Historical Street Scenes

A collection of etchings depicting bustling streets, figures, and reflections, showcasing different eras and artistic styles, with detailed textures and a range of tones.

Visitors to the market square of the reconstructed city of Oud-Holland at the world exhibition for the hotel and travel system of 1895, Jan Hoynck van Papendrecht, 1895 drawing Amsterdam paper. pencil square, place, circus, etc. (+ city(-scape) with figures, staffage). temporary exhibition, 'Salon' Amsterdam

The Rialto 1879-1880 United States. Etching with foul biting in black ink on ivory laid paper . James McNeill Whistler

Figures on the street. Page 17 From a sketchbook with 27 sheets

L'Armoire à glace (The Mirrored Wardrobe). Artist: Walter Richard Sickert (British, Munich 1860-1942 Bathampton, Somerset). Dimensions: plate: 11 11/16 x 7 3/4 in. (29.7 x 19.7 cm)sheet: 15 3/4 x 10 1/2 in. (40 x 26.7 cm). Date: 1922. Museum: Metropolitan Museum of Art, New York, USA.

Fritz Thaulow, Pont de l'Estacade, 1893, Etching and drypoint in black ink on cream laid Japanese paper.

Childe Hassam, The Flag, 1917 The Flag

Visitors to the market square of the reconstructed city of Oud-Holland at the world exhibition for the hotel and travel system of 1895, Jan Hoynck van Papendrecht, 1895 drawing Amsterdam paper. pencil square, place, circus, etc. (+ city(-scape) with figures, staffage). temporary exhibition, 'Salon' Amsterdam

Bank Holiday, Corner of Beaufort Street, Chelsea 1888-1889 England. Etching in black on ivory wove paper . Theodore Roussel

The Square, 1878. Otto H. Bacher (American, 1856-1909). Etching;

The Bridge of Sighs. Frank Duveneck; American, 1848-1919. Date: 1882-1883. Dimensions: 271 x 214 mm (image); 278 x 221 mm (plate); 432 x 303 mm (sheet). Etching, with drypoint, on cream China paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Square with column in London. Figures on a square in London with a bell tower and ornamental column on a base. Drawing is part of an album.

The Little Café au Bois Made 1894 United States. Transfer lithograph in black on cream Japanese proofing paper . James McNeill Whistler

La Rue des Mauvais Garçons, Paris (The Street of the Bad Boys). Dated: 1854. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

Turkeys 1880 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Ex-Libris Edwin Edwards , Coats of arms, Greyhounds, Houses, Alphonse Legros (1837-1911)

Rue du Gros Horloge, Rouen. Artist: Wijnand Jan Joseph Nuijen (Dutch, 1813-1839). Dimensions: 16-13/16 x 12-1/4 in. (42.7 x 31.1 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

The Piazzetta 1879-1880 United States. Etching and drypoint with foul biting in brown ink on ivory laid paper . James McNeill Whistler

Building the Victor Emanuel Monument, Rome , Cities & towns, Building construction, Monuments & memorials. Joseph Pennell (1857-1926). Prints and Drawings

Alderney Street. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1881. Prints; etchings. Etching

Charles Abel Corwin, Scene along a Venetian Canal, 1880, etching on wove paper.

The Rue Molitor (La rue Molitor). Dimensions: 50 cm x 32.3 cm, 35 cm x 24.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

Meux's Brewery. 1910. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The multitude filled with a serious joy the streets, Marius Bauer, 1894 print A woman is transported by four men on the street in a carrying carriage. Around the carriage is a crowd of people, including two horsemen on horseback, figures who ride an elephant, a veiled woman and a beggar. A temple in the background. paper etching (carrying a person on a) litter, stretcher. street

Dead -end street with a figure, 1892 - 1913 Probably a hedge closes the street. Leaf 3 Verso from a sketchbook with 31 sheets. paper. pencil street (+ city(-scape) with figures, staffage)

Hotel de Ville, Loches. Dated: 1888. Medium: etching in brown on "old Dutch" paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Traghetto, No. 2 1879-80 James McNeill Whistler American. The Traghetto, No. 2 372740

