Historical Religious Interiors

Images of ornate church interiors featuring detailed architectural elements like fireplaces, washbasins, and altars, showcasing historical religious artistry.

Częstochowa. Monastery in Jasna Góra - marble washbasin in the refectory; Trzciński, Stanisław (1867-1939); around 1896 (not after 15.08.1900) (1890-00-00-1900-00-00);

RYTWIANY the Church of the Annunciation of the Blessed Virgin Mary, the Camaldolese fireplace in the monastery room with the founder's coat of arms unknown

Częstochowa. Monastery in Jasna Góra - marble washbasin in the refectory; Trzciński, Stanisław (1867-1939); around 1896 (not after 15.08.1900) (1890-00-00-1900-00-00);

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra20. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resu

Bliżej Kultury unknown

Twelfth and thirteenth cross-laws (Calvary) at the Greek altar in the Heilig-Grafkerk in Jerusalem; XII et XIII stations, Le Calvaire, Autel Grec.- XII and XIII stations: Calvary: Greek Altar .. Part of travel album with photos of Jerusalem and other biblical places.

Hehl Christoph (1847-1911), garrison church in Hanover (1913): View of the Neo-Romanesque pulpit. Photo on cardboard, 65.4 x 50.4 cm (including scan edges) Hehl Christoph (1847-1911): Garnisonkirche, Hannover

Room 171 with ecclesiastical art from the 15th century. Room 171 with ecclesiastical architecture from the 15th century. From a western direction with a view of an altar on which a Maria image and an altarpiece. Above is a decorative wall painting to see with the representation of the proclamation to Mary. On either side of the altar is a passage to the next space. The proclamation to Mary is a copy to a mural in the St. Maartenskerk in Venlo, the tree of Jesse to an epitaphium from the St. Petricerk in Lubeck.de vaults, windows And profiles of room 171 have been followed by examples of the St. Michaëlskerk Teswolle, completed in 1356.The floor to a fragment found on the south side of the church of St. Servaas in Maastricht. The decorative paintwork of vaults to motifs from the St. Nicholas or Kruisheereerenkerk in Venlo.

Graf monument of François van Bredehoff in the Grote Kerk in Oosthuizen, Anonymous (Monumentenzorg) (Attributed to), A.J.M. Mulder (Possibly), 1910 photograph Big church photographic support. cardboard gelatin silver print interior of church. piece of sculpture, reproduction of a piece of sculpture. grave-building, monumental tomb Big church

Photograph by Otto Schmidt showing the choir and organ of S. Maria in Verona, taken from between St. John, printed on albumin paper in 1896.

Altar in the Lama Temple, Beijing, c. 1895 - c. 1915 photograph Peking photographic support. cardboard collotype Peking

Bliżej Kultury unknown

Buddhist monks collect almsfood prepared by devotees and laypersons who make merit by donating itevery morning in Burma and most Theravada Buddhist countries. This is their only food for the day. Monks do not eat after 12 noon. Legend attributes the first Buddhist doctrine in Burma to 228 BC when Sonna and Uttara, two ambassadors of the Emperor Ashoka the Great of India, came to the country with sacred texts. However, the golden era of Buddhism truly began in the 11th century after King Anawrahta of Pagan (Bagan) was converted to Theravada Buddhism. Today, 89% of the population of Burma is Theravada Buddhist. <br/><br/>.

Interior of the presbytery with the Veit Stoss altarpiece. Wyczółkowski, Leon (1852-1936), graphic artist

LEŻAJSK parish Church of the Holy Trinity, formerly the Order of the Holy Sepulchre Altar of the Sacred Heart of Jesus at the rood arch a fragment of the interior of the left aisle stalls and part of the chancel vault unknown

Altar in the Chapel of the Purisima, at Guadalupe. 1898. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Altars, Guadalupe Hidalgo (Mexico)

Umbria Perugia Foligno Monastery of S. Anna7. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Sasso S. Croce3. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, fresoes. The interior of the church is decorated with trompe-l'oeil architectural niches in which are placed frescoes deicting the Virgin and various saints. Object Notes: 3 prints have extra negatives. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Altar ciborium of the Basilica of Sint-Ambrosius in Milan, c. 1875 - c. 1900 photograph Malib cardboard. photographic support albumen print Roman Catholic Church. interior of church. parts of church interior: choir. altar. ciborium Malib

