Historical Street Scenes and Figures

A collection of sketches and prints depicting street life and interactions from various eras, showcasing laborers, conflict, and cultural elements with expressive styles.

George Bellows, Street Fight recto, American, 1882 - 1925, 1907, conté crayon, pastel, graphite, and brush and black ink on wove paper

George Bellows, Street Fight recto, American, 1882 - 1925, 1907, conté crayon, pastel, graphite, and brush and black ink on wove paper

Carriages and Promenaders on the Avenue des Champs-Elysses - 19th century - watercolour on paper. Author: CONSTANTIN GUYS. Location: MUSEO PETIT PALAIS.

Street scene from the East. Pawliszak, Wacław (1866-1905), draughtsman, cartoonist

GRUPO DE PERSONAJES - SIGLO XIX - AGUADA-TINTA CHINA. Author: FRANCISCO DE GOYA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Sketch for 'La Gloria', John Phillip (Aberdeen, Scotland, 1817 - 1867) c. 1864

Campania Caserta Capua Museo Campano94. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Vier Dijkwerken, Johannes Josephus Aarts, 1881 - 1931 print Three workers make a rope around a wooden pole. To their left, another worker, a child is still, with a basket. paper working class, labourers

Peggy Bacon, The Promenade Deck, 1920, drypoint on paper.

Boekenmarkt, Johannes Josephus Aarts, 1881 - 1934 print Market scene with men and women. Above them the canvases of the market stalls. The stalls are filled with books. Japanese paper (handmade paper) etching market. book

France,Loire Valley,Usse Castle,Tapestry in the Long Gallery depicting Village Life

An Illustration, 1883. Robert Frederick Blum (American, 1857-1903). Etching;

Weberzug, Blatt 4 Aus Dem Zyklus: Ein Weberaufstand; Kollwitz, Käthe (1867-1945), Felsing, Kupferdrucarei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965); 1893-1897; 1910/1913 (1893-00-00-1897-00-00);Sachs, Carl (1858-1943), Sachs, Carl (1858-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Schlesisches Museum der Bildenden Künste. Library (Wrocław - Ante 1945) - collection, children, women, demonstrations, mothers, men, marches, the creation of Silesian weavers (1844), weavers

Halonen, Pekka, work, Chess players, 1909, soft ground etching, graphics, plate width 25 cm, plate height 29.5 cm, leaf width 34.1 cm, leaf height 40.7 cm

Station of the Cross No. 11: "Jesus is Nailed to the Cross". Dated: c. 1936. Dimensions: overall: 40.9 x 50.6 cm (16 1/8 x 19 15/16 in.) Original IAD Object: Approximately 30 x 50 inches. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Geoffrey Holt.

L'Appel des Balayeurs de la Nuit , 1890. Auguste Louis Lepère (French, 1849-1918). Etching;

The Baptism of Christ (with Three Angels Attending Him). Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 11 1/8 x 7 5/8 in. (28.3 x 19.4 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Titanic passengers. Illustrative reconstruction of 'How passengers and crew faced the situation on the Titanic' entitle 'The Women and Children First'. The drawing shows men helping women into lifeboarts and saying goodbye to their loved ones. Titanic was built by Harland & Wolff in Belfast Ireland during 1910 - 1911, and sank on 15th April, 1912, after striking an iceberg off the coast of New Foundland during her maiden voyage from Southampton, England to New York, USA, with the loss of 1,522 p

Bastiano di Francesco: The history of Jiftach, detail of the floor in the cathedral of Siena. .

Allegory of Good Government, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico. Detail. Captives: prisoners harnessed white horses male figures headdresses: headgears late Medieval clothing: wear.

Renouard, Paul, work, Helpers' dressing room, (1885 - 1895), line etching, graphics, 27 cm x 21.5 cm

Ignacio Zuloaga y Zabaleta, Las brujas de San Millán (The Witches of San Millán), 1907, oil on canvas, Museo Nacional de Bellas Artes (MNBA), Buenos A...

