Historical Water Scenes

Evocative prints depicting historical moments by water, including a man overlooking ships, mythical discoveries, and Biblical narratives with dramatic landscapes.

Tobias at the fish in the river Tigris, Jan van de Velde (II), After Moyses van Wtenbrouck, 1603 - 1641 print Tobias wants to wash his feet in the Tigris river, on which the angel Rafaël instructs him to catch the fish that appears. Second print from a series of four about the Bible story of Tobias. Northern Netherlands paper etching / engraving Tobias washes his feet in the river Tigris. a large fish appears while Tobias is washing his feet; he is frightened

Man overlooks the water, Simon Fokke, 1722 - 1784 print A man with a walking stick stands on a bank and overlooks the water with sailing ships. Print on top left marked: IX. Amsterdam paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). sailing-ship, sailing-boat

Telemachus discovers Philocles in a cave; Philocles Exilé, EST Decouvert Dans Sa Solitude; Adventures of Telemachus.telemachus stands for the cave where philocles has hidden itelt. Print at The Top Left Of Marked: Page 267.

Saul greeted David as the victor of Goliath, Simon Fokke, 1766 print King Saul greeted David as the victor of Goliath. David Knelt with his sword for David and his soldiers and holds Goliath's head on the hair. Amsterdam paper etching David brings Goliath's head to Saul

Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753 The Holy Family Being Ferried Across the River

Georg Andreas Wolfgang, the Elder, A New Race Springs Up, 1665 A New Race Springs Up

Oilgrisaille by Franz de Paula Ferg showing three farmers conversing, with one seated on stone blocks and a kneeling peasant woman, set in a ruin landscape with tree, on red-brown primed paper.

Landscape with shepherds in antique sarcophagus, Bernard Picart, After Nicolas Poussin, 1694 print Landscape with three shepherds and a woman. They discover an antique sarcophagus with an inscription in Latin: "et in Arcadia ego". In the margin a caption in French. Below that a caption in Latin and in French. Paris paper etching / engraving 'And in Arcadia I am'

The Game of Blind Man's Bluff, 1739. Charles-Nicolas Cochin (French, 1715-1790), after Nicolas Lancret (French, 1690-1743). Etching; Specially trained printmakers like Cochin reproduced and popularized other artists works in printed form. His free and spontaneous style of etching translates Lancrets original painting with a lighthearted quality appropriate to this bucolic setting and fête champêtre, a festive outdoor party enjoyed especially by members of the French aristocracy. The fashionable gardens rococo balustrade, with its cascading arrangement of nude statues, is reminiscent of Bouchers fountain designs on view nearby.

Hannibal at the head of Hasdrubel, Ludwig Gottlieb Portman, after Jacobus Buys, 1795 print The head of the Carthagen general Hasdrbal Barkas was thrown by the Romans over the fence of the Carthaags Army Camp. His brother Hannibal Barkas bursts into tears when he sees his head lying. Amsterdam paper Hannibal with the head of Hasdrubal, which was thrown into his camp by the Romans

Tobias at the fish in the river Tigris, Jan van de Velde (II), After Moyses van Wtenbrouck, 1603 - 1641 print Tobias wants to wash his feet in the Tigris river, on which the angel Rafaël instructs him to catch the fish that appears. Second print from a series of four about the Bible story of Tobias. Northern Netherlands paper etching / engraving Tobias washes his feet in the river Tigris. a large fish appears while Tobias is washing his feet; he is frightened

Event arrives at Aix. Dept. Bouches du Rhône Le II December. 1790. (IT)

Drinking company under a tree, Antoine Cosme Giraud, After Clément Pierre Marillier, 1788 print paper etching private festivities, merry company. drinking

A banished prince, Archduke Heinrich and his Gemalin, Archduke Heinrich of Austria and his wife, a banished prince from illustrated Wiener Extrablatt , Carl Angerer -, realization

France, Louis XIV (King of France), Paris, Tortebat, François, Vouet, Simon, Elias in the fiery chariot, verso - stamped, Tree landscape with figures at the water's edge. In the background Elisa watches the ascension of Elias., print, prints, height 388 mm, width 490 mm, 1621 - 1690-06-04, print maker, printmaker, 1665 - 1665, paper, papier, etching, etchings, engraving, engraving (printing process), French, 1590-01-09 - 1649-06-30, after, after painting by, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Copper engraving and etching by Jean Ouvrier titled 'The Two Confidantes', created around 1761, depicting two figures in conversation.

