Historical Women's Fashion Illustrations

A collection of vintage illustrations depicting women in historical attire, showcasing elaborate dresses, accessories, and traditional costumes from various European regions.

A standing woman with a double lace edged collar holds a fan in her left hand. In the background two horsemen, a pedestrian and a man, a woman and a child. Print is part of a series of several women's and men's costumes., Woman with a Fan Women's and Men's Costumes (series title), print maker: Pieter Nolpe, Pieter Jansz. Quast, Amsterdam, 1623 - 1653, paper, etching, h 192 mm × w 132 mm

Lady with hat, rosary and sleeve, right; La Noblesse de Lorraine. Late copy, numbered 12

A standing woman with a double lace edged collar holds a fan in her left hand. In the background two horsemen, a pedestrian and a man, a woman and a child. Print is part of a series of several women's and men's costumes., Woman with a Fan Women's and Men's Costumes (series title), print maker: Pieter Nolpe, Pieter Jansz. Quast, Amsterdam, 1623 - 1653, paper, etching, h 192 mm × w 132 mm

Woman in the village / country Woman, Wenceslaus Hollar, 1643 English rural woman, walking to the left, a closed wicker basket on the arm. She wears a hat with a wide weak edge, a highly closed shawl and a body with skirt. A apron over the skirt. Shoes with heels and bow closure. paper etching farmers - AA - female farmer, farmer's wife. carrying something in basket, bag, rucksack, etc.. head-gear: hat (+ women's clothes). skirt (+ women's clothes). apron (+ women's clothes). Europeans: Englishmen (+ women). shoes, sandals (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). fashion plates England

Mulier Generosa Gallica; Noble woman from France; Theatrum Mechanic; European women in traditional costume. Noble woman from France, slightly left, in a solid, open body on a foot long, from behind dragging pleated skirt with floral motif. The hair has been shared in three people from the center of the forehead, where the middle is combed tightly backwards and curled on either side until on the shoulders depends. On mind a decorated wrung (). Around the neck a chain. In the wider and low neck cutting two folded neckerels over each other, the upper of which depends on the shoulders. The protruding body closes mid-front with 14 tires and ends in a point. The wide lap consists of different buildings and the cut-out half-long sleeves are closed by a bow. Scalloped cuffs. Above the brisket A scalloped strip on which a piece of jewelry (). Wrinkled apron, dropped out with a strip. A folding impeller in the right hand.

Lady with impeller, seen from the front; La Noblesse; Edellen from Lorraine. Standing woman, seen from the front, dressed in a wreath with a wide collar, a range in the hands. In the background figures in a village or city. This print is part of a series of 12 prints with nobles in costumes that were worn in Lorraine in the first quarter of the 17th century; Half of the series concerns men's costumes, the other half shows ladies costumes.

Civis Londinensis VXOR / CITTIZENS WIFE; Woman from London; Theatrum Mechanic; European women in traditional costume. Woman from London, seen on the back, with hat with high tapered, straight globe, hat band and wide edge diagonally to behind on the head. Double folded neckerchief trimmed with a strip side. Dress with bragins, long-wide sleeves. Inserted from the front and inside out, under the armpits, backwarded and coated. Foot long under skirt. Open shoes closed with rosette, high heel. Fur sleeve can be seen partly.

Lady and habit d'été; Woman in summer clothes; Suite the Costumes. Woman in elegant summer clothes, standing in front of a park with fountain and images. She is dressed in a manteau with skirt and matching sleeves. About the "HurruLuberlu" hairstyle, a headscarf, depending on the back. A folding impairment in the right hand. The print is part of the second series of: Suite the Costumes Gravée Par Jean Le Pautre (and Partie Pour Le Nouveau Mercure Galant), consisting of 12 prints. Suite The Costumes consists of three series of 40 prints.