Justice Walk, Chelsea. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 166 x 243 mm (image, trimmed within plate mark); 169 x 243 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Smoking Fire, from Carceri d'invenzione (Imaginary Prisons) ca. 1749-50 Giovanni Battista Piranesi Italian. The Smoking Fire, from Carceri d'invenzione (Imaginary Prisons) 362795

Joseph Pennell, Brasserie, Au Lion Rouge, 1893 Brasserie, Au Lion Rouge

Women under a sunshade on the quay, James Abbott McNeill Whistler, 1879 - 1880 print On the quay for a long channel in Venice, under a substance span a group of women with two children. paper etching / drypoint quay. sunblind, sunshade, awning Venice

Drury Lane. James McNeill Whistler; American, 1834-1903. Date: 1879-1881. Dimensions: 162 x 101 mm (plate); 378 x 275 mm (sheet, sight, bound). Etching with foul biting, with drypoint cancellation, in dark brown ink on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lafayette Street, Childe Hassam, American, 1859-1935, Lithograph on wove paper, Corner of Lafayette Street, lower Manhattan. A large American flag hangs from the corner building., USA, 1918, architecture, Print, Print

Joseph Pennell, Second Street Market, Philadelphia, American, 1857-1926, 1920, etching

Joseph Pennell, Liberty Bell, 1912 Liberty Bell

published in the Gazette des Beaux Arts, 1986, vol. XVI, p. 300: The Gobelin Quarter, 1893. Auguste Louis Lepère (French, 1849-1918). Etching; sheet: 27.7 x 18.8 cm (10 7/8 x 7 3/8 in.); platemark: 23.1 x 15 cm (9 1/8 x 5 7/8 in.).

On the Barbary Coast , City & town life, Cities & towns, Red-light districts. Joseph Pennell (1857-1926). Prints and Drawings

Balcony, Amsterdam 1889 United States. Etching and drypoint in black ink on ivory Japanese paper . James McNeill Whistler

The Swan, Chelsea. Dated: 1872. Dimensions: plate (trimmed to the platemark): 6.67 x 9.84 cm (2 5/8 x 3 7/8 in.) sheet (includes tab with signature): 6.99 x 9.84 cm (2 3/4 x 3 7/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Dismissal of Hagar, draughtsman: Aert de Gelder, (possibly), draughtsman: Rembrandt van Rijn, (rejected attribution), 1680 - 1727, paper, pen, brush, h 174 mm × w 158 mm

Bunschoten

The Pierrot. James McNeill Whistler; American, 1834-1903. Date: 1889. Dimensions: 230 x 159 mm (image, trimmed within plate mark); 232 x 159 mm (sheet). Etching and drypoint with foul biting in black ink on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of Headquarters of Sir William Erskine, Present Residence of W.S. Pelletreau,Southampton, Pen and brown ink, grey wash, Grey laid, 44.3 × 29.2 cm (17 7/16 × 11 1/2in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

James McNeill Whistler, The Traghetto, NoII, 1879 1880 The Traghetto, No.II

Kultura w sieci Kultura+ Zygmunt Oskar Bierer

Etching and copper engraving by Bartholomeus Breenbergh depicting Joseph selling grain in Egypt, created between 1618 and 1657.

Street face with wall fountain, 1568 print Street face with a wall fountain with three statues in Nissen on the right. The fountain is placed against the side of a staircase. Left on the street a woman with a child by the hand. This print is part of an album. paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture. street. civic architecture; edifices; dwellings

Little court., 1881-1883, London, by James Whistler. Gift of Sir John Ilott, 1965.

On the Barbary Coast , City & town life, Cities & towns, Red-light districts. Joseph Pennell (1857-1926). Prints and Drawings

Village by astream. Artist: Rodolphe Bresdin, French, 1822-1885

Exeter Street, 1887. James McNeill Whistler (American, 1834-1903). Etching;

Face from the Rokin to the north, Willem Witsen, c. 1911 - c. 1912 print paper etching urban housing. rowing-boat, canoe, etc.. hand-cart. canals, waters (in city) Rock

Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos

Joseph Pennell, Gun Pit, NoII, 1917 Gun Pit, No.II

James McNeill Whistler, Old Clothes Shop, NoI, c 1884 1886 Old-Clothes Shop, No.I

