Historical Triumph Engravings

A collection of intricate engravings showcasing historical scenes of triumph and victory, featuring figures in elaborate attire and detailed settings.

Amsterdam, Luyken, Jan, Annunciation to the Shepherds, recto - manuscript in brown ink, print, prints, verso - stamped, 3, height 117 mm, width 153 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Frescoes and ornaments. Album "Maarten de Vos Sketchbook", Leaf 4V (12).

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Francisco de Goya y Lucientes / 'Dreadful events that ocurred in the front rows at the ring of Madrid and death of the Mayor of Torrejon'. 1814 - 1816. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

. Protection of Protestants in France after the revocation of the Edict of Nantes, 1685-1686. Twelve small scenes illustrate the persecution of and atmospheres to the Huguenots in France. In the Central Large Presentation, the States and the Prince of Orange receive the French refugees in the Netherlands. The representations numbered A-n. Two text sheets here.

Jerzy Ossoliński's entry to Rome in 1633 a cavalcade of horse and pedestrians (CD.) Della Bella, Stefano (1610 1664)

Lazio Viterbo Viterbo Museo Civico62. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Dos grupos de picadores arrolados de seguida por un solo toro (Two Teams of Picadors Thrown One After the Other by a Single Bull), Plate 32 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Allegory of the events in 1689 with Willem III and Maria on the throne (left half), Romeyn de Hooghe, after Jan van Vianen, 1690 print Allegory of the events in 1689 with the Stadholder-King Willem III and Queen Maria on the throne. Left half of two magazines that together form one performance. For Willem and Maria, the Duke of Schomberg stands with two kneeling overcome Irish generals to whom the King and Queen grace grace. Left in the front of three prisoners of Betrayal, Rebellie and Desertie. On the right half of a pyramid with the events of the first six months. At the top, Jacobus II falls from the pyramid. Some elements in the performance indicated with figures. paper etching

1548 etching by Augustin Hirschvogel showing the biblical story of Balak, king of Moab, and Bileam, the prophet, from the Book of Numbers.

Slaves bring a sail ashore; Havent scenes. Slaves bring a sail from a flat boat ashore. Two supervisors watch. On the right in the distance Sleeps a few ships.

Depicts Ulysses disguised as a beggar at Eumaios' house using black and reddish chalk.

Battaglia Pole Contra Turchi; Baur, Johann Wilhelm (1607-1642); 1633 (1633-00-00-1633-00-00);Orient, Poland, Poles, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Turkey, battles, weapons, firearms, German graphics, riders, horses, German (culture), arrows (weapons), sabers, armament , war, wars, army, animals, arches (weapons), soldiers

Amsterdam, Fokke Simonsz., Arend, Fokke, Simon, Illustration for world history, France defends America, France wears armor decorated is with the French lily and draws his sword to be able to resist the figures that stand before him. Two French warriors have preceded him with a dog and two roosters. Behind the group of figures attacking the personification of France, Mercury is held captive by two warriors., print, prints, height 105 mm, width 124 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1780 - 1782, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1755-07-03 - 1812-11-15, publisher

Wallensteins camp in front of Vienna , German satire on the situation before Vienna at the end of October , Reinhold Baist, publisher

Simson let the temple collapse.

Part of the Entrance of the Polish Legation (L and M) 1633 Etched by Stefano della Bella Italian. Part of the Entrance of the Polish Legation (L and M) 377882

Judith Slaying Holofernes, plate six from The Story of Judith and Holofernes 1564 Netherlands. Engraving in black on ivory laid paper . Philip Galle

Lazio Roma Rome S. Croce in Gerusalemme58. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fire of a wooden shed in which a theater performance takes place next to the Amelienborg Slot in Copenhagen, 1689, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing on fire, ablaze. theatre, theatrical performance Amalienborg (Copenhagen)

Judith Slaying Holofernes, plate six from The Story of Judith and Holofernes. Philip Galle (Netherlandish, 1537-1612); after Maarten van Heemskerck (Dutch, 1498-1574). Date: 1564. Dimensions: 202 x 248 mm (image); 205 x 251 mm (plate); 226 x 272 mm (sheet). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Galata bridge over the golden horn in constantinopel. Different figures on a bridge, including men with burden and some veiled women. In the background two mosques.

Italy, Titian, Rome, Andreani, Andrea, Triumph of Christ (third part), recto upper left - handwritten in brown ink, Section of the Triumph of Christ with sibyls holding large banners. Center bottom: C., print, prent, prints, prenten, 3, height 392 mm, width 380 mm, Italian, 1559 - 1629, print maker, prentmaker, 1568 - 1629, first quarter 16th century, second quarter 16th century, paper, papier, houtsnede, Work conception, 1488 - 1576-08-27

Miraculous multiplication of the seven loaves of bread and the two fish, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 110 mm × w 155 mm

CARLOS I (V DE ALEMANIA). REY DE ESPAÑA. 1500-1585. " REVISTA DE CABALLERIA EN BARCELONA , AÑO 1535 ". GRABADO SOBRE TAPIZ DE EL MUSEO UNIVERSAL.

