Historical Women Portraits

Portraits of women from history with elegant attire and distinctive collars, highlighting artistic techniques and cultural attire.

Portrait of a woman with a cap (Marie Joseph Bertrand), Louis Bernard Coclers, 1756 - 1817 print paper etching anonymous historical person portrayed alone - BB - woman

Portrait of Aeltje Denijs (born 1598/99), Nicolaes Maes (copy after), 1654 - 1700 painting Portrait of Aeltje Denijs, wife of Hendrick Wijnands, mother of Dionijs Wijnands. Bust in oval, a column in the background. Pendant of SK-A-702. canvas. oil paint (paint) painting historical persons - BB - woman

Portrait of a fifty -year -old woman, 1650 miniature (painting). coin Portrait of a fifty -year -old woman. Bust, slightly to the right. Together with SK-A-4337 painted on the inside of a silver screw valley from 1607. Part of the portrait miniatures collection. silver (metal). oil paint (paint) historical persons not known by name - BB - woman

Portrait of Anna Roemers Visscher .. Bust to the right, with millstone collar and hat on the head. Incorrect identification such as Anna Schoerersd. Visscher is based on a description of approx. 1800.

Portrait of Berckel Johanna in Oval. Portrait of Johanna van Berckel, to 17th century example.

RETRATO DE UNA MUJER - SIGLO XVI - RENACIMIENTO FLAMENCO. Author: Pieter Pourbus. Location: MUSEUM OF FINE ARTS. Antwerpen. Belgien.

Portrait of a woman with a cap (Marie Joseph Bertrand), Louis Bernard Coclers, 1756 - 1817 print paper etching anonymous historical person portrayed alone - BB - woman

Mary, Queen of Scots second half 19th century After François Clouet French After a painting by François Clouet in the Royal Collection (RCIN 403429).This photogravure of a wood engraving appeared in Laurence Hutton, "The Portraits of Mary, Queen of Scots" in The Century, vol. 37 (1889), p. 618 (with the portrait titled "Janet's La Reine Blanche").. Mary, Queen of Scots. After François Clouet (French, Tours (), active by 1536-died 1572 Paris). second half 19th century. Photogravure. Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

Portrait of Isabella Clara Eugenia, Infante van Spain, Lucas Vorsterman (I), After Anthony Van Dyck, 1645 - 1646 print Antwerp paper engraving

Maria Guadalupe de Lencastre y Cardenas Manrique, duchess of Aveiro (1630-1715). Noblewoman of Portuguese origin. Portrait ascribed to Circle of Juan Carre-o de Miranda, 1706. San Fernando Royal Academy of Fine Arts. Madrid. Spain.

Portrait of Eva Goudriaan-de Veer, Cornelis van Cuylenburgh (II), 1776 painting Portrait of Eva Goudriaan-de Veer, sitting in a chair, an open book in the right hand. Netherlands canvas. oil paint (paint) historical persons - BB - woman

Portrait of a woman. nieznany malarz polski, painter

Lyonet, Pieter, Old woman with headscarf, verso - stamped, print, prints, height 96 mm, width 79 mm, 1706-07-21 - 1789-01-10, print maker, printmaker, 1716 - 1789, paper, papier, engraving, engraving (printing process)

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Photo production of a painted portrait by Aletta van der Laen, Anonymous, After Michiel Jansz van Mierevelt, 1880 - 1920 photograph Amsterdam baryta paper. cardboard picture, painting. historical persons - BB - woman

'Eleanor of Austria, Archduchess of Austria and Queen of Portugal and France', 16th century (copy Titian). Author: ANTONIO MORO (1519-1576). Location: DESCALZAS REALES-COLECCION. MADRID. SPAIN. LEONOR DE AUSTRIA. AUSTRIA LEONOR DE. JUANA LA LOCA HIJOS. CARLOS V HERMANOS. FELIPE I EL HERMOSO HIJOS. FRANCISCO I DE FRANCIA ESPOSA. FRANCIA FRANCISCO I ESPOSA. ARCHIDUQUESA DE AUSTRIA.

Fornari, clear Isabella.

