Historical Religious Scenes

Illustrative prints depicting biblical and moral narratives, showcasing figures in interaction, often capturing themes of morality and dramatic storytelling.

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, Nun and Death, A nun kneels with her hands folded in prayer in her room at an altar. She turns her head toward a man, her lover, who sits on the bed and plays a lute. Death extinguishes a candle at the altar. In the margin above the print is the text Prover. XIIII., print, book illustration, prints, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, Nun and Death, A nun kneels with her hands folded in prayer in her room at an altar. She turns her head toward a man, her lover, who sits on the bed and plays a lute. Death extinguishes a candle at the altar. In the margin above the print is the text Prover. XIIII., print, book illustration, prints, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

Amnon Violating Tamar, from The Story of Amnon and Tamar. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.8 cm). Date: 1540.Amnon, seen from behind, grabs Tamar at left. At right, a bed with a chest at the end. Based on 2 Samuel 13:14. Plate 2 from a series of seven plates with the Story of Amnon and Tamar. Museum: Metropolitan Museum of Art, New York, USA.

Print marked top right: fol. 409., Praying figures at the bedside of a sick person Vertroost de Kleynmoedige , print maker: Jan Luyken, publisher: Barent Bos, print maker: Amsterdam, publisher: Rotterdam, 1693, paper, etching, letterpress printing, h 118 mm × w 64 mm

Rich man with two whores, Anonymous, 1597.

Judith and Holofernes Dining Georg Pencz German. Judith and Holofernes Dining 432101

De Caught Husband, Gillis van Breen, After Karel van Mander (I), 1601 print A man who chases his money through a young woman is surprised by his wife and pulled to the hair. The young woman keeps the man's stock market in her hands. Under the show a Latin verse by Cornelius Schonaeus and in Dutch the accusations that the wife calls her husband: Find you here ay vuylen Boef ... Haarlem paper engraving satire on marriage. head-gear (with NAME). clothing for the upper part of the body (with NAME) (+ women's clothes). head-gear: cap (+ women's clothes). gripping someone by the hair. whore, prostitute. purse, money-bag (+ women's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). neck-gear: collar (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes)

History of Ammon and Thamar N � 2: Ammon Violence in Thamar (Hollstein 23) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). History of Ammon and Thamar N � 2: Ammon Violence in Thamar (Hollstein 23). Burin, 1540. Museum of Fine Arts in the city of Paris, small palace.

The Peasant and His Wife at Market. Albrecht Dürer; German, 1471-1528. Date: 1519. Dimensions: 115 x 73 mm (image); 118 x 75 mm (sheet). Engraving in black on off-white laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Ignatius van Loyola in ecstasy; Scenes from the life of Ignatius from Loyola. Ignatius van Loyola is folded with his hands in ecstasy in a departure on the floor. He is surrounded by a woman and three men. One of them is kneeling next to him with a bowl. In the foreground a dog. In the margin a three-legged caption in Latin.

King at an image on a pedestal, Anonymous, Hans Weiditz (II), 1514 - 1532 print Possibly the King Solomon proposes that his Harem allowed idolatry. Print is part of an album. paper letterpress printing statues, paintings, etc. ~ objects of worship in Roman religion. king

Netherlands, Leyden, Lucas van, The bloody garment of Joseph shown to Jacob, verso lower left - stamped, print, prints, images, height 212 mm, width 145 mm, Northern Netherlands, 1494-06 - 1533-08, print maker, printmaker, 1515 - 1519, first quarter 16th century, paper, woodcut

Reni, Guido, Italy, Coriolano, Bartolommeo, Sibyl, verso - stamped, A sibyl, seated with a writing tablet in her hand. On the right a pile of books, an inkwell and an angel., print, engraving, prints, engravings, height 286 mm, width 190 mm, Italian, 1599 - 1676, print maker, 1609 - 1676, second quarter 17th century, third quarter 17th century, paper, chiaroscuro woodcut, Work conception, 1575-11-04 - 1642-08-18

. On a bordes - overlooking a garden - is an elegant couple dressed in fashion from around 1625-'30. The lady has a glass in the left hand and wears a crock with a very wide millstone collar. Before the couple lies a melon on the ground and at the fountain is a monkey that holds a fruit at his muzzle. Under the image two columns with Latin text. The print is part of a series with prints about the five senses.

