Historical Scenes and Events

Engravings illustrating significant historical events, such as audiences and military affairs, often featuring figures in period costumes.

Eeckhout, Gerbrand van den, Netherlands, Steelink, Willem (II), Christ and the Adulterous Woman, verso - stamped, Christ and the Adulterous Woman. Interior or forecourt of a temple where Christ stands between priests and Pharisees. Before him kneels a young woman, weeping, holding a handkerchief to her face. At the bottom left in the margin a coat of arms on a twig with leaves., print, prent, prints, prenten, height 249 mm, width 345 mm, 1856-07-16 - 1928-11-27, print maker, printmaker, 1888 - 1891, paper, papier, etching, etsen, Noord-Nederlands, 1621-08-19 - 1674-09-29

Doelists ask the prince for a free war council, 1748, 1794 print A delegation from the goalists asks the prince who is in bed to convene a free court of war, independent of the city council, 9 September 1748. Marked at the top right: XXXII. Dl. pl. III. Northern Netherlands paper etching audition; ruler giving audience

Taking Dunkerque. (TF)

Prince Willem V rewards on November 30 schout-at-night Johan Zoutman with a memorial tennis on a gold chain, after his victory in the sea battle at Doggersbank between the Dutch and the British fleet on August 5, 1781.

El Bey de Túnez ante el emperador Carlos V en la ciudad de Barcelona,1519. Durante la entrevista el Bey le pidió al emperador el favor y el apoyo contra Jeireddin Barbarroja, que le había desposeido de sus estados. Carlos V le prometió su ayuda, dando orden a Hugo de Moncada para que con una flota se hiciese a la mar con objeto de reponer en sus estados al destronado rey. Ilustración por Urrabieta. Grabado por J. Nicolau. Historia de Cataluña y de la Corona de Aragón, por Victor Balaguer. Barcelona,1863.

Illustration for the play Ines De Castro van Rhijnvis Feith, Reinier Vinkeles (I), 1793 drawing paper. ink pen / brush (FEITH, Ines de Castro) specific works of literature (with AUTHOR, Title)

Copernicus lecturing astronomy in Rome 1500; Redlich, Henryk (1838-1884), Gerson, Wojciech (1831-1901), Felsing, Friedrich KupfefeStich-Druckerei (Munich, Berlin; Graphic Plant; Flow. Ca 1865-1880), Society for the Encouragement of Fine Arts (Warsaw; 1860-1940 ); 1877 (1877-00-00-1877-00-00);

Eeckhout, Gerbrand van den, Netherlands, Steelink, Willem (II), Christ and the Adulterous Woman, verso - stamped, Christ and the Adulterous Woman. Interior or forecourt of a temple where Christ stands between priests and Pharisees. Before him kneels a young woman, weeping, holding a handkerchief to her face. At the bottom left in the margin a coat of arms on a twig with leaves., print, prent, prints, prenten, height 249 mm, width 345 mm, 1856-07-16 - 1928-11-27, print maker, printmaker, 1888 - 1891, paper, papier, etching, etsen, Noord-Nederlands, 1621-08-19 - 1674-09-29

Re-entry of the Procession into Nantes Cathedral. Louis Auguste Lepère; French, 1849-1918. Date: 1901. Dimensions: 166 × 268 mm (image); 191 × 273 mm (plate); 239 × 321 mm (sheet). Etching and drypoint on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Louis Candide Boulanger (1806-1867). "Assassination of the Duke of Orleans, rue Barbette". Lithography on paper. 1833. Paris, house of Victor Hugo. 123636-24 Window, knife, crime, duke orleans, woman, torch, lithography, night, rue barbette, violence, 19th XIX 19th 19th 19th 19th century, assassination, nocturnal, dagger

Historical scene by Nicolaus Knüpfer depicting figures in a narrative composition, executed in black-brown feder with brown brush over black chalk, including architectural and figure elements, with kinks and folds on the sheet.

Conversation in the midst of Grafmonumenten, Jan van Somer, after Karel du Jardin, 1655 - 1706 print In the midst of a few grave monuments, three men have a conversation at the table. A woman serves a bowl of food. Amsterdam paper grave, tomb. drinking. conversation, dialogue; conversation piece

Abuse of authority, contempt of laws ... (IT)

JEAN NICOT French diplomat who introduced tobacco from Portugal into France, depicted presenting it to Catherine de Medicis ; he gave his name to 'nicotine' Date: circa 1530 - 1600

Karel V transfers the government of the Netherlands to his son Philip II, 1555; Transmission of the Netherlands, by Keizer Karel den V, to his son, Philip, in the year 1555. Philip II makes a bow for Charles V, who is an increase. Charles V leans with his elbow on the shoulder of Prince Willem van Oranje. Bystanders in the room attend the government's transfer. Print at the top right labeled: V. Part, bl. 434.