Etude - Fantasy, Philip Zilcken, After Jacob Maris, 1867 - 1890 print paper etching / drypoint canals, waters (in city). urban housing Amsterdam

Eugène Isabey, Souvenir de Bretagne, 1832 Souvenir de Bretagnetitle QS:P1476,en:Souvenir de Bretagne label QS:Len,Souvenir de Bretagne label QS:Lde,Souvenir der Bretagne

1893 Art Work - Newspaper-Stall; Rue de Seine - James McNeill Whistler.

Palisades and palaces , Cities & towns, Rivers, Ships, Cliffs, Railroad trains, Railroad tracks. Joseph Pennell (1857-1926). Prints and Drawings

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons) ca. 1749-50 Giovanni Battista Piranesi Italian A native of Venice, Piranesi went to Rome at age twenty and where he remained for the remainder of his life. Rome was the inspiration for and subject of most of his etchings that number over a thousand. Piranesi studied architecture, engineering and stage design, and his first plans for buildings reflect his training combined with the tremendous impact of classical Roman architecture. The fourteen plates depicting prisons - probably Piranesi's best-known series - were described on their title page as capricious inventions.’ These structures, their immensity emphasized by the low viewpoint and the diminutive figures, derive from stage prisons rather than real ones. Actual prisons in the Italy were tiny dungeons. Spatial anomalies and ambiguities abound in all the images of the series; they were not meant to be logical but to express the vastness and strength that Piranesi exp

Edouard Manet, The Barricade (La barricade), 1871 The Barricade (La barricade)

Unexpected visit, Willem Steelink (II), 1887 print An unexpected guest is at the carriage with which he arrived. The host and his wife are in the gate and welcome him. Bottom left in the margin the branch of a thistle. Netherlands paper. etching four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Church, Amsterdam. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 8 1/2 × 5 1/16 in. (21.6 × 12.9 cm)Sheet: 8 1/2 × 5 1/16 in. (21.6 × 12.9 cm). Date: 1889. Museum: Metropolitan Museum of Art, New York, USA.

Lepère, Auguste (n.1849-11-30-D.1918-11-20), rue Valette and Le Panthéon (dummy title). Pencil. Carnavalet museum, history of Paris.

Dunfermline. William Leighton Leitch; Scottish, 1804-1883. Date: 1847. Dimensions: 166 x 92 mm. Pen and brown ink and graphite on ivory wove paper, laid down on board. Origin: Scotland. Museum: The Chicago Art Institute, Chicago, USA.

Carnival parade through the city, Florent Nicolas Crabeels, 1854 print paper etching Carnival, Shrovetide (non-liturgical celebration)

Pencil illustration by August Xaver Karl von Pettenkofen depicting a scene from Gil Blas, showing figures, gestures, and interaction.

Nocturne Palaces 1879-1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper . James McNeill Whistler

Chelsea Regatta. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Plate: 3 1/8 x 4 3/4 in. (8 x 12 cm). Date: 1889-90. Museum: Metropolitan Museum of Art, New York, USA.

Interior of a Atelier, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print Two rooms that are separated by a curtain. In the front departure there is a slid with folders and papers; There is a easel in the rear departure. Possibly the artist's studio in Wiesbaden. paper drypoint workshop, studio ~ painter Wiesbaden

Caltnadel artwork by Max Beckmann titled 'Beautiful View', created in 1920, showing a landscape scene with architectural and natural elements.

Palazzo ca d'Oro, 1883. Frank Duveneck (American, 1848-1919). Etching;

Auguste Louis Lepère (French, 1849 - 1918). Image from La Bièvre, Les Gobelins, Saint-Séverin”, ca. 1901. Wood engraving on wove paper. Sheet: 289 mm x 201 mm (11.38 in. x 7.91 in.) (sheet dimensions are approximate for each print).

James McNeill Whistler, High Street, Brussels, 1887 High Street, Brussels

Woman at a pump on the street, Henri de Braekeleer, 1850 - 1879 print paper. etching street. utilitarian, public pump or water fountain

Edward Millington Synge, 1860-1913, British, Gateway Ammerscheiner. Etching on laid paper.