Joseph Wagner (publisher) after Jacopo Amigoni, Rebecca at the Well, c 1745 Rebecca at the Well

Joachim Heinrich Campe with his family under a tree, Daniel Nikolaus Chodowiecki, After Christoph Heinrich Kniep, 1779 print paper. pencil etching historical persons. portrait of a writer. maps, atlases. family group, especially parents with their child(ren)

Standing Woman with a Child near a Fountain 1667 Dancker Danckerts. Standing Woman with a Child near a Fountain. Dancker Danckerts (Dutch, Amsterdam 1634-1666 Amsterdam). 1667. Etching. Prints

View of a dyke with a woman looking at a drawing trolley. .

Elegant company in Tuin, Cornelis de Wael, 1630 - 1648 print An elegant company sits together on a path in a garden. On the right a statue of Venus with Amor. A dog looks up at the image. Numbered in the bottom right: 14 (). Italy paper etching / engraving garden. private festivities, merry company. (story of) Venus (Aphrodite). dog

Woman with two children at Fontein, Dancker Danckerts, After Johannes Spilberg (II), 1667 print Woman stands with a child at Fontein where youngsters feed fish. paper etching ornamental fountain

Piro helps Arlequin with vomiting, Anonymous, After Gerardus Josephus Xavery, 1720 - 1728 print Amsterdam paper etching / engraving Types in 'Commedia dell'Arte': Harlequin. Types in 'Commedia dell'Arte'. vomiting

Holy Family by Engel in boat transferred the water, Giovanni Domenico Tiepolo, 1750 - 1753 print paper etching flight into Egypt and miracles during the journey

Cartoon on Kaat Mossel, Adriaan Trago and Petrus Hofstede, 1784, Anonymous, 1784 print Cartoon on Kaat Mossel, the Leidse Bakker Adriaan Trago and pastor Petrus Hofstede following the publishing of the Oranjegezinde Na-Courant in Rotterdam, 1784. On the left Hofstede with silage and monkey on a donkey with a banner on which a hare hangs. On the right Kaat Mossel next to a fallen bucket with mussels, Trago blows on his bakery horn. In the background a gallows with five ropes. In the caption a verse of ten lines. Northern Netherlands (possibly) paper etching ass, donkey. hornblowing baker

Pierre Philippe Choffard after Jean Michel Moreau, Chacun respecte le travail des autres, afin que le sein soit en sûreté, 1777 1779 Chacun respecte le travail des autres, afin que le sein soit en sûreté

Uden, Lucas van, Wading place, According to Rubens, (1000 - 2000), Etching, Major Category: Printmaking, 19.7 cm x 27.8 cm

Lot and his daughters; History of Lot. For a cave, lot is on the ground. He is embraced by one of his daughters. The other daughter gives him wine. On the left a table on which a scale is fruit. In the background the fire of the cities of Sodom and Gomorra.

Allegory of Time and Old Age, plate 32 of 'Iconographia Complectens In Se Passionen...', Melchior Küsel I, German, 1626 - 1683, Johann Wilhelm Baur, German, 1607 - 1642, Etching on paper, An old man is in middle foreground sitting under a tree. In his left hand an hour-glass; his right hand rests on a cane. Under his left foot a skull. In background, houses and figures at right., Augsburg, Germany, 1670, Print, Print

Mei, Francesco Bartolozzi, After Giuseppe Zocchi, 1739 - 1780 print Representation of the month of May. Figures strolling in a garden. In the foreground a girl who picks flowers. In the background a farmer and farmer who milked goats in front of their farm. Title and Italian fresh in the lower margin. Numbered below: AC. No. 5. print maker: Italyafter design by: Italypublisher: VeniceVenice paper etching / engraving May; 'Maggio' (Ripa). picking flowers. milking. garden

Telemachus saves antiOpe; Adventures of Telemachus. Telemachus rescues antiope from the attack of a wild boar. The boar is surrounded by figures with spears, dogs storm on the beast. Illustration manufactured at book 23 from "Adventures of Telemachus", written by François de Fénélon.

Flooding of the Rijndijk in Gelderland, 1770. Swimmer through flooding of the Rijndijk in Gelderland, January 1770. In the foreground a desperate family with household goods.

