Historical Scenes in Landscape Prints

Prints illustrating dramatic historical events, including thefts and rural life, filled with characters set against detailed landscapes.

Artist: Jacques Callot, French, 1592-1635, Le Passage de la Mer Rouge (Crossing the RedSea), Etching, sheet: 12.6 × 23.3 cm (4 15/16 × 9 3/16in.), Transfer from the Yale School ofArt, Made in France, French, 17thcentury, Works on Paper -Prints

Landscape with two robbers on the right attacking an old man, Anonymous, After Domenico Campagnola, After Titian, c. 1600 - c. 1699 print A landscape with a river and a village on the left. In the foreground on the right two robber who attacked an old man. Title in Latin in STUDMARGE. Numbered below: 17. Italy paper etching landscapes. river. traveller(s) attacked by robber(s)

Ostade, Isaac van, Antwerp, Le Masurier, S., Peasant company at an inn, verso - stamped, Peasant company outside around the table of an inn, the landlady watches from the balcony. In the middle a horse and cart by a feeding trough., print, prent, prints, prenten, height 320 mm, width 424 mm, 1710, print maker, prentmaker, 1720 - 1820, paper, papier, etching, etchings, Northern Netherlands, 1621-06-02 - 1649-10-16

Veldmaarschalk stops a derelict house, Pierre Jacques Duret, After P. Wouwerman, 1750 - 1760 print print maker: Francepublisher: Amsterdampublisher: Paris paper etching commander-in-chief, general, marshal. rural housing, e.g. country-house, villa, cottage. farrier, shoeing-smith. children's games and plays

The Death of the Fox, Print made by Thomas Burford, ca. 1710-after 1774, British, after James Seymour, 1702-1752, British, Published by Laurie & Whittle, 1755-1836, British, 1794, Mezzotint on moderately thick, smooth, beige laid paper, Sheet: 11 x 15 9/16 inches (27.9 x 39.6 cm), Plate: 9 13/16 x 13 11/16 inches (25 x 34.8 cm), and Image: 9 5/16 x 13 11/16 inches (23.6 x 34.8 cm), costume, death, dogs (animals), equestrians, forest, fox (animal), fox hunting, hankerchief, horn, horses (animals), hunters, hunting, landscape, pond, resting, sporting art, top hats, whips

Artist: Jacques Callot, French, 1592-1635, Le Passage de la Mer Rouge (Crossing the RedSea), Etching, sheet: 12.6 × 23.3 cm (4 15/16 × 9 3/16in.), Transfer from the Yale School ofArt, Made in France, French, 17thcentury, Works on Paper -Prints

Mercury steals the cattle of Apollo and wears the old farmer battus, which sees the theft, to mention. On the right in the background a round ruin.

Roof of Europe, Claude Lorrain, 1634 print Coastal landscape with a group of girls and a herd of animals. Zeus disguised as a bull, wears Europe on its back, around four girls with floral wreaths. Rome paper etching Europa and her maidens play with the bull, and/or adorn it with flowers

Francesco I d'Este Builds the Fortresses of Modena for the Security of his People, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 15/16 × 6 5/16 in. (12.5 × 16 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice

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Peasants Resting. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 7 7/8 × 9 13/16 in. (20 × 24.9 cm). Date: 1803. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with two robbers on the right attacking an old man, Anonymous, After Domenico Campagnola, After Titian, c. 1600 - c. 1699 print A landscape with a river and a village on the left. In the foreground on the right two robber who attacked an old man. Title in Latin in STUDMARGE. Numbered below: 17. Italy paper etching landscapes. river. traveller(s) attacked by robber(s)

Sr. Hudibras, His Passing Worth, The Manner How He Sally'd Forth": Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 2 February 1725-26 William Hogarth British. Sr. Hudibras, His Passing Worth, The Manner How He Sally'd Forth": Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 2 392589

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Shepherd on horseback and a boy with a herd, verso - stamped, View of a rolling landscape with a shepherd on horseback in the foreground talking to a shepherdess. The young shepherd standing next to the rider is driving two sheep and a goat across the road., print, prent, prints, prenten, height 273 mm, width 352 mm, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, engraving, engraving (printing process), 1620 - 1683-02-18