Sickbed of the wife of the pasha, 1639, Caspar Luyken, Johann David Zunnern

Ilustracja No. 1 (Z 4) Thu Preusssich Branderburg State History. First and Zweyter Part. History of Mark Brandenburg until 1640, Zamieszczona W: Historically Genealogical Calender on 1790/91. With the approval of the Royal Academy Sciences in Berlin (edited by H. Siwicke), T.II Chodowiecki, Daniel Nikolaus (1726 1801)

Cornelis Pietersz. Hooft addresses Prince Maurits about the government of Amsterdam, November 3, 1618.design for a print.

Industry and Idleness, Plate VI, The Industrious 'Prentice out of His Time and Married to His Master's Daughter, Print made by William Henry Worthington, ca. 1790-active 1839, British, after William Hogarth, 1697-1764, British, Published by Jones & Co., active 1822-1850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper

Ceremony of the Contract of Marriage between Władysław IV, King of Poland, and Marie Louise Gonzaga, Princess of Mantua, at Fontainebleau 1645 Abraham Bosse French. Ceremony of the Contract of Marriage between Władysław IV, King of Poland, and Marie Louise Gonzaga, Princess of Mantua, at Fontainebleau 380659 Artist: Abraham Bosse, French, Tours 1602/16041676 Paris, Ceremony of the Contract of Marriage between Wladyslaw IV, King of Poland, and Marie Louise Gonzaga, Princess of Mantua, at Fontainebleau, 1645, Etching; second state of two, Sheet: 10 13/16 13 1/8 in. (27.4 33.3 cm). The Metropolitan Museum of Art, New York. Purchase, Harris Brisbane Dick Fund, 1930 (30.54.32)

Tableau Vivant with the covenant between King Adolf van Nassau and the English King Eduard I in 1294, Pieter Nolpe, After Jan Wildens, 1642 print Allegorical Tableau Vivant with the covenant between Roman-German King Adolf of Nassau and the English King Eduard I in 1294. In front of the throne there is a man with a lance in his hands. At the top, two hands shake their hand to the covenant. Display in the Theaterpoort founded on Dam Square for the Beurssteeg. At the bottom of the margin two four -line texts in Latin. Print is part of a series about the screenings during the visit of the English queen Henrietta Maria to Amsterdam from 20 to 22 May 1642. Amsterdam paper etching / engraving 'Living painting'. Alliance, League, Union, Foedus. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'

Natural Worship. Jean-Baptist Mallet; French, 1759-1835. Date: 1789-1799. Dimensions: 399 × 492 mm (plate); 553 × 425 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Jean Baptiste Mallet.

Friedrich Heinrich, Prince of Orania, Count von Nassau Sterbenzene (Den Hague March 14, 1647): Lying in canopy bed, head and upper body in three-quarter view from links slightly raised on upholstery, of relatives, dignitaries and councilors, including three semi-tribute, a total of about thirty Persons, circumstances, received by the Hofpriked Johannes Goethal's spiritual encouragement; At the foot of the bed a medicinal sector, in the foreground a bright, spotted hunting dog sitting; In the picture above written tape with Dutch. Legend, lower right the designations; Below the representation a Dutch. Name key with fifteen information (fourteen people and a group of seven people). Copper engraving by Cornelis van Dalen d. Ä. After painting by Adriaen Pietersz. Van de Venne. On the back a Dutch. Salutation to the reader on the right half, followed by funeral mixers, continued on the left side (correct order when the leaf folding).

Pierre-Joseph Desault (left) and Xavier Bichat (right) Line engraving.

The Covenant of Nobles, 1565, 1787 print The Association of Nobles on the castle of Hendrik van Brederode in Vianen, 1565. Netherlands paper etching alliance, league, union, foedus

Hutten, Ulrich von.

Illustration for the Tower of Nesle: the execution of Marguerite de Bourgogne

French Revolution. Flight to Varennes (20-21 June 1791). Arrest of King Louis XVI (1754-1793) and his family at Varennes on 21 June 1791, as he tried to reach the Royalist stronghold of Montmédy. Drawing by Hippolyte de la Charlerie. Engraving by T. Meyer-Heine. "History of the French Revolution". Volume I, 1876. Author: Théodore Meyer-Heine (fl. 1863-1881). French engraver. Hippolyte de la Charlerie (1827-1869). Belgian artist.