Netherlands, Prince on a throne, verso - stamped, A prince sits on a throne under a canopy and receives soldiers. At the bottom the text: 9. Boeck., print, engraving, book illustration, prints, engravings, height 115 mm, width 69 mm, print maker, printmaker, 1600 - 1700, paper, papier, engraving (printing process)

Amnon raped Tamar; History of Amnon and Tamar. Amnon seen on the back, standing next to a bed, embraces his half-sister Tamar and lifts her skirt up. Above a cartouche with text in Latin. Second print from a series of seven with the story of Amnon and Tamar.

Salome with the Head of John the Baptist ca. 1517 Lucas van Leyden Netherlandish. Salome with the Head of John the Baptist 364681

Woman changes a child, Willem van de Passe, 1624 print Interior of a bedroom in which a woman changes a child in the cradle. On the Versozijde Book pressure in Dutch. unknown paper engraving / letterpress printing cradle, crib. washing and changing baby. open fire (in general)

Winter, Jan Saenredam, after Hendrick Goltzius, 1590 - 1600 print Bacchus with an old man and woman around a set table. The man, King Winter, has a crown on the head and a sword in his hand. Bacchus holds a wine caraf up. A servant with corn on the head brings a bowl with roast poultry. Under his left arm a horn of abundance. Under the show a two -line, Latin text with an explanation of the scene. paper engraving winter ~ human activities (the four seasons of the year)

Girls stand out on the sidewalk dollservies; Popularity.

Copper engraving from 1516-1520 depicting an elderly wealthy woman, showing figure, attire, and compositional details in Renaissance style.

Dancing couple; Music, dancing, playing and drinking figures. Numbered top left: 6.

Salomé with the head of John the Baptist; Small series of womenlists. Salomé sat at the head of John the Baptist on a scale, Herodias and Herod at the table. On beheading behead of John.

Circular representation of persons around table with two dice, Game of Dice, print maker: Monogrammist PVL (16e eeuw), (mentioned on object), Leiden, (possibly), 1520 - 1530, paper, engraving, d 95 mm

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Amsterdam, Muller, Harmen Jansz, Parable of the Talents, Lord asks his servants for an accounting, recto lower left - handwritten, The lord asks his three servants for an accounting. Those with five talents and two talents have both earned the same amount. The last servant puts his bundle with one talent on the table and gives the lord exactly the same amount back as what he had received. At the bottom in the margin a reference to the Bible text in Latin., print, prent, prints, verso - stamped, 5, height 204 mm, width 228 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1572, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Morning, Hendrick van Beaumont, after Jan Saenredam, after Hendrick Goltzius, 1696, Interior with a mother giving one of her two children a sandwich. Behind them, the father stands with the oldest son at a table with books and an inkwell. Sheet 59 recto from a sketchbook with 91 sheets., draughtsman: Hendrick van Beaumont, Jan Saenredam, Hendrick Goltzius, 1696, paper

Cat concert, Jan van Somer, 1655 - 1700 print A man holds a cat under his arm and has these sounds made. The cat meows and leaves a fart in the face of the person who shows a sheet of sheet music. paper animals acting as human beings. cat. more than one musician with instrument

Nothing can remedy foolishness; Foolishness of human life. A couple is bent on a large mortar. A man wants to edit him with a mortar. On the left is a scholar. He points to the scene. The print can be interpreted as an Allusion on the foolishness of humanity, which cannot be resolved by nothing or nobody. The print has a Dutch and Latin caption.

Cat concert. A man holds a cat under his arm and let these sounds. The cat meows and leaves a fart in the person's face showing a sheet of sheet music.

