Historical Religious Events

Engravings depicting significant biblical events like the marriages and trials of religious figures, illustrating ceremonial attire and historical context.

Woe to the scribes and the Pharisees, Wierix (Rejected Attribution), After Bernardino Passeri, 1593 print Christ preaches in the temple opposite the scribes and the Pharisees. Various elements from the performance are letters that correspond with the legend in the margin. paper engraving speeches of Christ against scribes and Pharisees (Matthew 23; Mark 12:38-40; Luke 11:42-52, 20:45-47)

Filippo Neri gets permission from Pope Gregorius XIII to found the Oratorians Oratorians, 1630 - 1641 print Filippo Neri obtains permission from Pope Gregory XIII to found the Oratorians, July 15, 1575. Prent no. 25 in a series of 44 prints with scenes from the life of the Holy Filippo Neri. paper engraving the founder of the Congregation of the Oratory (Oratorians) Philip Neri; possible attributes: lily, rosary

Mary Marries Joseph, from The Life of the Virgin Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

Woe to the scribes and the Pharisees, Wierix (Rejected Attribution), After Bernardino Passeri, 1593 print Christ preaches in the temple opposite the scribes and the Pharisees. Various elements from the performance are letters that correspond with the legend in the margin. paper engraving speeches of Christ against scribes and Pharisees (Matthew 23; Mark 12:38-40; Luke 11:42-52, 20:45-47)

Christ for Pontius Pilate, Boetius Adamsz. Bolswert, 1622 print paper engraving Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16)

Woodcut by Hans Burgkmair the Elder, 1514-1516, showing Emperor Maximilian I being crowned by the Pope, depicting figures, ceremonial attire, crown, and throne.

Church fathers. The church fathers around an altar on which a Monstrans, which is illustrated by the Holy Spirit in the form of a pigeon. At the top of God the Father.

Paulus en Silas in Filippi, 1591 - 1600 print Paul heals a young woman who could predict the future. Behind him is possibly one of her owners, who was furious because he could no longer earn money with her gift. In the background, Paulus and Silas are commissioned by the city drivers, who were tipped by the owners of the slave. Under the show a two -line text in Latin. This print is part of an album. paper engraving the healing of the woman servant with a divining spirit ~ Paul and Silas at Philippi. Paul and Silas are whipped

ECCE HOMO, Boetius Adamsz. Bolswert, 1622 print paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Allegorical representation of the imperial coronation of Charles VII, Emperor of the Holy Roman Empire = Elector Karl Albrecht of Bavaria, Michael Rösler -, Copper Engraver

Christ heals wife who suffers from blood loss, Boëtius Adamsz. Bolswert, 1622 print paper engraving healing of a woman with an issue of blood: she kneels before Christ after having touched his robe (Matthew 9:20-22; Mark 5:25-34; Luke 8:43-48)

Christ as a twelve-year-old in the temple. Christ is in the temple on a throne. He explains the Scripture to the scribes. Joseph and Maria walk in the temple and find their twelve-year-old son among the scholars. With various elements from the show are letters. The print is part of an album.

Wedding in Kana; Life of Christ; Vita I. Christi. On the wedding of Kana, Christ recommends six jugs with water to fill. This happens in the background. Then Christ changes the water into wine (John 2: 1-11). The print has a Latin caption. The print is part of a series about the life of Christ.

St. Basil Celebrating the Sacrifice of the Mass The Celebration of the Holy Mysteries, from Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), plate 12 1607-11 Jacques Callot French. St. Basil Celebrating the Sacrifice of the Mass The Celebration of the Holy Mysteries, from Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), plate 12. Les Tableaux de Rome, Les Eglises Jubilaires. Jacques Callot (French, Nancy 1592-1635 Nancy). 1607-11. Engraving; second state of two (Lieure). Prints

Church father Tertullianus van Carthage, Jan Luyken, after Jan Goeree, 1698 print The church father Tertullian of Carthage looks at an angel who offers him a laurel wreath. Tertullian is on a pedestal. On the front a scene in which he writes one of his writings. Print in the middle of it marked: II. Share page: 240. Amsterdam paper etching / engraving male saints (TERTULLIAN OF CARTHAGE). writer, poet, author