Maria van Burgundy falls from her horse, 1482, 1790 print Maria van Burgundy falls outside of Bruges from her horse, March 17, 1482. Netherlands paper etching dying from the effects of a fall Used

Love couple looks up to Goddess, Jan Punt, 1740 print On a path in the forest are a man and a woman surrounded by spectators. They look up to heaven, where a goddess (presumably Venus) appears on a cloud, accompanied by swans. Scene from the play Psyché, van Molière. Amsterdam paper etching / engraving (MOLIERE) specific works of literature (with AUTHOR, Title). couple of lovers. Psyche. (story of) Venus (Aphrodite)

Coypel, Charles-Antoine, Picart, Bernard, Amsterdam, Don Quixote thinks he is receiving a knighthood in the inn, verso - stamped, Don Quixote kneels and with his eyes closed in front of an inn. He thinks the innkeeper is knighting him with the sword. In the margin a caption in French., print, book illustration, prints, height 216 mm, width 160 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1732 - 1733, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, French, 1694-07-11 - 1752-04-16

Untitled Revolutionary War Allegory. Engraver: Thomas Cook, British, 1744-1818 After: Thomas Stothard, British, 1755-1834

Lot and his family escape from collapsing Sodom; his wife looks back at the destruction. Engraving.

Bergrede, Jean Michel Liotard, after Sebastiano Ricci, 1735 - 1743 print paper etching Christ's sermon on the mount (Matthew 5-7)

. Erichthonius, born from the wasted Seed of Vulcanus on Mother Earth and by Minerva locked up in a basket, is found by the three daughters of Cecrops, the king of Attica. The child has a snake tail instead of legs, where the three daughter scares. Under the show a rule in Latin.

A couple with chickens in a cage and a bundle of grain in a landscape. Representation of summer. Verse in German and Latin in lower margin. Numbered bottom center: no. 77., Summer Somer / Aestas , intermediary draughtsman: Jacopo Amigoni, (mentioned on object), print maker: anonymous, publisher: Johann Georg Hertel (I), (mentioned on object), Italy, 1705 - 1775, paper, etching, h 301 mm × w 195 mm

Street face with wife sanding a boiler, Adrien Joseph Verhoeven-Ball, 1847 print View on a rise behind a house with a woman who sands a kettle and sitting in a high chair sitting in a high chair. paper etching / drypoint kitchen-utensils (with NAME). street

. Don Quixote is kneeling and closed with the eyes for an inn. He believes that the innkeeper beats him with the sword to knight. A caption in French in the margin.

Joseph Wagner (publisher) after Jacopo Amigoni, The Finding of Moses, c 1745 The Finding of Moses

Meeting between two historical figures, Simon Fokke, 1722 - 1784 print The General Adam Lodewijk Lowenhaupt and Isaac Gronstrom meet in the open air. Under the image a text with the date December 1769. Amsterdam paper etching meeting

Flight into Egypt: The Holy Family, Disembarking, 1750-53. Giovanni Domenico Tiepolo (Italian, 1727-1804). Etching;

One of two people working in a field is one accepted and the other abandoned.

Diogenes Searching for an Honest Man. Dated: 1645/1647. Dimensions: sheet (trimmed to plate mark): 21.2 x 30.2 cm (8 3/8 x 11 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Benedetto Castiglione.

Man and boys on the bank of the forest (according to Jean Jacques Le Barbiera) Le Mire, Noël (1724 1801), Le Barbier, Jean Jacques François (1738 1826)

Heinrich Guttenberg after Nicolas Lavreince, Le mercure de France, 1784 Le mercure de France

Arlequin cries his little arlequin; Arlequin as an educator of the small arlequin; The newly opened Italian scene. While Piro brings a large boiler of water to the boil and washes the diapers of the small arlequin, Arlequin wings his child.

