Historical Religious Illustrations

Depictions of religious themes including resurrection, doctor and death, and conversations, showcasing historical artwork styles and symbolic narratives.

Christ's conversation with Nikodem; Czerski, Stanisław (1777-1833), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1822-1832 (1822-00-00-1832-00-00);

Schaukel, Bl. 5, Radierte Skizzen, op. Bouwens, Joseph (1823-1895), Klinger, Max (1857-1920); 1879 (1879-00-00-1879-00-00);

Figure photography:Bacchus (mitol.), Rafael (1483-1520) - reproduction, raimondi, Marcantonio (Ca 1470/1482 -Ca 1527/1534) - reproduction, photography of a work of art (artist)

Gesturing characters from the comedies of Terence still image. Illuminations, Reproductive prints. 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Theater , Rome, Terence

. Medallion with Keeshond, ca. 1787. To the dennent branches, a sword with ribbons and an escula monkey.

Lithograph by Auguste Raffet from 1835 depicting Napoleon in Egypt, showing figure, posture, uniform, and surrounding landscape on paper.

Love of inclination. / N ° 1. (Registered title (letter)) | Compensation (title of all)

Design for a ceiling painting with a balustrade with putti and birds.

Nieuwjaarswens van George Révész, Kornél Révész, 1932 Ex Libris is part of cover with 64 ex Libris on 34 separate set -up sheets, a catalog and a text sheet. Budapest paper etching wave. rowing-boat, canoe, etc.. rowing facing forward, pushing

Historic costumed procession in Amsterdam by the 25-year-old government anniversary of King Willem III in 1874 (plate 15); Plate 15. - FIG. 1. Allegorischen Wagen, Lanking Neêrland's warroem (...) 2nd division of the workl. to the Rijks MarineWerf; Historical and Allegorical procession in Amsterdam. 12 May 1874.plate No. 15 With the part of the procession with a six horses Drawn by Six Horses with a Monument on Dutch War Flow Awarded by the Lion of Waterloo, Followed by the Workmen to the Rijks MarineWerf. Part of a Series of 24 Plates of the Costumed Historical and Allegorical Procession Hero in Amsterdam on 12 May 1874, As part of the festivities During the Celebration of the 25-year-old Government Anniversary of King Willem III.

Dwarf with guitar; Dwarf with sword and mask, Jacques Callot, Abraham Bosse, 1621 - 1676

PL 86 I / Nothing missing anymore to his / glory. (IT)

Kylix depicting Hercules wrestling with Triton still image. Illustrations. 1894. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Heracles (Greek mythology), Fighting, Hercules (Roman mythology), Sea gods, Mythology, Greek, Drinking cups, Triton (Greek deity), Drinking vessels , To 499

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Two gentlemen - unidentifiedcartoon, Pen and ink, Wove, 8.8 × 13.3 cm (3 7/16 × 5 1/4in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

KSI Józef, board 9. From "graphic portfolio Warsaw 1915"; Rzecki, Stanis AW (1888-1972), Cotty, Jan (Warsaw; Printing and Litographic Zak 1915 (1915-00-00-1915-00-00);Poniatowski, Józef (1763-1813)-iconography, Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance)

Convoy of Wounded in the Houthulst Forest, from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1923-1924. Dimensions: 197 x 258 mm (plate); 475 x 353 mm (sheet). Etching and aquatint on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Schmalz Otto (1861-1906), travel sketches from Bavaria, Austria and Italy (10.02.1887): Munich: Statues in the Peterskirche (views). Ink on paper, 42.8 x 30.9 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Bayern, Österreich und Italien

"Eine ausgezeichnete Behaarung". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Can in the shape of a snail house, resting on the back of a man sitting on a turtle; Vases, jugs and scales with grotesken. The ear of the can consist of a horn that blows a Sater that is on the snail house. The other end of the horn rests on the back of a man who is bent over the shell-shaped spout. Coming from a series consisting of a title page and 20 sheets.

