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Historical Religious Narratives

Detailed etchings and engravings illustrating biblical stories and events, featuring characters in ceremonial settings, with dramatic gestures and historical contexts.

Building Carthage (Illustration 11 in: Cesar Cantu, History Powszechny, Warsaw 1853, volume II, p. 439); Unknown, Orgelbrand, Samuel (Warsaw; Publisher, printing house; fl. 1836-1919);
Building Carthage (Illustration 11 in: Cesar Cantu, History Powszechny, Warsaw 1853, volume II, p. 439); Unknown, Orgelbrand, Samuel (Warsaw; Publisher, printing house; fl. 1836-1919);
256 assets in this story
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At the Opera Ball - Lent - Long live the smartly dressed crowd! 1868 France. Wood engraving on cream Japanese paper . Etienne Carjat
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Le Dernier Jour de la Reception des Tableaux, from Charivari, Honore Daumier, French, 1808 - 1879, Lithograph in black ink on paper, France, 1846, Print, Print
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French language and la Roi and La Regia is Capuleur, Overt Part Fien Les Les Arts Masts Oimé Fien Fien and Les Arts Mott.S. The Duc and Foléans ... (Ti)
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Dordrecht's guystaris threatened, 1747; Halewyn's guesthery, throated throat, and, with the knife in the fist, threatened. At the Binnenhof, Dordrecht's guerthouse is threatened by a furious orange customers because he did not promise to work more on the uplifting of Prince William IV to Erfstadholder, 1747. Numbered at the top: III.
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François Delpech's Print Shop ca. 1820 Carle (Antoine Charles Horace) Vernet French. François Delpech's Print Shop 400164
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30./Assitôt After the coffee, the company pretended the time, retires despite the instances of Mr. Anastase of Vertpré ... (title registered (letter)) | Mr. Vertepar in the countryside. (Title of all)
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Rijm print. Leaf with 7 performances of different nature whose words are rhymed, such as lack, deck and departure. Under every performance a caption in letterpress. Numbered at the bottom right: 6.
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The Title to the French Set 1858 James McNeill Whistler American Whistler here depicts himself outdoors working on a copper plate surrounded by fascinated children. The image responds to a Rhineland tour he made in the summer and fall of 1858 and was used to introduce "Douze eau-fortes d'apres Nature" (Twelve Etchings from Nature), the artist's first published set. The title indicates his realist affinities with lettering added to credit Auguste Deltre as printer and dedicating the work to Seymour Haden. As Whistlers brother-in-law, the latter had encouraged his first serious etchings. Even when dressed in a loose traveling suit, the artist cuts a dashing figure, with romantically long hair and a beribboned hat.. The Title to the French Set 372666
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Interior with company listening to the story of a knight, Jean Baptiste Madou, 1835 - 1837 print publisher: Brusselspublisher: Parispublisher: Rotterdam paper. interior of the house. banquet of elegant company. story teller; listening to story teller. armour
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Copper engraving and etching by Pieter Tanjé, 1757-1761, showing a scene with philosophers and a girl who has escaped, depicting gestures, attire, and interactions in a composed interior.
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Cartoon on the call from the Royal Academy to detect the remains of national art, 1860, 1860 print Cartoon on the call from the Royal Dutch Academy of Sciences to detect the remains of national art and civilization. Several people transfer old worthless items to a committee of the Academy. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 47, 24 November 1860. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper learned society, academy of sciences
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Man and his job, The glassmaker, Matthias Rudolph Toma -, Printer, Carl Josef Geiger -, Drawer, Dre Aug Dreyer, Lithofrapher
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Jesus in the Temple. Jean Baptiste Le Prince; French, 1734-1781. Date: 1754-1781. Dimensions: 262 × 299 mm (plate); 312 × 354 mm (sheet). Aquatint and etching on off-white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
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Image reproduction: Stanis Aw Kaczor-Batowski (1866-1946), Polonez (from the "Polish TAM" series); Z: "Tygodnik Ilustrowany" 1905, No. 2 (January 14), p. 31; Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1905 (1905-00-00-1905-00-00);
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Etching by Edouard Manet from 1860 depicting small riders, attributed to the style of Velázquez, showing mounted figures in motion.