Israel Henriet, Catherine Kuttinger, Callot's Wife Catherine Kuttinger, Callot's Wife

The nobility of Lorraine (The Nobility of Lorraine), Jacques Callot, 1620 - 1623 Standing lady, seen from the front, dressed in a dress with a wide collar, a fan in the hands. In the background figures in a village or city. This print is part of a series of 12 prints with noblemen in costumes that were worn in Lorraine in the first quarter of the 17th century; Half of the series concerns men's costumes, the other half shows ladies' costumes. Nancy paper etching clothes, costume (+ women's clothes). dress, gown (VLIEGER) (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). neck-gear: collar (+ women's clothes). sleeves (+ women's clothes).. skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). nobility and patriciate; chivalry, knighthood. fan (+ women's clothes). hairdress - AA - ~ women. necklace (+ women's clothes) Lorraine

Gustaf III's national costume. "Swedish national women's clothing". Back view. Engraving from 1778 by Jacob Gillberg (1724-1793) Nordic

Matron of Paris, Wenceslaus Hollar, 1643 A married woman from Paris, turned half to the right, a black hood on the head. Highly closed collar with long points over the shoulders. The overspread is suspended from behind so that the undercarred with a decorated hem can be seen. Both hands in a sleeve of fur. paper etching Paris

Farmer from Den Helder, Bernard Picart, 1728 print Figure in traditional costumes. The print has a title in French and in Dutch. Amsterdam paper etching / engraving folk costume, regional costume den Helder

Nörimbergue wife going through the city, Anonymous, After Wenceslaus Hollar, 1662 Woman in traditional costumes from Nuremberg. paper etching Nuremberg

French court lady in a landscape, Isaac Briot, after Jean de Saint-Ibes, c. 1630 French court lady dressed according to fashion ca. 1630, seen from the side, standing for a landscape. She is dressed in a kite costume with balloon -shaped open sleeves with round, wide outstanding cuffs. She has a highly indicated waist line with bow from the front and an uncovered décolleté. In the neck she has a wide outstanding collar (from shoulder to shoulder). She wears a short haircut with decoration and a shut -in fan in her hand. With a caption at the bottom. France paper engraving dress, gown (VLIEGER) (+ women's clothes). fan (+ women's clothes). dignitary at court - BB - female dignitary: lady-in-waiting. sleeves (+ women's clothes). neck-gear: collar (+ women's clothes). 'décolleté'. bow (ornamental part of clothing) (+ women's clothes). skirt (+ women's clothes). necklace (+ women's clothes). ear-rings (+ women's clothes). fashion plates. styles of hairdress - AA - ~ women

La Citella Romana (Maiden) Attributed to Pietro Bertelli Italian ca. 1580 These engravings illustrating the costumes of Roman women from different stations of life recall the more ambitious series by Cesare Vecellio and Giacomo Franco devoted to Venetian customs and modes of attire. Similar to those examples, these prints were likely created as book illustrations, though the enterprising Bertelli was known to reuse his inventions in a number of different contexts and formats.Courtesans were essentially cultivated prostitutes. The presence of one of them (plate 6) among the cast of otherwise "honest" women reflects the reality that courtesans were a staple in sixteenth-century society, their intractable presence either rued or tolerated depending on the prevailing moral and religious climate of the day. It is interesting that Bertelli's courtesan, like those of Franco, Vecellio, and Giulio Romano, wears a strand of pearls. Pearls were particularly associated with courtesans, as legal do

Quality woman in Deshabilé of Hyver, c. 1680 - 1720 print Lady with fontange hairstyle. She is wearing a manteau with a tow, a narrow fur stola (palatin) and a skirt with falbalas. Three mouches on the face. Folding range with bow in the left hand. Other accessories: a beaded collier (Pearl Collier), a sleeve of fur, Engageantes and gloves. paper engraving fashion plates. head-gear: fontange (+ women's clothes). clothing for the upper part of the body (+ women's clothes). piece of clothing covering the breast or décolleté (STOMACHER) (+ women's clothes). dress, gown: manteau (+ women's clothes). muff (+ fur used for clothes). pearl; pearl necklace (+ women's clothes). skirt (+ women's clothes). neck-gear ~ clothing (PALATINE) (+ women's clothes). neck-gear ~ clothing (PALATINE) (+ feathers used for clothes)

Costume print: Women's clothing French, approx. 1620; Woman standing in a landscape with city to river in the background. (Copper plate in the possession of jr. B.W.F. van Riemsdijk) (modern print). Costume print: woman with hat on her hair, standing in a landscape with range in hand, right. A river and a city in the background. In oval.