Meal of queen Vasthi, draughtsman: Paolo Farinati, Verona, 1535 - 1587, paper, pen, brush, h 240 mm × w 725 mm

Der Heer Hagbolt at our int College (diary, August 18), Christiaan Andriessen, 1805 - 1808 drawing paper. watercolor (paint). pencil brush place or institution of education and training of the artist, e.g.: academy of art

Howard Visiting a Prison. Date/Period: Between 1749 and 1802. Drawing. Black ink with watercolor over graphite on moderately thick moderately textured white laid paper. Height: 362 mm (14.25 in); Width: 533 mm (20.98 in). Author: GEORGE ROMNEY.

Bal de l'opéra: vivent les flambards. Honoré Daumier (French, 1808-1879). Wood engraving;

MIS AMIGOS - 1920/36 - DIBUJO - CARBON/OLEO/LIENZO - 234X292 CM. Author: Ignacio Zuloaga. Location: ESPACIO CULTURAL IGNACIO ZULOAGA. Zumaia. Guipuzcoa. SPAIN. MAEZTU RAMIRO DE. JOSE ORTEGA Y GASSET. MARAÑON GREGORIO. CUENCA AMALIO. GALLITO EL JOSELITO. JOSELITO EL GALLITO. ALBA DUQUE DE XVII. DUQUE DE ALBA XVII. PIO BAROJA. FITZ-JAMES STUART FALCO JACOBO. RAMON MARIA DEL VALLE INCLAN (1866-1936). PABLO URANGA (1861-1934).

The Apostle. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1908. Dimensions: 203 × 151 mm (image); 429 × 324 mm (sheet). Lithograph in black on greyish-ivory wove chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Drinkers (Les Buveurs), photogravure from original watercolour, c.1861

Paris, Gihaut frères, Villain, Jean-François, Delacroix, Eugène, Hamlet, Je suis l'esprit de ton père!, Hamlet praten met de geest van zijn vader, verso - stamped, Print is part of a cover with fourteen prints., print, prints, height 548 mm, width 358 mm, 1798 - 1863-08-13, print maker, printmaker, 1843 - 1843, paper, lithography (technique), French, 1790, printer, Publication (Event), Publication, publisher

The Wenzel is coming, Frantisek Ladislav von Rieger exceeds the Tabor Line , election reform, fundamental items, etc, in the background Gyula AndSSY title page of Die Bomb , László frecskay -, caricaturist

Jan Matejko (1838-1893), La Noce de Wierzynek feast at Wierzynka; Stella (Bochnia; Publisher; 1908-1932), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Maximilian Lenz's watercolor depicts painters in society represented with disability, showing posture and interaction.

Forge, Pieter de Josselin de Jong, 1871 - 1906 drawing paper. pencil. watercolor (paint) brush iron and steel industry

Vae victis in Morocco. Nowodworski, Henryk (1875-1930), draughtsman, cartoonist

GARCIA LORCA, FEDERICO. ESCRITOR ESPAÑOL. FUENTEVAQUEROS (GRANADA). 1898-1936. BOCETO DECORADO DEL PRIMER ACTO DE " LA CASA DE BERNARDA ALBA", OBRA DE GORI MUÑOZ, AÑO 1955. DE LA COMPAÑIA DE TEATRO LA BARRACA. INSTITUTO DEL TEATRO. BARCELONA.

TOLEDO-ALCAZAR-PROYECTILES ENTRAN EN SALA BANDERAS-GUERRA CIVIL ESPAÑOLA. Author: ARTURO REQUE MERUVIA-KEMER-. Location: ARCHIVO HISTORICO MILITAR. MADRID. SPAIN.