Theresiens last day , Maria Theresas last day on November , After, Johann Hieronymus Delete Kohl -, publishing house

Abraham Bosse (1602-1676). "The four ages of man: the virility. Plate 3 of a series of 4 plates. (Duplessis 1080, Blum 154)". Etching. 1636. Museum of Fine Arts of the City of Paris, Petit Palais. 100773-13 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Amsterdam, Luyken, Jan, Christ before the high priest Annas, recto - manuscript in brown ink, print, prints, etchings, verso - stamped, 117, height 117 mm, width 154 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

French Revolution: Day of June 20, 1792. The people in front of King and Petion, Mayor of Paris, to the Tuileries. 1st arrondissement. (Dummy title)

Lodewijk XIII and Richelieu play Schaak, Jan Frederik Christiaan Reckleben, 1850 print Louis XIII, King of France and Cardinal Armand-Jean du Plessis, Duke of Richelieu, play chess for a fireplace in the presence of a group of men. Amsterdam paper steel engraving chess

A prince on his throne receives a woman and her retinue. Draughtsman: Jurriaan Andriessen. Dating: 1752 - 1819. Measurements: h 185 mm × w 144 mm. Museum: Rijksmuseum, Amsterdam.

Queen Elizabeth I of England receives Dutch ambassadors Date: 1573

RENUNCIA DE FELIPE V A LA CORONA FRANCESA - HISTORIA DE ESPAÑA - S XVIII. Author: JOAN SERRA I MELGOSA (1899-1970) GRABADOR. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. FELIPE V DE BORBON.

I'm Married. Illustration from the Charles Dickens novel David Copperfield by H.K. Browne known as Phiz

Group of persons in front of a bed box in which it is haunted, Jan Luyken, 1660 - 1712, Possibly design for a print., draughtsman: Jan Luyken, 1660 - 1712, paper, pen, brush, h 111 mm × w 132 mm

A Rake's Progress, Plate 8; Madness.... 1735. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Star of the Kings, 17th century, Jan van de Velde; Artist: Pieter Molijn, Dutch, 1595 - 1661, 8 1/16 x 6 5/16 in. (20.48 x 16.03 cm) (image), Engraving, The Netherlands, 17th century

Frederick Henry takes oath as stadholder, 1625, Jacobus Buys, 1786, Frederick Henry standing in the States of Holland takes oath as new stadholder, September 1625. Design for a print., draughtsman: Jacobus Buys, Northern Netherlands, 1786, paper, pen, brush, h 149 mm × w 89 mm

REINADO DE FELIPE IV (1605-1665). CORTES DE CASTILLA CELEBRADAS EN 1636, bajo la monarquía austríaca de Felipe IV. Grabado.

Marriage of Margaret of Austria and Philip III. Dated: 1612. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

L 'Union d'Utrecht the band of Utrecht

Jean-Antoine Nollet (1700-1770) French physicist and churchman, known as Abbe Nollet, demonstrating the effects of static electricity to fashionable ladies and gentlemen. The lady is drawing sparks from the nose of the Abbe's 'charged' assistant who is lying a platform suspended by silken cords. From 'Essai sur l'Electricite des Corps' by Abbe Nollet (Paris, 1765). Engraving.

City sign academy in Amsterdam, 1764-1767, Reinier Vinkeles (I), 1768 print The city sign academy (sign academy) above the De Garde Corps in the Leidsepoort in Amsterdam in the year 1764. The drawing academy moved to the Town Hall on Dam Square on December 4, 1767. A group of male drawing pupils in a fairly dark interior in the case of lamb obligation to be drawn to a male nude model, seen the model standing from the front. In the margin at the bottom of the title and the assignment to Willem Huyghens with his family crest. Amsterdam paper etching / engraving place or institution of education and training of the artist, e.g.: academy of art. drawing-lesson Leidsepoort

Thomas Jefferson (April 13, 1743 - July 4, 1826) was an American statesman, diplomat, lawyer, architect, philosopher, and Founding Father who served as the third president of the United States from 1801 to 1809. The principal author of the Declaration of Independence, Jefferson was a proponent of democracy, republicanism, and individual rights, motivating American colonists to break from the Kingdom of Great Britain and form a new nation; he produced formative documents and decisions at both the state and national levels

Count William V is insane and kills Gerrit van Wateringen, 1357. Draughtsman: Johann Wilhelm Kaiser (I). Dating: 1843. Measurements: h 166 mm × w 124 mm. Museum: Rijksmuseum, Amsterdam.