French lady in a landscape; Diversitez d'Habillemens a la Mode (...). French lady dressed according to fashion ca. 1630, seen from the side, standing in front of a landscape. She is dressed in a flyer costume with balloon-shaped open sleeves with round, wide outstanding cuffs. She has a highly indicated waist line with bow from the front and an uncovered décolleté. In the neck she has a wide outstanding collar (from shoulder to shoulder). She is wearing a short hairstyle with decoration and a closed impeller in her hand. With a caption at the bottom.

Saint-Igny, Jean de, France, Briot, Isaac, Diversitez d'Habillemens a la mode, French court lady in a landscape, verso - stamped, French court lady dressed according to the fashion ca. 1630, seen from the side, standing in front of a landscape. She is dressed in a kite costume with balloon-shaped open sleeves with round, wide-spreading cuffs. She has a high waistline with a bow at the front and an uncovered décolleté. At the neck she has a wide-spreading collar (from shoulder to shoulder). She wears short hair with decoration and in her hand a folded fan. With a caption at the bottom., costume print, prints, Puisqu'il est bon que une beauté, Study of new things, And how long it lasts;, In matters of change, Whatever the mood or situation, I must always follow the fashion., bottom center - engraved, height 178 mm, width 121 mm, 1585 - 1670-03-05, print maker, printmaker, 1630 - 1630, paper, papier, engraving, engraving (printing process), Work conception, French, 1600 - 1647-11-09

Ciuis Londinensis Melioris Qualitatis VXOR / Marchants Wife or London; European women in costumes; Theatrum Mechanic. Koopmans woman from London, to the left, a dark hat with a wide edge on the head and a highly closed shawl, deposited with lace, around the shoulders. With the left hand, she stops her overrun, so that the light underskirt and her shoe with heel, decorated with a rosette, are visible.

Lady with high hat and rosary, to the right; La Noblesse de Lorraine. Late copy, numbered 4

Mulier Generosa Anglica / English gentle woman, Wenceslaus Hollar, 1643 English woman, turned half to the left, with a smooth, dark headscarf - rolled back around the face - and tied under the chin. In the neck cut of the body, the split of the shirt is visible in the middle with a corner. Wide 7/8 sleeves with unadorned back cuffs. Solid shawl that has been knocked back in the middle and attached to each other. Foot -long, pleated skirt and long, wrinkled white apron. Long solid gloves with decorative stitching. Feathers hobby on loop hung on the waist. paper etching head-gear (HEADSCARF) (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). neck-gear ~ clothing (NECKERCHIEF) (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). apron (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). belt, girdle, waistband (+ women's clothes). Europeans: Englishmen England

Young woman dressed according to fashion from about 1650, to the left; Men and women. In the foreground a lady with veil over the head, walking to the left. In the background a lady walking with her cavalier.

Merchant Paris / Merchants Wife of Paris, Wenceslaus Hollar, 1643 Koopmanswoman from Paris. Her overspring has been suspended, so that the bottom is partially visible. The collar falls wide over the shoulders and has a bow in the middle. The sleeves have wide cuffs. Shoes with heels. paper etching Paris

Images of the common Volks zu Vienna, sheet , Child maid, Une servante de lenfant, Nanny

Taste, 1666 - 1708 print A sitting woman with a cup in the right hand brings a spoon to her mouth with her left hand. There is a coffee pot on a table next to her. paper etching / engraving taste, tasting (one of the five senses). coffee-pot. armchair, seat. dress, gown (+ women's clothes). styles of hairdress (with NAME) - AA - ~ women

Jacques Callot, Masked Noble Woman, c 1620 1623 Masked Noble Woman

Maid, seen from the front, an arm for the belly; Figures a la mode.Genummerd 13

. This series highlights the contrast between the clothing of Dutch noblewomen and that of women from the provinces. The regional clothing evolves slowly over time, while the fashionable attire of the elite is subject to foreign influences. For example, the woman in plate 1 wears a Spanish, conical farthingale beneath her skirt, while the woman in plate 2 wears the bellshaped version from France.

Jeune actress, Vêtu du Costume Espagnol (...); Collection d'habillements Modernes et Galants,. A young actress, dressed in a Spanish costume in the play 'Le Jaloux d'Estramadure', a comedy conducted by Mr. L'Ecluse troupe (Troupe de l'Opera Comique). The costumes are designed by Monsieur P.N. Sarasin, court cleer of the royal family. They came later (1799) in fashion at the 'Petites Maitresses' of Paris. No C.16 From the Collection D'Habillements series Modernes et Galants, avec Les Habillements des Princes et seigneurs, 1779.

