Historical Saints and Figures

Engravings of historical figures, including saints with specific attributes and costumes, showcasing intricate details and historical dress styles.

H. Paulus van Tarsus, Anonymous, After Hieronymus Wierix, After Jan Ditmaer, After Maerten de Vos, 1580 - 1613 print Saint Paul of Tarsus stands, with one foot on a stone, between two columns in an architectural accompaniment. In his hand he holds a sword, a book under his arm. In the background you can see how he is beheaded by a soldier with a sword. In the context at the bottom of a three -faced caption in Latin. after print by: Antwerppublisher: Cologne paper engraving the apostle Paul of Tarsus; possible attributes: book, scroll, sword. column, pillar ~ architecture. the beheading of Paul; maybe three fountains spring from his head

Saint Simon, a saw in his lowered left hand, from the series 'Piccoli Santi' (Small Saints). Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 3 1/4 x 1 15/16 in. (8.2 x 5.0 cm). Date: ca. 1500-1527. Museum: Metropolitan Museum of Art, New York, USA.

Costume Plate: Hispana Rustica mul. (with cloth and fan) ca. 1557-58 Engraved by Enea Vico Italian. Costume Plate: Hispana Rustica mul. (with cloth and fan) 383577 Artist: Engraved by Enea Vico, Italian, Parma 15231567 Ferrara, Costume Plate: Hispana Rustica mul. (with cloth and fan), ca. 155758, Engraving, sheet: 5 7/8 x 3 11/16 in. (15 x 9.4 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 (49.97.446)

Portrait of Melanchton, Romeyn de Hooghe, 1701 print Portrait of Melanchton from a series of portraits in the history of the churches and Ketteren from the beginning of the new will until the year Onses Lord 1688 from Godfried Arnold (1701). Netherlands paper etching / engraving

St. Thomas. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Martin Schongauer, Saint Philip, c 1480 Saint Philip

H. Paulus van Tarsus, Anonymous, After Hieronymus Wierix, After Jan Ditmaer, After Maerten de Vos, 1580 - 1613 print Saint Paul of Tarsus stands, with one foot on a stone, between two columns in an architectural accompaniment. In his hand he holds a sword, a book under his arm. In the background you can see how he is beheaded by a soldier with a sword. In the context at the bottom of a three -faced caption in Latin. after print by: Antwerppublisher: Cologne paper engraving the apostle Paul of Tarsus; possible attributes: book, scroll, sword. column, pillar ~ architecture. the beheading of Paul; maybe three fountains spring from his head

St Paul Made 1514 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

St. Jude. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Apostle Simon, Martin Schongauer, c. 1470 - 1491 print The apostle Simon, in full, a book in one hand, the other hand based on a saw. This print is part of a series of twelve portraits of the apostles. Germany paper engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll

Alexander VII., Papa Unknown artist publisher: Huybrechts, Gaspar (1619) Dating: 1655/1684

Venice, Bertelli, Orazio, Italy, Carracci, Agostino, Christ, Mary, John the Baptist and the Apostles, Apostle Peter with Two Keys and a Book, print, prints, height 105 mm, width 62 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1583 - 1583, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, publisher, uitgever

Albrecht Dürer, Saint Bartholomew, 1523 Saint Bartholomew

The Apostle Peter, standing in a rocky area near a seashore, two keys and a book in the right hand, a cross in the left arm, the left foot resting on the crossbar. Below the depiction two lines of Latin text. This print is one of a series of 14 prints, each consisting of a full-length portrait of an apostle, Christ or Paul with typical attributes and a caption in Latin, Apostle Peter Christ, the Twelve Apostles and Saint Paul (series title), print maker: Jacob de Gheyn (II), (mentioned on object), Karel van Mander (I), (mentioned on object), publisher: Hendrick Hondius (I), (mentioned on object), print maker: Amsterdam, publisher: The Hague, 1591 - 1592 and/or 1607, paper, engraving, h 299 mm × w 196 mm

Woodcut and type print by Lucas Cranach the Elder around 1515 depicting the apostle Matthew, one of the twelve apostles of Jesus.