The holy church father Clement of Alexandria listening to an angel reading him a text. Clemens stands on a pedestal where his teaching at the School of Alexandria is depicted on the front. Print marked top center: II Part Pag: 233., H. Clemens of Alexandria, Church Father Clemens, Catechist and Elder t'Alexandriën Teaching in the Christenleere , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 279 mm × w 173 mm

Saint Norbertus travels the vow of poverty., Cornelis Galle (I) (attributed to), 1622 print Saint Norbertus travels the vow of poverty and removes all his valuable possessions. In the background he is dedicated to a priest by the Archbishop of Cologne. The print has two Latin inscriptions: one up and one below the show. Antwerp paper engraving St. Norbert gives away his possessions to the poor. personal devotion of St. Norbert - baptism, consecration, taking vows of male saint. archbishop, bishop, etc. (Roman Catholic)

Print at the top right numbered: foli. 91.

Turibius de Mogrovejo blesses a young woman; Life of the Holy Turibius de Mogrovejo. Saint Turibius de Mogrovejo, Archbishop of Lima, blesses a kneeling young woman with a wreath of roses on the head. At the bottom of a blank cartouche.

H. Justinus de Filosoof, apologeet; Justinus De Martelaar, Te Rome, met zes andre gegeeselt, en onthalst.The Sacred Apologet Justinus the philosopher gets a scroll from an angel. Justinus is on a base where his decapitation has been shown on the front. PRENT In the middle of labeled: II. Share pages: 179.

St. Simeon of Jerusalem looks at the angel who is handing him his bishop's mitre. Simeon stands on a pedestal where his crucifixion is depicted on the front. Print marked top center: II. Volume, Pag: 128., St. Simeon of Jerusalem Simeon, Bishop of Jerusalem, By Charge of Atticus, Stadtholder of Syria, Crucified , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 276 mm × w 171 mm

. The Z. Hartmann, Bishop of Bressanone, is next to Emperor Frederik Barbarossa. The imperial Insignia are between them. Around them the other members of the Reichstag. The print has a Latin caption.

Kerkvader Origenes.The Church Father Origen shows an angel a portrait medallion. Origenes is on a base where torture death has been shown on the front.

Unbeliever Tomas. Christ again appears in the middle of the apostles. Tomas handles his hand to the wounds of Christ. With various elements from the show are letters. The print is part of an album.

Christ before Pilate, 1629 print Christ is brought for Pilatus by armed soldiers. Pilatus asks the compiled crowd that they accuse Christ of. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16). Pilate in debate with the Jews

Misviering; La celebration de la Ste Messe.A priest, seen on the back, shows the host to the altar. Above the altar an image of Maria with child. Believers knelt in the foreground. Under the show a banderole with three French lines. At the bottom right of the number 30.

Christ shown to the people (Ecce Homo), 1629 print Pontius Pilatus shows Christ, dressed in a cloak and with thorns on his head, on an elevation to the people. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Filippo Neri floats above the floor during praying, 1630 - 1641 print Filippo Neri floats above the floor during praying. Giovanni Battista Modio is healed (1556). Print no. 13 in a series of 44 prints with scenes from the life of the Holy Filippo Neri. paper engraving the founder of the Congregation of the Oratory (Oratorians) Philip Neri; possible attributes: lily, rosary

Jacques Callot, The Martyrdom of Saint Barnabas, c 1634 1635 The Martyrdom of Saint Barnabas

Presentation of Christ. after Lorenzo di Ottavio Costa; Italian, c. 1460-1535. Date: 1497-1507. Dimensions: 155 × 132 mm. Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Saint Bruno. Engraving by F. Chauveau and C. Simonneau after E. Le Sueur.

