Historical Triumphs and Battles

A series of engravings depicting historical triumphs, military confrontations, and significant figures from ancient history, showcasing dramatic scenes and intricate details.

Italy, Rosa, Salvator, Martyrdom of Marcus Atilius Regulus in a barrel with nails, stamped, Marcus Atilius Regulus is killed by the Carthaginians. He is put in a barrel with metal pins., print, prints, height 470 mm, width 738 mm, Italian, 1615-06-20 - 1673-03-15, print maker, printmaker, 1625 - 1673, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

Emperor Aurelian riding in his chariot of triumph, pulled by deer. He triumphs over the chained Zenobia, queen of Palmyra. He carries her and Tetricus to Rome to show them to the people. Triumphal entry of Emperor Aurelian in 274, print maker: Bernard Picart, (workshop of), intermediary draughtsman: Bernard Picart, (mentioned on object), Amsterdam, 1720, paper, etching, engraving, h 150 mm × w 192 mm

Jacques Callot (1592-1635). "The life of Ferdinand I of Medici, the Grand Duke is fortified the port of Livorno. Fourth number of a series of 16 finished pieces and 2 supernumerary pieces" (Lieure 150, Meaume 537). Chisel. 1619-1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99597-31 Burin, Gravure

Alexander the Great and Poros (left leaf). .

Amsterdam, Luyken, Caspar, The Mistreatment of the Israelites by the Egyptians, verso - manuscript in brown ink, print, prints, verso - stamped, 48, height 111 mm, width 144 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Canto VIII. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. Etching

Jefta is chased away by his brothers, Nicolaes Ryckmans, after Pieter de Jode (I), 1643 print For an army tent, Jefta, with a skewer in his hand, and his squire are chased by his brothers (Ri. 11: 1-3). Jefta is excluded because he has a different mother than his brothers. Amsterdam paper engraving Jephthah, son of Gilead, is cast out by his brothers because he is the son of a harlot (Judges 11:1-3). dog

Plate 15: Ferdinand as Hannibal crossing the Alps; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' 1636 Johannes Meursius On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.. Plate 15: Ferdinand as Hannibal crossing the Alps; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. 1636. Engraving. Johannes Meurs

Josephus orders Klitus to cut his left hand, Jan Luyken, 1704 print Amsterdam paper etching corporal punishment in public. violent death by removal of parts of the body by cutting, sawing, tearing

Hudibras and the Skimmington (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 7) 1725-68 William Hogarth British. Hudibras and the Skimmington (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 7) 401168

Italy, Rosa, Salvator, Martyrdom of Marcus Atilius Regulus in a barrel with nails, stamped, Marcus Atilius Regulus is killed by the Carthaginians. He is put in a barrel with metal pins., print, prints, height 470 mm, width 738 mm, Italian, 1615-06-20 - 1673-03-15, print maker, printmaker, 1625 - 1673, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

Jacques Callot, Mariotto, 1619 Mariotto

Matthijs Servaes in Cologne led to the scaffold, 1565, Jan Luyken, 1685 print Amsterdam paper etching persecution of heretics. (person under sentence of death) on the way to the scaffold or place of execution Cologne

Hooghe, Romeyn de, Netherlands, Allegory of the Batavian Revolt, with the raising of the shield of Brinno and the conspiracy of Claudius Civilis. With a caption of two lines in one line., print, prints, height 176 mm, width 295 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1704 - 1706, first quarter 18th century, paper, etching, engraving, engraving (printing process), Work conception, after own design by

Simon van Trent is found, Anonymous, 1550 - 1649 print The body of the young Simon van Trent is found on the banks of a river. Italy paper etching river. finding a dead person

Calaïs and Zetes help Phineus. The ship with the argonauts has arrived in the Kingdom of Phineus, whose food is constantly stolen by three harpies. The two sons of Boreas, Calaïs and Zetes, stand with drawn swords for the blind phineus. They are about to chase the harpies. In the margin a two-legged caption in Latin.

This etching by Pietro Aquila depicts the crossing of the Jordan River, showing figures, water, and biblical context in 1675.

After Maerten van Heemskerck, David Armed before Saul, c1556 David Armed before Saul

Gideon recommends his man's water to drink.

William Hogarth, 1697-1764, British, Hudibras's First Adventure (no.3). Engraving on wove paper mounted on laid paper.