Driving School, Jean Moyreau, After Philips Wouwerman, 1742 print France paper etching / engraving riding-school, maní¨ge

Danckerts, Dancker, work, Resting in the shelter of a rock, (1000 - 2004), line etching, graphics, plate width 31 cm, plate height 21.5 cm, leaf width 32.7 cm, leaf height 23.2 cm

The Country Dance (Small Plate). Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 5 3/8 x 7 11/16 in. (13.6 x 19.6 cm). Date: ca. 1637. Museum: Metropolitan Museum of Art, New York, USA.

Francesco I d'Este, Suffering the Pain of his Injuries, Continues to Take Charge for the Successful Completion of the Military Campaign, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este,

Siege of a city, Jan van Huchtenburg, After Adam Frans van der Meulen, 1674 - 1733 print On the left three riders. From right to left, a procession of riders, horses and a carriage, which move to a city on the horizon. unknown paper etching historical persons

The misery and misfortunes of the war - Attack on diligence Jacques Callot (1592-1635). "The miseries and misfortunes of the war, 1633 - Attack of diligence". Etching.

Figures on a stone bridge, Jan van Goyen, 1631 drawing paper. chalk landscape with bridge, viaduct or aqueduct. angling

Jacques Callot (1592-1635). "The great miseries of war, the attack on diligence. Eighth number of a series of 18 pieces" (Lieure 1346, Meaume 571). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99599-8 Etching, engraving

'Biblical Subject'. Dimensions: 6x8 cm. Museum: State Hermitage, St. Petersburg.

Landscape withFarmhouse. Artist: Unknown After: Jacques de Gheyn II, Dutch, 1565-1629

Three men and a woman with cattle near a drinking bowl, Jean Louis Demarne (attributed to), 1762 - 1829 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cattle. landscapes (+ landscape with figures, staffage). pulling the ears (of naughty children)

William Henry Pyne, 1769-1843, British, Fishermen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects...". Etching and aquatint on wove paper.

Stretched car for an inn. Draughtsman: Jan van Goyen. Dating: 1606 - 1656. Measurements: h 108 mm × w 228 mm. Museum: Rijksmuseum, Amsterdam.

Bella, Stefano della, Landscapes and harbours, Peasant on horseback and peasant on foot, verso - stamped, A peasant on horseback and a peasant on foot in a landscape. In the background on the left a house., print, prints, height 132 mm, width 128 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1656 - 1656, paper, papier, etching, etchings

Air, plate two from The Four Elements Made 1622 Holland. Etching and engraving on ivory laid paper . Jan van de Velde, II

Herdsmen by a Campfire at Moonlight, Jan Asselijn (possibly), c. 1645 - c. 1652 drawing Shepherds in moonlight at a fire. paper. chalk. ink. deck paint brush rocky coast. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. moonlight

Kamchatkans Preparing Fish to be Dried. Artist: Jean-Baptiste Le Prince (French, Metz 1734-1781 Saint-Denis-du-Port). Dimensions: sheet: 6 7/8 x 4 3/4 in. (17.5 x 12 cm). Date: 1769. Museum: Metropolitan Museum of Art, New York, USA.

In 't year 1296. Gerard van Velzen mermits Graaf Floris V, 27 June 1296.

Apparent consent of the sons of Władysław Herman unknown

A bustling country fair full of stalls of people selling their wares. Etching by D. Deuchar, 1788, after A. Ostade.