Patie and Peggy, Print made by David Allan, 1744-1796, British, born in Scotland, after David Allan, 1744-1796, British, born in Scotland, Published by Watt & Baillie, active 1808, British, 1808, Etching and aquatint on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm), Plate: 10 3/8 x 8 1/16 inches (26.3 x 20.4 cm), and Image: 9 x 7 1/16 inches (22.9 x 18 cm), agriculture, breeches, cane, cattle, coat, comforting, costume, cows, dog (animal), dress, fichu, genre subject, gesture, grazing, hills, illustration, landscape, love, man, pastoral, peasants, plaid, poem, rocks (landforms), rural, sash, shepherd, shepherd's crook, stream, tam-o'-shanter, trees, tub, weeping, woman, Europe, Scotland, United Kingdom

The fishmonger Le Marchand the poissons de Dieppe (title on object), coastal landscape with fishermen. On the right a fish saleswoman. Numbered lower right: N. 1., fisherman, merchant, salesman, Antonio Gabrieli (mentioned on object), Italy, 1783, paper, engraving, h 203 mm × w 254 mm

The Rest on the Flight into Egypt, 1587-1590. Camillo Procaccini (Italian, 1546-1629). Etching ; sheet: 22 x 27 cm (8 11/16 x 10 5/8 in.).

Composition, and monument in honor of Izabela Czartoryska Norblin, Jan Piotr (1745 1830)

Mythological scene with an offering queen in a forest, possibly althaea, and three gorgons, Simon Henri Thomassin, After Charles Le Brun, After Bernard Picart, 1697 - 1741 print Amsterdam paper engraving / etching Gorgons. queen. Sacrifice

Esau con le mogli figli e sostanze si separa dal fratello giacobbe. Artist: After Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609-1664 Mantua); Pietro Monaco (Italian, Belluno 1707-1772 Venice). Dimensions: image: 12 3/8 x 18 7/8 in. (31.5 x 48 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Philippe Triere after Sigmund Freudenberger, Lison dormait Lison dormait

Ruth kneels for Boaz, Philips Galle, After Adriaan de Weerdt, 1557 - 1591 print Ruth kneels for Boaz to thank him for working for him. In her hand she holds a bundle of ears. Boaz sits on a stone and sends two men to the cornfields. print maker: Haarlempublisher: Antwerp paper engraving Boaz speaks to Ruth; Ruth usually bowing down, or kneeling before him

Landscape with men and women dancing. Landscape with cheerful party of men and women dancing on music from a flute player sitting in a tree. The men try to cushion to steal the ladies. Below the show is a verse in Latin.

Louis XIV, king of France, and Marie Angélique de Scraauille De Roussille, Fontanges duchess, meet each other in the forest. On the left in the background a deer hunt. In the margin a two-person caption in French.

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Frontispiece to Joshua Kirby's "Perspective of Architecture" (1761). Artist: After William Hogarth (British, London 1697-1764 London). Author: Illustrates Joshua Kirby (British, Parham, Suffolk 1716-1774 Kew Green, Surrey). Dimensions: sheet: 9 1/16 x 14 15/16 in. (23 x 37.9 cm). Engraver: William Woollett (British, Maidstone, Kent 1735-1785 London). Date: July 1760. Museum: Metropolitan Museum of Art, New York, USA.

Orpa verlaat ruth en naomi, 1579 print Naomi travels with her two daughters -in -law to Judah. Along the way she sends the women back to their parental home. Orpa leaves, but Ruth stays with Naomi. Ruth and Naomi sit on stones on the banks of a river. Orpa leaves with her luggage under her arm. Under the show A reference in Latin to the Bible text in Ruth 1. Print is part of an album. paper engraving Naomi sends away her daughters-in-law: Orpah returns home, Ruth stays

An etching by Johann Elias Ridinger titled 'The Autumn,' depicting autumnal landscapes with trees, plants, animals, and seasonal activity, created between 1718 and 1767.

Statio VI. Tiepolo, Giovanni Domenico, 1726-1804. 1723 - 1797. Leonardis, Jacopo, 1723-1797. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669, The Flight into Egypt: SmallPlate, Etching, platemark: 8.8 × 6.2 cm (3 7/16 × 2 7/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

The feedback.

Salisch Franken subjects itself to Julianus, 358, Reinier Vinkeles (I), After Jacobus Buys, 1792 print The Salian Franks submit to the Roman supreme commander Flavius Claudius Julianus (Julianus de Valfallige) in 358. Amsterdam paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

Abraham and De Drie Engelen, Reinier Vinkeles (I), After Jacobus Buys, 1797 print The three angels visit Abraham and he brings them to the table. They promise him that he and Sara will have a son. Abraham hears the news. Sara listens from the tent. Amsterdam paper etching / engraving the promise of a son is renewed; Sarah, overhearing it, laughs incredulously

Landscape with shepherd family at Waterbassin; Landscapes. A landscape with a shepherd at a herd of sheep, goats and an ox, a woman with a child on horseback, a woman with a water jug and a boy with a fishing rod at a water basin. Italian verse in undermarge.