General Statement Assembly (IT)

Decapitation of Saint John the Baptist. Engraving after Sir P.P. Rubens.

Charles James Fox, dangerously ill, visited by an entourage of interested factions; representing the social and ministerial conflict surrounding him. Aquatint after J. Gillray, 1806.

Urban VIII., papa .

Lebensläufe nach Aufsteigender Linie nebst Beylagen A, B, C. Dated: 1779. Dimensions: book: 16 x 10.8 x 3.7 cm (6 5/16 x 4 1/4 x 1 7/16 in.). Medium: 1 of a set of 4 bound volumes with 1 etched frontispiece, 1 etched title, 4 etched illustrations and 2 etched headpieces. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki Theodor Gottlieb von Hippel (author) (artist).

Catherine of Aragon (1485-1536). Queen consort of England (1509-1533). First wife of King Henry VIII. The trial of Queen Catherine on June 21, 1529. Engraving after a painting by Laslett J. Pott (1837-1898). La Ilustracion Española y Americana, 1881.

David of Burgundy, Bishop of Utrecht, deprives Reinoud II of Brederode of the ornaments of the order of the Golden Fleece, 1470, Jacobus Buys, 1785 - 1787, Reinoud II of Brederode, is torn off the knightly order of the Golden Fleece by the Bishop of Utrecht David of Burgundy, because of the (false) accusation that he would have plotted an attempt on the life of Charles the Bold, 1470. Design for a print., draughtsman: Jacobus Buys, (signed by artist), 1785 - 1787, paper, pen, brush, h 150 mm × w 90 mm

VICTORIAS DE CARLOS V - CARLOS V RECIBE LA PLEITESIA DE LA IGLESIA Y DE LOS REYES DE EUROPA - 1547 - GRABADO RENACENTISTA. Author: MAERTEN VAN HEEMSKERCK (1498-1574). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. CARLOS V (CARLOS I). Charles I (V of the Holly Roman Empire).

Heimgang vom Maskenballe. Going home from the masked ball.. Geyer, Johann, 1806-1875. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Clothing & dress, Balls (Parties)

Performance of the play Hamlet by William Shakespeare (1564-1616). Penultimate scene of Act 5. It takes place in a room of the castle where a sword contest between Hamlet and Laertes has just been played out, wager promoted by Claudius, the King of Denmark. After the third round, Laertes wounds Hamlet, being at the same time wounded with his own poisoned sword. Laertes is shown leaning on a group of servants. Queen Gertrude had toasted Hamlet, drinking from a cup presented to her by a page containing a poisoned pearl placed by Claudius, with the intention of presenting it to Hamlet to drink a toast if he were victorious. Engraving by Vela after the painting Hamlet (last scene), by Salvador Sanchez Barbudo Morales (1857-1917). The Spanish and American Illustration (La Ilustracion Espanola y Americana), 1884.

Jacoba van Bavaria receives prizes after shooting at the Parrot in Goes, ca. 1430. Jacoba van Bavaria receives prices after shooting at Parrot in Goes, ca. 1430

Josef, Archduke of Austria (1776-1847).

Woodcut showing the White King sending the Rotweißen and Black King to assist the Hermelin King, from the Weißkunig series of Emperor Maximilian I, by Leonhard Beck, 1514-1516, wooden stick.

ROME

At the Door of a Wealthy Home. Philibert Louis Debucourt; French, 1755-1832. Date: 1805. Dimensions: 319 × 476 mm (image); 336 × 485 mm (sheet, cut within platemark). Etching and aquatint on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Count Willem V is insane and kill Gerrit van Wateringen, 1357..

17th century illustration by Joseph Lunghi, from the series 'Life of the Whore' circa 1680

Signing the peace treaty between France and the German Emperor, February 5, 1679, 1698 - 1699 print Signing the peace treaty between France and the German emperor in the town hall of Nijmegen, at ten o'clock in the evening 5 February 1679. Interior with a group of men standing around a table near candlelight. The negotiators mention: Graf Strattmann, Marquis de Croissy (jacket), Comte d'Estrades, the bishop of Gurk, Graf Kinsky, and the empty chair of the Comte d'Avaux. In the margin the legend 1-5. Northern Netherlands paper etching signing of peace treaty, concluding the peace Town hall

Florizel and Perdita, Print made by Lumb Stocks, 1812-1892, British, after Charles Robert Leslie, 1794-1859, British, 1867, Etching on thick, beige, smooth wove paper, Sheet: 10 3/4 x 13 1/8 inches (27.3 x 33.3 cm)

Unificación del Reino de Aragón y el Condado de Barcelona con el casamiento de Ramón Berenguer IV (conde de Barcelona) y la hija del rey de Aragón, Doña Petronilla de Aragón, en agosto de 1150 en Lérida. Dibujo por Rigalt. Grabado por Roca. Historia de Cataluña y de la Corona de Aragón, por Victor Balaguer. Tomo I. Barcelona,1860.