Stoning van Nabot, Jan Luyken, 1708 print Amsterdam paper etching Naboth is stoned to death

Jacques Callot, The Betrayal, c 1631 The Betrayal

The Small Carrying of the Cross. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Cartoon about the struggle between Louis XIV and Pope Innocent XI, 1687, Caspar Luyken, Pieter van der Aa (I), 1698

Nuño Salido Insists that the Omens are Evil While Ruy Velazquez Insists that They are Good. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

Table of Museum Temple: Phinee (Dutuit 36, White 135) Cornelis II Blloert, said U Young (1603-1692). Temple Table des. Muss: Phineit (Duzuet P. 36, White 135). Burin, Curnitely sites. Museums of the city of the city of Paris, small palace.

Southern Netherlands, unknown, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, The Batavians become afraid and start peace negotiations, verso - stamped, The Batavians become afraid and call on the Romans for peace negotiations at a broken bridge over the river IJssel. Caption in Dutch and Latin., print, prent, prints, prenten, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, Work conception, 1556 - 1629-05-06, after a design by, granter of privilege

Judit in Kamp van Holofernes, Gerard de Jode, After Jan Snellinck (I), 1547 - 1591 print Landscape with the camp of Holofernes with Holofernes in the middle, sitting under a shelter. Judit and her maid stand in front of him. In the foreground a lying soldier. In the margin a caption in Latin. Print from a series of four with scenes from the story about Judit and Holofernes. paper engraving Judith and her qualivant in Holofhnes' camp

Rome, Salamanca, Antonio, Italy, Clovio, Giulio, Vico, Enea, Saint George and the Dragon, verso - stamped, Saint George, in armor on horseback, thrusts his lance into the dragon's mouth. On the right the princess is watching., print, prent, prints, height 264 mm, width 364 mm, Italian, 1523 - 1567, print maker, printmaker, 1542 - 1542, paper, papier, engraving, engraving (printing process), Work conception, Croatian, 1498 - 1578, after a design by, Publication (Event), Publication, 1478 - 1562, publisher

The able doctor, or America swallowing the bitter draught, 1774, Engravings, (Questionable), London

Departure of the Prince of Orange from Scheveningen, 1795, Reinier Vinkeles (I), 1800 - 1801 print Departure of Prince Willem V from the beach from Scheveningen to England, January 18, 1795. The stadholder says goodbye to a group of officers on the beach, while luggage is loaded on board a fisherman spink. Many crowds on the beach and the dunes. Northern Netherlands paper etching / engraving departure ~ travelling Scheveningen

Death of Timothy, Chereas and Apollophanes; History of the Maccabeans; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The Army of Judas Makkabeër states the walls of the castle. They set fire to the towers. Timothy and his brothers Chereas and Apollophanes are killed. Under the show a reference in Latin to the Bible text in 2 MAKK. 10:32. This print is part of an album.

Marriage of Isaac and Rebekka (page 2), Gijsbert van Veen, after Baldassare Peruzzi, 1599 - 1645 print Left center leaf of a performance of the marriage of Isaac and Rebekka, consisting of four sheets of four plates. paper engraving marriage of Isaac and Rebekah

Part of a triumphal procession with soldiers and horses that pull carts with equipment; Stucco in the Sala Degli Stucchi in Palazzo del in Mantua; Triumphal of Emperor Sigismund I in 1432; Sigismundi Augusti Mantuam Adeuntis Profectio AC Triumphus. Caption in Latin. Print is part of an album.

Skaters on the ice; Figures in landscapes.Winter Landscape with Skaters on the ICE. Legal Under Numbered: 4. The Numbered Prints Are or Ten Series.

The Triumph of Scipio who rides on a horse followed by captured slaves 1530-60 Master of the Die Italian. The Triumph of Scipio who rides on a horse followed by captured slaves 371092

Dutch virgin is attacked by soldier and protected by father time in frame with weapent trophies. The Dutch virgin is attacked in her court by a soldier who also pushes a column with a coat of arms of the Netherlands. A lying lion with a lance bared his sharp teeth. Father time tries to keep the man at a distance with his zeis. Another soldier with a coat of arms of the seven province saves the virgin of the attacker. The frame is decorated with weapent trophies. Above around the list on a Banderol is a quote from Virgilius Aeneas: Si Patrii Quid Martis Habes, Illum Aspice Contra.