Campania Napoli Sorrento Cathedral3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Napoleon Capelle in the Catholic Church in Chislehurst, Tomb Napoleon III, The chapel in the Catholic Church in Chislehurst, Unknown

Candlestick in the Sacristy of the Santa Maria in Organo in Venice, Anonymous, 1851 - 1900 photograph Verona paper. cardboard albumen print parts of church interior: sacristy. chandelier, candelabrum Santa Maria in organ

Umbria Perugia Spello S. Maria della Rotonda1. Hutzel, Max 1960-1990 Located on the outskirts of Spello, this church stands in a state of semi-dilapidation among tall grasses and cypress trees. It was built on a Greek cross plan with an octagonal cupola and attached cloisters. The Renaissance portal (1517) remains shut as the key is now lost. Interior views focus on the octagonal cupola, the three altarpieces, and their frescoes which are all in urgent need of repair. The large main altarpiece acts as a choir screen, and separates one arm of the church from the rest of the interior. Subjects of the altar frescoes (by Mezzastris) include the Madonna Lactans, the Madonna and Child between Pope Gregory and St. Michael, the Virgin and St. Anne, the Annunciation, the Coronation of the Virgin, and Saints Peter and Michael. Object Notes: Hutzel photo campaign date: September 1983. General Notes: This church is more commonly known as the Chiesa Tonda. German-born photographer and scholar Max H

The tomb of Maximilian in the Hofkirche, Tyrol ..

Theaterdecor with a cloister and monks, Eugène Cicéri, after François Joseph Nolau, after Auguste Alfred Rubé, 1854 - 1858 print A monastery corridor in which three monks are talking to each other, overlooking a garden and further on water. On the left, other monks welcome some men. printer: Parispublisher: Parispublisher: New York (city) paper abbey, monastery, convent ~ Roman Catholic church. monk(s), friar(s). curtains. stage design

Photograph by R. Prziborsky showing the Schnitz altar in Hohenberg Church opposite Friedstein, taken around 1890 on albumin paper, depicting religious architecture and interior details.

Mission Church at Mission Dolores, California. Popular series. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. California, San Francisco (Calif.), Synagogues , California , San Francisco, churches , California , San Francisco, Interiors, Altars, Catholic churches, San Francisco de Asis Mission (San Francisco, Calif.)

Lazio Viterbo Tarquinia S. Giovanni Battista9. Hutzel, Max 1960-1990 The church was built in the 13th century, and was connected to the Knights of Malta. The main portal is flanked by two other portals using fronts of sarcophagi for architraves. Photos show the exterior generally, the details of the portals and some side walls. Interior photos show the nave, altar and absidal chapels with their gothic vaulting. There are several photos of capitals with vegetal, animal and human motifs, the baptismal font and miscellaneous architectural details. The paintings include a Deposition (1400s), and two from the 18th cent. of a bishop and of S. Carlo Borromeo. There is a large crucifix over the altar (1310) and a ciborium behind the altar. Object Notes: Hutzel photo campaign dates: February 20, 1984 and December, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral8. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

1930. Monument displayed in the parish church of Our Lady of La Encina, Ponferrada.

Umbria Perugia Todi SS. Annunziata, Duomo7. Hutzel, Max 1960-1990 Medieval core collection: exterior and interior views of this 12th-16th century structure. Exterior photo coverage includes the three rose windows, architectural sculpture of the apse and nave walls, bell tower and a sculpted man's head in a roundel with an inscription. Views of the interior, restored in 1958, focus on the nave capitals (c. 1270) which are largely Corinthianesque. Between the acanthus of some pier capitals are sculpted figures, including St. Peter, St. Paul, St. Michael, Christ, and the Virgin with the Holy Spirit.. Hutzel collection: exterior views of the main rose window, portal sculpture (c. 1520) and details of the wooden doors carved with bishops. Interior views include: a large fresco of the Last Judgment by il Faenzone (inspired by Michelangelo's); wood intarsia choirstalls; a painted crucifix in the style of Cimabue (late 13th century); a gothic baptismal font; marble statues; an altarpiece from

Church of Immaculate Conception, Boston. American views. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Massachusetts, Boston (Mass.), churches , Massachusetts , Boston, Interiors, Altars

Interior, Chinese Joss House, San Francisco, Cal. Views of American scenery, 130. 1875. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. California, Chinatown (San Francisco, Calif.), Interiors, Temples