Fight at a village, left a windmill. Design for a print.

Avercamp, Hendrick, Haarlem, Spilman, Hendrik, Ice scene with hunter showing an otter, verso - stamped, print, prints, height 215 mm, width 343 mm, Northern Netherlands, 1721-02-17 - 1784, print maker, printmaker, 1742 - 1784, paper, papier, etching, etchings, aquatint, roulette, color printing, print drawing, 1585 - 1634, intermediary draughtsman

Soldiers pillaging a town 17th century Attributed to Anonymous, 17th century. Soldiers pillaging a town. Attributed to Anonymous, 17th century. 17th century. Pen and black and brown ink, brush and brown wash, heightened with white, on laid paper prepared with gray wash, black ink framing lines. Drawings

Stage Design: Curtain, The Workshop of Apollo, Felice Giani, Italian, 1758-1823, Pen and brown ink (iron gall ink) brown wash, Vertical rectangle. Framing similiar to 3180. View into circular vaulted structure, right part formed by front of temple dedicated to Apollo. Left foreground, herm stands, crowned by putto and surrounded below by musical intruments, books, scrolls. Center: altar with old priest. At right: three muses and victorious putto over demon. At left: sketch of monument with inscription below, ' Teatro delle Muse,' above flying flame., Italy, 1800-1805, theater, Drawing, Drawing

Jeanniot, Pierre-Georges, work, Dead, etching, graphics, plate width 22 cm, plate height 14 cm, leaf width 35.4 cm, leaf height 24 cm, image width 11.9 cm, image height 13.1 cm

The Battle, plate three from The Large Miseries of War. Gerrit Lucasz van Schagen (Dutch, born 1642); after Jacques Callot (French, 1592-1635). Date: 1612-1635. Dimensions: 74 x 179 mm (image); 83 x 183 mm (plate); 100 x 202 mm (sheet). Etching on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Gerrit Lucasz van Schagen.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: one hundred and nineteenth board (Dornik-Eger 36; Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Fight At a village, a windmill on the left, Gerardus Empaault de Micault, 1799 - 1863 drawing Design for a print. paper. ink. pencil pen battle (+ land forces)

Horatius Escapes by Swimming after Having Repulsed the Enemy at the Head of the Bridge Which He Had Ordered PulledDown. Engraver: Diana Mantuana, Italian, ca. 1547-1612 After: Giulio Pippi, called Giulio Romano, Italian, ca. 1499-1546

Winter face, Gerrit Grasdorp, 1661 - 1693 drawing paper. ink pen / brush ice ~ freezing weather. winter sports

Procession, with four men riding horses. Artist: Anonymous, German, 16th century. Dimensions: Sheet: 13 3/16 × 17 1/4 in. (33.5 × 43.8 cm)Plate: 11 5/8 × 16 15/16 in. (29.5 × 43 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

The Cartoon of Raffaelle in Hampton Court. The Miraculous draught of Fishes.. Attributed to Leonida Caldesi (Italian, 1823 - 1891)

Regulus Condemned to the Most Horrible Torture. Artist: After Gabriel de Saint-Aubin (French, Paris 1724-1780 Paris); Pierre Chenu (French, Paris 1730-late 18th century). Dimensions: sheet: 11 13/16 x 9 1/16 in. (30 x 23 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Study for Lucain's "La Pharsale", Canto VIII. Hubert François Gravelot; French, 1699-1773. Date: 1756-1773. Dimensions: 140 × 90 mm. Pen and black ink, over graphite, on gray laid paper, incised for transfer, and perimeter mounted on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

This brown and gray ink drawing shows the Marienwunder, a miraculous tear of a gallows knit, with white highlights and graphite pencil corrections, including a rider patch and horizontal fold traces.

Drawing by Meister von 1518 depicting the embarkation of a shrine, executed with pen and brushes in gray, lavated, and white heighted on gray paper, showing figures, shrine, and watercraft.

Death, historical copper engraving from the 19th Century

De Nachtwacht, Johannes Dyserinck, after Rembrandt van Rijn, 1845 - 1912 drawing paper. pencil brush picture, painting. historical persons. names of artefacts and man-made objects (buildings excluded) Rijksmuseum Amsterdam

Wernyhora according to the image of Jan Matejko. Firefighting chipthmark 1885 148 Käseberg, Hugo (1847 1893), Oern, Kaspar Erhardt (1840 18 ), Redder, (N.N.), Matejko, Jan (1838 1893)

Giovanni Domenico Tiepolo after Giovanni Battista Tiepolo, The Triumph of Hercules, 1760s The Triumph of Hercules

Entry of the procession of an emperor and pope into a city, Zeger Jacob van Helmont, 1693 - 1726, draughtsman: Zeger Jacob van Helmont, 1693 - 1726, paper, pen, brush, h 354 mm × w 278 mm

Bresdin, Rodolphe, L'Armée romaine, Large army advancing to the left on plain in landscape, verso bottom - stamped, A large army with many soldiers on horseback advances to the left on a plain and takes people prisoner., print, prent, prints, prenten, verso middle - stamped, height 79 mm, width 142 mm, height 156 mm, width 225 mm, French, 1822-08-13 - 1885-01-14, print maker, 1856 - 1856, third quarter 19th century, paper, etching, Work conception, after own design of