Tabak en Sigaren , City & town life, Stores & shops. Sir David Young Cameron (1865-1945). Prints

Amboise. David Young Cameron; Scottish, 1865-1945. Date: 1903. Dimensions: 267 x 153 mm (plate); 335 x 195 mm (sheet). Etching on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

Uraw. Board 3. from the "Gda SK" portfolio; Mycielski, Jan Kazimierz (1864-1913); around 1950 (print); around 1906 (matrix) (1906-00-00-1952-00-00);Gdańsk (coat of arms), Gdańsk (Pomeranian Voivodeship), Motława (River), Provincial and Municipal Public Library in Gdańsk - collection, gift (provenance), granary, Wduty, Żuraw (Gdańsk), Crane (archite.)

Giovanni Battista Piranesi (Italian, 1720 - 1778). The Staircase with Trophies, 1761. From Carceri d'Invenzione di G. Battista Piranesi, Architetto Veneziano. Etching. Plate: 345 mm x 396 mm (13.58 in. x 15.59 in.). Second of three states.

Marketplace with Parasols, 1866. Rodolphe Bresdin (French, 1822-1885). Etching; sheet: 23.2 x 18.3 cm (9 1/8 x 7 3/16 in.); platemark: 17 x 9.2 cm (6 11/16 x 3 5/8 in.).

Street party with lanterns in Venice, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1902 print Street face with sitting and standing people; Lanterns are hanging above their heads. paper etching / drypoint street (+ city(-scape) with figures, staffage). lantern Venice

Catherine Market. Dated: 1903/1907. Medium: etching and aquatint. Museum: National Gallery of Art, Washington DC. Author: Charles Frederick William Mielatz.

Street des Tuileries, couples; Pankiewicz, Józef (1866-1940); 1906 (1906-00-00-1906-00-00);France (state), young Poland (style), Paris (France), State Art Collections (Warsaw - 1922-1939), Tuilery (Paris - Palace), French (culture), Polish graphics, city landscapes, Poland (culture), streets

WestminsterBridge. Artist: Félix Hilaire Buhot, French, 1847-1898

The Lime-burner, 1851. James McNeill Whistler (American, 1834-1903). Etching;

The Villa Quintillii. William Walcot (British, 1874-1943). Etching and drypoint;

In Wawel Castle in the times of Casimir the Great. Noakowski, Stanisław (1867-1928), draughtsman, cartoonist

Invenzioni capric di carceri all'acqua forte, Piranesi, Giovanni Battista, 1720-1778, ca. 1749-1750

Entering the streets Canons; Skoczylas, W Adys Aw (1883-1934); 1930 (1930-00-00-1930-00-00);gift (provenance)

Part of the Town of Messina Showing the effects of the Earthquake of 1783, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 4 11/16 × 7 11/16 inches (11.9 × 19.5 cm)

1893 Art Work - Vitre: The Canal - James McNeill Whistler.

James McNeill Whistler, The Manager's Window, Gaiety Theatre, 1896 The Manager's Window, Gaiety Theatre

James McNeill Whistler, The Tyresmith, 1890 The Tyresmith

Drawing, Stage Design, Kitchen; Designed by Angelo Toselli (ca. 1765 - 1826); Italy; pen and bistre ink, brush and gray watercolor on paper

Red House, Paimpol. James McNeill Whistler; Printed by Henry Belfond; American, 1834-1903. Date: 1892-1893. Dimensions: 227 x 162 mm (image); 238 x 162 mm (image, with registration marks); 317 x 203 mm (sheet). Transfer lithograph from three stones, in black (keystone), red, and gray inks, with scraping, on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Edouard Vuillard, Une répétition à L'Oeuvre, Program for L'Oasis, French, 1868 - 1940, 1903, lithograph in black on wove paper

Giovanni Battista Piranesi (1720-1778), Titelblad til invention prisons (imaginaere Faengsler), About 1750

Drawing by Ferdinand Boberg. Närke, Sundbo hd., Hammars sn., Algrena Nordic

Oproer om de sleutels, 1672.Real to the keys in Amsterdam on the street, 1672. Design for a print.

Berndtson, Gunnar, work, Sketch book, drawing, 9 cm x 15.5 cm, Berndtson, Gunnar

James McNeill Whistler, Victoria Club, 1879 1887 Victoria Club

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