Interior of an unidentified cathedral. Unknown

Bliżej Kultury unknown

Lazio Viterbo Ronciglione S. Maria della Pace9. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, ceiling and wall painting, crucifix, tabernacle. This church was started in 1581 and has been attributed to Vignola or Rainaldi. In the center of the main altar is a depiction of the Madonna of Peace, a fresco of the Viterbese school, dating to the 15th century. To each side of this central fresco are frescoes of S. Augustine and S. Bartholomew from the 17th century. Along the same wall as the altar are two more paintings, one, representing the Apparition of the Madonna to S. Francis of Sales by Sebastiano Conca, and the "Madonna del Suffragio", from the 18th century. A fresco of the Madonna of the Rosary is placed in a side altar, dating from the 16th century. In another side altar is placed a wooden crucifix of the 15th century, with an 18th century addition of the Madonna Addolorata at the foot of the cross. A Renaissance tabernacle inserted into the wall, attributed to Sans

Tuscany Grosseto Seggiano Santuario della Madonna della Carita4. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, NEGATIVES PROCESSED6 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Peter of the anointing. .

Interior Old Church, Sante Fe, New Mexico.. Benjamin West Kilburn (American, 1827 - 1909)

Marches Macerata San Severino Marche Duomo Vecchio1. Hutzel, Max 1960-1990 Exterior views of this 14th-century church include a bell tower (11th century), belfry, buttresses, portals, and a cloister walk, well-head, loggia, columns and capitals (13th century). Views of the baroque interior (17th century) include an ornate wooden ceiling with the Papal coat-of-arms in the center, an organ, and an altarpiece with angels. Most views are of intarsia choirstalls (1483-1513) and the frescoes of the story of St. John the Evangelist (or St. Joseph) by the Salimbeni brothers. There are also views of a room containing the sculpted tomb effigies of St. Severino and St. Vittorino, with paintings and mosaics of the life of St. Severino. This room or aisle may be incorrectly identified by Hutzel. Object Notes: Hutzel photo campaign date: April 8, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Mediæval Tomb.

Choir of the Veta Kloosterkerk and the tombstone of King Inge I and Queen Helena van Sweden, Johan Hammarsson, 1615 - 1670 The print is part of an album. paper etching Kloosterkerk Vreta The print is part of an album. paper etching Kloosterkerk Vreta

Tomb in the Cathedral of Exeter, Anonymous, c. 1850 - c. 1870 photograph Part of album with photos of sights and landscapes in England and of art. paper. photographic support albumen print grave, tomb. interior of church England

Lazio Rieti Leonessa S. Francesco3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14-15th century). Post-medieval: Metalwork, sculpture (16th century), painted wood statues (15th century), frescoes, sculpture Presbytery serving as museum: sculpture, painting (17th century), frescoes, metalwork--processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Joseph Mallord William Turner, Interior of a Church, published 1 January 1816, in Part XIV, engraving.

Grabdenkind des Königs Ladislaus in der Kirche von S. Giovanni A Carbonara zu Neapel. Giorgio Sommer, photographer (Italian, born Germany, 1834 - 1914) 1870-1890 Elaborate tomb monument, topped by a man on horseback. A three-tiered memorial is above a full altar, with a suspended crucifix in front of statues of seated men. (Verso) upper center, in black ink: "+1414.VIII.6." lower center, in black ink: "Grabdenkond des Konig Ladislaus/ in der Kircke von S. Giovanni a Carbonara/ zu Neopel."

Saint-Gervais Church Church Saint-Gervais, Tomb of Michel le Tellier by Mazeline and Hurtere ", Paris (are arrested). Photography of Eug�ne Atget (1857-1927).

st, Petersplatz - Peterskirche - interior view - view against high altar, Bruno Reiffenstein -, photographer

Altar Shrine in the Märkische Museum, Berlin: View (From: Sketch and Photo Album 28)

Tomb of the Catholic Kings, Granada. Artist: Unknown. Date: 1880s-90s. Museum: Metropolitan Museum of Art, New York, USA.

N. 610 Palermo Palatine Chapel, Interior Chapel of St. Joseph; Palermo, Palatine chapel .. de Palatina Kapel in Het Royal Palace

Choir stalls of oak, anonymous, c. 1881 - in or before 1889 photomechanical print Antwerp paper collotype / photolithography seats of the clergy, choir-stalls

Dębno Podhalańskie Parish Church Saint. Archangel Michael The Interior of the Presbytery unknown

Paired statues of Adelheid von Burgund and Otto I, Meissen Cathedral, Ledger stones in Germany, Doors in Saxony, Wooden church benches in Germany, 1914, Meißen, Dom, Hohes Chor

The chapel. / (after a drawing by W. Steelink.)