Southern Netherlands, unknown, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, The vanguard of the new Roman troops returns, verso - stamped, The vanguard of the new Roman troops turns around and returns. Caption in Dutch and Latin., print, prent, prints, prenten, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, Work conception, 1556 - 1629-05-06, after a design by, granter of privilege

Antwerp, Jode, Gerard de, Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, History of Tobias, Tobias and the angel say goodbye to Tobit and Anna, verso - stamped, Tobias and the angel Raphael say goodbye to Tobias' parents Tobit and Anna. Right behind Tobias and the angel at the river Tigris where Tobias removes the heart, liver and bile of the fish he caught and takes with him. At the bottom in the margin an explanatory text in Latin. After Tobit 5., print, prints, height 199 mm, width 285 mm, Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, 1585 - 1585, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Paard van Troje is brought in, 1663 print A group of Trojan soldiers brings Troje's horse into the city. Other figures along the entry play musical instruments. Numbered: II. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching the Trojan horse. the wooden horse is brought into the city of Troy

Stoning of Stephen, draughtsman: Jan van Scorel, draughtsman: Master of the Good Samaritan, 1505 - before 1541, paper, pen, brush, h 236 mm × w 372 mm

Triumph of Bacchus. Theodor de Bry (Flemish, 1528-1598). Engraving;

Men set up, Jan Luyken, 1659 - 1712 print paper etching

Junius, Hadrianus, Heemskerck, Maarten van, Haarlem, Galle, Philips, History of Shadrach, Meshach and Abednego, Shadrach, Meshach and Abednego before King Nebuchadnezzar, The three Jews who refuse to worship the golden image must appear before King Nebuchadnezzar. They are led before them by soldiers. Nebuchadnezzar sits on his horse and questions the three men. Under the presentation an explanatory text in Latin. This print is part of an album., print, album sheet, prints, height 204 mm, width 248 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1565 - 1565, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, 1511-07-01 - 1576-06-16, writer

Northern Netherlands, Frisius, Simon, François de la Noue captured during the battle of Ingelmunster, 1580, François de la Noue captured during the battle of Ingelmunster in Flanders, May 10, 1580. The Dutch troops are attacked and defeated at night, De la Noue is captured during a cavalry battle. With a 4-line caption in Latin. The number has been scratched off. Printed on the back with text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 127 mm, width 155 mm, 1575 - 1628, print maker, printmaker, 1613 - 1615, first quarter 17th century, paper, etching, etchings

Entry of Maria de Médicis in Amsterdam (plate 2), 1638, Pieter Nolpe, After Jan Martszen de Jonge, 1638 - 1639 print Entry of the French Queen Maria de Médicis in Amsterdam, August 31, 1638. Second album in an unassembled ensemble consisting of a title page, a portrait and seven magazines of the procession. The front part of the procession with readers, boys on foot and riders. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam

Amsterdam, Luyken, Caspar, Joseph's cup found in Benjamin's grain sack, verso - stamped, print, prints, height 76 mm, width 89 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1698 - 1698, paper, papier, etching, etsen

Process follows blind desire, 1597 print Blind desire (Cupido with a bag over the head) leads the monstrous figure process (LIS), which is carried along by opinion and will. The row is closed by my and dijn. Extensive caption in Dutch, German and Latin. This print is part of a series of eight prints about greed, deception and litigation. paper engraving (story of) Cupid, Amor (Eros). litigation, legal proceedings, lawsuit

Marriage of Isaac and Rebekka (page 3), Gijsbert van Veen, after Baldassare Peruzzi, 1599 - 1645 print Right center sheet of a performance of the marriage of Isaac and Rebekka, consisting of four sheets of four plates. paper engraving marriage of Isaac and Rebekah

Stefano Della Bella, Death on the Battle Field Death on the Battle Field

. Arriving on the island Ismarus of the Kikonen Slachten Odysseus and his men off and raise the city.

Salisch Franken subjects itself to Julianus, 358, 1747 - 1759 print The Salian Franks submitted to the Roman supreme commander Flavius Claudius Julianus in 358. Northern Netherlands paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

Hudibras First Adventure (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 2) 1721-26 William Hogarth British. Hudibras First Adventure (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 2) 396780

Victory over the Assyrians; History of Judit and Holofernes; Historia Holofernes (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The Israelites attack the fleeing Assyrian army. At the city wall of Betulia, in the background, the head of Holofernes hangs on a stake. Under the show a reference in Latin to the Bible text in Judit 14: 8. Print is part of an album.