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Receiving the new one. Followed by a snack offered to the old by the new one. "Studentter I Léon Cogniets Konstskola, Paris. Tuschteckning av Fritz von Dardel, 1840. Nordic
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Interior views of Albrechtsburg, Albert III, Duke of Saxony, 1459 in Germany, Sidonie of Poděbrady, Murals in Albrechtsburg, 1901, Meißen, Ermine (clothing) in art, Fur fashion in 1901, Albrechtsburg, Verlobung des Prinzen Albrecht
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Le Rond-Point des ChampsElysees. Artist: Léon Lhermitte, French, 1844-1925
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Willem IV, 1752, plate 18; Heart of arms, Mr. Wolfgang / Horse with the weapon of Nassauw (...); Lyk staetsie by Zyne brilliant highness The Lord Willem IV Carel Hendrik Friso, Prince of Orange and Nassau ... held in IV February 1752. Heraut followed by the standards and horses with the weapons of Nassau and Orange. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder Willem IV in Delft on 4 February 1752. Numbered at the top right: 18. In the bound edition of 1755.
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Room in Frascati in Amsterdam 1855, Carel Christiaan Antony Last, After Adrianus Everssen, 1855 print The walls of the room are covered with plants as if it were a garden. A waterfall against the back wall. On the left a pedestal with a sculpture and a wheel. A pendulum with lighting hangs in the middle. Walking men, ladies and children through the room. The Hague paper club, meeting place. waterfall. garden. statues, sculptures in garden Amsterdam
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Our Drawing-room Pets-with "Kangaroo Jim, the Champion Australian boomerang-thrower," for "Punch," July 2, 1887 1887 George Du Maurier Du Maurier pokes fun at London society's fascination with the exotic by showing fashionable young women fawning over a burly Australian street performer as their perplexed male companions look on. The celebrity sprawls in a throne-like chair and is fanned by ladies who offer him tea. Text below reveals details of "Kangaroo Jim's" rough early life in Fiji. The image was published in "Punch" on July 2, 1887 and responds to current issues such as Darwinism. The artist had a significant impact on British culture from the 1860s through the 1890s as a talented illustrator, popular cartoonist, and author of the novel "Trilby" (1894).. Our Drawing-room Pets-with "Kangaroo Jim, the Champion Australian boomerang-thrower," for "Punch," July 2, 1887. George Du Maurier (British, Paris 1834-1896 London). 1887. Pen and brown ink. Drawings
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Harvest, Hyacinthe Louis Victor Jean Baptiste Aubry-Lecomte, After Pierre Prud'Hon, 1848 print Paris paper. harvest. vintage, grape harvest
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Foolishness of the urge, Daniel Nikolaus Chodowiecki, 1782 print paper etching building-site. architectural folly
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Les chantres Espagnols , Choirs Music, Singers, Alphonse Legros (1837-1911)
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Funeral procession of Emperor Charles V, 1558; Funeral Van Karel V in Brussels. The funeral procession of Emperor Karel V attracts the streets of Brussels on December 29, 1558. Cenral the float with the Victoria ship. Spectators along the side of the street.
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Cartoon following Nadars Ballonvaart in Amsterdam, 1865; What some Nadar would like to share. Cartoon following Felix Nadars balloon flight with the Le Géant in Amsterdam. Several political individuals wear all kinds of objects where they want to get off. Plate appeared at De Nederlandsche Spectator Weekblad, no. 37, September 16, 1865.
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Three performances from William Shakespeares Merry Wives of Windsor, Daniel Nikolaus Chodowiecki, 1786 print With caption and page reference in German. Berlin paper etching Falstaff. Literature. hiding, hiding oneself. laundering. embracing each other, kissing. aggressive relationships, enmity, animosity
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Robert Smirke, 1752-1845, British, One from Illustrations to Shakespeare.