Holy Jakobus De Lessere, Raffaello Schiaminossi, After Lucas van Leyden, 1605 print The Holy James the lesser standing with a measuring instrument in hand. Italy paper etching the apostle James the Less, first bishop of Jerusalem; possible attributes: book, fuller's club, scroll. measuring-instruments

Martin Schongauer, Saint John the Baptist, c 1475 Saint John the Baptist

Italy, Barbari, Jacopo de', Man with cradle and jug, print, prints, height 83 mm, width 43 mm, Work conception, 1440 - 1516, after print by, 1504 - 1554, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), print maker, printmaker

Portrait of Georgius Iconolatra, Romeyn de Hooghe, 1701 print Portrait of Georgius Iconolatra from a series of portraits in the history of the churches and Ketteren from the beginning of the new will until the year Onses Lord 1688 of Godfried Arnold (1701). Netherlands paper etching / engraving

Depicts 'Johannes' by Israhel van Meckenem, created as a copper engraving print in the last third of the 15th century, showing figure and composition.

Copper engraving print from around 1480-1500 depicting Saint Bartholomäus, showing figure, posture, and attributes.

Philip Melanchthon, Full-Length Towards the Right 1561 Lucas Cranach the Younger German. Philip Melanchthon, Full-Length Towards the Right 625347

Amsterdam, Visscher, Claes Jansz. (II), Serwouters, Pieter, Old man with a roll of paper, verso lower left - stamped, Old man with a beard and a square collar with an unrolled scroll in his hand. He holds the blank sheet of paper with both hands., print, prints, height 164 mm, width 102 mm, Noord-Nederlands, 1586-10-28 - 1657-09-26, print maker, printmaker, 1601 - 1657, paper, papier, engraving, engraving (printing process), Publication (Event), Publicatie, 1586 - 1652-06-19, publisher

Nuremberg, Solis, Virgil, Saint Andrew in scrollwork frame, verso - handwritten in brown ink, Numbered top right: 2., print, prints, verso - stamped, 87, height 75 mm, width 54 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1568 - 1568, paper, papier, engraving, engraving (printing process)

Albertus Magnus, holy.

Preißler, Georg Martin, SFF, (1000 - 2000), copper engraving, graphics, work, 4. clothed figures for teaching drawing,

A brown ink drawing by Sébastien Le Clerc from 1650-1664 depicting Singano Dorient, mounted on a leaf with a pierced decorative strip, highlighting figure and attire.

Portrait of Baccio Bandinelli ca. 1544-47 Niccolò della Casa French Self-proclaimed rival of Michelangelo and arrogant antagonist of many of his fellow artists, the Florentine sculptor Baccio Bandinelli is here portrayed in his handsomely outfitted studio, surrounded by works from his hand and proudly sporting the shell and cross insignia of the chivalric Order of St. James. Presumably made at the artist's beheast, this consummate masterpiece of self-promotion thus celebrates both the knighted Bandinelli's high social status and the nobility of his profession.. Portrait of Baccio Bandinelli. Niccolò della Casa (French, active Italy, ca. 1543-48). ca. 1544-47. Engraving; second state of two. Prints

Keulen, Passe, Crispijn van de (I), XII. Apostolos., The twelve apostles, S. Iacobvs Minor, Apostle James the Less, verso lower left - stamped, The apostle James the Less, full-length, a book in his left hand, leaning on a club. In the background he is being clubbed to death. In the margin a caption in Latin. Print from a series with the twelve apostles., print, prent, prints, prenten, height 88 mm, width 54 mm, 1564 - 1637, print maker, printmaker, 1574 - 1637, paper, papier, engraving, engraving (printing process)

Meinhard II, Count of Tirol.

Jeremia, Jacob Matham (attributed to), after Hendrick Goltzius, 1589 print The prophet Jeremiah, looking up. Haarlem paper engraving Jeremiah (not in biblical context); possible attributes: book or scroll, 'the seething pot'

Bust of Heraclitus; Heraclite; One-and-fourteigh pieces, shyded sinne images. Bust of the philosopher Heraclitus in a niche. Print from a series of 41 symbols.