Boniface IV Paleologo, Markgraaf van Monferrato, with the imperial scepter and Francesco Maria della Rovere, Duke of Urbino, with the imperial sword, plate 24, 1620 - 1699 print Bonifatius IV Paleologo, Markgraaf of Monferrato, with the imperial scepter and Francesco Maria della Rovere, Duke of Urbino, with the imperial sword, plate 24. Procession of Charles V with the Pope Clemens VII in Bologna after his coroner, 24 February 1530 . Mechelen paper etching / engraving festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

A gray-brown feather and brush drawing by Julius Heinrich Schwarze depicting the martyrdom of Marcus Regulus, after Salvator Rosa, created after 1760.

Antwerpen, Jode, Gerard de, Broeck, Crispijn van den, Sadeler, Johann (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Moses after the Exodus, Moses strikes water from the rock, Antwerp, The Israelites catch water in jugs and bowls. In the background, Moses strikes a rock with his staff, causing water to flow out. Below the representation is a reference in Latin to the Bible text in Ex. 17. This print is part of an album., print, album page, prints, height 190 mm, width 263 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1524 - 1591, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Don Quixote releases the Galley Slaves (Six Illustrations for Don Quixote). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Miguel de Cervantes Saavedra (Spanish, Alcalá 1547-1616 Madrid). Dimensions: sheet: 9 5/16 x 6 15/16 in. (23.7 x 17.6 cm). Date: 1756 or after. Museum: Metropolitan Museum of Art, New York, USA.

Callot, Jacques, Nancy, The Little Passion, Raising of the Cross, verso lower left - stamped, The cross with Christ on it is pulled, pushed upright by a number of men. Several groups of people are watching. This print is part of the print series 'The Little Passion', consisting of 12 scenes from the Passion., print, prints, height 76 mm, width 59 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1624 - 1625, first quarter 17th century, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Don Quixote Releases the Galley Slaves (Six Illustrations for Don Quixote) 1756 or after William Hogarth British. Don Quixote Releases the Galley Slaves (Six Illustrations for Don Quixote) 397841

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Cleve, Marten van (I), Sadeler, Johann (I), Den Grooten Figuer-Bibel, History of David and Bathsheba, Of David and Bathsheba, Death of Uriah, lower right - handwritten in brown ink, Uriah is placed at the front of the battle in the most dangerous place by order of King David. He is killed by the enemy with a lance. Below the image a reference in Latin to the Bible text in 2 Sam. 11:14. This print is part of an album., print, prent, albumblad, prints, prenten, 155, height 198 mm, width 286 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, prentmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), Work conception, 1527 - 1581, after a design by, Publication (Event), Publication, Noord-Nederlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Blinds guide the shutters. The blind trainer is about to step into a ditch and also takes blind followers. The leader has a drailer under his cloak. A village can be seen in the background. The show is an imagination of the proverb and the parable: if one blind leads the other, they both fall into a pit. Why the meaning is: when unavoidable advice other inconveniences, it goes wrong. Reference to matte. 15:14.

Ludwig XIII., King of France.

. Alexander the Great, accompanied by pages and warriors. Right Diogenes in his tons.

Part of a triumphal procession with senators and politicians on horseback, Pietro Sante Bartoli, After Giulio Romano, After Francesco Primaticcio, 1680 print Caption in Latin. Print is part of an album. paper etching Military parade, pageant. Horse. Politician, E.G. Party Leader. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Palazzo del Te

Hunting of Caledonian Zwijn, Jacob Folkema, 1702 - 1767 print Melager has prepared himself with his companions for the hunt for the Caledonian Zwijn and says goodbye to his family before he leaves. paper etching / engraving the Calydonian hunt

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, David Goliam interficit, David kills Goliath, verso - stamped, Little David kills the giant Goliath. Other soldiers look on. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever van privilege

Amsterdam, Luyken, Caspar, Pharaoh's army drowns in the Red Sea, verso - manuscript in brown ink, print, prints, verso - stamped, 62, height 113 mm, width 147 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Standard bearers, plate 6, 1615 - 1620 print Standing bearers, plate 6. Procession of Charles V with the Pope Clemens VII in Bologna after his coronation to Keizer, 24 February 1530. print maker: Mechelenpublisher: The Hague paper etching / engraving festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

Plate 7: The Egyptians Pursuing the Israelites, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 7: The Egyptians Pursuing the Israelites, from 'The Battles of the Old Testament'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Port face with a fountain with the image of a triton, where people fill tons and jugs with water. A ship in the background.

