Historical Social Scenes

Illustrations capturing vibrant social scenes in the 19th century, depicting communal activities and everyday life, rich in detail and context.

The poor in Paris. The stove of the philanthopic society of the rue de Sèvres

Husking the Corn in New England (from "Harper's Weekly," Vol. II) November 13, 1858 After Winslow Homer American. Husking the Corn in New England (from "Harper's Weekly," Vol. II). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). November 13, 1858. Wood engraving. Harper's Weekly (American, 1857-1916). Prints

Musical Works of Ernest Doré: Souvenir of Alsace, Alsatian Dance - Title Page. Gustave Doré (French, 1832-1883). Lithograph;

What We Did at the Seaside - Nothing, 1862. England, 19th century. Wood engraving;

The poor in Paris. The stove of the philanthopic society of the rue de Sèvres

Wages of debauchery caricature on the punitive measures against prostitutes, Johann Hieronymus Deleteenkohl -, publishing house

A Snow Slide in the City (Harper's Weekly, Vol. IV). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)sheet: 10 3/4 x 15 15/16 in. (27.3 x 40.5 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: January 14, 1860. Museum: Metropolitan Museum of Art, New York, USA.

Album GUARD (page 48). PREPARATORY DRAWING FOR GULLIVER TRAVEL. J.J. Grandville (1803-1847). Album Giaud (Page 48) - Preparatory Drawing for Gulliver Travels. Feather and brown ink on the lead mine.

A prostitute gives evidence to a magistrate: she points towards Tom Idle dividing loot with his accomplice, as a corpse is being disposed of through a trapdoor. Engraving by Thomas Cook, 1795, after William Hogarth.

New York Charities - St. Barnabas House, 304 Mulberry Street - Drawn by Winslow Homer (Harper's Weekly, Vol. XVIII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 3/8 in. (23.2 x 34 cm)sheet: 10 11/16 x 15 7/8 in. (27.1 x 40.3 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: April 18, 1874. Museum: Metropolitan Museum of Art, New York, USA.

Print, Illustration for Hamlet: The Players Represent the Death of Hamlet's Father (III,2); France; lithograph on paper; 30 × 35.6 cm (11 13/16 in. × 14 in.); 1896-31-104

Disparate pobre (Poor Folly), also known as Two Heads Are Better Than One, from the series Los disparates (Losproverbios). Artist: Francisco Goya, Spanish, 1746-1828

La Boulotte, Anonymous, after Jean François Bosio, 1804 An elegant company plays the Bouillotte card game at a table. (The game was invented under the directoire and was the card game par excellence during this period, not so much in the play houses as in the mundane salons. It was played with 5 players, referring to the five -member board of France that the country during a part The French Revolution (1795-1799) ruled / "Au Temps des Merveilleuses", no. 123)) Paris paper etching fashion plates. private festivities, merry company. clothes, costume (+ men's clothes). playing-cards. care of the hair - AA - ~ women. dress, gown: evening dress (+ women's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). coat (+ men's clothes). eyeglasses, spectacles (+ male human being (not to be used where -A- is prescribed)). clothing for the upper part of the body (SHAWL) (+ women's clothes). head-gear (+ women's clothes). walking-stick, staff, cane (+ men's clothes)

A barber-surgeon's house, where monkeys shave cats and let blood. Line engraving, c. 1660, after D. Teniers II.

The Dressing Room of the Extras of the Comedie Francaise 1775-1832 France. Pen and black ink, and brush and gray wash, with graphite, on ivory wove paper, laid down on ivory laid paper . Philibert Louis Debucourt

Insane in an interior; The Elven. Female insane in an interior (from the foundation in Zutphen). In the middle a woman holding a canvas with a broom.

The great salon in the Divonne-les-Bains hydropathy clinic, France, illustration from L'Illustration, Journal Universel, No 699, Volume XXVII, July 19, 1856.

George Cruikshank, 1792-1878, British, Midnight, Tom & Jerry at a Coffee Shop.., August 31, 1820.