Dead is about to decrease the life wire of a dying man who tries to stop him; The death bed, of the vice.

The Miser, from the Dance of Death 1651 late 18th century printing Wenceslaus Hollar Bohemian A miser sits at the left and protests as Death fills a bowl with his coins.. The Miser, from the Dance of Death 361668

Golden Zevenarmig Kandelaar or Menora, Anonymous, After Jan Luyken, 1683 - 1762 print paper etching seven lamps ~ 'menorah'

Bliżej Kultury unknown

True Love, Andries Jacobsz. Stock (possibly), after Jacques de Gheyn (II), 1608 - 1612 print A young man, halfway, used to the head to the young woman on his right side. An old woman on his left. The latter offers him money: she throws coins on the table for the man, on which there is also a Stokbeurs. Death is on the far right behind the old woman, an hourglass in hand. Under the show a two -way Dutch caption. print maker: Netherlandspublisher: The Hague paper engraving unequal partners

Two kings do not recognize their children, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing royal bastards

In a room with a window on the left, a young lady and an older man are seated. In front of them a money pouch and a chest of valuables. The man offers the woman a piece of jewelry. Behind her back Amor is about to break his bow. Next to the woman on the ground a sewing basket, scissors and a sleeping cat. With poem referring to love for money, Unequal love, print maker: Gillis van Breen, (mentioned on object), Esaias van de Velde, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Netherlands, publisher: Amsterdam, c. 1609 - in or before 1618, paper, engraving, h 258 mm × w 176 mm

The count and death; Dance dance. A count tries to flee before death that threatened a shield for him.

Unequal love, anonymous, after Hendrick Goltzius, 1602 print An old man approaches a young woman who holds her hand on a jug. She wears a veil in her hair. On the stone column the coat of arms of the Goltzius family. Under the performance a four -line text in Latin. paper engraving unequal couple, ill-matched couple

Jael and Sisera. Sisera is sleeping on the floor of a derelict building. He wears a armor and his knots are with him and his helmet. Jael holds a pin on his sleep and she has a hammer in her right hand. Right right yield gives him milk to drink and the battlefield can be seen at the left. Under the show a five-line, Latin text with a description of the murder scene and an assignment.

Saint Matthew seated and reading from a book held by a putto, set within a fanciful architectural backdrop, from a series of woodcuts of the Four Evangelists, copy after Rue Montorgueil woodcut 1565-75 Anthony van Leest Netherlandish. Saint Matthew seated and reading from a book held by a putto, set within a fanciful architectural backdrop, from a series of woodcuts of the Four Evangelists, copy after Rue Montorgueil woodcut 629783

Charity, Heinrich Aldegrever, German, 1502 - ca. 1561, Engraving on paper, Full-length figure of a woman, standing, facing the spectator. A nude child is supported on her left arm, while she carries a standard in her right hand. The flag bears the image of a dog. At upper left, an escutcheon bearing on its shield a lioness and her cubs. Monogram of artist and date 1552 on tablet, lower left. Inscription in two lines below., Germany, 1552, Print, Print

Bartolomeo, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) 1611-19 Jacques Callot French. Bartolomeo, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence). Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze. Jacques Callot (French, Nancy 1592-1635 Nancy). 1611-19. Engraving; second state of two (Lieure). Prints

Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: Sheet: 12 3/8 x 17 5/8 in. (31.5 x 44.8 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

The Birth of the Virgin. Dimensions: sheet (trimmed to plate mark): 10.2 x 8.8 cm (4 x 3 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA FONTANA.

