Historical Religious Scenes

Illustrative prints depicting biblical and moral narratives, showcasing figures in interaction, often capturing themes of morality and dramatic storytelling.

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, Nun and Death, A nun kneels with her hands folded in prayer in her room at an altar. She turns her head toward a man, her lover, who sits on the bed and plays a lute. Death extinguishes a candle at the altar. In the margin above the print is the text Prover. XIIII., print, book illustration, prints, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

The Fool and the Woman. Dated: 1520. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Appearance of the Personified Abundance, Jan Luyken, 1680 print The personalized abundance appears in the smoke from a sacrificial scale. On the right is a female figure under a canopy with the eternity symbol (a snake that bits in its own tail) in her hands, on the left is Mercury. Amsterdam paper etching Abundance; 'Abondanza', 'Abondanza maritima' (Ripa). temple, shrine ~ non-Christian religions. serpent Ouroboros. (story of) Mercury (Hermes)

Wonderful appearance of an old man on an arm farm girl, filling her basket with silver coins, 1605, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing appearances. adolescent, young woman, maiden. old man. money. container made of plant material other than wood: basket

Amsterdam, Luyken, Jan, De Loopwagen, Parents watch their child learning to walk with a walker, recto - manuscript in brown ink, print, prints, verso - stamped, 6, height 95 mm, width 85 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Cartouche with five Sami and a shot reindeer, Pieter Jansz, 1630 - 1672 drawing Design for a print. paper. ink pen / brush hoofed animals: reindeer. hunt ~ other mammals. stag-hunting. Europeans: Sami. ornament ~ cartouche Sápmi

Simson en delila, Albrecht Altdorfer, c. 1506 - 1538 print Delila sitting, with Simson sleeping in her lap. Her left hand laid on Simson's head, in her right hand she holds scissors. Germany paper engraving Samson asleep in Delilah's lap; she is usually shown beckoning to a Philistine or putting a finger to her lips

Mercury is falling on a man in a study migration, Anonymous, 1747 print A man is sitting behind a writing table in a study. Above him, Mercurius floats with the Caduceus with the title of the magazine. In the foreground a globe and other measuring instruments, in the background a face on a harbor with ships. paper etching / engraving study; 'studiolo'; library. bookshelves. writing-table, writing-desk. specific aspects, allegorical aspects of Mercury; Mercury as patron

The devil confuses the yarn, Salomon Savery, 1638 - 1665

Market Scene, the Rest on the Flight into Egypt in the Background, from Kitchen and Market Scenes with Biblical Scenes in the Background 1603 Jacob Matham. Market Scene, the Rest on the Flight into Egypt in the Background, from Kitchen and Market Scenes with Biblical Scenes in the Background. Jacob Matham (Netherlandish, Haarlem 1571-1631 Haarlem). 1603. Engraving; first state of two. Prints

H. Sotera, Antonio Templesta, 1565 - 1630 print H. Sotera is beheaded by a man with a sword. print maker: Romepublisher: RomeVaticaanstad paper etching martyr(s) (often with palm-branches) - QQ - female martyr. violent death by beheading

Thisbe doodt zichzelf met zwaard van Pyramus bij fontein.Thisbe kills himself with sword of Pyramus after she has discovered him, dying on the ground at fountain.

Jaël and Sisera, Jan Saenredam, After Lucas van Leyden, 1589 - 1607 print Sisera sleeps on the floor of a derelict building. He wears armor and his club and his helmet lie with him. Jaël keeps a pin on his sleep and in her lifted right hand she has a hammer. Rear to the right gives him to drink milk and the battlefield is to be seen. paper engraving Jael kills the sleeping Sisera by hitting the nail through his temples. Sisera asks for water and is given milk by Jael

Philip III, Crispijn van de Passe (II), After Crispijn van de Passe (I), 1611 print Philip III on a throne. He is wearing an order chain of the Golden Fleece. In his right hand he gives a scepter. Next to him his coat of arms. Next to the throne is a lion with a sword in its right leg. In the background the festive entry of Philip III. In the middle of a Bible quote from ROM. 13 in Latin. In the margin an eight -line praise, in four columns, in Latin. Fourth print from a series of four with world rulers. Utrecht paper engraving Knighthood Order of the Golden Fleece. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Throne

Caius Marius in Prison, two Cimbrian soldiers entering his cell 1560-69 Giorgio Ghisi Italian. Caius Marius in Prison, two Cimbrian soldiers entering his cell 367558