Lazio Viterbo Viterbo S. Maria della Verita, Cloister0. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of th

At the Front by Safronov, Viktor Alexeyevich (*1932)/ State Museum- and exhibition Centre ROSIZO, Moscow/ 2004/ Russia/ Oil on canvas/ Modern/ 160x201/ Genre,History

Murals, Council Chamber, Palais des Nations, Geneva (Switzerland). On the ceiling & walls. Painted in 1936, by the Catalan artist José María Sert, were a gift from the Government of Spain. They depict human progress through health, technology, freedom & peace. This was the home of the League of Nations, and is the present meeting place of the Conference on Disarmament.

ARTE S. XIX. ESPAÑA. ZULOAGA, Ignacio (Eibar,1870-Madrid,1945). Pintor español. "MIS AMIGOS". Dibujo al carbón donde se retrata a PIO BAROJA, JUAN ECHEVARRIA, GREGORIO MARAÑON, RAMON MARIA DEL VALLE INCLAN, JOSE ORTEGA Y GASSET, etc. Museo Zuloaga. Zumaya. Provincia de Guipúzcoa. País Vasco.

Joaquin Sorolla/ Dibujo. Museo de Bellas artes, Valencia.

Weaver at loom by Vincent van Gogh, 1853-1890

EL PALACIO DE LOS VIRREYES - BIOMBO MEXICANO - SIGLO XVII - DETALLE DEL MERCADO - Conjunto nº 87022. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine08. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Indulis Zarins (1929-1997). Latvian painter. In the Blizzard, 1968. Oil on canvas, 155 x 122 cm. Latvian National Museum of Art. Riga. Latvia.

Painting by the famous Dutch artist Vincent Van Gogh (30th March 1853 - 29th July 1890), work titled Soup kitchen. Completed in 1883.

France. Brittany. Finistere. Daoulas. Daoulas Abbey. Exhibition To die, what a story. The Ankou and his 2 companions " Print by Mathurin Meheu. 1947. The Ankou, Breton personification of death, is represented in the form of a skeleton

Albrecht Dürer's 1504 drawing 'The Green Passion - Crossing' depicts the crucifixion scene, executed in black, gray, and white brush on green-primed paper, highlighting figure arrangement and narrative.

Mlýnská kolonáda, Paintings in the Czech Republic, Paper cutting, 1901, Karlovy Vary Region, Karlsbad, An der Mühlbrunnen Colonade

Eight Bells Winslow Homer (American, 1836-1910). Eight Bells, 1887. Etching of black ink on light beige, medium thick, smooth textured wove paper, Sheet: 23 7/8 x 29 3/8 in. (60.6 x 74.6 cm). Already established as a successful painter, watercolorist, and illustrator, Winslow Homer decided to try his hand at etching during the revival of this medium, creating eight finished plates between 1884 and 1889. In Eight Bells, one of his finest efforts, two fishermen track their ships position amid stormy seas using nautical instruments and the sound of bells that rang from shore at set times of day. The powerfully simplified and asymmetrical composition not only heightens the drama of their plight but also reveals Homers familiarity with Japanese design principles. American Art 1887

William Roberts, The Cinema, 1920, oil paint on canvas, Tate Britain, National Gallery of British Art, London, England.

Yamamoto (Kyubei), Toyokuni (II), Utagawa, A view: enjoying the evening cool at Ryogoku bridge, a pentaptych (Edo Ryogoku suzumi no zu-gomai tsuzuki), View: Enjoying the Evening Breeze at the Ryogoku Bridge, print, prints, Japan (collection), height 370 mm, width 262 mm, Japanese, 1777 - 1835, print maker, printmaker, 1811 - 1811, first quarter 19th century, paper, nishiki-e, colour woodcut, colour woodblock, Publication (Event), Publication, publisher

Marian Vayreda i Vila (1853-1903). Catalan writer. Renaissance. La Punyalada. Ilustration by Josep Berga (1837-1914) and Josep Berga Boada (1872-1923). La Ilustracion Catalana, 1903.

Woodcut of the German Gestench from the triumphal procession of Emperor Maximilian I. by Hans Burgkmair the Elder, created on wooden stick, 1517.