Our Women and the War. Dated: published 1862. Dimensions: image: 34.2 x 51.6 cm (13 7/16 x 20 5/16 in.) sheet: 40.1 x 56.6 cm (15 13/16 x 22 5/16 in.). Medium: wood engraving on newsprint. Museum: National Gallery of Art, Washington DC. Author: after Winslow Homer.

Print made by Florence Claxton, active 1855-1889, British, Shopping, undated. Wood-engraving.

Thomas Rowlandson, 1756-1827, British, Box Lobby Loungers, 1786. Etching and stipple.

New York CharitiesSt Barnabas House, 304 Mulberry Street Published 1874 United States. Wood engraving on paper . Winslow Homer

After Winslow Homer, Husking the Corn in New England, 13 Nov. 1858, wood engraving on newsprint.

Merciful Contess , Caricature on Moritz Mohls application for the abolition of the nobility in the Frankfurt National Assembly of , Alphons von Boddien -, Lithographer, Eduard Gustav May -, publisher

Augustus Hoppin, The Last Ball of the Season, 1858, wood engraving on paper.

Condemned Criminals Receiving the Sacrament, unknown artist, ( W. T. ), after unknown artist, ( W. T. ), 1828, Etching

A Rake's Progress, Plate 7 Happy the Man.... 1735. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Amsterdam, Schenk, Leonard, 't Aapenspel in de Werelt, Apenspel in de wereld, Schoolklas met apen, verso - stamped, Schoolklas met apen. Part of a series consisting of a title print with 16 unnumbered plates from ca. 1720 in which monkeys appear as people in all kinds of scenes from everyday life. Each print with a two-line verse in the caption., print, prints, Frederik Muller Historieplaten, height 165 mm, width 195 mm, Northern Netherlands, 1696-02-26 - 1767-06-11, print maker, printmaker, 1720 - 1720, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Singers, illustration for Turgenevs ‘Sportsman's Sketches".. F.A. Brockhaus (Amsterdam, Lipsk, Wiesbaden ; wydawnictwo ; 1808-1953 ), printing house, unknown, graphic artist, Henkel, W. E. (Petersburg ; wydawnictwo ; ca 1850-1870), publisher, Dmitriew-Orenburski, Nikołaj Dmitriewicz (1838-1898), painter

Edwin Austin Abbey, The Summer ExodusLeaving by Steamboat, 1872, wood engraving on paper.

After Winslow Homer, Our Women and the War, 6 Sept. 1862, wood engraving on newsprint.

Copper engraving by Agostino Veneziano depicting the Academy of Baccio Bandinelli, showing figures, architectural elements, and interior setting, created in 1531.

Print made by T. E. Nicholson, active early 19th century, British, Humours of an Election Entertainment, 1833. Etching and line engraving on medium, slightly textured, cream wove paper.

Print made by Florence Claxton, active 1855-1889, British, Four Intellects, undated. Wood-engraving.

Ary Scheffer, Morton, lithograph on wove paper.

The Miser's Feast by John Gillray (1756-1815). Cartoon shows a miser seated at a table eating a meagre meal; death stands off to the right as an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of death, Famine, a withered hag, named to the waist which funnels to a point, wearing a large hat and fashionable skirt, stands at the open door through which enter a fashionably dressed prostitute and another woman carrying stol

after William Hogarth, 1697-1764, British, Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute, 1833. Etching and engraving on medium, slightly textured, cream wove paper.

Moicing company. The company is close to each other in an interior. Everyone plays an instrument. At the back kisses a man a woman on her cheek. Mr DES Huizes is at the window, plays the violin and reads the record that stands for him. His portrait hangs on the wall.