Marionnette aux lanternes japonaises, frontispice pour "Les graveurs du XIXe siècle par H. Beraldi". 1888. Guérard, Henri-Charles, 1846-1897. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Paper lanterns, Musicians, Puppets, Audiences, Japonism

. Fragment of a hot air balloon liable by the collegy of Felix Meritis on April 24, 1784 outside the Weesperpoort near the Ringdijk in Amsterdam. Piece of side on which the coat of arms of Amsterdam has been painted. Hereby also proof of authenticity with a red wax seal.

Gare derrière!!!! (Watch YourBack!!!!). Lithographer: Charles Étienne Pierre Motte, French, 1785-1836 After: Eugène Delacroix, French, 1798-1863

Lithograph by Moritz von Schwind from 1824, titled 'Laying No. 8: Oh! If I only had the box,' depicting a figure interacting with a box in a narrative scene.

Evadne throws herself on the Funeral Pile of her Husband Capaneus 1790-1800 Edward Francis Burney British. Evadne throws herself on the Funeral Pile of her Husband Capaneus 340968

Head of a black rhinoceros (Diceros bicornis), from the front, with scale, without sizes, Diceros bicornis (Black rhinoceros), draughtsman: Robert Jacob Gordon, c. 1778 - 1779, paper, brush, pen, h 660 mm × w 480 mm, h 218 mm × w 425 mm, h 218 mm × w 140 mm

Art - Goût - Beauté, Feuillets de l 'élégance Féminine, Noël 1928, no. 100, 9th Année, p. 56. Ad for bed linen from Darrac. Page from the Modelijdschrift Art-Goût-Beauté (1920-1933).

Caspar David Friedrich on his journey through the Giant Mountains. Date/Period: 1810. Paper. Watercolour over pencil on light grey paper Watercolour over pencil on light grey paper. Height: 310 mm (12.20 in); Width: 242 mm (9.52 in). Author: GEORG FRIEDRICH KERSTING.

Penning on the death of Joan Derk van der Capellen to den Pol, 1784, Hendrik Leffert Meyling, after Jean Martin Renaud, 1784 print Penning on the death of Joan Derk van der Capellen to Den Pol, 6 June 1784. Both sides of the medal with a hanging cloth in between on which a four -line verse signed with the letter C. print maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper etching / engraving medal (considered as a piece of sculpture, regardless of its specific function)

Wijnboer, Félicien Rops, 1888 print paper. drypoint wine production

Het Dolhuijs.Cartoon on Napoleons exile on Elba, 1814. Napoleon as a dangerous crazy in a stone dol house. He tries a guard to buy with a knight's cross to release him. Rats run on and around prison. On top of the building a flag waving with the inscription 'Souverein in the Dolhuijs in Elba'.

Cartoon on J.A. Keurenaer, director of the Deltsche Academy, 1861, 1861 print Cartoon on Johannes Augustus Keurenaer, the director of the Royal Academy for the Training of Civil Engineers and East Indian officials in Delft, October-November 1861. The director was presented as a small boy next to a collapsed card house 'Vlas Fabrijk' who now with Minerva wants to play. On his head he carries a hat of paper with inscription 'Royal Decree 1842'. With three -faced caption. print maker: Netherlandsafter drawing by: Delftpublisher: The Hague paper playing-cards. specific aspects, allegorical aspects of Minerva; Minerva as patroness. personification of university; 'Academia' (Ripa) Delft

Design for Chairs, Louis Quinze Style 1835-1900 Robert William Hume British. Design for Chairs, Louis Quinze Style 391724

L'Apoplexie allant remplace à Londres la paralysie , Bishops, Diplomats, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838. Honoré Daumier (1808-1879). Lithographs

Tiger Resting in the Desert. Eugène Delacroix; French, 1798-1863. Date: 1846. Dimensions: 87 × 127 mm (chine); 90 × 133 mm (plate); 165 × 212 mm (sheet). Etching on white chine, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Print (France)

Evangelist, Johann Jakob von Sandrart, After Giovanni Lanfranco, 1665 - 1698 print print maker: Neurenbergafter painting by: Romeafter design by: Rome paper etching the four evangelists without their symbols

'Venus and Cupid', mid 18th century, (1928). Artist: Giovanni Battista Tiepolo.

