwerp paper engraving a ram caught in a thicket is sacrificed instead of Isaac

Couple at Man on Bank, Antoine Joseph Chollet, After Martinet (designer), 1803 - 1870 print France paper. steel engraving sitting figure. adult man. adult woman

Virtue dispels vices. On the right is the personification of virtue in the form of a man in armor for a classic building. In his right hand, he has a flaming sword with a laurel wreath and in his raised right hand. Left three putti dive away for him. The upper putto may have a lemon as a symbol of sour love and false friendship. The dagger of the middle putto symbolizes wrath and the lower putto drops playing cards, symbols of twist and laziness. Among them a snake, evil, and an eagle as a symbol of pride.

Right wing of the altar of Ildefonso: Isabella Clara Eugenia van Spain with her patron saint Elisabeth van Hungary, William Unger, after Peter Paul Rubens, 1861 - 1889 print Vienna paper. etching the wife and widow of the Landgrave of Thuringia, and Franciscan Tertiary, Elisabeth of Hungary; possible attributes: beggar, cripple, fish, loaves, leper, model of church, pitcher, roses in lap, scald-head, three crowns. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)

Cartoon on E.M. De Cock, 1787 - 1790 print Cartoon on E.M. De Cock, pensioner of the States of Brabant, convicted as a traitor and on 14 May 1789 hung in effigie at the gallows. Woman world is at the foot of the gallows. On the right a young man is chased away by a group of women, in the background a Kramer sells pamphlets. Numbered at the top right: 77. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper engraving 'Frau Welt'. violent death by hanging. pedlar. execution in effigy Brabant

Copernicus, Nicholas.

Fisheries' women and a boy look out at a crucifix about a stormy sea, Edgar Alfred Baes, 1847 - 1909 print paper. etching / drypoint weeping. seaman. crucifix ~ personal devotion

Copper engraving and etching by Simon Gribelin from 1720 depicting the apotheosis of Jakob I, King of England, showing figures, allegorical elements, and ceremonial composition.

Soldiers and men with skins, Daniël Specelaard (I), After Jacob Smies, 1802 - 1809 Soldiers in a doorway, with a shield with a cat on it, enter an interior in which men with (cows) Skins, with horns and tails. Two men collect mud in the foreground. Top right: pl. I. bottom right: page. 36. Haarlem paper etching Soldiers in a doorway, with a shield with a cat on it, enter an interior in which men with (cows) Skins, with horns and tails. Two men collect mud in the foreground. Top right: pl. I. bottom right: page. 36. Haarlem paper etching

Lorenz Froelich (1820-1908), Illustration til "The Lord's Prayer", 1863

Zenobius, holy.

France protects youth against Napoleon, Anonymous, After Pierre Prud'Hon, 1789 - 1804 print Processing the print 'La Loi' with Napoleon as an attacker. paper etching / engraving historical persons. personification of a city, town-patron(ess)

A copper engraving by Jan Harmensz. Muller circa 1598 depicting the abduction of the Sabine women, showing armed figures and dynamic movement in a historical mythological scene.

Plate 8, Le Maître de Musique (The Music Master), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys), Christophe Huet, French, 1700-1759, Jean-Baptiste-Antoine Guelard, French, 1719-ca. 1755, Charpentier, Paris, France, Etching on paper, Plate 8 of a series of 23 prints featuring monkeys acting as humans in various figural scenes. In outdoor setting, a figural scene of a music lesson, the monkey instructor in gentleman's costume teaching his students, who are cats. The monkey holds a sheet of music in his left hand and a scroll in his right hand, directing his pupils. He has a violin strapped across his body. At his feet, one cat holds a sheet of music and looks up at his instructor. The other cat at center plays a dulcimer., Paris, France, ca. 1743, albums (bound) & books, Bound print, Bound print

Element earth as a young woman with horn of abundance and rose bush in frame with ornaments, Nicolaes de Bruyn, 1582 - 1635 print Element earth as a young woman standing with horn of abundance in rose bush. In oval list within rectangular frame with ornaments derived from plants and animals. paper engraving earth (one of the four elements). 'Cornucopia', Horn of Plenty

Artist: Albrecht Dürer, German, 1471-1528, TheWitch, ca.1500-1501, Engraving, 11.7 × 7.2 cm (4 5/8 × 2 13/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Allegory with two personifications and a young woman. Allegorical performance with the personification of caution with a hose and a mirror and the personification of true belief with a burning heart on the head. They are accompanied by a young woman.

Judah gives Tamar his signet ring, Adam von Bartsch, after Gerbrand van den Eeckhout, after Rembrandt van Rijn, 1782 print paper etching Judah's love-affair with Tamar; he gives her his signet(-ring), bracelets and staff

Vestigia delle Terme di Tito. Ephebos in blue robe. Quadro from wall decoration in room 15. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

. Artemisia is sitting at the armor of her deceased husband and has been scattered from a servant the axis of her husband in a drinking cup. In the background his body is burned by Artemisia near a building, which probably imagines the mausoleum to imagine his death.