Lent, draughtsman: Cornelis Saftleven, 1617 - 1681, paper, brush, h 95/100 mm × w 138 mm

The Meeting of Abraham and Melchizedek 1709-1725 Italy. Pen and brown ink, brush and brown and gray wash, over black chalk, on ivory laid paper . Giambattista Tiepolo

Juliusz Kossak (1824-1899), Battle of uora; excerpt from a magazine. Styfi, Jan (1839-1921), author of a model, Juliusz Kossak (1824-1899), draughtsman, cartoonist, Ilustracja Szkolna (Warszawa ; czasopismo ; 1929-1939), publisher

Winter face ..

Fall of the Giants. After Guglielmo della Porta; Italian, 1500/10-1577. Date: 1520-1578. Dimensions: 218 x 311 mm (max.). Pen and brown ink, over traces of black chalk, on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

The Drowning of Pharaoh's Army 1595-1643 Flanders. Pen and brown ink and brush and brown wash with pen and black ink and opaque white watercolor on pieced, cream laid paper . Martin Pepijn

Last Supper Artist's working dates 1538-1594 Italy. Brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper . Tintoretto

ROLL, Alfred Philippe (N.1846-03-01-D.1919-10-27), July 14, 1880 (main title), 1882. Graphite pencil, brown ink and ink wash on layer glued on paper. An added senestre strip. Petit Palais, Museum of Fine Arts of the City of Paris.

Personifications of freedom, truth and caution, Jacob van der Schley, 1725 - 1779 print A broken column contains personifications of freedom and truth and a child. A personification of caution, with a mirror in the hand, walks into a cave while a child grabs her rug. Amsterdam paper etching / engraving Freedom, Liberty; 'Libertà' (Ripa). Truth; 'Verití' (Ripa). Prudentia (Prudence) as Roman personification

Boxing match by Luca Penni, pen, brush, brown Indian ink, white color, black chalk on paper, circa 1544, 1500/4-1577, Roman School, Russia, Moscow, State Pushkin Museum of Fine Arts, 36, 1x51, 8

Rijn, Rembrandt van, Christ crucified between the two murderers: oval plate, verso lower left - stamped, print, prints, height 135 mm, width 101 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1639 - 1643, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

The Caravan. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet (trimmed): 9 3/16 × 13 3/8 in. (23.3 × 34 cm). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Life in the countryside. A woman with a distaff stirring food in a pot. 19th century facsimile after a woodcut from an edition of Virgil's works published in Lyon in 1517. "Moeurs, usages et costumes au moyen-age et a l'epoque de la Renaissance", by Paul Lacroix. Paris, 1878.

EDINBURGH

Baptism ofChrist. Etcher: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804 After: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

During the siege of Riga, a bomb explodes in a house, 1656, Caspar Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing gunpowder disaster. interior of the house. siege Riga

The Women of Weinsberg late 16th-early 17th century Otto van Veen Netherlandish. The Women of Weinsberg 385488

Copper engraving by Hendrick Goltzius from 1578 titled 'Allegory on War,' depicting symbolic figures and martial elements in detailed composition.

Historia Antigua. Roma. Destrucción de Pompeia. Grabado alemán de 1866.

Anonymous feather drawing of a 17th-century triumphal procession with a king on a car, a wreath held by Victoria, riders, and two boys running alongside, on brown paper.

Procession of dead, 1619 print Procession of dead, led by death. From left to right: ecclesiastical princes, worldly princes, soldiers, scholars and judges and merchants. On the right death as a gardener with spade in his hand and scythe over the shoulder. Stuck completely on three magazines. Southern Netherlands paper etching triumphs (allegorical and symbolic). symbols and personifications of Death Brussels

Fauns And Nymphs, William Williams (England, active 1763 - 1800) 1798

Relationship came from Constantinople of the caravans , and other things done in the year for the whole Ottoman Empire , aims that TVs do for the Svo false prophet, Trauerzug des Gran Turco und Seiner Anhänger of him Nach Mekka in Fünf Reihen, Giuseppe Maria Mitelli , Copper Engraver

The Monument to the Martyrs of 1809, at Garriga i Bachs Square, barcelona, Spain. Ceramic murals depicting executions of heroes of the Catalan resistance to Napoleonic troops in 1809 flank this little space just outside the cloister of the Catedral de la Seu. The first three scenes show the five resistance leaders waiting their turns to be garrotted or hanged (the garrotte vil, or vile garrotte, was reserved for the clergymen, as hanging was considered a lower and less-humane form of execution)

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Regatta Ball at Ranelagh, 1775. Line engraving.

Nuremberg, Solis, Virgilius, Fencing exercises by thirteen soldiers, verso - handwritten in brown ink, print, prints, verso - stamped, 43, height 58 mm, width 233 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

Barthel Beham, Titus Gracchus, 1528 Titus Gracchus

République Française (Ti)

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