Allegorical grave monument for Prince Frederik, 1799, Anonymous, 1799 print Allegorical grave monument for Willem George Frederik, Prince of Oranje-Nassau, died in Padua, January 6, 1799. Monument with urn and weapon trophy, in a court with trees. With two flaps that can be lifted, so that the underlying inscriptions on the deceased prince printed in gold become visible. Germany (possibly) paper etching / engraving / letterpress printing grave-building, monumental tomb

Napoleon thoughtful in a landscape, Teodoro Matteini, 1808 print Under the performance a verse in Italian. Print is part of an album. paper etching Thinking, Thought, Reflection; 'Pensiero' (Ripa). landscapes

S. A. Royale, God given, Mr The Duke of Bordeaux, son of L. A. R. The Duke of Berry and Marie Caroline of Sicily, born September 29, 1820.

Seau, Josef Anton Graf.

A black ink vignette by Franz von Stuck depicting a small boy sitting on a flower wearing a spring hat, with large scissors between his legs, over pencil sketches on yellowish paper.

Geryon transports the Dante and Virgile to a place of hell names Malebolge. (Potwór fruion przenosi dantego i wergiliusza do miejsca w piekle zwanego malebolge, z: the divine comedy of the dante ), w: oeurvre de Flaxmann Collection of his serious compositions by Reveil, with analysis of the divine Comedy of the Dante and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

Egypt and Nubia, Volume I: Frontispiece, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 60.3 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 49.9 x 35 cm (19 5/8 x 13 3/4 in.).

Manfred of Byron. (IFF 13) (dummy title)

The tank

Title page for: hymns for the art -promoting company v.w. set in the year 1807, Anthonie van den Bos, 1807 - 1838 print paper etching

Officer on Dek, 1778 - 1838 print paper etching position-finding at sea; nautical instruments

Hoffmann Emil (1845-1901), terracots from the museum in Pompeii (April 18, 1894): Details Mask, Wasser Spier, Amphoria. Pencil heighted on paper, 32.5 x 24.8 cm (including scan edges) Hoffmann Emil (1845-1901): Terrakotten aus dem Museum, Pompeji

DEVRIENT, LUDWIG.

37./The students who acquired all their growth ... (registered title (letter)) | Mr. Vertepar in the countryside. (Title of all)

The Coachman Artist's working dates 1827-1863 France. Lithograph in black, with scraping on stone, on cream wove chine, laid down on ivory wove paper . Eugène Le Roux

Faure's first night in Russia, Willem van Konijnenburg, 1897 The Hague paper dream. sleeping in bed. political caricatures and satires Russia

Design for One Eighth of a Ceiling of a Reception Room at the Royal Palace at Moncalieri. Artist: Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797). Dimensions: 13-9/16 x 19-13/16 in. (34.4 x 50.3 cm). Date: 1774-78. Museum: Metropolitan Museum of Art, New York, USA.

Bound Print, Design for a Cabriolet; Designed by Johann Michael Hoppenhaupt II (German, 1709-ca. 1778); France; etching on cream laid paper; 44 x 30.6 cm (17 5/16 x 12 1/16 in.) Overall: 1.5 x 44 x 65.4 cm (9/16 x 17 5/16 x 25 3/4 in.) Open: 17.7 x 65.2 x 82 cm (6 15/16 x 25 11/16 x 32 5/16 in.)

News. The author of the punishments not knowing his / French, the menagerie de Bordeaux ...

Cutter #3634 1880 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt,

Design for illustration in the Amsterdammer: an Italian hits the head of Jut (5 May 1912), Johan Braakensiek, 1912 drawing Design for a print. cardboard. ink. pencil pen / brush political caricatures and satires

Title page for: Willem Bilderdijk, 'De Mensch', 1807, Reinier Vinkeles (I), After Jacques Kuyper, 1807 print Amsterdam paper etching / engraving serpent Ouroboros. nursing, suckling. bee-hive

Design for 2 Seat Sleigh, no. 3679 1881 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alf

Cartoon, 1878 print Cartoon. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 43, 1878. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper

Aristocracy Contra Republic caricature on Felix Fürst von Lichnowski and Franz Heinrich Zitz as MP of the National Assembly in Frankfurt , Gerhard Malß -, Lithographer, Eduard Gustav May -, publisher

Death of Adonis. (registered title) | Mythological gallery. (title of all)

Plaustrum of the Nomads. Original caption: The Plaustrum of the Nomads. Die Wagen und Fahrwerke der Griechen und Romer und Anderer Alten Volker by Johann Christian Ginzrot, Vol I.