Allegory on Oliver Cromwell, victor in the English Civil War. Engraved by Crispijn de Passe II (1594-1670) Engraver. Dated 17th Century

Almanakprentje uit dressed in fashion, CA. 1784-1785, c. 1784 - C. 1785 Standing woman dressed in a dress with fichu and (decorative) apron. Decorated a hat on the head with bows and feathers. Sitting man on a couch, dressed in a freak or habit, vest, knee pants and stockings. Wrinkled jabot and cuffs. In the left hand a snuff box (). Shoes with buckles. The print is probably part of the Almanak Habillemens à la Mode, ca. 1784-1785. The Almanac print is probably a reduced and mirrored copy to a print from Gallerie des Modes et Costumes Français. paper engraving fashion plates. calendar, almanac. head-gear (+ women's clothes). dress, gown (+ women's clothes). coat (+ men's clothes). couch, sofa, settee. trousers, breeches, etc. (BREECHES) (+ men's clothes). apron (+ women's clothes)

The Wedding at Cana, from The Life of Christ. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Dimensions: Sheet: 9 1/16 × 6 1/8 in. (23 × 15.6 cm). Date: ca. 1511-12. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

Company around a table with a meal on it, Christoffel van Sichem (II), 1581 - 1658 print Amsterdam paper letterpress printing

Amsterdam, Picart, Bernard, Priamus bij Achilles, verso lower left - stamped, King Priamus kneels before Achilles and begs him for the body of his son Hector. Eventually Achilles grants the request. In the margin a caption in French., print, engraving, book illustration, prints, engravings, height 190 mm, width 125 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1710 - 1710, first quarter 18th century, paper, papier, etching, graveren (drukprocedé), intermediary draughtsman

Judith with the Head of Holofernes. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The abusive retention of goods.

Torture with ax and chisel, Antonio Tempesta, 1565 - 1630 print Numbered in the middle: 117. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching torture. violent death ~ maltreatment, torture

Decapitation of Johannes de Boper, Jacob de Weert, After Maerten de Vos, 1580 - 1600 print The beheaded, bleeding body of John the Baptist lies on the ground of his cell. The executioner lays his head on a scale that is held by Salome. Behind her is a woman. Through the open door you can see a few buildings and on the left two figures look through the bars. She is under the performance a two -line, Latin text with the description of the scene from Mar. 6. Antwerp paper engraving Salome is given the head of John the Baptist by the executioner

Proverbs from Solomon, upstairs; Gnomae Seu Illustres Sententiae Ex Proverbus Salomonis Vitae Utiles. Ornamental picture frame with medallions in which from left to right: a couple stands by their son, whose eyes are punched out by a raven. From Spr. 30:17: "Whoever looks down at his father and his mother is disobedient, the ravens will pull the raven to the brook the eyes, the vultures will cross his eyes."; A woman, with raised arm, stands for a hole in the earth. In addition to her a sacrifature and a fire-breathing dragon.; In the foreground two sleeping figures, a field is processed in the background. From Spr. 10: 5: "A son who harvest in the summer is wise, he sleeps in the harvest time, then he turns his parents shame."

Lucas Cranach the Elder, David and Abigail, 1509 David and Abigail

Seventh phase of seventy years with old man who advises his children, Assuerus van Londerseel, After Nicolaes de Bruyn, 1598 - 1602 print Seventh phase of seventy years depicted as an old man who advises his children. In the margin under texts in Latin, French and Dutch. Only the Dutch text relates to the performance. Netherlands paper engraving father and child(ren), man and child(ren) (family group)

Apollo is sitting on a platform with his winch and holds a shield with the copper portrait of Caspar burning. A putto flies with a laurel wreath above the portrait. In the background a memorial for the deceased writer and the winged horse Pegasus. Two putti holds a cloth in the air with the title of the book.

A Proverb: Wealth and Poverty mid-16th-early 17th century Karel van Mander I Netherlandish. A Proverb: Wealth and Poverty. Karel van Mander I (Netherlandish, Meulebeke 1548-1606 Amsterdam). mid-16th-early 17th century. Pen and brown ink, gray wash, heightened with white, on beige paper.. Drawings

Trivulzio, Teodoro.