Spouses in Accounting, Anonymous, 1550 - 1610 print A man works at a table with the books with input and expenses. His wife stands with him. He tells her that there is nothing to be desired. The bag hangs: the money is finished. At the same time, this means that he is impotent. There are cash books on the shelves. In the edge of the edge, an ambiguous text in Dutch and French: Hanckt in Sack, and you don't like desire, och ick did you want to quaem, that I will have been unfamy. Southern Netherlands paper engraving relations between the sexes. book-keeping, accountant. marriage, married couple, 'matrimonium'

The Musicians 1524 Netherlands. This engraving by Lucas van Leyden illustrates marital harmony by depicting a couple making music together. In this instance the woman plays the dominant role. She sounds a note on a three-stringed rebec (similar to a violin) while her husband tunes his lute, plucking a string and turning a tuning peg. The man has also removed one of his clogs, a sign of submission. The couple appears to be prosperous, as they wear fine, fur-trimmed garments and play musical instruments associated with court culture.. Engraving in black on cream laid paper . Lucas van Leyden

The morning; Aurora; The four times of the day. In a room there is a mother with scissors in her hand on a chair. A sewing country stands next to her on the ground. She gives one of the two children who are on her lap a sandwich. The girl holds hands folded in prayer. The second child has a sandwich in the hand. The school age depends on the arm at both. A dog is in questioning attitude on the ground. Behind them the father is at a table with the oldest son, on which different books and an ink pot. Through the window the emerging sun and aurora, sister of the sun god, see.

Master MZ, The Embrace, 1503 The Embrace

The Virgin and Child with the Infant Christ and Saint Anne. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 9/16 × 2 13/16 in. (11.6 × 7.2 cm). Date: ca. 1500. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Aertssens, Hendrik, Bloemaert, Abraham, Bolswert, Boëtius Adamsz., Amsterdam, Sichem, Christoffel van (II), Veni dilecte mi, egrediamur in agrum, commoremur in villis, verso bottom center - stamped, A figure with a stick takes an angel by the hand (Song 7)., print, engraving, book illustration, prints, engravings, height 112 mm, width 72 mm, Northern Netherlands, 1581 - 1658-07-02, print maker, printmaker, 1628 - 1628, paper, papier, houtcut, letterpress printing, Work conception, Southern Netherlands, 1580 - 1633-03-25, after print by, 1566-12-25 - 1651-01-27, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1622 - 1663, publisher

Standing woman, standing man and a dog. Draughtsman: Herman Saftleven. Dating: 1619 - 1685. Measurements: h 91 mm × w 68 mm. Museum: Rijksmuseum, Amsterdam.

Keisnijder, doctor, The Extraction of the Stone, Nicolaes Weydtmans, 1580-1642

Allegorical emblem at the Peace of Rijswijk, 1697, Anonymous, 1697 drawing Emblem with two allegorical women's figures, on the left Minerva, on the right the power (Fortitudo). At the top a royal crown. Inscription: ET Concordia / Consilio et Robore. Design for a decoration at the celebration of the Peace of Rijswijk in 1697. Northern Netherlands paper. ink pen / brush festivities on events of national importance (+ festive decoration ~ festive activities). Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. specific aspects, allegorical aspects of Minerva; Minerva as patroness. crown (symbol of sovereignty)

Eucharius Roeslin presenting his book on maternity to a pregnant Duchess of Brunswick. Woodcut.

Copper engraving by Sebald Beham depicting two fools interacting.

The trades. The spur maker. Facsimile after a drawing and engraving by Jost Amman in the 16th century. "Moeurs, usages et costumes au moyen-age et a l'epoque de la Renaissance", by Paul Lacroix. Paris, 1878.

Man holds his wife a mirror. Design for a print.

Caius Marius in prison; two Cimbrian soldiers entering his cell 1560-70 Giorgio Ghisi Italian. Caius Marius in prison; two Cimbrian soldiers entering his cell 367559

Child talks to a curtain behind which an angel hides, 1628 print The print is part of an album. paper hiding, hiding oneself. curtains

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Christ with Mary Magdalene, Christ and Mary Magdalene in a room (where she is converted)., print, book illustration, prints, height 99 mm, width 141 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlands

Aldegrever, Heinrich, Germany, Sophonisba drinks poison, Sophonisba sitting with the poisoned cup to her mouth. Next to her a servant of her second husband Massinissa, who has brought the poisoned cup. On the wall a cartouche with a four-line text in Latin., print, prent, prints, engravings, height 115 mm, width 74 mm, German, 1502 - 1561, print maker, printmaker, 1553 - 1553, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