Saint John, book in right hand chalice in left, from the series 'Piccoli Santi' (Small Saints) ca. 1500-1527 Marcantonio Raimondi Italian. Saint John, book in right hand chalice in left, from the series 'Piccoli Santi' (Small Saints) 342545

PYTHAGORAS Greek philosopher, mathematician &c Date: 580 - 500 BC

Pauperitas, Heinrich Aldegrever, 1548 drawing Design for a print. paper. ink pen / brush Stupidity, Poverty of Intellect; 'Stupidità overo Stolidità' (Ripa) (+ abstract concept represented by male figure)

A black chalk and reddish drawing of Sphiron by an anonymous artist, featuring the Zeus statue of Olympus in a niche in the background.

Saint Simon. Line engraving by C. van Caukercken after Sir A. van Dyck.

Portrait of Baccio Bandinelli. Artist: Niccolò della Casa (French, active Italy, ca. 1543-48); After Baccio Bandinelli (Italian, Gaiole in Chianti 1493-1560 Florence). Dimensions: Sheet (trimmed): 11 9/16 × 8 11/16 in. (29.4 × 22 cm). Date: ca. 1544-47.Self-proclaimed rival of Michelangelo and arrogant antagonist of many of his fellow artists, the Florentine sculptor Baccio Bandinelli is here portrayed in his handsomely outfitted studio, surrounded by works from his hand and proudly sporting the shell and cross insignia of the chivalric Order of St. James. Presumably made at the artist's beheast, this consummate masterpiece of self-promotion thus celebrates both the knighted Bandinelli's high social status and the nobility of his profession. Museum: Metropolitan Museum of Art, New York, USA. Author: NICCOLO DELLA CASA. After Baccio Bandinelli.

Oude man met rol papier.Old man with beard and fur collar with a rolled-down scroll in hand. He points his finger on the unwritten writing surface.

Portrait of King Philip II of Spain, Frans Huys (attributed to), 1546 - 1562 print Portrait of Philip II, King of Spain and Duke of Brabant, in full in the clothing of the Order of the Golden Fleece. At the top right his weapon. The four -line caption in Latin is engraved on a separate plate. Antwerp paper engraving knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order)

Saint Magna as a hermitess Sancta Magna Hermits Sacra Eremus Ascetriarum , Boëtius Adamsz. Bolswert, Abraham Bloemaert, print maker: anonymous, 1590 - 1662, paper, engraving, h 142 mm × w 96 mm

Grammatica; Zeven Vrije Kunsten.Winged woman as a personification of grammar with a stone tablet with an inscription of the alphabet and a key

Saint Philippe. Artist: After François Boucher (French, Paris 1703-1770 Paris); Michel Aubert (French, 1700-1757 Paris). Dimensions: Sheet (trimmed): 13 3/8 × 8 7/16 in. (34 × 21.5 cm). Date: 1726. Museum: Metropolitan Museum of Art, New York, USA.

Rome, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Christ, Mary and the apostles, Inde venturus est iudicare vivos et mortuos, Saint Philip, verso - stamped, Saint Philip with cross and book. In the background on the left, Philip is crucified and stoned. In the background on the right a dragon kills an opponent of Philip., print, prints, height 523 mm, width 376 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

The soul points to the starry sky, Ernst Willem Jan Bagelaar, after Jan Luyken, 1798 - 1837 print A kneeling man, the personification of the soul, points to the starry sky. This print depicts a detail of a drawing by Jan Luyken entitled: Christ and the soul consider the starry sky. Netherlands paper etching Christ and the Soul. stars in the firmament

Broeck, Crispijn van den, Antwerp, Sadeler, Johann (I), Nehemias, Nehemia, verso lower left - stamped, governor of Judah. In his hands a book., print, engraving, book illustration, prints, engravings, height 120 mm, width 78 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1577 - 1577, paper, engraving (printing process), letterpress printing, Work conception, 1524 - 1591

Germany, Schongauer, Martin, The Twelve Apostles, Apostle James the Greater, The Apostle James the Greater, full-length, with a hat on his head and a walking stick in his hand. This print is part of a series of twelve portraits of the apostles., print, prent, prints, prenten, height 90 mm, width 44 mm, German, 1430 - 1491-02-02, print maker, printmaker, 1470 - 1490, third quarter 15th century, fourth quarter 15th century, paper, engraving, engraving (printing process)

St John the Evangelist. Plate 9. From: Christ and the Apostles., 1545, by Lambert Suavius. Gift of Sir John Ilott, 1971.