Christ among the Doctors. Dated: c. 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Funeral procession of Saint Dominicus, Theodoor Galle, After Pieter de Jode (I), After Joannes Nys, 1611 print The corpse of the Holy Dominicus is carried into the church by four bishops. A long funeral procession follows. The print has a Latin inscription and caption and is part of a press series for a book about the life of the Holy Dominicus. print maker: Antwerpafter drawing by: Antwerpafter design by: AntwerpPolandpublisher: Antwerp paper engraving Dominic(us) Guzman of Calerueja, founder of the Order of Preachers (or Dominican (Black) Friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star - post-mortem occurrences ~ male saint

Parable of the Good Shepherd, Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ tells the Pharisees about the Good Shepherd: "The sheep listen to his voice, he calls his own sheep by their name and leads them outside." On the facade of the temple medallions with scenes from the parable. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the good shepherd (Christ) defending his sheep against wolves; 'I am the good shepherd' (John 10:1-16)

The four church animals and H. Clara. .

France, French crown, Paris, Weyen, Herman, Wael, Jan Baptist de, Lauwers, Conrad, H. Thomas van Villanueva, verso - stamped, De heilige Thomas van Villanueva, dressed in a bishop's robe and surrounded by a halo, is surrounded by the poor and the sick whom he heals. He takes coins from a money bag and hands them out. On the right, two clerics look on, in the air flies an angel with a crown and lilies. In the margin a caption in Latin., print, prent, prints, prenten, height 476 mm, width 351 mm, Dutch, 1632, print maker, printmaker, 1642 - 1685, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1632-07-25 - 1669, after a design by, Publication (Event), Publication, French - 1672-02-27, publisher, uitgever van privilege

Salomon receives the queen of Sheba, Wenceslaus Hollar, after Hans Holbein (II), 1642 print Salomon is sitting on his throne with a scepter in his hand and is surrounded by servants. He receives the queen of Sheba who stands in front of his throne. Gifts behind her are presented. paper etching Solomon and the queen of Sheba (1 Kings 10:1-3; 2 Chronicles 9:1-9)

Pilate shows Christ to the people (ECCE GOMO); The round passion. From series of twelve prints. Christ with a thorn crown is shown by Pilatus. Man holds cross, crowd points to it. Round show ornamental frame. Down frame with text in Latin. Printed of multiple blocks.

Presentation in the temple; PVRificatio. Maria and Joseph have brought Christ to the temple. The high priest Simeon blesses the child. Maria offers the basket with a few pigeons. At different elements from the show are letters that correspond to the legend in the margin.

Frost on a throne. Illustration from a book by Jodocus Damhouder () About Roman History. Crowned frost on a throne, with book and sword in hand. Large crowd people around him.

The holy church father Basil of Caesarea, standing on a pedestal. On the obverse the scene of Basil distributing food to the poor. Print marked top center: III. Part Pag. 311., Saint Basil of Caesarea, Church Father Basil, Bishop of Caesarea in Cappadocia. His conduct to the poor , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving

Birth of the Virgin, Etienne Picart, after Guido Reni, 1677 print France paper engraving / etching birth of Mary

Dropping the firstborn son; Reconciliation for the firstborn son. A Jewish family performs the Pidyon Haben, or the troubling of the firstborn son. The father hands the priest a bowl with coins in exchange for his firstborn son. The priest blesses the son.

The lawyer and death; Dance dance. A citizen pays the lawyer. Death is between the two men with an hourglass in his hand. Twentieth print from a series of killing people's exprents; With a picture frame with democritus and heraclitus.

St Catherine of Alexandria embraces the Christ child who sits on the Virgin Mary's lap; with St Dominic, St Francis of Assisi, St Benedict (), St Peter Martyr and St Petronius. Drawing by F. Rosaspina, c. 1830, after P. Faccini.

Jacques Callot, The Virgin Presents Jesus at the Temple, in or after 1630 The Virgin Presents Jesus at the Temple

Christ appears to the disciples and the unbelieving Thomas, Boëtius Adamsz. Bolswert, 1622 print paper engraving the incredulity of Thomas

Christ for the high priest kajafas; Passion of Christ. Christ is bound for the throne of the high priest kajafas, which is in discussion with one of the high priests, looking for a sham testimony against Jesus to condemn him to death. One of the soldiers beats Christ with a scourge. In addition to the throne a torch.