Lazio Rieti Casperia S. Maria di Legarano3. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime6. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

The Pier which separates the Central and Northern Portals of the Frontage - Damage to the Cathedral of Rheims during World War I - The Statue of the Queen of Sheba is destroyed

Interior of a church during the sermon, Ernst Buschmann, after Henri Leys (Baron), 1824 - 1853 print paper etching interior of church. preaching (in general)

Lazio Roma Rome S. Maria dell'Orto. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, reliefs, painting (frescoes) Object Notes: Despite lively Baroque decoration in the interior, the church conserves an early Renaissance structure of three naves. Building began in 1489 by an unknown architect; was finished in 1566 by Guidetti. Curious inscriptions on church stones with humorous statements such as "Universita dei Vermicellari" (various artisan corporations). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

High throne used during the holy days / Abdullah Frères

Interior of the Sint-Willibrordus Church in Diessen, Anonymous (Monumentenzorg) (Attributed to), 1910 photograph Diessen photographic support. cardboard gelatin silver print interior of church Diessen

Seville, May 1939. Our Father Jesus of the Great Power, during his stay in the Cathedral where services have been held in thanksgiving for the liberation of Spain.

Vilnius. "Confession in the church of John"; Zdanowscy, Edmund and Boles; Before 1939 (1930-00-00-1939-00-00);

Altar of the church in Kal. Recorded on June 4, 1916..

Abruzzo, Alanno, Madonna delle Grazie, Italy, 20th century, photo, photography, Europe

Painting by Cenni di Francesco in the Cappella della Croce di Giinno in Volterra, representing the worship by the shepherds, c. 1875 - c. 1900 photograph Church of San Francesco cardboard. photographic support albumen print Mary, Joseph and the new-born Christ (Nativity). painting (including book-illumination, miniature-painting) (+ plaster ~ arts) Church of San Francesco

Gda Church P.W. In. Of the Trinity - a view of the proliferation of a decorative hanger; Not after 12,1921 (1915-00-00-1921-00-00);

SPAIN - Páramos de Burgos (district) - Castille and Leon - BURGOS. Miraflores "Cartuja" / church; Infante Alonso's tomb (Gil de Siloé) (Sant James pilgrimage way to Santiago)

Interior view of Mathewson Street M. E. Church , Churches, Interiors, Pulpits

STARY SĄCZ - church of the Holy Trinity, of the Poor Clares - interior - upper parts of the nave at the chancel arch and further the presbytery with a groined and ribbed vault Tomkowicz, Stanisław (1850 1933)

Marches Macerata Tolentino S. Nicola da Tolentino9. Hutzel, Max 1960-1990 Exterior views of this church focus on the portal (1435). The rest of the facade dates to the 18th century. Views of the arcaded cloister date to the 12th and 13th centuries. Most interior views are of the frescoes in the Augustinian Cappellone di S. Nicola that were executed between 1330 and 1348. These frescoes are of scenes from the life of Christ and S. Nicola. On the ceiling, the Evangelists are paired with various saints. Object Notes: Hutzel photo campaign date: December 27, 1984. See xeroxes attached to Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and

Pen grabbed: Stuccoornaments of the church. .

Gothic choir from a church in England. Part of English family album with photos of people, travel, cricket and artworks.

The mihrab of the Kebir Cami (Great Mosque) in Bursa / Abdullah Frères

Church . Piotr and Paw Ornamentation; Photography in the album "Vilnius", volume 2; Bu Hak, Jan (1876-1950); around 1912 (1912-00-00-1913-00-00);

Calvary at the twelfth and thirteenth Stations of the Cross on the Golgotha in Jerusalem, Félix Bonfils, 1867 - 1885 photograph This photo is part of an album. Jerusalem paper albumen print street Golgotha

Umbria Perugia Spello S. Maria della Rotonda8. Hutzel, Max 1960-1990 Located on the outskirts of Spello, this church stands in a state of semi-dilapidation among tall grasses and cypress trees. It was built on a Greek cross plan with an octagonal cupola and attached cloisters. The Renaissance portal (1517) remains shut as the key is now lost. Interior views focus on the octagonal cupola, the three altarpieces, and their frescoes which are all in urgent need of repair. The large main altarpiece acts as a choir screen, and separates one arm of the church from the rest of the interior. Subjects of the altar frescoes (by Mezzastris) include the Madonna Lactans, the Madonna and Child between Pope Gregory and St. Michael, the Virgin and St. Anne, the Annunciation, the Coronation of the Virgin, and Saints Peter and Michael. Object Notes: Hutzel photo campaign date: September 1983. General Notes: This church is more commonly known as the Chiesa Tonda. German-born photographer and scholar Max H