Stöffler, Johannes printer: Morhart, Ulrich (the elderly) Publisher: Morhart, Ulrich (the elderly)

Scholar in his office, Louis Bernard Coclers, 1756 - 1817 print A scientist is at his desk. On the table a globe, books and an ink jar with a writing spring. unknown paper etching / drypoint scholar in his study

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Martin Schonguer (around 1450-1495). Saint Christophe (Bartsch 48). Engraving (chisel), 1475-1480. Museum of Fine Arts of the City of Paris, Petit Palais. 76854-19 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

Statue of Dionysus Sardanapalus, Neo-Attic statue of the Greek god Dionysus as an old man with ivy wreath and long beard. Roman copy of a Greek orirginal from the 4th century BC, now in the Vatican. Sardanapalli statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Copper engraving by an unidentified artist depicting Raphael, created between 1517 and 1520, showing the artist or his portrait in 16th-century style.

Albrecht Dürer (German, 1471-1528), Saint Simon, 1523, engraving

St. Luke 1518 Lucas van Leyden Netherlandish. St. Luke 364666

Woman invites man inside; Medallions with ambiguous peripherals. A woman is sitting with a pillow on her lap with suspended skirts and a leg on the hearth rod at a fire. She invites the man at the hedge, which is correct with a stick on the open door, to come in. In fact, she invites him to love. In the peripheral a ambiguous text in Dutch and French: Compnt Vry Inne, Al Ist by Dage Coppen, the Stater is already open, and don't want to clutter on the Hage.

Study of a kneeling man, probably a founder. Draughtsman: anonymous. Dating: c. 1475 - c. 1499. Place: Southern Netherlands. Measurements: h 262 mm × w 175 mm. Museum: Rijksmuseum, Amsterdam.

Hanna. Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1595

Copper engraving by Sebald Beham from 1520 depicting Saint Hieronymus on an archway, showing figure, posture, and architectural setting.

Red chalk drawing by Claude Vignon around 1650 depicting Christ and the twelve apostles with focus on Peter, showing figures, gestures, and composition.

Lycurgus, Balthasar Sigmund Setletzky, after Johann Esaias Nilson, 1731 - 1771 print The Spartan legislator Lycurgus is in a round arch in a ruin landscape with a law book under his arm. On the left in a niche is a picture of a woman. Up and below the show a rocaille frame with a tombstone, a globe and a cartouche with Lady Justitia. Twice a four -line German and Latin text in the lower margin. Publishing number 25. Augsburg paper etching / engraving (story of) Lycurgus, king of the Thracian Edones. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. arch, archivolt ~ architecture

St. Thomas ca. 1510 Lucas van Leyden Netherlandish. St. Thomas 364758

A brown pen drawing by Sébastien Le Clerc depicting a nobleman from Ragusa, lavated in gray and mounted on a leaf with a pierced decorative strip, dated 1650-1664.

Stameim, Melchior of.

Sculpture of a barbaric prisoner with hat; Sculptures from ancient times. Caption in Latin. Numbered at the bottom right: 30. Print is part of an album.

A monument to Albert the Great in Lauingen by Ferdinand von Miller. A clip from a German magazine unknown, Miller, F. (18.. )

Schryver, Cornelis .

Hamelmann, Hermann Publisher: Meyer, Heinrich Wilhelmstecher: Brandshagen, F. W.Derlagsort: Lemgo

Wszyscy Święci w MNK Masieski, Jan (Fl. Ca 1750 1800), Tyszkiewicz, Konstanty (1806 1868), Marcinkowski, Antoni (printing house 1817 1862)

Cleobolus, Claude Vignon, French, 1593-1670, Graphite and red chalk on off-white laid paper, A male figure, seen standing frontally, dressed in oriental costume, rests his left hand on a baton around which a snake is coiled. In the background, four figures are grouped around an altar. Undecipherable inscriptions in ink, lower left, and signature of the artist in ink, lower right., France, ca. 1650, costume & accessories, Drawing, Drawing

Apostle..

Amsterdam, Fokke, Simon, Medal with portrait of Brinno, verso - stamped, Head of Brinno in medal. In the background a forest with figures, one of which lies dead on the ground., print, prent, prints, height 167 mm, width 114 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

A bearded beggar dressed in rags holding a hat and a staff in his right hand. Etching by J. Callot.