Augsburg Creed, Adolf van der Laan, 1694 - 1755 print Two performances about the Augsburg Creed in an architectural frame, decorated with allegorical figures and portrait medallions by Luther and Hus. Above: Allegorical representation with the reformers Luther and Melanchton in an altar, the Sint Pieterskerk is in the distance. In the air, an angel with banderol flies on which the text: Euwig Gospel. In addition to the angel, Jupiter has appeared with lightning bolts. Below: Melanchton reads the Augsburg confession to Karel V. paper etching 'Confessio Augustana', 'Augsburger denomination'. (Story of) Jupiter (Zeus)

S. Tite, évêque (St. Titus, Bishop), January 4th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Tite, évêque (St. Titus, Bishop), January 4th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Jozef's Roede in Bloom, Theodoor Galle (Possible), 1581 - 1633 print Maria must make a choice from different marriage candidates. Joseph's stick blooms and this is seen as a sign of God. A pigeon (the Holy Spirit) appears from the stick. The print has a Latin caption and is part of a sixteen -part series with scenes from the life of the Holy Family. Antwerp paper engraving recruitment of the bridegroom: the suitors are kneeling before the altar on which rods are placed

Presentation of Christ in the Temple, Karel van Mallery, 1581 - c. 1645 print The Christ child is lying in the temple in the arms of Simeon and is shown by a jet of the pigeon as a symbol of the Holy Spirit. For the altar a kneeling Mary with a basket containing two pigeons, which refer to the Jewish rite of the mother's cleansing by sacrificing a pigeon pair. Imagination of the Bible verses Luc. 2: 22-39. Under the performance two columns with three lines each in Latin. Antwerp paper engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

The Virgin Mary and the Christ child, with St. Augustine, St George, John the Baptist, St Stephen and an angel with a lily. Drawing by F. Rosaspina, c. 1830, after F. Francia.

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The young Christ lectures the doctors of the Temple. Engraving by E. Rouargue.

Abraham buys the field of Efron. Abraham buys the field of Efron for four hundred shakes silver (Gen. 23:16). Abraham weighs the silver. In the background the cave in which Abraham wants to bury his wife. The print has a Hebrew, Latin, French, English, German and Dutch caption.

Cardinal Deugden, Jacob Neefs, After Theodoor van Thulden, 1641 print On a pedestal there are the Personified Cardinal Virtues. In the middle are justice, with sword and scales and caution with mirror and snake. On the left is strength with the club and on the right is moderation with horse toom. In the middle above the Christ monogram on a cartouche with rolling work. In the middle of the title of the book on a cartouche. Antwerp paper engraving the Four Cardinal Virtues. IHS ('Iesus Hominum Salvator') ~ symbol of Christ. ornament ~ cartouche

. In the foreground Aaron. Two priest crowns him with the mitznefet, a turban for the Jewish high priest. Links Moses that bless him. Upstairs in a separate list the parts the turban.

Martyrdom of Saint Matthias, from the series 'The little apostles' (Les petits apôtres) ca. 1632 Jacques Callot French. Martyrdom of Saint Matthias, from the series 'The little apostles' (Les petits apôtres) 410293

Bruiloft you Kana; Apostolorii of the call and dueties at Cana Life's passion and death of Jesus Christ ..

The church looted by Louis XIV, ca. 1701-1713, 1701 - 1713 print A French Catholic Church is looted by the troops of Louis XIV where valuables are confiscated to the state treasury. In the caption two verses in French and a inscription in Dutch. Part of a group of individual cartoons on Louis XIV during the Spanish Succession War, ca. 1701-1713. Northern Netherlands paper etching political caricatures and satires. plundering of churchbuilding, convent, etc.