Catholic church - insideBudapest Basilika Sat Stephen, Stephens-Alumni (1851/1905)

Pulpit in the cathedral of Sint-Michiel and Sint-Goedele in Brussels; Bruxelles. Part of travel album European cities, presumably Swedish.

Stalls, Interior of the Church Saint-Gervais-Saint-Protais, Square Saint-Gervais, 4th arrondissement, Paris Atget, Eugene (Jean Eugene Auguste Atget, says). "Stalls, interior of the church Saint-Gervais-Saint-Protais, Square Saint-Gervais, 4th arrondissement, Paris". Albumped paper draw.

Café Tobacco Cabaret with the Golden Cross. 54, rue Saint André des Arts, 6th arrondissement, Paris

The inner section of the Parish Church of the H. Rosalia in Rotterdam; Interior of the parish church of the H. Rosalia in Rotterdam at the festive celebration of the martyrs of Gorcum. On the occasion of the party celebration of the H.H. Martyrs of Gorcum

Altar. Bedecked statue of the Virgin above the altar of 13th station of the Cross on Calvary. 1940, Jerusalem, Israel

Lazio Roma Subiaco Monastery of S. Scolastica Monastic church6. Hutzel, Max 1960-1990 Exterior views (in Medieval core collection). Views of 18th c. renovated interior, including nave, altar, ceiling, organ, chapels, paintings, choir, sacristy, refectory. Detail views of 15th c. frescoes in the Grotte di S. Scolastica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Salt paper stereo photograph of Nicola Pisano's marble pulpits inside the Baptistery of Pisa, Italy, circa 1860. The image shows detailed sculptures and carvings on the marble structure.

The interior of St Marys Church in Kraków. Work on the polychrome designed by Jan Matejko (wall with the emblem of the seal of Mayor of the city of Kraków) unknown

Altar canopy. Fratelli Alinari (Italian, founded 1852)

This 1867 albumen print by Julius Leth depicts the Capuchin crypt in Vienna, documenting religious architecture and burial sites in mid-19th-century Austrian photography.

Verona-S. Maria in Organo-Sedie nel Coro, bottom left - writing, Choir pew from the Santa Maria in Organo in Verona., photograph, photo, foto's, height 281 mm, width 197 mm, height 301 mm, width 204 mm, photographer, 1850 - 1920, third quarter 19th century, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, cardboard, photographic paper, photo paper, albums print, albumen print

Interior of the Kebir Cami (Great Mosque) in Bursa / Abdullah Frères

Jerusalem El-Kouds Adam's Chapel, Church of the Holy Sepulchre 1898, Israel

An altar bearing a Latin inscription surrounded by an array of human skulls and bones and a cloaked skeleton. Photograph by J. Taylor, c. 1881.

, Stephansdom - Inside - Pulpit, Postcard, Brothers Kohn KG B, producer

Vilnius - Cathedral, chapel of St. Casimir, altar. Czechowicz, Józef (1818-1888), photographer

Epitaph of Marcin Łysik Dobryszowski and his wife Urszula in the church of the Blessed Virgin Mary in Krakow Krieger, Ignacy (1820 1889)

Albumin stereo photograph of the interior of the church in Klattau (Klatovy), Czech Republic, showing nave, altar, pews, and architectural details, captured by František Krátký around 1880 or later.

SkiopT icon image with motifs from Cathédrale Notre-Dame de Rouen.The image has been stored in cardboard labeled: The journey 1908. Rouen 7. V. Text on image: "Cathedral du Rouen. Tombeau du De de Brézé".

Image of the Piëta by I. Scalza in the Dom of Orvieto, c. 1875 - c. 1900 photograph Dom cardboard. photographic support albumen print interior of church. the dead Christ in Mary's lap. sculpture Dom

Hereford Cathedral. Spandril over Reredos.. Ladmore (British, active Hereford, England 1860s)

Interior of the Nieuwe Kerk, Amsterdam: Michiel de Ruyter grave monument.

of 3