Hendrik Goltzius, Saint Matthias, probably 1589 Saint Matthias

Georg von Trapezunt shape cutter: Stimmer, Tobias

A bearded beggar dressed in a ragged cloak, holding a drinking vessel and a staff. Etching with engraving, possibly after J. Callot.

Hendrik Goltzius, Saint James Major, probably 1589 Saint James Major

Saint Paul. Dated: 1620s. Dimensions: plate: 12 x 9 cm (4 3/4 x 3 9/16 in.) sheet: 13.4 x 10.6 cm (5 1/4 x 4 3/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Laurent de La Hyre.

Zaccarias. Dated: published 1613. Dimensions: plate: 17.7 x 14 cm (6 15/16 x 5 1/2 in.) sheet: 24.3 x 19.1 cm (9 9/16 x 7 1/2 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Theodor Galle after Jan van der Straet.

Saint John in a Landscape. Dated: 1540. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Lucas Cranach the Younger.

Qalaley Vantu Sullt He went, and and the 1574 -175 -195 print Print is part of an album. paper historical persons. ruler, sovereign

Adriaen van Ostade, Baker Sounding His Horn, probably 1664 Baker Sounding His Horn

Stars, Laurence.

Osman Pasha.

PortraT van Niccolò Leoniceno, Anonymous, After Tobias Stimmer, 1549 - 1577 print Print is part of an album. paper letterpress printing historical persons. scholar, philosopher (+ portrait of scholar, scientist)

Chilon, Jan Harmensz. Muller, 1630 - 1656 print Chilon from Sparta, one of the seven sages of Greece, holds up a mirror to the viewer. At the top of the list are pronunciation 'Know yourself' in Latin. Amsterdam paper engraving the seven wise men of Greece: Bias, Chilon, Cleobulus, Periander (alternatively Myson), Pittacus, Solon, Thales - portrait of person from classical history

Pippin, King of Franconia.

Paracelsus Publisher: Jobin, Bernhardstecher: Stimmer, TobiStecher: Murer, Christopherlagsort: Strasbourg

Study for Man Making an Explosion. Dimensions: Overall: 11.1 x 8.3 cm (4 3/8 x 3 1/4 in.) support: 19.6 x 15.1 cm (7 11/16 x 5 15/16 in.). Medium: pen and brown ink with gray wash. Museum: National Gallery of Art, Washington DC. Author: Giulio Bonasone.

Netherlands, unknown, Scenes from the life of Saint Boniface, Saint Boniface, ca. 672-754, standing full-length, with attributes. First print in a series of prints about the life of Saint Boniface, consisting of a large image of the saint followed by 8 plates, each with two smaller numbered images below each other., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 124 mm, width 75 mm, print maker, prentmaker, 1640 - 1659, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etsen

Saint André. Artist: After François Boucher (French, Paris 1703-1770 Paris); Louis Jacob (French, Lisieux 1712-1802 Paris). Dimensions: Sheet (trimmed): 13 1/2 × 8 9/16 in. (34.3 × 21.8 cm). Date: 1726. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)64. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

the Series: Christ and the Apostles, no. 17: Christ and the Apostles: St. Thomas (with the Square), 1600s. Ludolph Büsinck (German, 1590-1669), after G. Lallemand. Chiaroscuro woodcut; sheet: 24.2 x 18.7 cm (9 1/2 x 7 3/8 in.); image: 21 x 16 cm (8 1/4 x 6 5/16 in.).

Holy Bartholomeus, Petrus Clouwet, After Peter Paul Rubens, 1639 - 1670 print The print shows the Holy Bartholomeus. In his left hand the knife with which he was skinned. The series consists of prints based on paintings by Peter Paul Rubens. Antwerp paper engraving the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff

Vectors, Pietro Verleger: Juntastecher: Monogrammist C. R.

Francesco Novelli, The Sleeping Philosopher, c.1790, etching on laid paper.

Saint Christopher (recto). Dated: 1615/1620. Dimensions: overall: 29.2 x 19.6 cm (11 1/2 x 7 11/16 in.). Medium: pen and black ink over chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hermann Weyer.

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