Filippo Neri recognizes unclean scent, 1630 - 1641 print Filippo Neri remains a virgin and recognizes unclean scent. Print no. 36 in a series of 44 prints with scenes from the life of the Holy Filippo Neri. paper engraving the founder of the Congregation of the Oratory (Oratorians) Philip Neri; possible attributes: lily, rosary. disagreeable, repellent smell. virginity

Lorenzo Costa, Presentation of Christ, c 1502 Presentation of Christ

Marriage between Kroonprins Philip and Maria van Portugal, 1543, Jan Luyken, 1699 print Crown Prince Philip and Princess Maria of Portugal kneel for each other and give each other hands. A bishop devotes marriage. In the background Charles V on the throne. Amsterdam paper etching

. King Solomon sits on his throne and velt his judgment. He gives the command to let the baby share in half to determine who is the child's mother. Right a man pulls his sword. For the throne the two women who both claim the motherhood of the child.

Saint Catherine of Siena. Etching.

PESACHMAAL, Johannes Wibix, After Bernardino Passeri, 1593 print On the first day of the feast of the endless bread, Christ dedicates his students to prepare for the Pesach meal. They are all around the table. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving preparation of the Passover ~ Last Supper (Matthew 26:17-20; Mark 14:12-17; Luke 22:7-14)

Design for a print, Church scene with crucifixion on Good Friday, draughtsman: Charles Parrocel, c. 1700 - c. 1724, paper, brush, h 160 mm × w 213 mm

Encounter between Count Godfried van Cappenberg and Saint Norbertus, Cornelis Galle (II) (Attributed to), 1622 print The count of Westphalia, Godfried van Cappenberg, meets the Holy Norbertus. He gives all his possessions the order of the Norbertines. The print has two Latin inscriptions: one up and one below the show. Antwerp paper engraving male saints (with NAME). non-miraculous activities and events ~ St. Norbert

H. Clemens van Rome, kerkvader; Klemens, Bisschop van Rome, Door Aufidianus last, in Zee geworpen.The Sacred Church Father Clemens of Rome studies a writings while an angel got a coat of arms with a bishop's mushroom. Clemens is on a base. On the front the scene in which he is tied to an anchor in the sea. PRENT In the middle of label: II: part. FOL: 115.

Christ verschijnt aan de discipelen en ongelovige Thomas; The apparition of his upper-chamber; Life's passion and death of Jesus Christ ..

Saint Norbertus preaches against Tanchelm in Antwerp, Cornelis Galle (II) (Attributed to), 1622 print Saint Norbertus is sent to Antwerp where he preaches against the heretical teachings of the monk Tanchelm. Norbertus tramples members of the cult of Tanchelm. At the top of the coat of arms of Antwerp. The print has two Latin inscriptions: one top and one below the show. Antwerp paper engraving St. Norbert preaching at Antwerp before the dissenter Tankelin Antwerp

Presentation of Christ. Dated: c. 1502. Dimensions: sheet: 16.1 x 13.6 cm (6 5/16 x 5 3/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Lorenzo Costa.

H. Basilius van Caesarea, church father, Jan Luyken, After Jan Goeree, 1698 print The holy church father Basilius of Caesarea, standing on a pedestal. On the front the scene in which Basilius distributes food to the poor. Amsterdam paper etching / engraving Basil the Great (Basilius Magnus), bishop of Caesarea; possible attributes: dove, (column of) fire. giving alms or other charity, e.g.: handing out food

Exit of the Holy Spirit, Marcantonio Raimondi, After Albrecht Dürer, 1510 - 1515 print paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

Copper engraving by Israhel van Meckenem depicting the Holy Family, created in the last third of the 15th century.