Silenus, Jacopo Leonardis, after Giulio Carpioni (1), 1764 print Silenus with baccians, saters and putti in a landscape. Twoere -like Italian fresh in the lower margin. print maker: Italyafter drawing by: Italyafter painting by: Italypublisher: Venice paper etching (Story of) Silenus. Cupids: 'Love' 'Amoretti' 'Putti'. Satyr (s) (in general). Male Bacchant (es). Maenad (s), female Bacchant (es)

Print made by Jan van Huchtenburg, 1647-1733, Dutch, La Mere du Deux Enfants, undated. Mezzotint on moderately thick, moderately textured, blued white, laid paper.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Waiting for the ferry, verso - stamped, A shepherd and a shepherdess wait on the bank of a river with their flock for the ferry, which can be seen further up the river., print, prints, height 154 mm, width 234 mm, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, engraving, engraving (printing process), 1620 - 1683-02-18, intermediary draughtsman

Atalanta and Hippomenes; Metamorphoses from Ovid. Atalanta has challenged her worshiper Hippomenes to a running competition. Hippomenes late during running three gold apples falling that Venus had given him. Atalanta cannot resist the apples and picks them up, so she loses the game.

Boeren fair, Jan van de Velde (II), 1617 print In front of a village inn, a company is drinking men and women on reverse tons and baskets. On the right in the background a square with stalls and walking figures. In the middle behind a church. Amsterdam paper etching public road in village. inn, coffee-house, public house, etc.. drinking. pleasure fair and circus. farmers. carousal, drinking-bout, orgy

Harbor with merchants and rider; Italian ports; Aliqui Pandus. Port with a rider with arrow sleeve on the back in the foreground, in conversation with a man. There is a dog with them. Left and right groups of merchants. Sailing ships in the background. Eleventh print from a series of twelve with Italian ports.

Hunting rabbits with men hunting rabbits from the bushes, Antonio Tempesta, 1598 print Landscape with hunters that hunt rabbits. On the right a hedge of hunters in the bushes. print maker: Italypublisher: Romepublisher: RomeVaticaanstad paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). hare-hunting, rabbit-hunting

Young Shepherd and a young woman who washes her feet by a stream, Francesco Bartolozzi, After Francesco Zuccarelli, 1762 print Numbered bottom left: No. 7-2. Bottom right: No. 1. Venice paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. washing one's feet - AA - in the open air. city-view, and landscape with man-made constructions

Figures at a tent, anonymous, after Adriaen van de Velde, 1653 - 1703 print A sitting woman with a spinning skirt in a conversation with a lying man, leaning on his elbow, in front of a tent. In the tent a third figure, on the left a donkey, a sheep and a goat. Northern Netherlands paper etching tent. distaff. lying on one side, with uplifted upper part of the body and leaning on the arm. ass, donkey

Billingsgate February 4, 1786 Thomas Rowlandson. Billingsgate. February 4, 1786. Etching; a reissue. Elizabeth Jackson (British, active 1785-87). Prints

Ice-cream entertainment, draughtsman: Gerrit Grasdorp, 1661 - 1693, paper, pen, brush, h 166 mm × w 295 mm

Antwerp, Fouceel, Jan, Festival in a park, verso - stamped, In a park sit some beautifully dressed ladies and gentlemen drinking and chatting in front of an architectural fountain with two large statues. Opposite them is a second company. In the middle a dancing couple., print, prints, height 177 mm, width 251 mm, print maker, printmaker, 1665 - 1675, paper, papier, ink, inkt, etching, etchings, pen, brush, Borstel

Annual fair under Trees, Hendrik Soukens, 1700 drawing paper brush market

Inheritance of the Lower Austrian estates for Charles VI, on November , Tafel I, Introduction of the Archdukes Hut from Klosterneuburg to Vienna, Christian Engelbrecht -, Copper Engraver, Johann Andreas d, Pfeffel -, Copper Engraver, after, Johann Cyriak Hackhofer -,

Retention of riders at an inn.

River face from a wood yard on Rheinkassel and Rhindorf, Wenceslaus Hollar, 1627 - 1636 print The print is marked left and bottom right, respectively A and 7. Germany paper etching city-view, and landscape with man-made constructions. river. pier, quay, wharf Rheindorf

King Edward I of England removing the Stone of Destiny from Scone Abbey, Scotland, and transferring it to Westminster Abbey, 1296. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Mirabeau arrives at Champs Elysées

Cattle and shepherds nearruins. Artist: Michiel Carree, Dutch, 1657-1727

William Finden, 1787-1852, British, Mannering, Hazlewood and Smugglers, 1836. Engraver's proof, touched.