Man from a retail window holds the arm of a young woman, Jean Louis Demarne (attributed to), 1762 - 1829 print paper. pencil etching vegetables. house combined with shop. adolescent, young woman, maiden. child. dog

Personification of Schaarste (Carestia) as Ceres with corn and cornucopia, Anonymous, After Giovanni Lanfranco, 1645 - 1709 print France (possibly) paper engraving Scarcity; 'Carestia' (Ripa). (story of) Ceres (Demeter)

La Mélancolie. Bisson Frères (French, active 1840 - 1864)

El Greco: Narození Páně.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

The Ascension of Elia (in box with 43 drawings). .

With wealth, power and pleasure, the devil seduces man, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1550 print The devil paints on a great human heart the image of a bag of money, a naked woman and some crowns and scepters. A young man watches fascinated, and does not notice that a naked woman ties a rope on his foot. In this way man (the young man) is bound by worldly things by his desire. In a cartouche at the bottom of the print a Dutch caption in rhyme. The print is part of a four -part series about the uselessness of hope for money and other secular issues. paper etching / engraving heart symbolism. devil(s) and demons. Desire; 'Desiderio' (Ripa). working situations ~ painter. personifications ~ the life of man. Lust, Luxury, 'Luxuria'; 'Lussuria' (Ripa) ~ personification of one of the Deadly Sins

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Anna te Drieën, Adam von Bartsch, After Raymond de Lafage, 1783 print paper etching / engraving Holy Family, and derived representations

This 1898 engraving by Max Klinger, part of Opus XIII, Sheet 11, titled 'Time and Fame', explores allegorical themes and symbolic representation through detailed engraving.

Etching by Bernhard Rode from 1770 depicting the punishment of a treacherous schoolmaster at Falerii, illustrating historical justice practices and human figures in detail.

Mars and Venus. View in a bedroom with Mars and Venus intimately kissing on a four-poster bed. The little Amor sleeps in bed. By a window on the right, Apollo can be seen on his solar car and a sleeping figure with bird legs and bird tail (the dawn).

A copper engraving by Jacob Matham from around 1610 depicting a portrait of the artist Abraham Bloemaert.

Man and wife at Spiegel, Anonymous, Royal Dutch Stone Pressure of C.W. Mieling, 1864 print The mirror has an ornament edge with plant motifs, candlesticks and putti. Printer: The Harwlisher: Haarletm paper Mirror. Cupids: 'Amores', 'Amoretti', 'Putti'

Zeus on his throne, 1781 print paper (story of) Jupiter (Zeus). attributes of Jupiter

Interior with farmer's family, Rodolphe Bresdin, 1873 print Interior with a woman sitting in front of a fireplace with next to her two children, a man is behind her and smokes a pipe. The interior is rich in details, there are all kinds of objects on the fireplace, including a performance by Susanna and the elders. A large bedstead on the back left is displayed. Hammen drying on the beams of the roof and on the ground are vegetables that are nibbled by rabbits and mice. . farmers. interior of the house

Engel with a palm branch and a crown, Jean Honoré Fragonard, After Annibale Carracci, 1763 - 1764 print An angel, standing between two sitting men, a crown in the right hand, a palm branch in the left. Piacenza paper etching angels crowning and/or bringing palm-branches

Monument under the birch; Sierakowski, Józef (1765-1831); around 1800 (1795-00-00-1805-00-00);Cupid and Psyche (mitol. Witke-Jeżewski, Dominik (1862-1944)-collection, acts, birch, gift (provenance), trees, parks (gardens), putta (iconogr.), Garden sculptures

The resurrection of a believing family from the grave, Francesco Bartolozzi, After Matthew William Peters, 1790 print A man, a woman, four children and an old man with a beard come from a grave. Text and weapon in STUDMARGE. after painting by: Oxfordpublisher: London paper etching Resurrection; 'Ressurrettione' (Ripa). family, relationship, descent

Print, Vase monumental avec deux monstres marins; France; etching

Madonna dellaScodella. Engraver: Francesco Brizio, Italian, ca. 1575-1623 After: Antonio da Correggio, Italian, ca. 1489-1534

Design for the Letter I of a Pictoral Alphabet: Idolatry, Victor Vincent Adam, 1801-1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. Worshippers in a temple of Isis., France, ca. 1830, Drawing, Drawing

The Persian Ambassador, plate eighteen from Caravanne du Sultane à la Mecque Made 1748 France. Etching on ivory laid paper . Joseph Marie Vien, I

Miser and death; Czerski, Stanisław (1777-1833), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1822-1832 (1822-00-00-1832-00-00);

King with a peacock, Heinrich Vianden, 1844 print Belgium (possibly) paper etching Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins. ruler, sovereign. torch

Tronende Minerva, Erboven Twee Profen, Richard de Saint-Non, After Jean Honoré Fragonard, After Francesco Solimena, After Jusepe de Ribera, 1773 print paper etching prophets, sibyls, evangelists, Doctors of the Church; persons ~ the Bible (not in biblical context). Minerva as patroness

Trenck, Friedrich Freiherr.

Axel Theodor Kittendorff (1821-1868); Lorenz Froelich (1820-1908), Hagbard Og Signe, (1852)

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