John Sanders, 1768-1826, British, The Bread and Butter Manufactory or the Humours of Bagnigge Wells, 1773. Colored mezzotint.

In a haunted house an old man offers three students' drink, after which a death falls down; Es ist keinem shells zu traunen.

Drawing (Italy)

Marcantonio Raimondi, The Circumcision, 1514, engraving on paper.

Woodcut showing the Hermelin king giving his daughter to the White King and the marriage through the White Kings legation from the Weißkunig series by Leonhard Beck, wooden stick, 1514-1516.

Boleslas II LE HARDI (1070) W: The old Poland, historic and poetic album, composed of songs and legends of M. J. U. Niemcewicz, translated and put into verse by the most colebles French poets. Orne of 36 drawings by Charles Forster, Paris 1833 Noel, Alphonse Leon (1807 1884), Sarnecki, Fabian (1800 1894), Lithographie Villain, Forster, Karol (1800 1879)

Trajanus promises peace, Matteo Piccioni, After Anonymous, c. 1625 - 1671 print The Roman emperor Trajan has returned to Rome and promises peace to a group of envoys of the barbarians. In the lower margin a rule of text in Latin and a rule of text in Italian. print maker: Italypublisher: Romeafter sculpture by: Rome paper etching piece of sculpture, reproduction of a piece of sculpture. peace

Eleanor of England is in Nijmegen reproaching her husband Count Reinoud II of Gelre for his removal in the year 1342. She proves to her husband that she is not a leper and that he has therefore unjustly cast her out. She predicts the downfall of his house, both sons standing beside her will perish in the battle for their father's name, Eleonora reproaches Count Reinoud II of Gelre with his removal Eleonora reproaches her husband with his removal , print maker: Johann Wilhelm Kaiser (I), (mentioned on object), 1840 - 1884, paper, steel engraving, h 298 mm × w 215 mm

Luyken, Jan, Northern Netherlands, Jean Bret, Anglois, brulé la bouche fermée avec une vis, à Anvers, Ao. 1576, Hans Bret Engeländer zu Antorf seine zung geschraubt und nachmahls spendrent, Hans Bret's tongue is pierced in Antwerp, 1576, The Mennonite Hans Bret's tongue is pierced or a mouth clamp is placed in his cell in Antwerp before he is burned at the stake, 1576., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 115 mm, width 143 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1685, fourth quarter 17th century, paper, papier, etching, etchings, Work conception

Christ Presented to the People: Oblong Plate. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1655. Dimensions: 360 x 457 mm (plate); 361 x 459 mm (sheet). Drypoint on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Work by Andries Cornelis Lens depicting Christ and the adulteress, executed in graphite pencil with watercolor and white highlights on blue paper.

SORTEO DE LOTERIA. Location: MUSEO DE HISTORIA DE MADRID-GRABADOS ByN. MADRID. SPAIN.

Shakspeare. Second part of King Henry the Fourth, act III, scene II : Justice Shallow's seat, in Gloucestershire : Shallow, Silence, Falstaff, Bardolph, Boy, Mouldy, Shadow, Wart, Feeble, & Bull-calf , Judges, Interiors, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry IV. Thomas Pennant Barton Collection

Group picture.

Interior views of Albrechtsburg, Murals in Albrechtsburg, Universität Leipzig, 1899, Meißen, Albrechtsburg, Übersiedlung der Universität Leipzig nach Meißen, Germany

Charles, Prince of Viana (1421-1461). Infante of Aragon and Navarre, Prince of Viana and Gerona, duke of Gandia and Montblanc. He was also called Charles IV of Navarre (1441-1461). Prince Charles of Viana before his father, King John II of Aragon (1398-1479), in Lerida (Lleida), 1460. Engraving. "Glorias Espanolas" (Glories of Spain). Volume II. Published in Barcelona, 1890.