Jeune Demoiselle and Carracot the Taffetas des Indes (...); Collection d'habillements Modernes et Galants,. Young unmarried woman in a caraco of 'Taffetas des Indes', with the cut à l'anglaise, garnish of the same fabric. Round Bonnet (hat) with two pleated layers. Around the neck a fichu. Shoes with heels and bows (). De PRENT B 10 from the Collection D'Habillements series Modernes et Galants, avec les habillements des Princes et seigneurs, 1780-1785

Jan van de Velde II, Two Figures in Costume Two Figures in Costume

Costumes de Différents Pays, 'Polonnoise'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

Gallerie des modes et costumes français, 1779, R. 98: young lady neglected in the morning (...), 1779 Young woman in Morning Négligé, consisting of a pelisse of satin, trimmed with a bontrand, over a dress of pink striped taf side. Fichu of pleated gaze. A large round linen hat over the high hairstyle. Print from series R. 17th Cosier de Costumes Français, 11th Suite d'Habillemens à la Mode and 1779, Gallerie des Modes et Costumes Français. paper. printing ink. watercolor (paint) etching / engraving fashion plates. cape (PELISSE) (+ women's clothes). dress, gown: morning dress (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). fibula, safety pin (+ women's clothes). shoes, sandals (+ women's clothes)

Lady, standing next to fountain, dressed according to the fashion of around 1660, dressed according to fashion around 1660, standing next to a fountain in which cupid with cornucopia. She is dressed in a frock with bows on the torso, veil on the head. Behind her is a gate and in the background a church tower, dress, gown (women's clothes), veil (women's clothes), clothing for the upper part of the body (with NAME) (women's clothes), bow (ornamental part of clothing) ( women's clothes), skirt (women's clothes), sleeves (women's clothes), bracelet, wristlet (women's clothes), Jan van Troyen, c. 1660, paper, engraving, h 174 mm × w 123 mm

French nobles dressed according to the French fashion of approx. 1630; Le Jardin de la Noblesse Françoise (...); Costumes of the French nobility. Lady of the front, standing in front of a landscape with Treelaan. She is dressed in a dress with floral motifs, over which an unfolded cloak with wide padded sleeves. Wide upright side collar. In her left hand a landscaped range.

Hals, Dirck, Netherlands, Kittensteyn, Cornelis van, Costumes in Europe, Le Flamen, Elegant couple in Flemish clothing, verso - stamped, Elegant couple in Flemish clothing from, ca. 1620 in front of a building with a column. The woman has her hands in a small muff. The print is part of a series of six prints about costumes in Europe., costume print, prints, height 205 mm, width 150 mm, 1600 - 1663, print maker, printmaker, 1620 - 1630, first quarter 17th century, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1591-03-19 - 1656-05-17

Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies) After Claude Gillot French François Joullain French ca. 1721 Drawing, design for a female costume, 'habit de folie', from the 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies). The drawing depicts a woman in a ballet pose, wearing a long dress with double sleeves made up of pointed leaves, and two layers of pointed leaves on the skirt. She wears a bonnet with two points on the head, high heels, and holds a marotte in her right hand.

Nobilis Virgin French, 1577 print No.xcvi: French lady to the right, in dress around 1577. Under the print the number XCVI is part of the print. And a four -line German text that states that it is the clothing of a French noble lady. paper dress, gown (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). head-gear: hat (+ women's clothes). belt, girdle, waistband (+ women's clothes)

Galla Serva Seu Flandren.; Dienstbode from Flanders, dressed according to the fashion of approximately 1550; Diversarum Gentium Nostrae Aetatis Habitus. Woman with basket on arm, to the right, round hat on the head. Print from album 'Diversarum Gentium Nostrae Aetatis Habitus'.

Vulnus Alit., Pieter Schenk (I) Lady with fontange hairstyle, with embroidery roll on lap. Next to her a young man who watches, his elegant hat with feathers under poor. Both are dressed according to the fashion of ca. 1690. With caption: you are gelijck your needle. I had never feared you ... struck by the killing. paper etching / engraving

Quality girl in winter dress Nicolas Arnoult (around 1650- to 1722). "Quality girl in winter dress". Engraving.