Amelia Elizabeth, Landgravine of Hesse 17th century Ludwig von Siegen German This accomplished portrait ranks as the first mezzotint ever made. Siegen sent it to the sitter, his former patron Amelia Elizabeth, landgravine of Hesse-Cassel, in August 1642, accompanied by a letter in which he described the techniqueand claimed its invention. To roughen the copper printing plate and create the burr that would hold the ink, Siegen used roulettes of various gauges and designs, as well as a dotting tool; their textures remain visible here in the finished work. Although roulettes had been used for centuries by other artisans, working (for example) in leather or metal, Siegen was the first to use them as drawing tools.. Amelia Elizabeth, Landgravine of Hesse 360392

Portrait of Katherine, Lady Gresley, 1585. British School

Portrait of Marcjanna Ołtarzewska née Stankiewicz. nieznany malarz polski, painter

Portret van Mary Smith, James McArdell, after Thomas Worlidge, c. 1755 print London paper historical person (with NAME) - BB - woman - historical person (with NAME) portrayed alone

Portrait of Mrs. William W. Welch. Sheldon Peck; American, 1797-1868. Date: 1832-1842. Dimensions: 65.4 × 55.3 cm (25 3/4 × 21 3/4 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of a woman, anonymous, 1633 painting Portrait of a woman. Bust, something to the left. At the top left the family crest. Pendant of SK-A-326. Northern Netherlands panel. oil paint (paint) historical persons not known by name - BB - woman

Portrait of a Woman 1635 Jan van Ravesteyn Dutch. Portrait of a Woman. Jan van Ravesteyn (Dutch, Culemborg () ca. 1572-1657 The Hague). 1635. Oil on wood. Paintings

Portrait of a Woman. Artist: Jan van Ravesteyn (Dutch, Culemborg () ca. 1572-1657 The Hague). Dimensions: 26 7/8 x 22 7/8 in. (68.3 x 58.1 cm). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA. Author: Jan van Ravesteyn.

Fixlmillner, Placidus.

Portrait of Charlotte de Sauve, 1551-1617, French noblewoman and mistress of King Henry IV. Dessin aux trois crayons, black, white and sanguine. Madame de Sauve. France, XVIIe siecle. Bibliotheque Sainte Genevieve. Chromolithograph by Emile Beau after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Louise of Savoy, Duchess d'Angouleme 1476-1531. Regent of France, mother of Francis I of France. Photo-etching from the painting in the Chateau de Beauregarde. From the book ' Lady Jackson's Works, V. The Court of France, I' Published London 1899.

Artist's Mother, Dou, Gerard, 1638

Hoven, Johann Daniel.

Portrait of Maria de la Queillerie (1629-64), first Wife of Jan van Riebeeck, or his second Wife Maria Scipio (c. 1630-95), anonymous, c. 1660 painting Portrait of Maria de la Queillerie (1629-64), the first wife of Jan van Riebeeck, or of his second wife Maria Scipio (ca. 1630-95). Halved, standing with the arms crossed in front of the belly, fan in the right hand. At the top right the family crest. Pendant of SK-A-805. Northern Netherlands canvas. oil paint (paint) historical persons - BB - woman

Maria Pietersdr De Leest (d. 1652), Wife Of Samuel Van Lansbergen. Portrait of Maria Pietersdr de Leest, wife of Samuel van Lansbergen. Bust to the left. Pendant of SK-A-143.

Print made by Ludwig von Siegen, 1609-c.1680, German, Mary Stuart, Princess of Orange, 1643. Mezzotint and line engraving on medium, slightly textured, cream laid paper.

Portrait of polish queen Anna Jagiellon by Anonymous painter, oil on wood, 1580, Holland, Amsterdam, Rijksmuseum, 19,2x14,2

MARGARITA PEMBERTON 1497-1543. Author: HANS HOLBEIN EL JOVEN (1497-1543). Location: VICTORIA AND ALBERT MUSEUM. LONDON. ENGLAND.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Jane, Lady Lister. Color-printed stipple engraving.

Mary, Queen of Scots 1828 Adolphe Pierre Riffaut French. Mary, Queen of Scots. Adolphe Pierre Riffaut (French, Paris 1821-1859 Charenton). 1828. Etching, printed in color. Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

Portraits of Sir Thomas Gresham and Anne Fernely. Sir Thomas Gresham (1519-1579) was the leading English merchant in Antwerp and also the English kings financial agent in the Low Countries. He and his wife, Anne Fernely, are expensively, yet soberly dressed. Their status is also evident in their choice of painter: Anthonis Mor was one of the preeminent portraitists of his day and court painter to the Spanish king.