The surgeon, Lucas van Leyden, 1524 print A surgeon makes an incision behind the ear of a man sitting on the floor. Low Countries paper engraving barber; surgeon

Specklin, Veit Rudolf, Holbein, Hans (II), David writes psalms, King David sits at a writing table and writes psalms in a book. His harp hangs on the wall. The flight of his son Absalom is probably visible through the window opening: a young man walks away with a man in pilgrim's clothing. The top margin with text is missing on this page., print, engraving, book illustration, prints, engravings, height 60 mm, width 85 mm, height 63 mm, width 89 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1538 - 1538, second quarter 16th century, paper, woodcut, French - 1550, block cutter

Jester with wine cask, Jacob Goltzius (II), Anonymous, 1584 - 1630

Woman and two men cards; Music, dancing, playing and drinking figures. Numbered at the top right: 9.

Melancholic, 1590s, Peter de Jode; Artist: After Maarten de Vos, Flemish, 1570-1634, 7 5/8 × 8 5/8 in. (19.37 × 21.91 cm) (sheet), Engraving, Belgium, 16th century, A miser and a woman seemingly depressed over failed alchemical experiments embody melancholy, the personality trait of sadness, the darkness brought on by an excess of black bile. Just as the woman could not achieve happiness by trying to change lead into gold, the treasures of the earthjewels and goldwill not lift her spirits.

Della Bella, Stefano (known as Etienne de la Belle) (n.1610-05-18-D.1664-08-22), André, by his prayers, drops a wall that the demon had made before him for the prevent from going to visit your diocese. Fourteenth number of a suite of 20 pieces. (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

PRENT Left and at the top right labeled: I. D: - Pag: 120.

Susanna grabbed by two seniors; SVSanna; Stories from the Old Testament. The naked Susanna is unpleasantly surprised in her garden by two elders who demand that they gave them under the threat that the two men will accuse her of adultery. She resists them.

Hendrik Goltzius (1561-1641). "The Visitation (Bartsch 16)". Chisel. 1593. Museum of Fine Arts of the City of Paris, Petit Palais. 112279-26 Chisel, 16th 16th XVI 16th 16th 16 Center

German 16th Century, Die Instrvment gantz lvstig Kling vorab wen man darein tvt singen, c 1580 Die Instrvment gantz lvstig Kling vorab wen man darein tvt singen

Men for a table with a book on it, Hans Burgkmair (I), 1483 - 1531 print Print is part of an album. paper letterpress printing address, talk, lecture (~ meeting)

Feeling (tactus), a woman with a bird; Tactus; The five senses. An elegant lady, half in the open air, holds a bird on her hand and looks over her left shoulder to the viewer. Personification of the feeling, print from a series of the five senses.

Study for an engraving in the Hortus Voluptatum 1599 Crispijn de Passe the Elder Netherlandish. Study for an engraving in the Hortus Voluptatum 336022

Woman takes water from a well, Jan Luyken, 1687 print Amsterdam paper etching well

Young singing man with four singing figures.

Soldier embracing a woman. Daniel I Hopfer (German, c. 1470-1536). Etching; image: 22 x 15.6 cm (8 11/16 x 6 1/8 in.); paper: 24.1 x 17.5 cm (9 1/2 x 6 7/8 in.).

Marcus and Aeneas Manlius; Marcus / Eneas Manlius; Liber chronicarum. Two flower classes with two men in it. The show is a fragment of the line of Roman consuls in the Liber Chronicarum. The text identifies them as Marcus and Aeneas Manlius. The print is part of an album.

Taste (Gustus), Georg Pencz, 1542 - 1546 print Sitting naked woman as a personification of the sense of taste (Gustus), she pokes a fork in a plate with food. Next to her is a monkey with a piece of fruit paper engraving taste, tasting (one of the five senses). monkeys, apes

Albrecht Dürer (1471-1528). "Salomé brings to Herodiade the head of Saint John ...". Wood engraving, 1511. Museum of Fine Arts of the city of Paris, Petit Palais. Bible, Catholic, Christian, Decapite, Girl, Wood Engraving, Mother, New Testament, Offering, Plateau, Saint, Tete

Design for a print, Alexis examines Louise's fainted designs for illustrations for Le Deserteur by Jean-Michel Sedaine (title series)., draughtsman: Daniel Nikolaus Chodowiecki, 1770 - 1775, paper, pen, brush, h 90 mm × w 52 mm

Lichas Bringing the Garment of Nessus to Hercules from The Labors of Hercules Sebald Beham German. Lichas Bringing the Garment of Nessus to Hercules from The Labors of Hercules 415099

Two amorous couples in an inn. In an interior, with a fire and a four-poster bed, two amorous couples are drinking. On the left the ward in or coupler with a can and a glass. On the ground is a broken grumbling, a pipe a cards.