Vulcan, Neptune, Athena and other Gods making Shackles to pull Jupiter from the Heavens, set within an elaborate frame, from 'Loves, Rages and Jealousies of Juno' 1531-76 Giulio Bonasone Italian. Vulcan, Neptune, Athena and other Gods making Shackles to pull Jupiter from the Heavens, set within an elaborate frame, from 'Loves, Rages and Jealousies of Juno'. Amori sdegni et gielosie di Giunone (Loves, Rages and Jealousies of Juno). Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). 1531-76. Engraving. Prints

Illustration for the Decamerone of Boccaccio, Romeyn de Hooghe, 1697 print Illustration for the Decamerone of Boccaccio, History LXI. Jan de Lotteringer and his wife look into their garden. Mrs. has a rosary and points the garden to a drinking figure in the distance. Netherlands paper etching (scenes from) specific works of literature: Boccaccio, Decamerone

Return of the Prodigal Son ca. 1636 Abraham Bosse French. Return of the Prodigal Son 386089

Wetstein, Jacobus, Debrie, Gabriel François Louis, Amsterdam, Gunst, Philip van, Narbal takes leave of Telemachus, verso bottom center - stamped, In the harbor of Tyros Narbal takes leave of Telemachus, who will travel to Cyprus by ship. Narbal embraces the youth. The print has a French caption., print, book illustration, prints, height 230 mm, width 181 mm, Dutch, print maker, printmaker, 1734 - 1734, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

In the foreground the Roman shepherd goddess Pales. She is surrounded by all kinds of cattle (cows, sheep, bees) and animal products (milk, butter, cheese, eggs, honey). In the background a shepherd and his herd of cows. The print has a Latin caption and is part of a series of prints on human activities, Animal Husbandry Pales, Human activities (title series)., print maker: Philips Galle, Marten van Cleve (I), (possibly), Frans Floris (I), (possibly), Antwerp, 1574, paper, engraving, h 205 mm × w 247 mm

Rudolf II of Habsburg (German Emperor), Matham, Jacob, Aertsen, Pieter, Haarlem, Kitchen and market scenes with biblical scenes, Market scene and the rest on the flight into Egypt, verso - stamped, Vegetable sellers at their display. On the left a man with a chicken and a basket of eggs. In the background the rest on the flight into Egypt (Matt. 2:14). Print from a series of five prints with kitchen and market scenes combined with biblical scenes in the background., print, prints, height 238 mm, width 335 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1603 - 1603, paper, engraving, engraving (printing process), 1508 - 1575-06-02, after, after a painting by, Publication (Event), Publication, publisher, 1552-07-18 - 1612-01-20, granter of privilege

St. James the Greater. Artist: Lucas Cranach the Younger (German, Wittenberg 1515-1586 Wittenberg). Dimensions: Sheet: 10 1/2 × 6 1/2 in. (26.6 × 16.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Lucas Cranach the Younger.

A 16th-century copper engraving by Marcantonio Raimondi showing a shepherd and a reclining nymph, emphasizing figures, gesture, and detailed natural landscape.

Verspilling in marriage, Gillis van Breen, after Karel van Mander (I), c. 1595 - c. 1605 print An elegantly dressed young couple enjoy life. Man and wife sit at the table and be operated. In the background a group of musicians plays for them. The man points to a coffin full of coins to show that there is enough money. The woman took off her shoes and leans back in a comfortable chair. print maker: Netherlandsafter design by: Haarlempublisher: Amsterdam paper engraving the rich. Wealth, Opulence; 'Opulenza', 'Richezza' (Ripa). happy marriage. clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). neck-gear ~ clothing (with NAME) (+ men's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). dress, gown (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). skirt (+ women's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). shoes, sandals

Uneven love. In a departure with a window there are a young lady and an older man. For them a money pouch and a coffin with valuables. The man offers the woman a piece of jewelry. Behind her back, Amor is about to break his bow. In addition to the woman on the ground a sewing country, scissors and a sleeping cat. With poem that refers to love to money.