The Battle around the Shield and Lance. Giovanni Jacopo Caraglio (Italian, 1500/05-1565); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1522-1532. Dimensions: 341 x 485 mm. Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Jan Wellens de Cock, The Stragglers The Stragglers

Umbria Terni Ferentillo S. Stefano0. Hutzel, Max 1960-1990 Small church with clock built into its facade. Square campanile with both brick & stone facings. Late Renaissance or Baroque interior with paintings in that style. Rich marbled columns. No negatives. Object Notes: No Hutzel photo campaign notes. Negatives are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Simeon and Levi kill the Sichemites, Gilliam van der Gouwen, after Gerard Hoet (I), 1728 print The brothers Simeon and Levi attack the Sichemites when they are sick in their bed. One of the brothers takes Dina back to Jakob (Gen. 32:24). The rest of the city is looted in the background. The print has a Hebrew, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper engraving / etching Simeon and Levi kill all the Shechemites and bring Dinah home, while the other brothers plunder the city

Slaves at the harbor chef; Havent scenes. The chef stirs in a boiler. A slave comes to get food for him. There are some slaves to eat on the bottom left. On the right are three older gentlemen.

Job Reproved by His Friends dated 1777; issued ca. 1790 James Barry Job sits on the ground with his hands clasped, resigned to suffering, as lightning strikes his distant house and the bodies of his sons are borne away. As Jobs wife points toward heaven, friends have gathered to offer advice, including Elihu (the young man standing at left), Liphaz, Bildad, and Zophar (seated on the ground). One of Barrys most dramatic aquatints and his most impressive biblical composition, the image encapsulates the aesthetic concept of the Sublime as formulated by Barrys mentor and patron, the philosopher Edmund Burke. In a famous treatise from 1757, Burke, to whom the print is dedicated, presents the noble suffering and elemental violence in the story of Job as exemplifying the "boundless magnitude of Gods overwhelming power.". Job Reproved by His Friends. James Barry (Irish, Cork 1741-1806 London). dated 1777; issued ca. 1790. Etching over traces of aquatint; third state of five. Prints

Simon van Trente is found; Life of Simon van Trente.The body of the young Simon of Trento found on the bank of a river.

Amsterdam, Picart, Bernard, Queen Voadicé summons her army, and to lead the fight, she makes the dog laugh at a dear friend, like a representation of the Victoire, verso lower right - stamped, Queen Voadicé gathers her army in front of her army tent. To cheer them up she holds a hare hunt, which serves as a sign of victory., print, prints, height 106 mm, width 173 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1728 - 1728, second quarter 18th century, paper, papier, etching, etchings, Work conception

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Naked archers shooting at a target attached to a herm, Cupid sleeping below, possibly an allegory related to vice ca. 1540-60 Nicolas Beatrizet. Naked archers shooting at a target attached to a herm, Cupid sleeping below, possibly an allegory related to vice. Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome ()). ca. 1540-60. Engraving, red wash on the exposed penises presumably to obscure them. Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Prints

Dirty bride or the wedding of Mopsus and Nisa, Pieter van der Heyden, after Pieter Bruegel (I), 1570 print Mopsus, the groom with feathers on his hat, picks up his tough bride Nisa at a ragless tent. A little boy walks next to the tent with a piggy bank in his hand. On the right a musician with a basket as a hat on his head, who makes music with a knife and a coal shovel. In the background a castle with moat between the trees. Under the performance a caption in Latin. Antwerp paper engraving comedy. dancing at wedding feast. tent

Laban Searching Jacob's Baggage for Rachel's Idols. 1601 - 1700. Castiglione, Giovanni Benedetto, 1609-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Speculum Romanae Magnificentiae: Trajan Fighting the Dacians 16th century Attributed to Marco Dente Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound s

Johann III. Sobieski, King of Poland.

Illustration for a Book: General Carried in Triumph 1696-1770 Giovanni Battista Tiepolo Italian. Illustration for a Book: General Carried in Triumph 339271

Amsterdam, Luyken, Jan, Miraculous feeding, recto - manuscript in brown ink, print, prints, verso - stamped, 48, height 117 mm, width 154 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Various nobles, plate 19, 1615 - 1620 print Various nobles, plate 19. Procession of Karel V with the Pope Clemens VII in Bologna after his coronation to Keizer, 24 February 1530. print maker: Mechelenpublisher: The Hague paper etching / engraving festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

The cart; Various genre scenes. Landscape with a cart fully loaded with household goods, continued by a horse. On the right a woman with basket on the head.