Political caricature in the 1830s. (IT)

Josephine Butler collection of dance prints. Lechevallier-Chevignard, Edmond, 1825-1902. Butler, Josephine. Prints. 1781 - 1939. Jerome Robbins Dance Division. Victoria, Queen of Great Britain, 1819-1901, Brummell, Beau, 1778-1840, Vestris, Gaëtan, 1729-1808, Ballroom dancing, Ballroom dancing , Caricatures and cartoons, Folk dancing , Europe, Western, Child dancers, Cakewalk (Dance), Tarantella

Nicholas Nickleby. The internal economy of Dotheboys Hall. Date: First published: 1838-39

Les Élections and Belgique. (1831.) Belgian elections; Four cartoons on the situation in Belgium before and after separation, 1831. Elections in Ghent in 1831. For an inn, Roman clergymen voters to win. Part of a series of four cartoons from 1831 in the situation in Belgium before and after the separation, see also the pendant.

Sir Joseph Banks about to Eat an Alligator ('The Fish Supper'). Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 7 3/8 × 9 1/16 in. (18.7 × 23 cm). Publisher: George Kearsley (London). Subject: Sir Joseph Banks (British, London 1743-1820 London). Date: 1786-92. Museum: Metropolitan Museum of Art, New York, USA.

The Great Fire in Chicago, Group of Refugees in the Street, Drawn by C.S. Reinhart, Harper's Weekly, October 28, 1871

William Hogarth, 1697-1764, British, Strolling Actresses Dressing in a Barn, 1738. Engraving.

A Harlot's Progress, Plate 4 before April 1732 William Hogarth British. A Harlot's Progress, Plate 4 401587

Influenza. (registered title) | Caricature boards 1831. (Title of all)

Amsterdam, Binger & Zonen, MH, Binger, Charles, Egenberger, Johannes Hinderikus, Veen, Jan van der (prentmaker), Johan van Oldenbarnevelt on the scaffold before his execution, verso - stamped, May 13, 1619. Van Oldenbarnevelt raises his hand to the spectators., print, engraving, book illustration, prints, engravings, height 159 mm, width 243 mm, Dutch, 1831-07-13 - 1860-06-21, print maker, printmaker, 1855 - 1861, paper, lithography (technique), Work conception, 1822-04-22 - 1897-05-14, after a design by, 1830-02-25 - 1916, printer, Publication (Event), Publication, publisher

The Spinners' (Las Hilanderas) by Diego Velázquez, 1599-1660, page 429, issued in 1889

Salon of 1855. Erasmus at the house of Sir Thomas More, painting by Mr. Labouchere. engraving 1855

September - Michaelmas Gander from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left). George Cruikshank (English, 1792-1878); published by Pickering & Chatto (English, 19th century). Date: 1838. Dimensions: 207 × 334 mm (primary support); 346 × 508 mm (secondary support). Four steel etchings in black on cream India paper, laid down on off-white card (chine collé). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Reproduction of a painting by Paul Chenavard: night session at the National Convention, January 20, 1793 (TF)

Réception de Choiseul-Gouffier chez Hassan-Tchousch-Oglou. Dated: 1780. Dimensions: plate: 25.4 x 36.4 cm (10 x 14 5/16 in.) sheet: 28.5 x 41.8 cm (11 1/4 x 16 7/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Antoine-Jean Duclos after Jean-Michel Moreau.

Peter Marks with his third and fourth wife, Daniel Nikolaus Chodowiecki, 1779 print On the left, Peter Marks' third wife suffocates in a parchment written on parchment that one of her worshipers has hidden in a piece of cake. On the right Peter Marks and his fourth wife. Out of economy, she has stored all her husband's clothing under lock and key. She even proposes to patch out Peter's worn pants with dust from one of her old lower dresses. Out of anger about this, Peter Marks throws the slip dress out of the window on which his fourth wife dies of fright. Numbered: III and IV. paper etching throwing something. man and wife quarrelling, 'Marriage í la mode'

Charles Green Bush, A Ten-Strike, 1869, wood engraving on paper.

The brothers Johan and Cornelis de Witt attacked in their room above the front gate of the Praise Gate in The Hague, August 20, 1672, Simon Fokke, 1755 drawing Design for a print. paper. ink pen / brush informal justice, self-help. historical events and situations. historical persons

Le Lutrin: A Night Scene with Boirude, Brontin, and L'Amour Surprised by an Owl Flying Out of a Lectern. Dated: c. 1718. Dimensions: sheet: 29.5 × 20.4 cm (11 5/8 × 8 1/16 in.). Medium: pen and black ink with gray wash, heightened with white, indented for transfer with the verso blackened, and the border on an attached sheet of paper. Museum: National Gallery of Art, Washington DC. Author: Bernard Picart.