Cartouche Moderne with a Young Couple Being Served Wine. Dimensions: sheet (cut within platemark): 15.5 x 26.5 cm (6 1/8 x 10 7/16 in.). Medium: counterproof of an etching with drawing in pen and black ink and gray wash, on laid paper incised with grounding in red chalk for transfer on verso. Museum: National Gallery of Art, Washington DC. Author: Johann Esaias Nilson.

Christ in the Garden of Olives, no. 3 of 11 from La PetitePassion. Artist: Jacques Callot, French, 1592-1635

Halgage, Jean-Marie Delatid, 1799 print Farmer's family, resting under a tree. London paper etching noon. family life at home. resting - BB - out of doors

Rest on the Flight into Egypt. Dated: c. 1766. Dimensions: sheet: 61.5 × 44.5 cm (24 3/16 × 17 1/2 in.) plate: 49.5 × 37.7 cm (19 1/2 × 14 13/16 in.). Medium: etching printed in brown with stipple engraving and sulfur-tint. Museum: National Gallery of Art, Washington DC. Author: Andrea Scacciati after Agostino Carracci.

Apollo Lier playing for shepherds and shepherds, left in background Mercury, Barthélémy Joseph Fulcran Roger, After Thévenin, 1777 - 1840 print paper etching Apollo playing the lyre, Apollo Citharoedus. (story of) Mercury (Hermes). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Man climbs a rock with blindfolded Cupid; Allegories on the abuse of earthy possession. A man climbs a rock, pulling up by the blindfolded Cupid. There are different valuables behind Cupid. The performance is a two-person, Latin text and a two-person, Dutch poem in which the performance and its meaning are explained.

Daniel Nikolaus Chodowiecki, Family Grown, 1793 Family Grown

CERVANTES SAAVEDRA, MIGUEL DE.QUIJOTE, DON. PERSONAJE OBRA DE MIGUEL DE CERVANTES "DON QUIJOTE DE LA MANCHA". " DON QUIJOTE ENCUENRA A LA CUADRILLA DE ROQUE GUINART ". DIBUJO DE ANTONIO CARNICERO. ED. IBARRA 1780. BIBLIOTECA NACIONAL. MADRID.

Velde, Jan van de (II), Monogrammist VR (writer), Northern Netherlands, Nox, Good Samaritan pays the innkeeper, verso - handwritten, The good Samaritan arrives with the injured traveler at an inn and pays the innkeeper. Scene from the Bible story The Good Samaritan (Luke 10:30-37). Also representing the night, as one of the four times of the day., print, prints, verso - stamped, GBG, height 189 mm, width 171 mm, 1593 - 1641-11-04, print maker, printmaker, 1603 - 1641, paper, papier, etching, etchings, engraving, engraving (printing process), writer, Publication (Event), Publication, publisher

Les Soirées de Rome: Le Puits, 1763-1764. Hubert Robert (French, 1733-1808). Etching; Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Roberts dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series.

Rider and a man with an unconscious young woman, Reinier Vinkeles (I), 1772 print Amsterdam paper etching / engraving apparent death. landscapes. riding a horse, ass, or mule; rider, horseman

Copper engraving and etching by Jourdeville Jourd'Heuil depicting Mercury and Aglaure, created between 1774 and 1781.

Walking soul in conversation with Adam, Jan Luyken, 1706 print Amsterdam paper etching Adam (not in biblical context). the soul

History of Don Quixote According to Charles Antoine Coypel, Sancho awakens and hopes to not find his dear Grison (sixth issue of a suite of 31 pieces) Bernard Picart (1673-1733). History of Don Quixote According to Charles Antoine Coypel, Sancho awakens and hopes to no longer find his dear Grison (sixth issue of a suite of 31 pieces). Burin, 1746. Museum of Fine Arts of the City of Paris, Small Palace.

