Historical Textiles and Tapestries

Medieval textiles featuring intricate patterns and allegorical scenes, showcasing the craftsmanship and cultural narratives through textiles and tapestries.

Campania Napoli Naples S. Lorenzo Maggiore51. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Pieces (4). Culture: Spanish. Dimensions: 20 1/2 x 6 3/4 inches (approx.) (52.1 x 17.1 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Millefleurs ground with four medallions with allegorical scenes. unknown c. 1520 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. (). Inscriptions: Inscription in central field in top medallion identifying figure: VERITE Medallion scenes from top, clockwise: personification of Truth embracing man; helmet surrounded by bees in landscape; soldier, holding sword, with dog; skeleton holding scales with ecclesiastical & secular figures being weighed Borders missing. No French & Co. stock sheet in archive, no stock number

Campania Napoli Naples S. Lorenzo Maggiore51. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Umbria Terni Narni S. Maria in Pensole7. Hutzel, Max 1960-1990 Medieval: 1982--39 photos Architecture, architectural sculpture (including mosaic) (12th century) 1987--76 photos Architecture, architectural sculpture, wall painting (12th century). Post-medieval: 1982--5 photos Frescoes 1987--8 photos Architecture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Palazzo dei Diamanti4. Hutzel, Max 1960-1990 Post-medieval: Many views of facade, sides, and courtyard of 16th c. structure, including detailed views of windows and architectural sculpture, portal leading into courtyard and colonnade, capitals, portals, and sculpture inside courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)75. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Umbria Terni Narni S. Domenico19. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss

Piece. Culture: French. Dimensions: Overall: 21 1/8 x 18 5/8 in. (53.7 x 47.3 cm). Date: 1695-1705. Museum: Metropolitan Museum of Art, New York, USA.

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa32. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Emilia-Romagna Ferrara Ferrara Palazzo dei Diamanti7. Hutzel, Max 1960-1990 Post-medieval: Many views of facade, sides, and courtyard of 16th c. structure, including detailed views of windows and architectural sculpture, portal leading into courtyard and colonnade, capitals, portals, and sculpture inside courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Three Friezes; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and dark brown ink, brush and brown wash on laid paper; 12.4 x 43.4 cm (4 7/8 x 17 1/16 in.)

Lazio Roma Nazzano S. Antimo1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Coat of arms of knight in wreath. unknown c. 1550-1600 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co.

Lazio Roma Grottaferrata S. Maria5. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Gaeta SS. Erasmo e Marziano, Cathedral1. Hutzel, Max 1960-1990 Views of objects in the pinacoteca, including paintings, 14th and 15th c. statues, fragments of Renaissance portals, 13th c. iconostasis, family crests. Views of interior nave, altar, chapels. Detailed coverage of silver and gold statues of Erasmus and Marciano. Views of sacristy painting, sculpture, choir stall and crypt altar, frescoes. Owner: Museo Diocesano Antiquities: Roman statue, fragments. Roman columns, capitals, sarcophagi. General Notes: No negs. for Medieval core collection prints. More than half of prints stored in Hutzel section have no matching negatives either. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Lazio Viterbo Viterbo Museo Civico06. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Umbria Terni Narni S. Giovenale, Cathedral92. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Campania Caserta Casertavecchia S. Michele, Cathedral18. Hutzel, Max 1960-1990 Exterior and interior views of the 12th and 13th-century architecture and architectural sculpture. Exterior details of the portals, portal sculpture, bell tower, dome and cloister. Interior details of the pulpit (c. 1213), the tomb of Giacomo Martono (1360), the tomb of Francesco de la Rath (1359), various sculptural fragments, and the cosmati floor. Antiquities: Re-used Roman columns and capitals line the nave. Object Notes: A composite view of the interior is found in the Italy Oversize box in the Medieval core collection. General Notes: Hutzel probably made two photo campaigns of the site, and thus there is some overlap between the views in the Medieval core collection and the Hutzel collection. Some prints have been renumbered. Hutzel notes which account for 91 on the views date to a photo campaign from December 30, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy f

Campania Salerno Padula Monastery of S. Lorenzo5. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

Three Frisians with Moresken, in the middle of upper two is a mascaron; Vararum Protractionum Quas Vulgo Maurusias Vocant (...); Three ornament tires with Moresken. From the upper fries, the left part consists of black moresken on a white background and the judge of white moresken on a dark fond. With the two lower friezes that is the vice versa. One of 15 sheets from a series of 23 with title page.