The holy church father Dionysius of Alexandria is offered the bishop's mitre by an angel. Dionysius is standing on a pedestal. On the obverse the scene in which he is put on a donkey by four elders to take him to the Libyan desert., St. Dionysius of Alexandria, Church Father, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 280 mm × w 172 mm

Ceremony of the Coronation of Louis XVI, June 11, 1775 (IT)

Pope Sixtus V with a Tiara Crowned / Japanese envoys greeted Pope Sixtus V, Jan Luyken, 1697 print Two performances of one plate. Amsterdam paper etching papal coronation. pope giving an audience

Moses with the law in the company of two prophets, Symon Novelanus (attributed to), 1577 - 1627 print In a niche, Moses is with the dining of the law. At his feet are the first five Bible books that he would have written. Left and right of Moses, texts have been applied in Latin with the core of the law and the prophets. (Matt. 22: 37-39 and Mat. 7: 12.) Right and left of the pedestal is a prophet, each with a book in hand. The seven creation scenes can be seen in a landscape through the windows on the right and left. On the left the sun shines over a landscape with Adam and Eva and the animals of the country. On the right the moon shines over a landscape with the fish in the sea and the birds in the air. Cologne paper etching Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law - founder, initiator ~ the Old Testament (not in biblical context). prophets, sibyls, evangelists, Doctors of the Church; persons ~ the Bible (not in

During a sermon, the Holy Dominicus uses the rosary to expel the heretical thoughts of a listener. A throne virgin Mary in the background. The print has a Latin caption with legend and is part of a fifteenth series about the miracles of the rosary.

Emblem with man who meditates about the birth of Christ; Den Wech des century life. A man with a painter palette observes a scene from the birth of Christ. According to the accompanying text in the edition, this event is a good starting point for meditation. The virtue of birth should be held in particular and the associated faith, hope and love.

Passe, Crispijn van de (I), Cologne, Passio Domini nostri Jesu Christi, Passion of Christ, Christ before Caiaphas, Christ is tried by Caiaphas. The high priest tears his robe and accuses Christ of blasphemy. The scene is set in an oval frame with an inscription in Latin. Print from a series with the passion of Christ., print, prints, height 144 mm, width 107 mm, 1564 - 1637, print maker, printmaker, 1600 - 1600, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Emperor Maximilian prays for the H. Sacrament, 10; The Miracle of Amsterdam (copy), 1345. Emperor Maximiliaan I prays kneeling for the H. sacrament on the altar and becomes healthy again. On the ground the emperors crown and scepter. Print No. 10 from the series of 16 performances of the Miracle of Amsterdam, to the events on March 15, 1345. Copies to the Bolswert series. Under the show in the album engraved a six-line verse in Latin, below a six-line verse in reference in Dutch.

Dutch Virgin and five princes of Orange, Anonymous, 1664 print Prinsen of Oranje Willem I, Maurits, Frederik Hendrik, Willem II and Willem III stand and sit with freedom hats, sword and lauwertak around the Dutch Virgin. From heaven a beam of light with the text justice of the matter. paper engraving personifications of countries, nations, states, districts, etc.. prince

Chief of Kafarnaum begs Christ for help; Eadem Dominica III. Post epiphan. In Kafarnaüm, a Roman centurio kneel, surrounded by his soldiers, before Christ. He asks him to heal his servant. At different elements from the show are letters that correspond to the legend in the margin.

The Life of the Virgin: The Presentation of the Virgin in the Temple, ca. 1633-34. Jacques Callot (French, 1592-1635). Etching;

The glorification of Mary; Maria's life. Maria sat on a throne in a room filled with people. Around her the apostles, above her the Holy Spirit.

Wenceslaus Hollar, Ecce Homo Ecce Homo

Portrait of Marcus of Aviano and thirteen performances of his wonderful acts, Franciscus Ladomin, 1681 print The Capuchin monk Marcus from Aviano at the age of 49 kneeling and praying for an altar. The around the year scenes of wonderful healings made by Marcus van Aviano in the year 1681, in Antwerp, Brussels, Aachen and Mungen (possibly Munich). Two columns text in Dutch in the lower margin. Germany paper etching / engraving miraculous healing. historical persons Brussels. Antwerp. Aken. Munich. Mainz