Girl from Edam, on the back; North Holland clothing forces. Standing young woman from Edam, seen on the back. Nr. 2 in a series of eight young women in North Holland clothing forces. With caption of two lines in Latin.

Recueil des modes de la cour de France, 'Femme de qualité En habit d'hyver'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1687. Prints. Hand-colored engraving on paper

Haarlem, Matham, Jacob, Hals, Dirck, Adriaen, Habitus et cultus Matronarum Nobilu et Rusticarum apud Batauos, Costumes and surroundings of Dutch noblewomen and peasants, Elegant lady with headdress with feather, verso lower left - stamped, Clothing: half, wide-spreading fan collar. Scarf. Decorative sleeves; small shoulder flaps. Bodice with button decoration. Turned-up skirt. Petticoat with trimmings. Shoes with round toe and flat heel. Folding fan. Leaf wreath with feather on the head., costume print, prints, Standing woman in landscape, dressed according to the fashion of ca. 1620. She wears a costume with decorative sleeves and a vertically opened fan-shaped collar, trimmed with lace. Scarf in the neckline of the bodice, which is decorated with rows of buttons. The skirt is turned up. In her left hand a half-opened fan. In the short hairstyle a headband with a feather., height 193 mm, width 144 mm, 1599 - 1660-11-23, print maker, printmaker, 1619 - 1623, first quarter 17th century,

Fashion and Elegance: French Fashions of the 1720s, François Octavien, 1725 print Paris paper etching / engraving dress, gown (+ women's clothes). dog

. Landscape with welfare couple, dressed in fashion from Florence, Italy. The couple walks hand in hand and is displayed for the left. The man wears a feathered beret and a cape wamboo, the woman wears a fur lined, a veil and also a feathered hat. In her hands she holds a range. The print is part of a twellable series of prints with Italian costumes.

Mademoiselle Subligny dancing at the opera, 1690-1699. Additional, Unidentified ballet. Engravings

Figures à la Mode, no. 8: Two women with solar hats, standing by a wall, Romeyn de Hooghe, 1670 - 1685 Two women with solar hats stand in a garden by a wall. They are dressed in dresses with wide pebbling sleeves. Number eight from Figures à la Mode, a series of twelve fashion prints, in which the contemporary women's and men's fashion is shown. Netherlands paper etching / engraving fashion plates. garden. gardening-tools. head-gear (SUNHAT) (+ women's clothes). dress, gown (+ women's clothes)

Le Nouvelle Figure a la Mode The CE temps (...); Elegant dressed couple walking to the left. A Lord dressed according to the fashion of approx. 1660, standing in front of the sidewalk of a house. It is dressed in a wamboo with wide lace collar, which has a broad band to which its degen is confirmed. Puff pants with bows, stockings and shoes with bows. The hair is long. He holds his hat in the right hand. No 1 of series costume prints

Ornatus Muliebris Anglicanus (The Clothing of English Women). The diversity of womens apparel in England is illustrated in this extensive costume series. Hollar represented women from all ranks of society, from the humble countrywoman 1 to the elegant noblewoman 2. The more fashionable costumes are based on eyewitness observation of the ladies at the court of the Earl of Arundel, Hollars primary patron. They are therefore among the more reliable visual sources for costume historians.

Figure of a Lady Standing 1625-77 Wenceslaus Hollar Bohemian. Figure of a Lady Standing 360839

Woman with fan and flower basket, Theodor Matham, 1627 - 1629 print A woman with fan and flower basket, standing on a landing. She is dressed in a dress with lace collar, for which a apron. She wears a chain around the neck and a short curly hairstyle with a spring. Paris (possibly) paper engraving dress, gown (+ women's clothes). fan. flowers

Elegant dressed pair of e; Costumes. Elegant couple dressed according to Dutch fashion from. Ca. 1620, standing on a platform. The lady has the right hand in a mofje; The Lord holds his hat in the left hand. Fifth print of a series of eight costume prints.