The Taste. Two men sit at a table smoking and drinking. One of the men is eating a sausage, Smoking and eating men d'Smaak The five senses , print maker: Jacobus Harrewijn, print maker: François Harrewijn, (rejected attribution), Southern Netherlands, 1690, paper, engraving, h 58 mm × w 72 mm

Lazio Viterbo Tarquinia S. Margherita, Cathedral3. Hutzel, Max 1960-1990 Old church destroyed in a fire in 1643. It was rebuilt in 1646, restored in the late 19th century, with the facade and campanile restored in 1933. Exterior views include the facade and portal. Interior photos, aside from a few of the nave and altar, focus on the set of frescoes by Pastura with their painted friezes. Prints (no negs.) of the Tree of Jesse and ecclesiastical portraits in the Sala Consigliare. Pastura's paintings include scenes from the Life of the Virgin as well as paintings of saints and sibyls. Object Notes: Hutzel photo campaign date: December 13, 1982. No negs for the "Sala Consigliare." Prints include a Tree of Jesse and portraits of ecclesiastics. General Notes: Hutzel notes nos. 1-29 can in part be found under "General Views" of Tarquinia. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referre

An anonymous 18th-century copper engraving titled 'The Coupler' depicts a mechanical or architectural connecting element, showing detailed craftsmanship.

The Draughtsman of the Lute n.d. Albrecht Dürer German. The Draughtsman of the Lute 387741

The dance of death: the child. Etching by Wenceslaus Hollar after Hans Holbein the younger.

Master FG, after Francesco Primaticcio, Penelope and Her Maids Weaving, c 1545 Penelope and Her Maids Weaving

Satyr and Peasants. Christian Wilhelm Ernst Dietrich (Germany, Weimar, 1712-1774). Germany, 1739. Prints; etchings. Etching

Winter; The four seasons. Interior with a family at an open fire. The mother is in a birthplace and gives her baby breast. In the background a company around a table. In the margin a two-legged caption in Latin.

A pair of beggars with the man standing on his toes pointing at his wife who is crouching, Couple of beggars with woman crouching and man on his toes Do us a favor (title on object), Adriaen Pietersz. van de Venne, print maker: anonymous, 1618 - 1668, paper, engraving, h 230 mm × w 189 mm

Two travelers; Pastoral scenes; OTIA DELECTED. A man is sleeping against a large stone. Next to him is another man with a dog that ceases his legs. With two-legged Latin caption.

The Prodigal Son Wasting his Fortune, plate two from The History of the Prodigal Son. Sebald Beham; German, 1500-1550. Date: 1540. Dimensions: 50 x 92 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Child lying by skull, anonymous, 1540 - 1560 print Allegorical representation of mortality. In a landscape, a child, leaning on a skull, lies the head with the right hand supporting. Four -line caption in Dutch. paper skull as symbol of 'Vanitas'. child. Contemplation

A woodcut by Leonhard Beck from around 1560 illustrating a scene from the 'Weißkunig,' showing Maximilian I and the queen, depicting the queens pregnancy and childbirth.

Drinking company with a nar, Adriaen Huybrechts (I), After Cornelis Massijs, 1573 - 1614 print In a Tavern is a group of farmers, women and a jerk at a round table on which foods. The farmers are maintained by women and at the same time robbed. Rear right, at the doorway, a woman steals their merchandise. paper engraving inn, coffee-house, public house, etc.. pickpocket. couple of lovers

Dancing couple, 1695; Gelky van Aart, is capped; The general joy to the intake of names by Stadholder Willem III, king of England, September 1695. Dancing sailor and wife. Part of a series of eight prints made in response to the conquest of names by the Allies on 5 September 1695.

Wood engraving, England, by Thomas Bewick.

Noble and Lady, Theodor de Bry, Flemish, 1528 - 1598, Engraving on paper, Vertical rectangle. B: Figure of a man on horseback, moving toward the right. The rider turns to greet a lady, standing at left. Escutcheon with blank field, upper right., ca. 1575, ornament, Print, Print

. A women's figure that mixes two liquids from two different bottles in a scale as the personification of moderation (Temperantia). In addition to the bowl there are a scoop and a passer, careful measuring instruments.