No. 40. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Bertaux (uncertain), work, Paimen lambainen, (1000 - 2000), technique text: line etching, graphics, image width 19.6 cm, image height 14.2 cm

Peasants and Hay Wagon on a Country Road. Artist: Circle of Jan Brueghel the Elder (Netherlandish, Brussels 1568-1625 Antwerp). Dimensions: 5 13/16 x 6 7/8 in. (14.8 x 17.5 cm). Former Attribution: Formerly attributed to Jan Brueghel the Elder (Netherlandish, Brussels 1568-1625 Antwerp). Date: 1580-1625. Museum: Metropolitan Museum of Art, New York, USA.

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, The Virgin and Child with Joseph, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 18.6 × 24.1 cm (7 5/16 × 9 1/2 in.), Italian, 18thcentury, Works on Paper -Prints

View of Prague, 1726, 1726 print View of Prague, shepherds resting in the foreground. Plate no. 215 in part IX of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Prague

Company for an inn, Anton Tischler (print maker), After Philips Wouwerman, 1754 print Dresden paper etching / engraving armorial bearing, heraldry. horse. hotel, hostelry, inn. two-wheeled vehicle drawn by one animal. sailing-ship, sailing-boat

Attack on a Coach. Dated: c. 1633. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Reverse Copy of La Fiore de Gondreville pièce appelée aussi La Fête du Village, La Petite Foire, Le Bal Champêtre, Le Jeu de Boules (The Fair at Gondreville also called The Village Festival, The Little Fair, The Country Dance, The Game of Bowls) 17th century Anonymous. Reverse Copy of La Fiore de Gondreville pièce appelée aussi La Fête du Village, La Petite Foire, Le Bal Champêtre, Le Jeu de Boules (The Fair at Gondreville also called The Village Festival, The Little Fair, The Country Dance, The Game of Bowls). Anonymous. 17th century. Etching. Prints

Figures for an inn, Jacques-Philippe Le Bas, After David Teniers (II), 1745 print Numbered below: 36me Teniers Paris paper etching / engraving inn, coffee-house, public house, etc.

Landscape with three riders, draughtsman: Jan van Goyen, 1631, paper, h 111 mm × w 195 mm

Shepherd and shepherdess in a front. In a front, a shepherd man points to two shepherdesses with dogs. The shepherd has two cows.

Landscape with Two Peasants, One Riding a Horse, from 'Landscapes and seaports' (Paysages et ports de mer, dans des ronds). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed): 5 3/16 × 5 3/16 in. (13.1 × 13.1 cm). Series/Portfolio: 'Landscapes and seaports' (Paysages et ports de mer, dans des ronds). Date: 1656. Museum: Metropolitan Museum of Art, New York, USA.

Huot de Goncourt, Jules (n.1830-12-17-D.1870-06-28), Le Pont Neuf after Gabriel de Saint Aubin (main title) , strong water on laid paper. Petit Palais, Museum of Fine Arts of the City of Paris.

When a stingy farmer refuses to help David and his men, they threaten to punish him. Abigail, the farmer's wife, kneels before David and offers him and his soldiers food and drink. Behind her some servants and three donkeys packed with drink and food., David and Abigail, print maker: anonymous, Nicolaes de Bruyn, (mentioned on object), Nicolaes de Bruyn, (mentioned on object), Antwerp, 1618 - 1706, paper, engraving, w 656 mm × h 420 mm

Shepherds with herd in a landscape with bridge, Jacques-Philippe Le Bas, after Nicolaes Pietersz Berchem, 1741 print paper etching herd, flock. landscape with bridge, viaduct or aqueduct

Entry of Maria de Medici in Amsterdam The Netherlands (plate 6), 1638, Pieter Nolpe, Jan Martszen de Jonge

Entry of Maria de Médicis in Amsterdam (plate 6), 1638, 1638 - 1639 print Entry of the French Queen Maria de Médicis in Amsterdam, August 31, 1638. Sixth album in an unassembled ensemble consisting of a title page, a portrait and seven magazines of the procession. The part of the procession with the carriage with the queen, surrounded by riders. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam

Plundering and Burning a Village, plate seven from The Miseries of War Published 1633 France. Inscribed Those whom Mars supports with his evil deeds, serve in this manner the poor country people. They take them prisoner, burn their villages and even wreak havoc on their livestock. Neither fear of the Commandments, nor sense of duty, nor tears and cries can move them.. Etching on paper . Jacques Callot

Allegory on Agriculture, Bernard Picart, 1733 print Allegorical title page that depicts the book Georgica by the poet Vergilius. In the countryside, men and women have devoted themselves to agriculture, growing trees and cattle and beekeeping. In the margin a three -fitting quote from Vergilius in Latin. Amsterdam paper etching / engraving bee-keeping, apiculture. cattle-breeding, livestock industry. horticulture, vegetable culture, market gardening. agriculture

Alexander the Great and Neptune. Dated: 1634. Dimensions: plate: 10.4 x 15.7 cm (4 1/8 x 6 3/16 in.) sheet: 10.8 x 17.7 cm (4 1/4 x 6 15/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Willem Basse.

Danckerts, Dancker, work, Peasants and shepherds on the road, (1000 - 2003), line etching, graphics, image width 27.9 cm, image height 19 cm

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: one hundred and twenty-sixth board (Dornik-Eger 36; Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

A landscape showing horsemen on a path with a covered wagon in the center. To the right a large tree under which a group of figures, Covered wagon escorted by horsemen, print maker: Robert van den Hoecke, (mentioned on object), Southern Netherlands, 1632 - 1668, paper, etching, h 137 mm × w 210 mm

Italiananizing landscape with car at inn. Copy to the print of Karel Dujardin from series small landscapes

December: Dorps scene with inn (Capricorn); Dicembre; The twelve months (part 1). Imagination of human activity in the month of December. View of a village square with butchers, an inn and a cattle market. In the middle above the symbol for the Stone Boil zodiac sign. Italian fresh and title in undermarge.

Man leaning on a stick in landscape, Stefano della Bella, 1620 - 1664 print A landscape with a man in the foreground, leaning on his stick. Houses in the background. In the background on the right a man with a horse and a woman on horseback. print maker: Francepublisher: ParisFrance paper etching landscapes. farmers. walking, hiking (recreation)

Amsterdam, Visscher, Claes Jansz. (II), Vinckboons, David (I), Assenburch, Uitzicht op kasteel Assumburg te Heemskerk, verso - stamped, Kasteel Assumburg te Heemskerk, with a falconer with three dogs in the foreground on the left. An elegant pair. On the right a cat is eying a bird on a branch. The cat has already placed its front paws against the trunk of the tree., print, prints, height 191 mm, width 250 mm, print maker, printmaker, 1612 - 1652, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1576-08-13 - 1629, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

The passage through the Red Sea, Jacques Callot, 1629 print In the foreground are Moses and Aaron, the former with a staff in the lifted left hand. Before they pass the Israelites between the waves of the Schelf Sea (a spur of the Red Sea) and further through the mountains. On the left in the background you can see how the Pharaoh is swallowed up with his entourage by the returning water. Under the show two lines of Latin text. print maker: Nancypublisher: Paris paper etching with his people safe on the shore, Moses raises his hands and causes the water to return; Pharaoh's army perishes in the water (Red Sea)

A Shepherd Couple with Cattle near a Shed. Even though this drawing is larger than the average preparatory sketch for a painting, it would never have left the workshop. For one it is not signed, and second, when the artist noticed there was not enough room at the top, he simply attached a strip of paper to the original sheet. This drawing would certainly not have been meant for sale.

Chalk drawing by Giovanni Domenico Tiepolo, circa 1771-1773, showing a centaur accompanied by two nymphs, rendered with feather strokes and light washes.

Jacques Callot (1592-1635). "Le Petit Portement de Croix" (Lieure 193, Meaume 9). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99589-5 Etching, engraving

Auguste Lepère, Burial in the Vendeen Marsh (Un enterrement dans le marais Vendeen), 1901 Burial in the Vendeen Marsh (Un enterrement dans le marais Vendeen)

. Allegorical title page that depicts Georgica's book from the poet Vergilius. In the countryside, men and women dedicated to agriculture, growing trees and cattle and beekeeping. In the margin a three-legged quote from Vergilius in Latin.