Maria, über Schottland, nach dem Gemälde Galerie Schloss Wdsor, digitale verbesserte Reproduktion ees Origaldrucks 1880, Königin der Schotten, 8. Deze...

Portrait of Magdalena van Werdenborgh (1464-1538). Dating: after c. 1510. Place: Northern Netherlands. Measurements: support: h 18 cm × w 14 cm; d 4 cm. Museum: Rijksmuseum, Amsterdam.

Portrait of a Woman; 1634; Oil on oak panel Frans Hals; Dutch; about 1582/83-1666

Female portrait, 1569. Unknown Flemish Master. Oil on panel. National Museum of Ancient Art. Lisbon, Portugal.

Artist: Richard Jennys, American, active 1766-1801, The Rev.d Jonathan Mayhew, D.D., Mezzotint engraving, black and white, sheet: 37 × 27.6 cm (14 9/16 × 10 7/8in.), Made in United States, American, 18thcentury, Works on Paper -Prints

Concina, Daniel.

Portrait of Maria Rey, Wife of Roelof Meulenaer, Ferdinand Bol, 1650

Portret van Isabella Clara Eugenia, the child is van Spanje ; Flora of princes , nor the living , not of the Lovers of the Doctors of the Picts chalcographo Statuariorum by Antony van Dyck Pictor, the Pictoriae to the art alive in order by number, a hundred Expressae Eiusq : Sumptibus the sky , cut there ; Iconographie. Deze prent maakt deel uit van list .

Marie Congard-Bahoyy, Jean-Etienne Library, 1757 drawing Portrait of Marie Congnard-Batailly, grandmother of the artist's wife, known as 'La Dame Aux Dentelles'. Halved, sitting to the right, regarded. A white hat on the head. Part of the Pastels collection. parchment (animal material) historical persons - BB - woman. lace

Marie de' Medici (1575-1642). Queen of France as the second wife of King Henry IV of France, of the House of Bourbon. Portrait. Engaving from a painting of F. Porbus at "Historia Universal", 1885. Colored.

'Portrait of Darya Potemkina'. Russia, between 1776 and 1780. Dimensions: 80x62 cm. Museum: State Hermitage, St. Petersburg. Author: ANONYMOUS.

'Portrait of Dauphin of France, Prince Henry Valois (inscription "Monseigneur Dauphin")'. France, before 1525. Dimensions: 25,5x17 cm. Museum: State Hermitage, St. Petersburg. Author: ANONYMOUS.

Marie de Batarnay. Date/Period: 1535/1540. Painting. Oil on wood. Width: 14.4 cm. Height: 17.8 cm (without frame). Author: CORNEILLE DE LYON.

Portrait of the Artist's Daughter Agata Dolci. Artist: Carlo Dolci (Italian, Florence 1616-1687 Florence). Dimensions: 10 3/16 x 7 15/16in. (25.8 x 20.2cm). Date: 1576-80.Early Baroque draftsmen refined red-and-black chalk drawing to achieve exquisite, naturalistic, and chromatic effects in portraits and figure studies: the Florentine painter and draftsman Carlo Dolci was an extraordinary practitioner of this technique. The combined use of red and black chalk was perfected by Florentine seventeenth-century artists and frequently employed in Italy and France in the next century by artists such as François Boucher (1703-1770), who may well have owned this drawing. Dolci described an octagon around the portrait, suggesting that the drawing may have been preparatory for a painting in that shape.The drawing in the Metropolitan Museum of Art appears to date from the last years of the artist's life, when he was housebound and barely painting after repeated bouts of melancholia. Agata was the

Portrait of a Young Woman 1798 Italy. Stipple engraving on cream wove paper . Francesco Bartolozzi

Portrait of an old woman with a napkin in her hands. Cipper, Giacomo Francesco zw. Todeschini (1664-1736), painter

Holbein's Wife 1793-1803 Italy. Stipple engraving on buff wove paper . Francesco Bartolozzi

Portrait of a Woman taken from life, facing right, John Smart, 1741-1811, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 1 7/8 × 1 9/16 inches (4.8 × 4 cm), cap, fichu, gown, portrait, woman

Portrait of a lady, 1547

Portrait of a lady, Szreniawa coat of arms, with the letters AŻRM. unknown, painter

A Woman Holding a Pink. Dated: 1656. Dimensions: overall: 103 x 86 cm (40 9/16 x 33 7/8 in.) framed: 132.1 x 116.2 cm (52 x 45 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.