Edelman with hat, seen on the left; La Noblesse; Edellen from Lorraine. Standing Lord, dressed in a cape deposited with fur, shoes with rosettes at the feet, a hat with a wide edge on the head, folded the hands in front of the belly. This print is part of a series of 12 () Prints with nobles in costumes that were worn in Lorraine in the first quarter of the 17th century; Half of the series concerns men's costumes, the other half shows ladies costumes.

French court lady who follows the edict of 1633, Abraham Bosse, 1633 Paris paper etching / engraving dress, gown (VLIEGER) (+ women's clothes). neck-gear: collar (+ women's clothes). sleeves (+ women's clothes). necklace (+ women's clothes). making toilet - AA - (for) women. mirror - AA - (for) women. styles of hairdress - AA - ~ women

Man dressed according to the French fashion of 1696; Figures dressed according to the French fashion. Lord dressed according to the fashion of 1696. A large sleeve in his right hand, a glove in the left hand.

Habit de Cavalier; A lover, walking in pensive attitude. And man from the front, walking in pensive attitude, he is wearing a Justaucorps with a strict tire to be a big muff from fur. A sad stitch on the head. Other accessories: roll stockings, shoes with straps and heels and an ornamental () Degen the print is part of a series of 25 costume prints, published by J.Mariette, Paris, between 1696-1708.

. A second-hand dress purchase. She is wearing a top hat and has a basket of her right arm. The print has an English, French, Italian and Dutch caption and is part of a series about street vendors in London.

Man with cape and hat; Standing figures, small size. An elegantly dressed man is wearing a fur-lined short cloak and on his head a hat with a border.

Fashion News.The Cabinet des Modes offered readers highly detailed information about the illustrated clothes and accessories. It reported, for instance, on new clothing styles, such as the English redingote’ 1; on accessories and embellishments, such as oversized muffs, buttons, ribbons and clasps; and finally, on the latest interior furnishings. For its male audience there was the fitted jacket 2 and the popular Androsmane, a hat with an upturned brim 3.

Le Caquet des Femmes; Three sitting women with Fontange hairstyles in a bedroom. Three women in a bedroom, talking about the baby expected by the middle woman. All three they wear the fashionable fontang haircut and are dressed in a 'Manteau' with Engagantes. The woman on the left bears as accessories: earrings, a bead collier (pearl necklace), long gloves and a range. The woman on the right is the manteau over a breastpiece ('devant-de-gorge') and a skirt with flower pattern and falbalaas. She wears the same jewelry and has a fabric mask in hand.

Adolescentis Angli et Iuvenculae Habitus, from Fashions of Different Nations n.d. Pieter de Jode I Netherlandish. Adolescentis Angli et Iuvenculae Habitus, from Fashions of Different Nations 388663

Girl from Alkmaar; North Holland clothing forces. A young woman from Alkmaar, dressed in traditional costume, stands at a speed. In the background a mill, meadows and a church tower. The print is part of a series of eight young women in North Holland clothing forces.

Recueil des modes de la cour de France, 'Femme de qualité en habit d'Esté'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1687. Prints. Hand-colored engraving on paper

French noble woman with dog on the arm dressed according to fashion of approx. 1630; Le Jardin de la Noblesse Françoise (...); Costumes of the French nobility. Edelwoman, standing on bordes, a landscaped range in the right hand, on the left arm a dog, decorated the hair with a feather. The upper skirt is suspended from the front, so that the underskirt is visible. To the feet shoes with small heel and rosette.

Haarlem, Matham, Jacob, Hals, Dirck, Adriaen, Habitus et cultus Matronarum Nobilu et Rusticarum apud Batauos, Costumes and surroundings of Dutch noblewomen and peasant women, Elegant lady with wide pleated collar, bottom left - engraved, Clothing: Hairstyle with decoration. Round, layered pleated collar and same cuffs. Kite with shoulder flaps and decorative sleeves. Various necklaces. Folding fan., costume print, prints, verso bottom left - stamped, 4, Lady, standing in landscape, seen from the front, dressed according to the fashion ca. 1620. She wears a kite costume with decorative sleeves and flat shoulder flaps. The sleeves are trimmed with wide, protruding lubben ponjetten (cuffs). Around her neck a wide pleated collar (lubbenkraag). In her left hand she holds a half-opened circular fan; the right hand on the hip. Flower decoration and braid in the hair. In the background a country house., height 197 mm, width 142 mm, 1599 - 1660-11-23, print maker, printmaker, 1619 - 1623, first

Mulier Westphalica Ex Archiep Monasteri; Woman from Westphalia; Aula Veneris; European dressers. Woman from Westphalia, slightly left, with a white hood that stairs in a point in the middle above the forehead. Lying round collar deposited with ... Row fluff with long sleeves poop on the shoulder and closely around the forearm. Black leaf. Around wrinkled, ankle-length skirt that a little longer apron. Striped, dense shoes with mid-high heel and rosette.