Two Loving Pairs with Clown. Dated: 1535. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Cornelis Jacobsz Drebbel, after Hendrik Goltzius, Arithmetic, c 1597 Arithmetic

Roman actors and masks. still image. 1736. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Theater , Rome, Masks , Roman, Actors , Roman+ , To 499

Demon at a deathbed and the siege of a city, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing death struggle, inquiet death; fear of death. siege, position war

Vellert, Dirck, Christ and the Samaritan Woman, verso lower left - stamped, Christ and the Samaritan Woman at the Well., print, prent, prints, height 110 mm, width 79 mm, South Netherlands, 1485 - 1547, print maker, printmaker, 1523 - 1523, first quarter 16th century, paper, papier, engraving, engraving (printing process)

With barrel wine, Jacob Goltzius (II), 1584 - 1630 print A nar, sitting on a chair. Under his arm a keg with a tap. A man holds a bowl under the tap and fills it with wine. In the background a bookcase full of books. The print has a Latin and Dutch caption with a wise spell. Haarlem paper engraving court jester, court fool. proverbs, sayings, etc.. wine ~ alcoholic drinks. book

Dialectics (reasoning art); The seven liberal arts. Dialectica sits on a chair in a space with stone walls and disputes with an old man. She counts her arguments to the fingers. On her head and on the handrail of her chair are birds, two toads on the ground. Dialectics stands with its foot on a stack of books of important thinkers.

Whore seduces man; Indicit in Casses Nova Praeda subinde Paratos; Emblemata Saecularia, 1596. A naked whore is on a four-poster bed and has literally 'tied'. She pulls him to a cord, which is stuck to his ankle, assisted, assisted by an old coupler who pushes him to the bed. The woman's clothing lies on the left on a chair. Flowers lie on the ground. The corresponding text is a warning against the fornication and refers to the capacity of the woman: "For the whore is a deep pit, the oosy a narrow well" (spells XXIII, verse 27). Emblem no. 28 in emblemata saecularia, 1596 and no. 7 in second pressure 1611.

The Letter B, from The Alphabet Made 1466-1467 Germany. Before printing pictures from engraved copper plates developed as a practice, goldsmiths and other metalworkers were the only craftsmen to use sharp pointed tools to incise designs in metal, decorating armor, jewelry, and liturgical objects. The first designs to be filled with ink and pressed onto paper appeared in the Rhine Valley around 1430.Known only by the monogram that appears on some of his designs, the goldsmith Master E. S. became one of the most prolific engravers in Germany. This rare print is one of 23 letters; medieval alphabets lacked j, v, and w. Although the purpose of the series is not fully known, the letters were likely intended to be designs for manuscript illuminators.. Engraving in black on ivory laid paper . Master E.S.

Black coal and gray brush sketch by Johannes Lingelbach depicting three men in conversation, showing figures, posture, and gestures.

The Lady of Death Masquerading as a Fool, 1541. Hans Sebald Beham (German, 1500-1550). Engraving;

Astrology. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Georg Pencz.

Sadeler, Aegidius, Gheeraerts, Marcus (I), Praag, Fable of the Ape and Woman, Two monkeys perform tricks for a group of spectators, accompanied by the music of a bagpipe. One of the monkeys grabs some nuts that lie in the lap of a woman. The fable describes how two monkeys dance for an audience. One of the monkeys suddenly jumps on a woman and tries to grab the nuts that she is eating. In the ensuing struggle, the woman shows her naked legs. The moral of the story teaches that no one can hide his true nature., print, book illustration, prints, height 96 mm, width 112 mm, South Netherlandish, 1570 - 1629, print maker, printmaker, 1608 - 1608, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, English, 1520 - 1590, after print by, after design by, Publication (Event), Publication, publisher

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Collaert, Hans (I), Francken, Ambrosius (I), Den Grooten Figuer-Bibel, Parables from the New Testament, Of Christi Herder-Ampt, and other gheshistories, Parable of the rich fool, lower right - handwritten in brown ink, A rich man has even larger barns built for his wealth and his grain. He sits at the table among his money. In the open chest lies a stick purse. Below the image a reference in Latin to the Bible text in Luke 12:16 and to the continuation of the story: the rich man will die at night. This print is part of an album., print, album sheet, prints, 88, 5, height 215 mm, width 277 mm, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1544 - 1618-10-16, after a design by, South Netherlands (before 1775), 1540 - 1581, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Seven ways of Greece; Liber chronicarum. A flower celk with seven men. The handwritten text identifies them as the seven ways of Greece. The print is part of an album.