Gabriel de Saint-Aubin. View of the Louvre Fair in the year 1753. Eau-tie, 1753. Museum of Fine Arts in the city of Paris, Petit Palais. 18th 18th 18th 18th 18th 18th century, engraving

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)16. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Les bains a quatre sous. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Elizabeth Cazotte Rescues Her Father from the Death Sentence at the Prison of lAbbaye, 2-3 September 1792 (recto); Figure Studies (verso). Artist: Pierre Alexandre Wille, French, 1748-1821

Jean Ramponau and his inn.

Ball Masqué in De Zwanenburgerstraat (diary, March 26).

Memorial plaque at the 300-year celebration of the intake of the Briel, 1572-1872; April 1, 1572. Memorial plaque of the intake of Den Briel on 1 April 1572 at the celebration of 300 years of Dutch freedom 1572-1872. Centrally, the Dutch Virgin tramps the symbols of oppression. Links Two representations of: 1: Rams of the gate through the water giants and 2: Koppenk in the Brielle board. Right two performances of: 1: Koppenk on board at Treslong and 2: Alva loses his glasses on 1 April. On top of ships on a calm sea with sunrise.

fine arts, Cruikshank, George (1792 - 1878), graphic, series ""The bottle"", plate 3, ""An Execution Sweeps Off the Greater Part of Their Furnuture: They Comfort Themselves with the Bottle"", etching, 1847, private collection,

The Artful Dodger introducing Oliver to Fagin and the boys in the thieves kitchen. George Cruikshank illustration for Oliver Twist,

In the center is the Dutch Virgin holding a sword, shield and freedom hat on a lance. Around it five representations of the capture of Den Briel: the Waterbeggars break open the gate of Den Briel, Koppestok in the council of Den Briel, Koppestok on board with Bloys van Treslong and on 1 April Alva lost his glasses, Commemorative print commemorating the capture of Den Briel, print maker: anonymous, intermediary draughtsman: Charles Rochussen, (mentioned on object), publisher: Gebroeders Binger, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1856 - 1890, paper, letterpress printing, h 370 mm × w 512 mm

THE HOLE IN THE WALL

Thanksgiving Day - The Dance (Harper's Weekly, Vol. II). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 6 1/2 x 9 1/4 in. (16.5 x 23.5 cm)sheet: 16 x 11 in. (40.6 x 27.9 cm). Date: November 27, 1858. Museum: Metropolitan Museum of Art, New York, USA.

Caricatures of the day. / Wednesday of Longchamps. / 1.

Fairground, draughtsman: David van der Kellen (1804-1879), 1840, paper, pen, brush, h 271 mm × w 342 mm

A drawing showing a group of young painters in Tivoli, depicted in a Greek-influenced style, with figures interacting in a lighthearted composition, executed in ink and pen.

INTERRUPTING BALLIOL'S CHRISTMAS DINNER

Décadence du drame en 1866. Honoré Daumier (France, Marseilles, 1808-1879). France, 1866. Prints; lithographs. Lithograph

The allegory of taste. Gvstvs. Le Govst, from the cycle The five senses". Bosse, Abraham (1602-1676), graphic artist, Tavernier, Melchior (ca 1564-1641), publisher

Regents of the Orphanage in Haarlem The Netherlands, Cornelis Ploos van Amstel, Cornelis Brouwer, 1777 - 1786

A JUVENILE BALL, 1870

Plate III. An execution sweeps off the greater part of their furniture: they comfort themselves with the bottle , Alcoholic beverages, Alcoholism, Selling, Families. George Cruikshank (1792-1878). Prints and Drawings

Print made by George Cruikshank, 1792-1878, British, Plate II, He is Discharged form his Employment for Drunkenness, 1847. Glyphograph on medium, slightly textured, cream wove paper.