Chalon, Christina, Leiden, Worm, Nicolaas van der, Group of men and boys, verso - handwritten in pencil, Two men hold a basket and three boys look on., print, engraving, prints, engravings, verso lower left - stamped, Unfinished print after a drawing by Miss Cristina Chalon offered by the lord of Vlaardingen by Mr. Van Buren, height 156 mm, width 161 mm, Noord-Nederlands, 1757-03-16 - 1828-05-12, print maker, printmaker, 1772 - 1828, paper, papier, etching, etchings, Work conception, 1748 - 1808-12-13

Coachmen. Dimensions: overall: 22.1 x 34.1 cm (8 11/16 x 13 7/16 in.). Medium: brush and brown ink with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Constantin Guys.

Eugène Valton (1836-1910). "Art spreads in the distance its light. Artists and craftsmen". Sketch for the school on rue Dombasle. Paris (15th arr.). Oil on canvas. 1880. Museum of Fine Arts of the City of Paris, Petit Palais. 60365-3 Craftsman, artist, seated, art, jewelry, jeweler, create, school, sketch, make, man, tool, street dombasle, work, oil on canvas

A tooth-drawer using pincers to extract a tooth from an old woman, her husband agonizingly observes the situation. Pen drawing after J. Collier, 1773.

Below as one of Griffin's drawings-a Changi working party. Griffin says he did not paint the mystery murals. November 1, 1950.

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Goya, Francisco, de (1746-1828) Museo del Prado, Madrid Painting 266x345 Genre,History The Third of May 1808

A Game of Cards 1870-1891 England. Pen and brown ink, with brush and gray wash and touches of white gouache, over black chalk, on cream wove paper, laid down on card . Charles Samuel Keene

'Aquelarre or The Witches' Sabbath (detail)', 1820-1823, Oil on wall, P00761. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Los desastres de la guerra, n.º 4: Las mujeres dan valor, 1810 -1814, Francisco de Goya, primera impresión de 1863, realizada por la Real Academia de Bellas Artes de San Fernando de Madrid, convento de San Francisco, Santo Domingo de la Calzada, La Rioja, Spain.

Manifesto; Weiss, Wojciech (1875-1950); 1949/1950 (1949-00-00-1950-00-00);PZPR, history, communism, collective portraits, characters, message (provenance), workers, workers' movement, banners, class struggle

Fire-Works on the Night of the Fourth of July - Drawn by Winslow Homer (Harper's Weekly, Vol. XII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)sheet: 10 11/16 x 15 11/16 in. (27.1 x 39.8 cm). Date: July 11, 1868. Museum: Metropolitan Museum of Art, New York, USA.

Genre scene by Louis de Caulery, Oil on wood, Before 1582 - after 1621, Lithuania, Kaunas, State M. Ciurlionis Art Museum, 54, 5x75

Rosa Luxemburg, mural, Murales in Orgosolo, Sardinia, Italy, Europe

Une Émeute. Honoré Daumier (France, Marseilles, 1808-1879). France, 1845. Prints; lithographs. Lithograph

Allegorie on the French Revolution debarking in London Allegory on the French Revolution landing in London, 1796. Anonymous drawing after James Gillray (1757-1815).

VERBENA - SIGLO XX. Author: JAIME MERCADE o JAUME MERCADE (1889-1967). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Adolphe Lalauze, Le Derby, 1858-1906, etching on paper.

The Parable of the Prodigal Son, No. III: The Return 1882 James Tissot French. The Parable of the Prodigal Son, No. III: The Return. The Parable of the Prodigal Son series. James Tissot (French, Nantes 1836-1902 Chenecey-Buillon). 1882. Etching on laid paper; second state of two. Prints

Tattoo and Haircut. Reginald Marsh; American, 1898-1954. Date: 1932. Dimensions: 118.1 × 121.6 cm (46 1/2 × 47 7/8 in.). Egg tempera on Masonite. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

DETAIL OF AZULEJOS PAINTED BLUE AND WHITE CERAMIC TILES MADEIRA ISLAND PORTUGAL

Part five of a six-part mural. It Depicts a man working at a printing press and Gutenberg and another man examining proof. Between 1890 and 1900.