Léonard Gaultier, The Annunciation, probably c 1576 1580 The Annunciation

Father Time points writing woman to monuments from classical antiquity, Jan Luyken, 1689 print Amsterdam paper etching author, poet writing. Greek script. Father Time, man with wings and scythe

Allegory on the power of God, Jan Goeree, 1734 print A man sits in a chair and reflects the power of God. Around him symbols of religious life (anchor, beehorf) and of worldly life (money pouch, crown, passer, hourglass with wings). Behind him a wall with the title of the book. In the air the all -seeing eye of God and the hand of God. The hand has a scale on which good and evil are weighed. In the background a teacher who teaches a young man. print maker: Amsterdampublisher: Leidenpublisher: Utrecht paper engraving the all-seeing eye, triangle with eye ~ symbol of God the Father. globe. scales. the believer. Distinction between Good and Bad; 'Distintione del bene & del male' (Ripa). hand, 'Dextera Dei' ~ symbol of God the Father. bee-hive. hourglass

Satire on Hygiene, Crispijn Van De Fasse (I), After Hendrick Golkzius, 1574 - 1637 print Interior with an old woman (Fey Sawbers/Margot) who makes sausage. She wears a cap around her nose from a hygienic point of view. A man (Heintzman/Jannot) with a fool points to her and laughs exuberantly because she tries to prevent a drop from her nose on the sausage. In the background a wild boar that warms up by a fire. In the margin a fourteen -line poem in dialogue form, in German and in French. unknown paper engraving fool, simpleton, numskull. mocking, insulting; teasing. political caricatures and satires (+ variant)

A man pinches his nose at the plume of smoke he has just generated in a circle with the signs of the zodiac Around him many rolls of paper Bottom right: Page 16 Bottom left: Antique Helicon top right: Pl I, Magician at work Appion almost suffocated from the stench he left behind , print maker: Daniël Veelwaard (I), (mentioned on object), intermediary draughtsman: Jacob Smies, (mentioned on object), publisher: François Bohn, Haarlem, 1803, paper, etching, h 187 mm × w 110 mm

Snow landscape. Five states. .

A man in a toga sits near a well with a statue of a goddess and prepares a piglet for sacrifice. Engraving.

Louis XIII (king of France), Saint-Igny, Jean de, Bosse, Abraham, Costumes of the French nobility in church, La Noblesse Francoise à l'Eglise, French nobleman with missal, in church interior, dressed according to the fashion of ca. 1630, verso - stamped, French nobleman, standing in church interior, reading from a missal. He is dressed in a doublet with a large lace collar and cuffs, knee-breeches and shoes with rosettes. His hairstyle is short at the front, long at the back. Hat with feathers in hand., costume print, prints, height 152 mm, width 95 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1628 - 1629, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1600 - 1647-11-09, after a design by, Publication (Event), Publication, publisher, 1601-09-27 - 1643-05-14, granter of privilege

de Passe, Crispin I, Makuaisti, (1000 - 2003), copper engraving, graphics, leaf width 12.5 cm, leaf height 18.7 cm

Woman wipes the floor of a house, Jan Luyken, 1711 print Amsterdam paper etching shrubs: broom. sweeping (~ cleaning the house)

Plate 10: Bertoldino fastening geese to his belt, from "Bertoldo, Bertoldino, and Cacasenno" 1705-15 Giuseppe Maria Crespi. Plate 10: Bertoldino fastening geese to his belt, from "Bertoldo, Bertoldino, and Cacasenno". Giuseppe Maria Crespi (Italian, Bologna 1665-1747 Bologna). 1705-15. Etching. Prints

The kitchen member, quirin boel (possibly), after Pieter Feddes van Harlingen, c. 1620 print Kitchen maid in a kitchen in which wild and poultry hanging on the wall. She spies a chicken on the grill. With four -line caption. paper engraving kitchen-maid, kitchen servant

Roofers on the roof, Edmond Fierlants, c. 1855 - c. 1860.

Louis XIV returning from a hunt to find the Duchess of Burgundy playing billiards. From an engraving published by Bonnard, 1704. Lithograph from Henry Rene Allemagne's Sports and Games of Skill (Sports et Jeux d'Adresse), Librairie Hachette, Paris, 1903.

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