Miniature: Portrait of Unknown ". Paris, Carnavalet museum. 27080-18 Directory, man, medallion, portrait, French revolution, miniature

'Portrait of a Lady'. Netherlands, 16th century. Dimensions: 87x78 cm. Museum: State Hermitage, St. Petersburg. Author: Adriaen Thomasz. Key ( ). Pourbus, Frans, the elder ( ).

Maria Stuart, Königin von Schottland, 1542 bis 1587, auch bekannt als Maria Stuart oder Maria I. von Schottland. Regierende Königin von Schottland vom 14. Dezember 1542 bis 24. Juli 1567 und Königin von Frankreich vom 10. Juli 1559 bis 5. Dezember 1560. Aus Iconographia Scotica oder Porträts berühmter Persönlichkeiten Schottlands, veröffentlicht 1797, digital restaurierte Reproduktion einer Vorlage coloriert aus dem 19. Jahrhundert, Historisch, genaues Datum unbekannt 1f-4999915

Vittoria Colonna (1490-1547). Marchioness of Pescara. Italian Renaissance poet. Engraving in The Iberian Illustration, 1885. Colored.

Bernarda Tavina, Francisco de Goya, 1787-88, oil on canvas, Museo de Bellas Artes, Bilbao, Spain.

Portrait of Anna Blocken, 1649, Aelbert Cuyp, Dutch, 1620-1691, 26 1/2 x 22 1/4 x 5/16 to 3/8 in. (67.31 x 56.52 x 0.79 cm) (panel), Oil on panel, Netherlands, 17th century

Miniature of Jane Pemberton Small (1518-1602) by Hans Holbein the Younger (1497-1543) a German and Swiss artist and printmaker of the Northern Renaissance. Dated 16th Century

Miniature portrait of Elisabeth Rosmolen, portrait miniature medallion painting visual material watercolor ivory copper glass medium (day size), Miniature portrait in medallion watercolor on ivory in brass edge and behind slightly curved glass (flinter) Pictured is Elisabeth Rosmolen (born Goudswaard 361753) and deceased Delfshaven 851826) at the age of 73; she was the wife of Jan Kruyff (Zwartewaal 2861756 - Delfshaven 21101834). Married Goudswaard 2381780 Delfshaven Rotterdam

Natalya Naryshkina, September 1, 1651, February 4, 1694, wife of Czar Alexei I. Historical, digitally restored reproduction of a 19th century original

Unidentified woman, court of King Henry VIII. Formerly identified as Queen Catherine Howard, fifth wife of King Henry VIII, beheaded 1541. Handcoloured copperplate stipple engraving by Thomas Cheesman after a portrait by Hans Holbein the Younger from Imitations of Original Drawings by Hans Holbein, John Chamberlaine, London, 1812.

John Fisher, Bishop of Rochester (1469-1535). Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Loir, Nicolas Pierre.

Joanna of Castile (known as Joanna the Mad) (1479-1555). Queen of Castile (1504-1555) and Aragon (from 1516), daughter of the Catholic Monarchs. Wife of Philip the Handsome. Portrait. Engraving by Antonio Roca Sallent. Las Glorias Nacionales, 1853. Author: Antonio Roca Sallent (1813-1864). Spanish engraver.

Bona Sforza d'Aragon (1494-1557); around 1643 (1643-00-00-1648-00-00);

REMBRANDT, Harmenszoon van Rijn, called (1606-1669). Rembrandt's Mother as Biblical Prophetess Hannah. 1639. Baroque art. Oil on wood. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Umbria Perugia Perugia Convent S. Pietro8. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lady Meutas. Francesco Bartolozzi (Italian, 1727-1815); after Hans Holbein the younger (German, 1497-1543). Date: 1795. Dimensions: 287 x 205 mm (image); 329 x 223 mm (plate); 378 x 294 mm (sheet). Stipple engraving on buff wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

DAMA DEL JOYEL O ISABEL DE PORTUGAL - HACIA 1552 - OLEO/TABLA - 107 x 83 cm - NP 2113 - ESCUELA FLAMENCA. Author: ANTONIO MORO (1519-1576). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. ISABELLA VON PORTUGAL (1503-1539). CARLOS V ESPOSA.