Lazio Viterbo Viterbo Palazzo Comunale7. Hutzel, Max 1960-1990 Exterior views of Renaissance palazzo portico, portal fresco, courtyard with fountain and view of SS. Trinita. Interior views of Sala Regia o Erculea, decorated with frescoes by Croce and Sala del Consiglia. Antiquities: Sarcophagi in courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Death of Albrecht Beiling, 1426, 1842 - 1844 print Albrecht Beiling, commander in Schoonhoven, convicted by Jacoba van Beieren to be buried alive, is ready to die, January 1426. Netherlands paper steel engraving on the scaffold or place of execution Schoonhoven. Netherlands

A chalk drawing on gray construction paper by Cecil van Haanen depicting the Dance of the Esmeralda, showing figure movement, posture, and costume details.

Buys, Jacobus, Northern Netherlands, King, Theodoor, Scenes from the life of Prince William I, 1568-1584, Capture of the Count of Bossu, Ao. 1573, Orange returns his sword to Bossu at Hoorn, 1573, William of Orange returns his sword to Bossu at Hoorn, 1573. Tenth song., print, engraving, historical print, prints, Frederik Muller Historical plates, height 185 mm, width 150 mm, 1748-02-03 - 1829-01-31, print maker, printmaker, 1781 - 1781, fourth quarter 18th century, paper, papier, etching, etchings, Work conception, 1724-11-19 - 1801-04-07, after a design by, intermediary draughtsman

Napoleon Bonaparte (1769-1821). Emperor of the French from 1804-1814. Engraving by Longhi, 1812. Reception at the Saint-Cloud Palace. Engraving by E. Deschamps, 1903. (Photo by: PHAS/UIG)

Isaac Taylor, 1730-1807, British, Unidentified Periodical / Play Illustration, undated. Gray wash, brown wash, and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Police Commissary's Reception Room the Night Before a Holiday by Fedotov, Pavel Andreyevich (1815-1852)/ State Tretyakov Gallery, Moscow/ 1837/ Russia/ Pen, brush, watercolour, ink and white colour on paper/ Romanticism/ 18,4x23,5/ Genre

The Parable of the Prodigal Son, No. IV: The Fatted Calf 1882 James Tissot French. The Parable of the Prodigal Son, No. IV: The Fatted Calf. The Parable of the Prodigal Son series. James Tissot (French, Nantes 1836-1902 Chenecey-Buillon). 1882. Etching on laid paper; second state of two. Prints

To say the book of Józef Poniatowski from his families; Willaeys (17 ..- 18 ..), Dubreuil (Paris; Publisher; 182.); around 1820 (1815-00-00-1825-00-00);Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Woźnicki, Kazimierz (1878-1949), Woźnicki, Kazimierz (1878-1949)-collection, gift (provenance), children, Napoleonic era ( 1799-1815), French graphics, legend of Prince Józef Poniatowski (iconogr.), Uniforms, Poland (culture), Farewell, Family, Army

King John Ratifying the Magna Charta, William Wynne Ryland, 1732-1783, British, after John Hamilton Mortimer, 1740-1779, British, ca. 1783, Stipple engraving, engraver's proof, Sheet: 18 5/16 x 23 5/8in. (46.5 x 60cm)

Cornelis Pietersz. Hooft addresses Prince Maurice about the change of government of Amsterdam, November 3, 1618, Jacobus Buys, 1779 - 1784, Design for a print., draughtsman: Jacobus Buys, 1779 - 1784, paper, pen, brush, h 148 mm × w 89 mm

Horace Vernets Atelier. Artist: Unknown

Illustration of a brothel during 17th c. Engraving.

Buys, Jacobus, Northern Netherlands, Vinkeles, Reinier (I), Willem V offers his services to the Dutch Maiden, 1781, verso - stamped, Allegory of the Battle of the Doggersbank between the Dutch and British fleets on 5 August 1781. Prince Willem V and his entourage standing opposite the Dutch Maiden with a lance and liberty cap and offering his services. In the caption a four-line verse and a reference to page 43., print, engraving, book illustration, prints, engravings, Frederik Muller Historical plates, height 186 mm, width 111 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1782 - 1782, paper, papier, etching, etchings, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)2. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Plate 12 for C. L. Bretzner's 'The Marriage Broker'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1784. Prints; etchings. Etching, laid down

Ontmoeting van den raadpensionaris Cats met Willem II.Willem II, Prince of Orange and Jacob Cats in an interior. Willem II points to a document that lies next to him and holds an inkwell and disk spring.

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