No. 13. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

View of Malines, from the Set of the LargeLandscapes. Artist: Schelte Adams Bolswert, Flemish, 1586-1659 After: Peter Paul Rubens, Flemish, 1577-1640

Wonderful Fishing, Simon Thomassin, After Rafaël, 1665 - 1733 print print maker: Franceafter design by: Italy paper etching / engraving the miraculous draught of fishes (before the Resurrection) on the Lake of Gennesaret (Sea of Galilee); James and John helping to bring in the nets (Luke 5:1-11)

David Teniers the Younger depicts a peasant dance in front of a tavern, drawn in red chalk and graphite pencil, with minor brownish dirt and small tears on the edges.

Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753 The Madonna and Child at Left, with a File of Angels

King Charles II of England and Queen Catherine of Braganza arrive in a carriage accompanied by a long procession of horses and carriages at Hampton Court Palace. Print is part of a series on Catherine of Braganza's journey from Portugal to London, where she married Charles II of England, in 1662. , Arrival of King Charles II of England and Queen Catherine of Braganza at Hampton court The comming of ye King's ma tie and ye queenes from Portsmouth to Hampton Court / Passage del Rey de gran Bretanha Carolo II e o Rainha Dona Catarina de Portsmuit per a Hamton court (title on object) Journey of Catherine of Braganza from Portugal to London (series title), print maker: Dirk Stoop, England, 1662, paper, etching, engraving, h 163 mm × w 548 mm

Three horsemen on the left. From right to left, a procession of horsemen, horses and a carriage, moving toward a city on the horizon, Siege of a city Military representations from the life of Louis XIV, king of France (series title), print maker: Jan van Huchtenburg, Adam Frans van der Meulen, unknown, 1674 - 1733, paper, etching, h 101 mm × w 138 mm

Fishermen and riders on the beach of Scheveningen. Draughtsman: Jan van Goyen. Dating: 1648 - 1652. Measurements: h 112 mm × w 183 mm. Museum: Rijksmuseum, Amsterdam.

Christ Pierced by the Lance, no. 11 of 11 from La PetitePassion. Artist: Jacques Callot, French, 1592-1635

Figures at a horse market, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print publisher: ParisFrance paper etching / engraving persons engaged in trade and commerce. horse. market

Untitled: Desert Scene, George Knapton, 1698-1778, British, after Agostino Carracci, 1557-1602, Italian, Arthur Pond, ca. 1705-1758, British, 1740, Sheet: 6 1/2 x 8 1/4in. (16.5 x 21cm)

Sacrifice or Abigail, draughtsman: Jan Victors, (attributed to), draughtsman: Rembrandt van Rijn, (rejected attribution), Amsterdam, c. 1635 - c. 1640, paper, brush, h 339 mm × w 288 mm

State of the English Nation. Artist: Anonymous, British, 18th century. Dimensions: plate: 7 11/16 x 10 5/16 in. (19.6 x 26.2 cm)sheet: 9 5/8 x 12 1/2 in. (24.5 x 31.8 cm). Publisher: W. M. Jackson (London). Date: August 1, 1778.This print copies one first published in the Westminster Magazine on March 1, 1778 as "A Picturesque View of the State of the Nation." Explanatory text is now in French and the imagery includes a cow (English commerce), whose horns are being sawn off by a Native American (the American Congress), and milked by a Dutchman who gives shares to a Frenchman and a Spaniard. The British lion sleeps while a Free Englishman wrings his hands. In the background General William Howe and Admiral Richard Howe sit near Philadelphia, with the latter's flag ship "The Eagle," beached and unready for action. Museum: Metropolitan Museum of Art, New York, USA.

Postman drives along the beach, Joost van Geel, in or after 1666 print The postman drives his horse along the beach. He signals for a passing ship. The print has a Dutch caption with an explanation. Rotterdam paper etching sea. ships (in general) - CC - more than one ship. postal service. postman. beach

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