Etching by Bartolomeo Pinelli from 1818 depicting historical views of Rome, showing streets, buildings, and daily urban life.

Pencil and watercolor drawing by Peter Fendi showing a peasant seated with a child beside a statue of Mary, highlighting figures, gestures, and devotional context, circa 1837.

Mac-Arel, from The Comic Natural History of the Human Race. Artist: Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824-1882 Bayonne, New Jersey). Dimensions: sheet: 7 1/16 x 11 1/16 in. (17.9 x 28.1 cm). Lithographer: Rosenthal (Philadelphia, Pennsylvania). Publisher: Samuel Robinson (Philadelphia, Pennsylvania). Date: 1851. Museum: Metropolitan Museum of Art, New York, USA.

Naples flag, Anonymous, 1667 - 1670 drawing Flag of the Kingdom Naples. White flag with a black fire -breathing griffin. Flag on flagsteng and mast foot. Shown on folio 25r. Part of a flag book with flags from Europe, North Africa, Near and Far East. France paper. ink. watercolor (paint) pen / brush flag, colours (as symbol of the state, etc.) Kingdom Naples. Naples

Trade label with a tipsy pig and the weapon of the city of Haarlem, Isaac Vincentz. van der Vinne, c. 1681 - 1740 print paper vignette. coat of arms (as symbol of the state, etc.) (+ city; municipal) Haarlem

Egypt and Nubia, Volume II: Ruins of the Temple of Kardeseh, Nubia, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 39.3 x 43.8 cm (15 1/2 x 17 1/4 in.); image: 25.2 x 35.2 cm (9 15/16 x 13 7/8 in.).

Grieving woman at a grave monument, Reinier Vinkeles (I), 1789 print Amsterdam paper etching / engraving grave, tomb. mourning the dead. skull as symbol of 'Vanitas'. hourglass

LaSousiciere. Artist: Charles-Émile Jacque, French, 1813-1894

Failed air journey of A. Hopman (Plate I), 1804, Daniël Mreedwaard (I) (Possible), After Jacob Smies, 1804 - 1805 print Chaos on the street during the unsuccessful attempts to fill the air balloon of Abraham Hopman and Louis Samuel Loude with hot air, on the Overtoom in Amsterdam on July 5, 1804. On the right a dog cart with nails and vitriool. Hopman and Loude took attempts on July 5 and 6, 1804 to make a trip in a hot air balloon called 'Lust to Research'. Ultimately, the air balloon was released without passengers. See also the Pendant. Netherlands paper etching balloon flight (sport) Vertoom

Décor de plat (Le vieux monde et la jeune Amérique).. 1866 - 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decorative arts , France, Porcelain, French, Porcelain, European , Japanese influences, Flags , American, United States

Brasser, Leendert, Netherlands, Three days, Vignette with Christ with mourning Mary Magdalene after his resurrection in a medallion with three instruments of the Passion in a landscape, verso center - stamped, Vignette with Christ with mourning Mary Magdalene after his resurrection in a medallion with instruments of the Passion, crown of thorns, lance with sponge and cross of Christ, in a landscape. In the background three soldiers are standing at the open grave., print, prent, prints, height 233 mm, width 152 mm, 1727-11-19 - 1793-06-14, print maker, printmaker, 1727 - 1793, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Hands making an etching; Hands Etching; Etudes à l'Eau-Forte. The hands of the artist who is etching. The left hand is based on the copper plate, the right hand uses the etchings. On the foreground on the left there are some pointed needles and two burins that are used to engrave. The copper plate is drawn up slightly. The motto 'o Laborum Dulce Lenimenis' is derived from Horatius'Carmina (I, 32.14) The text means: 'Sweet allocation of effort and worries'.

The last carbon (not stolen.) / N ° 48.

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