Landscape with bird. unknown unknown Tapestry Dimensions: H 7'4" x W 3'2" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. received from Mihran N. Costikyan 7/13/1954; returned 10/13/1954. Fowl amongst flowering plants & tree in foreground; alley of trees on other side of wall in background (BRD) border with jewel-like chain; C-scroll motifs in corners French & Co. stock sheet in archive, 55001-x-b Related Works: Panels in set: GCPA 0243555, 0184468

Louvre Museum, Virgin opens ivory, vintage engraved illustration. Magasin Pittoresque 1876.

Lazio Roma Rome S. Paolo51. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragment of a Frieze with Acanthus Scrolls, Palmettes, and Flowers 4th-5th century The monastic community of Bawit, founded in the 300s by Apa (Father) Apollo at a small village, grew to consist of numerous complexes with residences, chapels, and service structures and two large churches profusely decorated with sculptures and paintings, often reused from other sites, all affiliated with the Coptic church. The more important buildings were decorated with courses of sculpted stone freely combining floral and geometric motifs inspired by classical art - rosettes, acanthus leaves, meander patterns - with more recent Christian themes. These sculptural elements, demonstrating the Byzantine love of complex patterning with lush textures, were originally painted in rich, vibrant colors like those surviving in textiles.. Fragment of a Frieze with Acanthus Scrolls, Palmettes, and Flowers 456095

Sheep without shepherd. unknown c. 1550 Tapestry Dimensions: H 10'3" X W 10'8" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons, invoiced 6/4/1927; sold to Mr. C. Girin () 1/21/1963. Inscriptions: Inscription on cartouche, top: DISPERSE SVNT OVES EO / QVOT NON EST PASTOR EZE 34 Inscriptions: Inscription on cartouche, bottom: ON VOYT BREBIS ESPARTIS CA ET LA / VSSANS DES PARCS PAR LA FAVLTE DE PASTEVRS / QVON DOIBT NôMER LARRONS DISSIPATEVRS / DESQVELZ IADIS EZECHIEL PARLA In central medallion, sheep sit in open enclosure; castles in background; medallion enclosed by fruit garland; surrounding medallion, rinceaux with 4 figures playing musical instruments; cartouche above & below medallion Quotation in top cartouche from Matthew 26:31, Mark 14:27 & Ezekiel 34:5 French & Co. stock sheet in archive, 15095 Related Works: Panels in set: GCPA 0241311, 0244163-0244167

Vlakdecoratie Met BLADRANKEN EN Grotesken, Heinrich Aldegrever, 1552 print Plat decoration with fishing heads from which symmetrically ordered leaf vines come up. Germany paper engraving foliage, tendrils, branches ~ ornament. other ornament derived from animal forms

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo10. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Wooden cover of a gospel book kept in the Library Chapter Noyon, Oise, vintage engraved illustration. Magasin Pittoresque 1880.

Campania Caserta Capua Chiesa dell'Annunziata6. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Gniezno. The door is angry in the Basilica of the Primate's Assumption of the Mine Mary of the Virgin Mary - a fragment of the Bordic and Local Committee: Cias. Wojciech to the grave; Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);

Pilaster panel (part of a set of eight) 18th century French. Pilaster panel (part of a set of eight). French. 18th century. Oak. Woodwork

Part of a panel ornament French 18th century View more. Part of a panel ornament. French. 18th century. Gilt bronze. Metalwork-Gilt Bronze

Campania Napoli Naples S. Lorenzo Maggiore23. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Lazio Roma Anguillara Sabazia S. Francesco5. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century) including ruins of cloister. Fresco cycle of Madonna and Child with two angels (13-14th century). Several views of church exterior, and extensive coverage of interior frescoes, both before their restoration in l960, and afterwards, in l983. General Notes: Hutzel sent us two sets of prints (57 in one, 72 in the other) made from the same set of negatives but assigned different numbers. These two have now been synthesized into one sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Umbria Perugia Spoleto S. Maria Assunta, Cathedral5. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

Neureuther Eugen (1806-1882), final stones for the museum in Leipzig (without date): »Ornament«. Ink, pencil on paper, 51.1 x 33.2 cm (including scan edges) Neureuther Eugen (1806-1882): Schlusssteine für das Museum, Leipzig

Bliżej Kultury unknown

Campania Napoli Sorrento Cathedral7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo S. Maria della Verita, Cloister3. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of th