Variarum Gentium Ornatus (Costumes of Different Nations). This series illustrates both the local scenery and the aristocratic fashions of Germany 1, France 2, Rome 3, Milan 4, the Netherlands 5 and Spain 6. Sometimes it is possible to spot famous monuments in the distance, such as Trajans Column in Rome. The inscriptions rarely refer to clothing, but plate 2 notes that the French constantly update their outfits - an oft-repeated stereotype of the period.

French noble woman with veil, dressed according to the fashion of ca. 1630, Abraham Bosse, 1629 French lady with black veil over the face, a folding range in the right hand. Landscape in the background. Paris paper etching / engraving clothes, costume (+ women's clothes). dress, gown (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). necklace (+ women's clothes). veil (+ women's clothes)

Habit of Cavalier, 1697 print And a man seen from the front, walking in a wispy position, he is wearing a Justaucorps with a tied band around his waist on which a big sleeve of fur. On the head a triple stitch. Other accessories: rolling stockings, shoes with straps and heels and an ornamental () The print is part of a series of 25 costume prints, published by J.Mariette, Paris, between 1696-1708. paper engraving fashion plates. head-gear: tricorn (+ men's clothes). wig. coat (JUSTAUCORPS) (+ men's clothes). muff (+ fur used for clothes). hacking and thrusting weapons. stockings, socks (+ men's clothes). shoes, sandals (+ men's clothes). sleeves (+ men's clothes)

Lakei who follows the edict of 1633, Abraham Bosse, 1633 In a departure there is a lacquer next to a clothing box in which he stores his master's cloak. The edict of 1633 forbade wearing too luxurious clothing. The lacquer wears a jacket decorated with bows, the sleeves of his shirt have wide, double cuffs and there are large rosettes on his shoes. On the table are the Wambuis and Kneebroek of his master who, like the mantle, will be stored in the clothing box. Paris paper etching / engraving manservant, footman. clothes, costume (+ men's clothes). coat (+ men's clothes). neck-gear: collar (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). border, ribbon, braid (+ men's clothes). sleeves (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). stockings, socks (+ men's clothes). shoes, sandals (+ men's clothes). chest, coffer. moustache

Woman and man dressed according to the fashion of Amsterdam, ca. 1685. A woman and a man dressed in Dutch costume, ca. 1685. Both have hands in a sleeve. The man is wearing an allonial capsule (wig) Behind them the city of Amsterdam with the harbor in the foreground.

Costumes de Différents Pays, 'Indienne de Quito'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

Elegant dressed pair D, Jan van de Velde (II), 1603 - 1652 Elegant pair, dressed according to the fashion of approx. 1620, standing on a landing. Fourth print of a series of eight costume prints. Amsterdam paper etching / engraving clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). head-gear (BOOGMUTS) (+ women's clothes). neck-gear: collar (+ women's clothes). dress, gown (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). brooch, agraffe, clasp (+ women's clothes). coat (+ men's clothes). head-gear: hat (+ men's clothes). stockings, socks (+ men's clothes). shoes, sandals (+ men's clothes). neck-gear: collar (+ men's clothes)

Two standing ladies (demoiselles quantin).

Man with hat and walking stick Dutch costumes (series title), Man in a landscape, dressed according to Dutch fashion from 1710-1720. Full-length, with a hat on the head and a walking stick in the left hand. The print is part of a sixteen-part series of prints with representations of Dutch costumes., Clothes, costume (men's clothes), European (with NAME) (costume), Adolf van der Laan, c. 1710 - 1755, paper, etching, h 147 mm × w 99 mm

Elegant man and woman with black page; Modes de Février Mars 1729; Mercure de France. Woman in robe volant to which a cloak with trail ceased by a black servant in Livrei. She wears a hat on the head and has the hands in a mull of fur. On the right a man dressed in justaucorps with fur cuffs, including a vest and shirt. For the means of a belt, to which a large fur socket is hanging. A sad stitch in the right hand. (Ornamental) Dit on the left side. The print is part of a series of five costume prayers entitled Les Modes du Mercure de France, 1726-1730.