Sacrifice of a lamb by four men, Matthäus Merian (I), after Michael Herr, 1630 print A man with incense barrel (possibly a priest), a man with turban, a man with a helmet and passer and a king with scepter and drawing of a central building are around an altar with title. The lamb is sacrificed on the altar. Above the smoke of the sacrifice are Christ, God and the pigeon as a symbol of the Holy Spirit. In the background the sacrifices of Cain and Abel, the murder of Abel and Moses with the stone dining. Two allegorical women's figures sitting for draperies flank the background scenes. In the foreground are a writing woman and a woman with a sword on either side of a cartouche. paper etching / engraving Offering; 'Offerta overo Oblatione' (Ripa). Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove. the story of Cain and Abel (Genesis 4:3-17)

Apostel Timotheüs; De H. Timotheus op Ziender der Kerken van Aziën, Te Efesen, van de Heydenen wreedelyk omgebragt.The apostle Timothy holds a rolled text sheet that is studied by an angel. Timothy stands on a base where it has been shown on the front how he took place to death. PRENT In the middle of labeled: II. Part FOL: 82.

Full Born Son, Philip Van Gunst, 1685 - 1725 print A Jewish family carries out the Pidyon Haben, or the supply of the firstborn son. The father hands the priest a bowl with coins in exchange for his firstborn son. The priest blesses the son. paper etching / engraving 'pidyon ha-ben', redemption of the first-born son ~ Jewish ceremonies

The Martyrdom of Saint Barnabas. Dated: c. 1634/1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The confession, 14; The Miracle of Amsterdam (copy), 1345. A priest decreases the confession. PRENT No. 14 from the series of 16 performances of the Miracle of Amsterdam, to the events on March 15, 1345. Copies to the Bolswert series. Under the show in the album engraved a six-line verse in Latin, below a six-line verse in reference in Dutch.

Mass celebration; The mass of the Holy Basil; The mass of the holy clemens; Paintings and sculptures in Rome. A priest (Sacred Basil or Clemens) Stands for an altar in a church. Around him a number of listeners, including a woman with a child and a soldier. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print.

. Interior of a temple. On the altar is a monster that is chased by men with spears. In the foreground a clergyman with a cross in hand.

Church father Eusebius van Caesarea, Jan Luyken, after Jan Goeree, 1698 print The church father Eusebius van Caesarea, standing on a pedestal. On the front the scene in which he is visited in prison by his teacher Pamphilus of Caesarea. Print in the middle of it marked: III part. Page: 79. Amsterdam paper etching / engraving male saints (EUSEBIUS OF CAESAREA). male saints (with NAME). prison, jail

Tobit and Anna with the goat, Anonymous, After Maarten van Heemskerck, 1556 - 1633 print Anna stands with the goat in front of the blind Tobit, who thinks Anna has stolen the animal. On the left he prays to God. At the bottom of the margin a single -line caption in Latin from Tobit 2. print maker: Low Countriespublisher: Antwerppublisher: Antwerp paper engraving Anna brings home a young goat: Tobit thinks she has stolen it

Maria and seven Biblical mothers, Hendrick Goltzius, 1576 - 1580 print Maria sat in the midst of seven mothers from the Bible, including Anna, Elizabet, Sara, Rachel and Lea. Above their heads a fountain from which fruits and babies descend. To the performance an ornament edge with emblems and Bible texts. print maker: Haarlempublisher: Antwerp paper engraving Christian religion (+ Mary). Elisabeth, mother of John the Baptist; possible attributes: John the Baptist as child. Anna, mother of Mary; possible attributes: book, Christ-child, lily, Virgin Mary. Rachel and Leah (not in biblical context). Sarah (not in biblical context)

Peter and John heal a paralyzed man at the temple gate, 1591 - 1600 print Peter and John stand in front of the clean gate of the temple. Peter makes a blessing gesture in the direction of the paralyzed man sitting on the floor in front of him. A few figures behind them. Under the show a two -line text in Latin. This print is part of an album. paper engraving Peter, John and the healed man enter the temple, where Peter delivers a sermon. disabilities, deformations

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