Panel (part of a set) ca. 1510 Craftsmen supervised by Nicolas Castille The panels decorations, which include putti holding heraldic shields or strings of beads, floral scrolls, masks, and fabulous creatures, correspond to French adaptations of Italian motifs derived from prints and other sources. The portraits represent the donor, Georges dAmboise (1460-1510), in his cardinals hat and cloak and Louis XII (1462-1515; ruled 1498-1515) surrounded by a wreath topped by a porcupine, a symbol of the monarchs courage and ability to defend his kingdom. These panels and the ones displayed nearby are from the now-destroyed chapel of Cardinal dAmboises chteau de Gaillon.. Panel (part of a set). French. ca. 1510. Carved oak. Woodwork

Lazio Viterbo Civita General views. Hutzel, Max 1960-1990 Distant views of the town and surrounding countryside and views of unidentified buildings and neighborhoods. Antiquities: Two views of Roman gravestone and one of Roman architectural detail found in parapet. General Notes: There is one numerical sequence for all monuments and photos of Civita. Prints correspond to the Hutzel guide. Five duplicates of prints are stored in Medieval core collection and two prints are stored in Medieval core collection only. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Embroidered whitework coverlet. Culture: American. Dimensions: Including fringe: 102 3/4 x 75 1/2 in. (261 x 191.8 cm). Maker: Probably Jane Simonton Chapman (born 1794). Date: ca. 1821-25.This whitework coverlet is composed of three lengths of twill-weave fabric stitched together. It is embroidered with loops of heavy white cotton thread, sometimes called "candlewicking." A large eight-pointed star is embroidered in the center with an eagle above it and one beneath it. The central motifs are surrounded by flowering potted plants and a swag border. The coverlet is fringed on all four sides; each piece of fringe is drawn through the hem individually. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo, L'Aquila, Trasacco, SS. Rufino e Cesidio, Italy, 20th century, photo, photography, Europe

Gniezno. The door is angry in the Basilica of the Primate's Assumption of the Virgin Mary - Fragments of the Bordic and Localies: Exhibition of Zw OK. Wojciech; Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);

Abruzzo L'Aquila Corcumello S. Nicola. Hutzel, Max 1960-1990 Medieval: Pulpit with symbols of the evangelists and SS. Peter and Paul, c. 1267 Post-medieval: Architecture (16th century); paintings (3, unidentified) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Flounce ca. 1724 Flemish, Brussels. Flounce 222984

Chair seat cover. Culture: British. Dimensions: L. 19 x W. 20 inches (48.3 x 50.8 cm). Date: mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Rome S. Paolo82. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Castel Sant'Elia S. Elia53. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief sculpture of two birds. Unknown

Fragment. Dimensions: 7 3/4 in. high 2 in. wide (19.7 cm high 5.1 cm wide). Date: 5th century. Museum: Metropolitan Museum of Art, New York, USA.

Tuscany Livorno Castiglioncello Archaeological Museum. Hutzel, Max 1960-1990 Antiquities: Photos of a terracotta vase with details. General Notes: No Hutzel photo campaign notes. Negatives are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chest front. Culture: Italian, possibly Venice. Dimensions: 62 1/2 × 16 1/2 in. (158.8 × 41.9 cm). Date: second quarter 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Picture with stumpwork embroidery second half 17th century British. Picture with stumpwork embroidery 226323

Fragment. Dimensions: 4 7/16 in. high 4 7/16 in. wide (11.2 cm high 11.2 cm wide). Date: 3rd-4th century. Museum: Metropolitan Museum of Art, New York, USA.

Large-leaf verdure (feuille de choux) with vase and animals. unknown c. 1550-1600 Tapestry Dimensions: H 5'8" x W 6'5.5" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Ernest Joresco 6/12/1962. Wispy flowering plant emerges from vase flanked by rabbit & animal (L); lion (R); background of giant scrolling acanthus-like leaves; bird Fragment of tapestry; borders missing. French & Co. stock sheet in archive, E-550

Carving in stone, Porto, Portugal

Campania Napoli Naples S. Lorenzo Maggiore01. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Abruzzo L'Aquila Corcumello S. Nicola. Hutzel, Max 1960-1990 Medieval: Pulpit with symbols of the evangelists and SS. Peter and Paul, c. 1267 Post-medieval: Architecture (16th century); paintings (3, unidentified) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dado Panel 10th century This carved plaster panel comes from an elaborately decorated house excavated at Nishapur, which had panels decorating the lower part of the wall (called the dado) in several rooms. The panels were originally painted in bright yellows, reds, and blues, with equally colorful murals on the plaster walls above. However, once the excavated panels were exposed to air, the bright colors quickly disappeared. It appears that to create these dado panels, a thin layer of stucco was applied to the wall and the design was sketched out using a compass and other drawing tools. Then the design was carved into the surface by hand. This is different from the findings at other sites, where it appears that large panels of stucco were made from a mold and then attached to the wall with the designs already impressed on them.. Dado Panel 449149