Egg seller. Beham, Sebald (1500-1550), graphic artist

Fannia, a woman from Minturnae who was previously condemned by Marius, offers him her hospitality while he is fleeing persecution, Marius in the house of Fannia, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Amsterdam, 1798, paper, etching, h 204 mm × w 133 mm

Vatican City, Papal Court, Rome, Paolo, Giovanni Antonio de, Tempesta, Antonio, Imagini di moltes vergini Rom nel martirio, Roman martyrs, St. Victoria, verso - stamped, St. Victoria being pierced with a sword., print, prints, height 73 mm, width 114 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Publication (Event), Publication, publisher, uitgever van privilege

Reinaert de Vos steals a capon, Allaert van Everdingen, 1665 - 1675 print Reinaert de Vos, with the stolen rooster next to him, runs away for the pastor who rises from the table with a knife and a candle. Isengrijn the wolf is hidden in the cupboard. Netherlands paper etching fable of Reynard the Fox

Devil confuses the yarn, Pieter Jansz Quast, 1652 print The devil confuses the yarn, 1652. A sitting woman spins yarn who are injured by a man of a coil on a reel, behind him is the devil who pulls the yarn and confuses it. Amsterdam paper etching / engraving devils in the form of (fabulous) animals. spinning (manufacture of yarn)

Villa Aldobrandina Tvscvlana, Barrière, Dominique, ca. 1618-1678, 1647

Letter A in a frame with a performance of men who consume a meal, Cornelis van Noorde, 1741 - 1795 print paper fancy letters. (family) meal

A daughter suckles her mother in jail, Zacharias Dolendo, Jacob de Gheyn (II), Claes Jansz. Visscher (II), after 1615 - before c. 1652.

The Cook and His Wife ca. 1496 Albrecht Dürer German. The Cook and His Wife. Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). ca. 1496. Engraving. Prints

Marcus the evangelist, seated, writing a book. A lion lies under his writing table. Under the representation the text 'S. Marcvs. evan,'. This print is part of a series of four representations of the evangelists, each with the name of the evangelist concerned as a caption, Evangelist Marcus The four evangelists (title series)., print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Amsterdam, 1593 - 1597 and/or 1596 - 1652, paper, engraving, h 196 mm × w 147 mm

Visscher, Claes Jansz. (II), Walking couple, verso - stamped, A couple in a hilly landscape stands still by a bush, from which they pick flowers., print, book illustration, prints, height 120 mm, width 87 mm, print maker, printmaker, 1607 - 1607, paper, etching, etchings, engraving, engraving (printing process), Northern Netherlands, 1586 - 1652-06-19

The Roman Courtesan or The Revenge of the Sorcerer Virgil, 1520-1526. Albrecht Altdorfer (German, c. 1480-1538). Engraving;

This late 15th-century copper engraving by Israhel van Meckenem illustrates the proclamation to Maria, showing figures, gestures, architectural elements, and composition.

Amsterdam, Visscher, Claes Jansz. (II), Francken, Ambrosius (I), Collaert, Hans (I), Theatrum biblicum, Conversions of sinners, Christ's feet anointed by a sinner, verso - stamped, Christ is a guest at the meal in the house of Simon the Pharisee. A sinner anoints Christ's feet and dries them with her hair. Next to her is the jar of ointment. Christ is talking to Simon. Below the depiction is a reference in Latin to the Bible text in Luke. 7:37., print, prints, height 199 mm, width 278 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1544 - 1618-10-16, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Cimon and Pero Flanked by Two Tritons. Artist: Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: Sheet: 1 1/2 x 4 in. (3.9 x 10.1 cm). Date: 1518-30.At center, a medallion with Cimon kneeling at left and Pero seated at right. Two tritons flank the medallion. Museum: Metropolitan Museum of Art, New York, USA.