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Lazio Viterbo Viterbo Museo Civico60. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-
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Transport of the dead outside Paris (IT)
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Lazio Roma Rome S. Brigida3. Hutzel, Max 1960-1990 Exterior views of 18th c. church on Piazza Farnese. Interior views of altar, celing frescoes, sculpture, sculptural relief, paintings, mosaics, stained glass. General Notes: Exterior views taken from via di Monserrato sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Title page to the 'Colección de la principales suertes de una corrida de toros' 1790 Antonio Carnicero. Title page to the 'Colección de la principales suertes de una corrida de toros'. Antonio Carnicero (Spanish, 1748-1814). 1790. Etching on blue paper. Prints
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Painter explains a woman De Liefde, Jan Punt, 1740 print A painter explains a woman whose portrait he has manufactured, his love. Behind the donkey is her jealous man, who is being kept busy by the painting servant. Scene from the play Le Sicilien ou l'Amour Peintre (the painter through love), van Molière. Amsterdam paper etching / engraving (MOLIERE) specific works of literature (with AUTHOR, Title). painter at work, in his studio. amorousness, desire
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Cartoon on the proposal to replace the provincial courts, 1873, 1873 print Cartoon on the proposal to replace the eleven provincial courts with four courts of justice. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 20, 1873. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper
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Lazio Rome Palazzo Mattei di Giove1. Hutzel, Max 1960-1990 Post-medieval: Painting, fresco painting, stucco, architecture. Antiquities: Roman sculptural and architectural fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Monument in memory of the foolishness of the year 1720, 1720 Monument in memory of the foolishness of the year 1720. On a large car, the fortune of the Actien shares scatters shares on a large car. The cart is drawn by, among other things, personifications of the companies of the South Sea and Mississippi. The car is led by the fame in the direction of the poor house and madhouse. Around the cart there traders and victims. On the right in the background the Quincampoix coffee house. At the bottom of the emblem with the motto appearances are deceiving in Latin. In the caption the statement of the performance in French and Dutch. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving Coffee house Quincampoix Monument in memory of the foolishness of the year 1720. On a large car, the fortune of the Actien shares scatters shares on a large car. The cart is drawn b
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Via Del Corso, Carl Gustaf Hjalmar Mörner, 1820 print Carnival parade about the Via del Corso. Part of a print work with a series of twenty prints about the celebration of Carnival in Rome. paper etching Carnival, Shrovetide (non-liturgical celebration) Rome. Via del Corso
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Street Scene. Maurice Prendergast; American, 1858-1924. Date: 1886-1899. Dimensions: 202 x 200 mm. Color monotype on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Maurice Brazil Prendergast.
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Sketch made from nature / view from the interior of the chapel or was celebrated / the marriage of L. L. Mr. J. and R. (IT)
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Adolph Kittendorff (1820-1902); G.V. BLOM (1853-1942), in I Krostu, 1880's
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Le Roi Carotte. Pompei No. 2; French; 1855 - 1860; Hand-colored Albumen silver print
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Swallow It, Dog (Tragala perro) Francisco de Goya y Lucientes (Spanish, 1746-1828). , 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). European Art 1797-1798
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Scene from Marriage of Figaro comedy by Beaumarchais, 1784. PIERRE-AGUSTIN CARON DE BEAUMARCHAIS.
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Royal Lodge in the Schouwburg, Marius Bauer, 1877 - 1932 drawing paper. ink pen the audience ~ art performance
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Corpse of Willem IV, 1752, plate 34, 1754 print Members of the Supreme Court of Holland, Zeeland and West Friesland. In the margin the caption in Dutch, French and English. Part of a series of 41 plates from the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 34. Northern Netherlands paper etching / engraving cortege, funeral procession. civil law (+ supreme court of appeal) Delft
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Cartoon at the Haagse Kermis, 1871, 1871 print Cartoon the disturbances at the Haagse Kermis. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 33, 1871. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper pleasure fair and circus. drunkenness The Hague
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Two scenes from the comedy Adelphoe van Terentius, Bernard Picart (workshop of), 1716 - 1718 print Left: conversation between Syrus, Demea, Aeschinus and Micio. Right: Sostrata walks towards Canthara. Geta is running away. Amsterdam paper etching / engraving specific works of literature
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On the market square; Mrówczych Ski, Kazimierz (Fl. 1877-1898), Gierymski, Aleksander (1850-1901), K Osy (Warsaw; Drzewytnia; 1865-1890); 1885 (1885-00-00-1885-00-00);Kłosy (Warsaw - magazine - 1865-1890) - illustration, Witke -Jeżewski, Dominik (1862-1944) - collection, watermelon, gift (provenance), fruit, generic scenes, streets, Jews
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Saint Ursula embarks in Rome to go to Cologne. Lithograph by E. Manche after H. Memlinc.
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'A Night Scene', 1809, (1827). Creator: Thomas Cook.
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The Russian Ball--In the Supper Room. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1863. Dimensions: 275 x 231 mm (image); 423 x 281 mm (sheet). Wood engraving on paper. Origin: United States. Museum: The Chicago Art Institute, USA.
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Cartoon on the limitation of freedom of expression, 1862, 1862 print Cartoon on the possible limitation of freedom of expression following an incident in which a member of parliament was challenged by a person outside the Lower House. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 25, 24 June 1862. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper Courtyard
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Groupes de Genre: people in costumes. Charles Gerard C.G. (French, active 1860s)
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Audience in the Koninklijke Schouwburg in The Hague, Herman Frederik Carel ten Kate, The Hague, 1849, paper, pencil, h 174 mm × w 142 mm
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The bouquet. (Title registered (letter))
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Seven British politicians as statues on plinths inscribed with the names of ancient characters as well as their own names in abbreviation. Engraving, 1746.