Border. Culture: Greek Islands, Crete. Dimensions: L. 24 x W. 16 1/2 inches (61 x 41.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Panel. Culture: French. Dimensions: 15 3/4 × 42 1/2 in. (40 × 108 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Picture with stumpwork embroidery. Culture: British. Dimensions: H. 10 x W. 11 inches (25.4 x 27.9 cm). Date: second half 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Przeszłość Przyszłości unknown sculptor

Lazio Frosinone Isola del Liri S. Lorenzo, Collegiata. Hutzel, Max 1960-1990 Post-medieval: 18th century architecture and architectural sculpture (1727); facade clocks; sculpture; carved portal with scenes from the life of San Lorenzo; paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cambodia Angkor Angkor Wat Unpublished image 6. Swaan, Wim. 1966 or earlier Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, Angkor Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Lost Cities of Asia: Ceylon, Pag

Double Capital Late 15th century French. Double Capital. French. Late 15th century. Marble. Made in Pyrenees, France

Lazio Viterbo Gradoli Palazzo Farnese6. Hutzel, Max 1960-1990 Exterior views of the palazzo and surrounding area. Extensive photo coverage of the restored interior and its poorly preserved frescoes. Details of wall frescoes, including a mythological frieze and an ornamental frieze. An extensively decorated wooden, coffered ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Decorative border panel with a flaming candelabra ornamented with shells, swags and heads of putti, from Life of the Virgin and Christ 1490-1500 Francesco Rosselli Italian These ornament prints were intended to serve as decorative borders to frame individual prints in Rosselli's Life of the Virgin and Christ series.. Decorative border panel with a flaming candelabra ornamented with shells, swags and heads of putti, from Life of the Virgin and Christ 625755

Campania Napoli Naples S. Lorenzo Maggiore25. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Abruzzo L'Aquila Prata d'Ansidonia S. Nicola. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, ambo (13th century) Post-medieval: Architecture, architectural sculpture, sculpture, painting, (of note: portal) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stained glass window, Bourges Cathedral, Bourges, France, 13th century (1849).Artist: Hauger

Campania Caserta Casertavecchia S. Michele, Cathedral4. Hutzel, Max 1960-1990 Exterior and interior views of the 12th and 13th-century architecture and architectural sculpture. Exterior details of the portals, portal sculpture, bell tower, dome and cloister. Interior details of the pulpit (c. 1213), the tomb of Giacomo Martono (1360), the tomb of Francesco de la Rath (1359), various sculptural fragments, and the cosmati floor. Antiquities: Re-used Roman columns and capitals line the nave. Object Notes: A composite view of the interior is found in the Italy Oversize box in the Medieval core collection. General Notes: Hutzel probably made two photo campaigns of the site, and thus there is some overlap between the views in the Medieval core collection and the Hutzel collection. Some prints have been renumbered. Hutzel notes which account for 91 on the views date to a photo campaign from December 30, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy fr

Decoration of the sheath of a dagger with mascaron, 1500 - 1600 print At the top, a mascaron hangs above a man with a skull under his jacket. Shaded background. Netherlands (possibly) paper engraving

Campania Napoli Naples S. Lorenzo Maggiore300. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Woodcut of the 'Honorary Gate' of Emperor Maximilian I., C2 - History No. 10 text, by Albrecht Dürer workshop, pear wood, 1515.

Band 17th century Greek or Italian. Band 215470

Campania Napoli Naples S. Lorenzo Maggiore24. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Panel. Dimensions: H. 11 1/4 in. (28.6 cm)W. 5 1/2 in. (14 cm). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA.

Crucifijo, Nuestro Senor de Chalma Mexican. ., 8 x 5 in. (20.3 x 12.7 cm). American Art

Frisian with a Sater Ten Halven Lijve, 1510 - 1550 print Sater between two putti and leaf vines. Shaded background. Germany (possibly) paper engraving

Noli Me Tangere. Culture: Italian, Florence or Siena. Dimensions: L. 75 1/2 x W. 10 1/4 inches (191.8 x 26.0 cm). Date: early 15th century.The textile depicts Christ immediately after the Resurrection at the moment when he is recognized by Mary Magdalene. This repeating design may have been used as a decorative border or apparel for a dalmatic. One half of a dalmatic made entirely of this fabric is in the collection of the Musée des Tissus in Lyon, France. Museum: Metropolitan Museum of Art, New York, USA.