Portrait of Elizabeth Roydon, Lady Golding. Date/Period: 1563. Painting. Oil on panel. Height: 378 mm (14.88 in); Width: 302 mm (11.88 in). Author: Hans Eworth.

Gallery of Mr. Rothan. - Portrait of a woman attributed to Peter Porbus. - Drawing of H. Rousseau, vintage engraving. Gallery of Mr. Rothan. - Portrait of a woman attributed to Peter Porbus. - Drawing of H. Rousseau, vintage engraved illustration. Magasin Pittoresque 1875. Copyright: xZoonar.com/PatrickxGuenettex 10679731

Portrait of an Old Lady, Possibly Elisabeth Bas. Portrait of an Old Lady, possibly Elisabeth Jacobsdr Bas (1571-1649), Widow of Jochem Hendricksz Swartenhont. Dating: c. 1640 - c. 1645. Measurements: h 118 cm × w 91.5 cm; h 134 cm; w 106.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Ferdinand Bol (attributed to).

Maria Rey (1630/31-1703). Wife of Roelof Meulenaer. Dating: 1650. Measurements: h 118 cm × w 96.5 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Ferdinand Bol.

Portrait of Johan van Ceters (1602-29). Dating: after c. 1650. Place: Northern Netherlands. Measurements: support: h 104.2 cm × w 76.5 cm; t 1.4 cm; d 4.3 cm. Museum: Rijksmuseum, Amsterdam.

Ignacio Diaz Olano, La madre del pintor, 1906, oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain

Don Diego de Corral y Arellano, 1631. Portrait by Diego Velasquez (1599-1660) Spanish Baroque painter. Man dressed in black holding documents, stands table covered in red cloth 0n which sits a black hat.

The Dominican. Date/Period: 1912. Painting. Oil on canvas. Height: 56 mm (2.20 in); Width: 49 mm (1.92 in). Author: George Luks.

Portrait of Przemysł i (1220-1257); unknown Polish painter; 19th century (1801-00-00-1900-00-00);collection, unknown

Old Woman, La Vieille Femme, 18th Century, Franoise Duparc, (1705-1778/French), Oil on canvas, Muse des Beaux-Arts, Marseille

John II of Castille (1405-1454). King of Castile and Leon. House of Trastamara. Engraving. Author: Magin Pujades.

Portrait of Fridrich Rorbach, painting by Conrad Faber von Kreuznach, Historic, digitally restored reproduction from a 19th century original

Filippo Brunelleschi, Brunellesco, 1377, 1446, was one of the leading Italian architects and sculptors of the early Renaissance, Historical, digitally...

Nicolas, Armelle.

Portrait of Doña María de Cervantes Ozta y de Velasco Unknown. Portrait of Doña María de Cervantes Ozta y de Velasco, ca. 1835. Oil on canvas, 32 1/4 x 24 9/16 in. (81.9 x 62.4 cm). European Art ca. 1835

Elizabeth I 7 September 1533, 24 March 1603, was Queen of England and Ireland from 17 November 1558 until her death on 24 March 1603, Sometimes also The Virgin Queen, Gloriana or Good Queen Bess, Historic, digitally restored reproduction of a 19th century original, exact original date not known

Chantal, Johanna Franziska of.

Rachel, Lady Russell (1636-1723), née Rachel Wriothesley, woman of William, Lord Russell 'the Patriot', English Whig statesman. She acted as her man's 'clerk' during his trial for complicity in the Rye House Plot in 1683, when Russell was found guilty of high treason and beheaded. Dot engraving after a portrait in Woburn Abbey, Historic, digitally restored reproduction from a 19th century original, Record date not stated

North Italian 15th Century National Gallery Washington Painting; tempera on poplar panel; overall: 37 x 27 cm (14 9/16 x 10 5/8 in.) framed: 63.5 x 52.7 x 7.5 cm (25 x 20 3/4 x 2 15/16 in.);

John Leland 1506 to 1552. From the book Crabbes Historical Dictionary, published in 1825., Historically, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

Roman Vestal Virgin Sextilia (d. 274 B.C.). She was condemned for incest and buried alive. Portrait. Engraving, 16th century. Colored.

Tintoretto, Marietta .

PAINTING LIST, c. 1400 - c. 1950

Placidus Fixlmillner. Stipple engraving by C. Westermayr.

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