Marie-Catherine d'Aulnoy's cook argues on a rowing boat with a few girls from Biscayje, Caspar Luyken, 1696 print Print at the top right marked: Reyse Fol II. print maker: Amsterdampublisher: Utrecht paper etching cook. quarrel, argument. rowing-boat, canoe, etc.

Haarlem, Galle, Philips, Junius, Hadrianus, Heemskerck, Maarten van, Triumphs of Petrarca, Triumph of fame, The winged Fame (Fama) blows her two trumpets. In this way she proclaims the fame of generals and philosophers from the past. In her procession walk Alexander the Great, Julius Caesar, Cato and Plato. The wheels of her chariot are decorated with tongues, ears and eyes to spread fame. Fame conquers Death; he is pitifully crushed under the feet of the elephants. In the background are two obelisks, monuments that were erected in honour of famous people. Below the image is an explanatory text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 193 mm, width 263 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, prentmaker, 1563 - 1567, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writer, Publication (Event), Publication, publisher

Achilles with corpse of Hector behind his victory car, Pietro Testa, c. 1648 print The naked Achilles standing on his victory car. Hector's body is tied to the car and drags over the ground. In the background hectors wife Andromache and three buildings, possibly the Colosseum, the Torre delle Milizie and the Pantheon in Rome. Italy paper etching Hector's body, tied to Achilles' chariot, is dragged around the city Colosseum. Torre delle Milizie. Pantheon

Parade with dressed characters, including rider Bernhart von Ahren, a donkey with a spit, Janus, Bacchus on a donkey and two musicians, Anonymous, 1553 - 1586 print paper etching rejoicing on special occasions (+ parade, pageant, cavalcade ~ festive activities). dress-up party. riding a horse, ass, or mule; rider, horseman. Janus' head, two-faced head. specific aspects, allegorical aspects of Bacchus; Bacchus as patron

Scene from the Dacic Wars, Antonio Fantuzzi (Circle of), 1537 - 1550 print Scene from the Dacian wars to the bass relief on the column of Trajanus in Rome. paper etching triumphal column with helical friezes. (story of) the emperor Trajan. war. piece of sculpture, reproduction of a piece of sculpture Column of Trajanus

Old Age (Night) from The Four Ages of Man and Death with the Last Judgment Before 1619 Hieronymus (Jerome) Wierix Netherlandish. Old Age (Night) from The Four Ages of Man and Death with the Last Judgment 417854

French crown, Coypel, Noël, Sacchi, Andrea, France, Audran, Gérard, Soldiers rush to the aid of a girl attacked by a tiger, verso - stamped, print, prints, height 300 mm, width 212 mm, 1640 - 1703-07-26, print maker, printmaker, 1650 - 1703, paper, papier, etching, etchings, Italian, 1599-11-30 - 1661-06-21, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1628 - 1707-12-24, publisher, uitgever van privilege

Quast, Pieter Jansz., Northern Netherlands, Monogrammist CL, The Great Tableau of Folly, The World of Action at its End, 1720, The World of Action at its End. A wind trader who has lost everything is mocked and laughed at by fools. Originally Diogenes looking for a person on the market with a lamp. With various captions. Print in the bound fourth edition (304 B 12) of The Great Scene of Folly with cartoons on the Wind Trade or Action Trade of 1720., print, cartoon, books, Frederik Muller Historieplaten, height 303 mm, width 382 mm, print maker, printmaker, 1625 - 1650, paper, engraving, engraving (printing process), 1606 - 1647-06, intermediary draughtsman, after a drawing by, 1720 - 1720

unknown, Amsterdam, Visscher, Nicolaes (I), Bloemaert, Abraham, Utrecht, Frederick, The Months of the Year, Junius, The month of June, verso - stamped, An army camp with soldiers resting next to their tent., print, prints, pictures, height 130 mm, width 165 mm, 1614 - 1669, print maker, printmaker, 1635 - 1670, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, 1618-01-25 - 1679, publisher, granter of privilege

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Trumpets and lansquenets, plate II, plate II. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, engraving, news print, propaganda print, prints, Frederik Muller Historieplaten, height 360 mm, width 295 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, paper, papier, etching, etsen

Similarity of the tenants of the Wijngaard, Jan Luyken, 1703 print after print by: Haarlempublisher: Amsterdam paper etching at last the lord sends his son, '... they cast him out of the vineyard, and killed him'

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