Grotesques with Mercury (Hermes). unknown c. 1535-1550 Tapestry Dimensions: H 11'6" x W 15'6" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Monaco, Monte Carlo, Sotheby's, Feb. 23, 1986, lot 820. Enthroned figure of Mercury under fan-shaped canopy with small columns terminating in grotesques, flanked by putti riding goats; scrolling foliage with banners (BRD) grotesques with shields in corners; (UPR & LWR BRD) garlands of foliage & masks, cartouches in center Number of reweavings & restorations are evident on panel. Note on photograph verso by unknown attributor: Cartoons supplied by Francesco d'Albertino surnamed il Bachiacco, d. 1577. Woven by Jean Roost & Nicolas Kascher about the middle of the 16th. Information provided on photograph verso is dated; it is no longer thought that these types of grotesques were woven in Italy. Per Campbell's notes from GCPA 0236300 (Dimitrova). Erkelens, BullRijksmusem, v.10, no. 4 (1962), 115-138

Plaque 4th-3rd century B.C. China. Plaque 52107

Panel (part of a set) ca. 1510 Craftsmen supervised by Nicolas Castille The panels decorations, which include putti holding heraldic shields or strings of beads, floral scrolls, masks, and fabulous creatures, correspond to French adaptations of Italian motifs derived from prints and other sources. The portraits represent the donor, Georges dAmboise (1460-1510), in his cardinals hat and cloak and Louis XII (1462-1515; ruled 1498-1515) surrounded by a wreath topped by a porcupine, a symbol of the monarchs courage and ability to defend his kingdom. These panels and the ones displayed nearby are from the now-destroyed chapel of Cardinal dAmboises chteau de Gaillon.. Panel (part of a set). French. ca. 1510. Carved oak. Woodwork

Lampas Fragment and Case 11th-12th century Although this textile has been identified as Seljuq, the very rounded cursive script of its inscription relates most closely to Il-Khanid tile inscriptions from the second half of the 13th century. Moreover, the use of roundels, while attested in Seljuq textiles, was equally popular under the Mongol Il-Khans. The depiction of the birds and palmettes is somewhat more simplified and stylized than those found on Seljuq textiles. This textile fragment, most likely from a robe, is decorated with a repeating pattern of a pair of addorsed regardant birds surrounded by an inscription band containing four iterations of the phrase "glory and dominion" in Arabic. The birds appear to be falcons, a symbol of power in the medieval eastern Islamic world. Following their conquests in Central Asia, Iran, and Iraq, the Mongol Il-Khans became very wealthy and developed a taste for silk garments that range from the most opulent and expensive cloths of gold to pla

Panel early 18th century Italian. Panel 222465

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo70. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cylinder seal ca. 1720-1650 B.C.. Cylinder seal. ca. 1720-1650 B.C.. Hematite. Old Syrian. Syria

armorial. unknown c. 1560 Tapestry Dimensions: H 8'5" x W 8'10" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: Inscription in upper border cartouche: SERVATAE / FIDEI Coat of arms & crest surrounded by scrolling acanthus leaves within oval cartouche; bunches of musical instruments & martial ornaments in corners (BRD) spiraling ribbon with leaves & birds; 4 cartouches in corners, 3 with animals, 1 with pedestal terminating in male & female heads; (L BRD) central square cartouche with deer; (R BRD) central square cartouche with anchor; (UPR BRD) central cartouche with two joined hands holding small bouquet of flowers with inscription on banderole; (LWR BRD) central cartouche with centaur No French & Co. stock sheet in archive, no stock number

Piece Japan 18th-19th century

Textile Fragment 4th century. Textile Fragment 443429

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche70. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two ornaments with putti and leaf vines, monogrammist AC (16th century), 1520 - 1562 print Design for the front and back Dolkschede on one leaf. Left: leaf vines with two putti. Right: putti and man and woman with lower body of leaf vines. Low Countries paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Emilia-Romagna Ravenna Bagnacavallo Museo Civico8. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum38. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Pescocostanzo Basilica2. Hutzel, Max 1960-1990 Medieval: Wood statues (2) (9-10, 12th century); stone bust (10th century Post-medieval: Architecture, architectural sculpture, painting, sculpture, objects in the museum German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Table screen with a woman and boys 19th century China. Table screen with a woman and boys. China. 19th century. Spinach jade (nephrite). Qing dynasty (1644-1911). Jade

Textile Fragment 4th century. Textile Fragment 443408

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