Alexander the Great visits the Tomb van Achilles, Simon François Ravenet (Le Vieux), After Filippo Lauri, 1769 print Nummered in the bottom left: full. II, No. 39. London paper etching / engraving (story of) Alexander the Great

Deucalion and Pyrrha create a new human breed, c. 1636 - 1670 print The water of the flood has dropped and Deucalion and Pyrrha get the advice to cover their faces at the temple of the Oracle Themis. In the background they throw stones behind them that turn into people. paper engraving stones turning into men: stones thrown by Deucalion and Pyrrha, as directed by the oracle of Themis, turn into men (Ovid, Metamorphoses X 400). Deucalion and Pyrrha pray, usually at the shrine of Gaea-Themis

En Bourbonnais, Armand Queyroy, 1830 - 1893, Etching on paper, Under a large tree, near a pool, a young woman kneels and spins before a lad lying on his stomach. Inscribed, lower left: 'A. Queyroy'., France, ca. 1865, Print, Print

Rest on the Flight intoEgypt. Etcher: Jean Leclerc, French, ca. 1586-1633 After: Carlo Saraceni, Italian, ca. 1579-1620 Artist, formerly attributed to: Jusepe de Ribera, Spanish, active in Rome and Naples, 1590-1652

Night murder. Murdled man lying on the ground, woman with arms outstretched next to him. Group of men hold killer.

Figures around an allegorical burial monument for Charles Sackville, sixth count of Dorset, Nicolas de Beauvais, after Domenico Maria Fratta, after Giovanni Battista Pittoni (Il Giovane), after Giovanni Battista Cimaroli, After J.P. Mirando, 1735 - 1741 print Paris paper etching / engraving grave, tomb

Diogenes sees a drinking boy; Diogenes. Diogenes is in a landscape. He looks down to a boy who makes his hands a bowl and drink water from a puddle. At the feet of Diogenes, his drinking cup is broken on the ground. Title and caption in Latin in undermarge.

Rembrandt van Rijn (1606-1669), Lazarus' Vaakekelse, About 1632

Berchem, Nicolaes Pietersz. "The stream crossed (Hollstein 12)". Etching. 1655. Museum of Fine Arts of the City of Paris, Petit Palais. 146340-18 Print, 17th XVIIth XVII 17th 17th 17th century

The angel appearing to Hagar in the wilderness as she folds her hands next to the sleeping Ishmael 1700-28 Charles Simonneau. The angel appearing to Hagar in the wilderness as she folds her hands next to the sleeping Ishmael. Charles Simonneau (French, Orléans before 1645-1728 Paris). 1700-28. Etching and engraving. Prints

Starter, Jan Jansz, Amsterdam, Sweelink, Gerrit Pietersz., Holy Family with the Apple, verso lower left - stamped, Landscape with the Holy Family. The Christ Child sits on the lap of his mother Mary. Joseph leans against a tree trunk and watches them eat an apple. In the margin a caption in Latin., print, prent, prints, prenten, height 202 mm, width 230 mm, Noord-Nederlands, 1566 - 1612, print maker, prentmaker, 1593 - 1593, paper, papier, etching, etsen, Publication (Event), Publicatie, Nederlands, 1594 - 1626-09, publisher

Print made by John Smith, 1652-1743, British, Tobias and the Angel, ca. 1685. Mezzotint on moderately thick, moderately textured, cream laid paper.

Saint Jerome. Jan Georg van Vliet; Dutch, c. 1610-after 1635. Date: 1626-1636. Dimensions: 345 x 221 mm (image); 402 x 227 mm (sheet). Etching on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

Het Vertrek Van Abraham in Lot uit Egypte, Francesco Bartoloote, after Francesco Zuccarelli, 1777 print A landscape with a boy who controls a small herd of cattle. Behind the boy a woman with a dog walk on her arm, a woman with a child, three men, a woman with a basket and a camel. On the right are a woman and two children who drink water next to a waterfall. Text and weapon in STUDMARGE. London paper etching / engraving city-view, and landscape with man-made constructions. (traveller) resting in the open air. 'en route', traveller under way. hoofed animals: camel. herd, flock. Abraham leaves Egypt with Sarah, Lot, and his possessions

Diana and Callisto. Diana, with the crowbar on her head, discovers the pregnancy of the Nymph Callisto. Another nymph reacts frightened. At the bottom of the margin explanatory verses in French and a reference to the original painting in the collection of Philip I of Orléans.

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