The First Meeting of Prince Charles later to be King Charles I of England and Henrietta Marie of France

Print made by Thomas Cook, 1744-1818, British, The Enraged Musician, 1806. Etching and line engraving on medium, slightly textured, cream wove paper.

A farmer's house, anonymous, 1600 - 1699, draughtsman: anonymous, 1600 - 1699, paper, pen, brush, h 182 mm × w 295 mm

Royal Sport, Pit Ticket, William Hogarth, 1697-1764, British, 1759, Engraving, hand-colored, Sheet: 12 5/8 x 15 1/4in. (32.1 x 38.7cm)

September - Plucking a Goose from George Cruikshank's Steel Etchings to The Comic Almanacks 1835-1853 Made 1839 England. Steel etching in black on cream India paper, laid down on off-white card (chine collÈ) . George Cruikshank

The New Boy, an illustration from the Illustrated London News, August 13, 1859, after a work by George Smith.

Julius Caesar Ibbetson, 1759-1817, British, Sailors Carousing and Frying Watches, undated. Pen and gray ink and gray wash on moderately thick, slightly textured, cream wove paper.

The hot water fountain in Duszniki-Zdroj (Bad Reinerz), Poland, woodcut by Richard Bong (1853-1935) from Moderne Kunst (Modern Art), illustrated magazine published by Richard Bong, 1892-1893, Year VII, No 11, Berlin.

ISABEL II. REINA DE ESPAÑA. MADRID 1830-1904. " LA CASADETOCAME-ROQUE ". CARICATURA REFERENTE A LA REVOLUCION DEL 1868.

United Kingdom. London. A city thoroughfare. Engraving by Gustave Dore, London: A Pilgrimage, 19th century.

Qui en veut Vas te coucher bavard , Kings, Lawyers, Diplomats, Louis Philippe, King of the French, 1773-1850, Broglie, Achille-Léon-Victor, duc de, 1785-1870. Honoré Daumier (1808-1879). Lithographs

The Charmers of the Age March 1, 1782 Richard Livesay British. The Charmers of the Age 397492

John Hyde, MassachusettsVisitors to the Top of Bunker Hill Monument, Charlestown, 1875, wood engraving on paper.

Voyage pittoresque autour d'une femme à la mode. - Elle s'habille ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Inside an inn; verso: outline of a scene - peasants and cows in the field. Lethiere, Guillaume (1760-1832), draughtsman, cartoonist

De Misleyden: The ambassador of the Labber lots shows itself in front of the 't Bokki inn in Haarlemmerhout, Abraham Delfos, after Cornelis Troost, 1750 - 1820 print De Misleyden: The ambassador of the Labber lots shows itself in front of the 't Bokki inn in the Haarlemmerhout (a joke made by Jacob Campo Weyerman and associates). A group of people looks at the backside of a man painted as a face, stabbed from the window of the inn. Two trumpeters with black painted faces on both sides. In front of the inn are a black -dressed man and woman, biblical in hand. Leiden paper etching / engraving mocking, insulting; teasing

The Russian Ball- In the Supper Room, from Harpers Weekly, November 21, 1863. Artist: Winslow Homer, American, 1836-1910

William S.L. Jewett, The Ladies' Gallery of the Senate during the Impeachment Trial, 1868, wood engraving on paper.

Jean-Julien Jacott, Le Musée des Rieurs #28: La Douane, 1855-1882, chromolithograph on paper.

I never laughed so much as at the funeral of Bourdin's daughter, published in Souvenirs d'Artistes August 3, 1862 Honoré Daumier. I never laughed so much as at the funeral of Bourdin's daughter, published in Souvenirs d'Artistes. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). August 3, 1862. Lithograph; third state of three (Delteil). Prints

ZORRILLA , JOSE. ESCRITOR ESPAÑOL. VALLADOLID 1817 - 1893. " A BUEN JUEZ MEJOR TESTIGO ". GRABADO COLOREADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA.

It's a high form of sir, I see that. (IFF 1) (registered title)

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