Decoration of the Entrance Hall of Liviano Section by Massimo Campigli, 1895-1971, Italy, Padua, Liviano

Vicke, 1918, Sweden, by Anders Zorn. Gift of Sir John Ilott, 1952.

Postcard to Jan Ponstijn, Leo Gestel, in Or Before 1915 photomechanical print Postcard with a performance of a man, female and child who flees from Belgium. The man wears a bag over his shoulder. A stream of refugees can be seen in the background. Postcard is part of an album. BergenEindhovenpublisher: The Hague cardboard political refugee, 'émigré'. exhibition ~ art. painting (including book-illumination, miniature-painting) Belgium. Bergen

A snowball, from Heart, by Edmondo De Amicis, drawing

Slay scene at the Mariahilfer line on the night of March , in the Wiener Revolut, Joseph Albrecht, Lithograph

Heads of different types of people in connection with the law. Etching by George Cruikshank after himself.

'El refectorio', 1931, Oil on canvas, 229 x 205 cm. Author: DANIEL VAZQUEZ DIAZ (1882-1969). Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Conjuration, Rome, Anti-Republican Conspirators in House of Aguillius, Photogravure Print from the Original 1876 Painting by Pierre Paul Leon Glaize, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Sem (Georges Goursat, 1863-1934), Studies on the physiognomy of Count Robert de Montesquieu (1891).

Bayeux Tapestry. William commands the fleet to sail.

Albania, Kruja, Mural on the wall of the National Skanderbeg Museum depicting battle scene.

Staande man bij liggende dronkaard. Voila pourtant Comme Je Serai Dimanche (title on object). Draughtsman: Pieter van Loon. Dating: 1811 - 1873. Measurements: h 281 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

In the red dyer. Draughtsman: Anthon Gerhard Alexander van Rappard (mentioned on object). Dating: 1868 - 1892. Measurements: h 316 mm × w 462 mm. Museum: Rijksmuseum, Amsterdam.

GARCIA RAMOS, JosŽ (1852-1912). Costumbrism. Oil on canvas.

Switzerland, Zurich, The Third Class Carriage by Honore Daumier, watercolor, (1808-1879)

Ben Franklin statue , Sculpture, Statesmen, Franklin, Benjamin, 1706-1790. Edmund L. Mitchell Collection

André-Edouard DEVAMBEZ (1867-1943). "Jean Valjean before the Assize Court of Arras". Oil on canvas, around 1903. Paris, Victor Hugo's house. ARRAS seat, judgment, justice, the miserables, novel character, oil on canvas

Four workmen. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 95 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Facade painting, Painted inn, Attersee am Attersee, Salzkammergut, Upper Austria, Austria, Europe

Monument, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, An obelisk stands upon a pedestal, male figures leaning against its corners. Below is a base consisting of three steps. At the front of the central one is a circular medallion with a mask, supported by two seated female figures. Below, a festoon., Rome, Italy, ca. 1780, architecture, Drawing, Drawing

Ben Shahn (Kovno, 1898-New York, 1969). French Workers (1942). Tempera on cardboard. 101.6 x 144.8 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

State Museum- and exhibition Centre ROSIZO, Moscow 242x202

Les Aveuglés or L’Opinion Publique (The Blind Men or Public Opinion). Artist: Jean Veber, French, 1864-1928

Three pairs of shoes (1886), Three pairs of shoes (1886), Painting by Vincent Willem van Gogh (born 30 March 1853 in Groot-Zundert, died 29 July 1890 in Auvers-sur-Oise), Dutch painter and draughtsman, one of the founders of modern painting, Illustration, Reproduction from a painting. Authentic, exact date of the original unknown, Historical, Some worn brown leather shoes lying next to each other in a realistic style

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