The Peasant and hisWife. Artist: Albrecht Dürer, German, 1471-1528

September: Couple from England; The twelve months with couples in costumes from different countries. Man and woman dressed according to the English fashion of approx. 1620. The woman has a feather sticker in hand. Next to the man a dog. A cityscape in the background. At the top right the sign of the scales. In the margin a two-person caption in Latin about the temperate climate and England. Print from a series of twelve months represented by signs of the zodiac and pairs that wear clothing from different countries.

Nicoletto da Modena (Italian, active 1500-1512), Fama, c. 1507, engraving

Dentist by Lucas van Leyden, Copper engraving, 1523, 1489/94-1533, Russia, St. Petersburg, State Hermitage, 14, 9x9, 6

Christ Among the Doctors,', 1511 - 1515, Woodcuts, approx. 2 11/16 x 2 3/16 in. (6.8 x 5.5 cm), Paper/Sheet approx. 2 11/16 x 2 3/16 in. (6.8 x 5.5 cm), Mat/Mount approx. 3 x 2 3/8 in. (7.6 x 6 cm)

Antwerp, Galle, Philips, Southern Netherlands, Cornelis (I), The life of St. Catherine of Siena, Catherine is assumed into heaven, verso - stamped, The apostle Thomas witnesses the assumption of Catherine into heaven. Mary receives her into heaven. Catherine kneels before her and wears a high crown. On the left is the enthroned Christ. Part of a series on Catherine of Siena consisting of a title print, a portrait and 32 numbered scenes from her life., print, prent, prints, height 150 mm, width 90 mm, 1576 - 1650-03-29, print maker, printmaker, 1603 - 1603, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, 1537 - 1612-03-29, publisher

Copper engraving from the second third of the 15th century by the Master with the Flower Frame depicting Temptation by Impatience (Ars Moriendi V), showing figures and composition.

Allegory on the v.O.c .. Under a canopy decorated with the United East India Company monogram, Mercury, God of Trade, at the Amsterdam City Arm. He is surrounded by money, a treasure chest, compass and a globe. On the left is the blindfolded justice with a scales in her hand. In addition to her, the personification of the Orient is accompanied by the Dutch Lion. River gods with jugs flank in the foreground a face of the port of Amsterdam.

Annunciation, Cornelis Cort, unknown, Pieter de Jode (I), 1577

Buffoon and Two Bathing Women Made 1541 Germany. Engraving in black on ivory laid paper . Hans Sebald Beham

Vatican City, Paul V, Rome, Villamena, Francesco, Saint Francis of Assisi, verso - stamped, Saint Francis of Assisi in prayer. In front of him lie a cross, skull and rosary. Two lines of Latin text in bottom margin., print, prints, height 320 mm, width 243 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1613 - 1613, paper, engraving, engraving (printing process), Work conception, after own design by, 1552 - 1621, granter of privilege

Meeting between two women, Anonymous, After Gerard de Lairesse, 1705 print Two women, possibly Mary and Elisabet, greet each other for a house. On the right is a dog. At the rear left a gate. Low Countries paper etching meeting. dog. adult woman (+ one person). Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

Philip III, Crispijn van de Passe (II), 1611

The Cook and His Wife, probably 1497. Albrecht Dürer (German, 1471-1528). Engraving;

Plate 4 for Shakespeare's 'Macbeth'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1784. Prints; etchings. Etching, six per page

Visscher, Claes Jansz. (II), Couple in love, verso - stamped, A couple in love embracing under a tree. In the background fields and a village., print, book illustration, prints, height 121 mm, width 95 mm, print maker, printmaker, 1607 - 1607, paper, etching, etchings, engraving, engraving (printing process), Northern Netherlands, 1586 - 1652-06-19

Dancing Boerpaar, Hieronymus Wierix (Attributed To), After Albrecht Dürer, 1559 - Before 1619 print A farmer and a farmer's wife dance hand in hand. Signed at the bottom right with "æ12". Above their heads the monogram of Albrecht Dürer and the dating of his print. Antwerp paper engraving farmers. one pair dancing; man and woman dancing as a couple

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