Vignette of Ladies' Fashions, Esnauts et Rapilly, French, 1770 - 1820, Engraving on paper, One of five vignettes from a sheet entitled 'Collection de Costumes' after designs of LeClerc, Desrais, and others, of ladies' dress for various occasions, with inscription., Paris, France, Europe, ca. 1770-1780, Print, Print

Self-portrait with hat with weak edge and embroidered cloak.

Neptune. Dans différens opéras et fragmens. Martin, Jean-Baptiste, 17..-17... Prints. 1760 - 1769. Jerome Robbins Dance Division. Ballet , 18th century, Costume design , 18th century, Ballet , France , 18th century

Portrait of amalia from solms. Portrait of Amalia with a range in her left hand. Four lines of Dutch text in the underwear.

Costumes de Différents Pays, 'Paysanne de Basle'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

Variarum Gentium Ornatus (Costumes of Different Nations). This series illustrates both the local scenery and the aristocratic fashions of Germany 1, France 2, Rome 3, Milan 4, the Netherlands 5 and Spain 6. Sometimes it is possible to spot famous monuments in the distance, such as Trajans Column in Rome. The inscriptions rarely refer to clothing, but plate 2 notes that the French constantly update their outfits - an oft-repeated stereotype of the period.

Girl from Alkmaar, Gillis van Scheyndel (I), After Willem Pietersz Buytewech, 1620 - 1624 print A young woman from Alkmaar, dressed in traditional costume, stands at a speed. In the background a mill, meadows and a church tower. The print is part of a series of eight young women in North Holland traditional costumes. Haarlem paper etching folk costume, regional costume

Landscape with couple dressed in fashion from Milan, Italy. The couple walks hand in hand and is shown full-length, turned to the right. The woman wears an open-sleeved gown, in her hands she holds flowers. The man in knee breeches and doublet is looking over his shoulder, his head adorned with a plumed hat. The print is part of a twelve-part series of prints depicting Italian costumes, Couple dressed according to the Milanese fashion Milanesi (title on object) Costumes from Italy (series title), Pieter Lastman, print maker: anonymous, publisher: Covens & Mortier, Amsterdam, 1720 - 1772, paper, etching, h 167 mm × w 114 mm

Man dressed according to the fashion of approx. 1710; Figures the modes. Standing man, seen from the front, leaning with his left arm on a base, dressed according to the French fashion of approx. 1710. From a series of eight prints with figures in different costumes.

A woman with fan and flower basket, standing on a platform. She is dressed in a gown with a lace collar, in front of which is an apron. She wears a chain around the neck and a short curly hairstyle with a feather., Woman with fan and flower basket Three ladies standing full-length (series title), print maker: Theodor Matham, (mentioned on object), publisher: C. David, (mentioned on object), Lodewijk XIII (koning van Frankrijk), (mentioned on object), Paris, (possibly), 1627 - 1629, paper, engraving, h 215 mm × w 160 mm

A Valet Putting Away the Luxious Clothes of His Master mid to late 17th century Abraham Bosse French. A Valet Putting Away the Luxious Clothes of His Master 387598

A Valet Putting Away the Luxurious Clothing of His Master mid to late 17th century Abraham Bosse French. A Valet Putting Away the Luxurious Clothing of His Master 716136

A man and a woman, dressed according to the fashion of 1610-1620. The woman holds a tightly folded fan in the right hand, hair needle in hairstyle. The man wears a top hat with a large feather. Fourth print in series of four costume prints, Fashionably dressed couple Costumes (series title), Jan van de Velde (II), print maker: anonymous, print maker: Simon Poelenburg, (possibly), Amsterdam, c. 1610 - c. 1620, paper, etching, h 202 mm × w 122 mm

Images of the common Volks zu Vienna, sheet , Stockpish and cotton seller, La Ravauduse, et la Venduse de Cotton, Flickerin, saleswoman of cotton goods

Fashion print with 'Chinese' shoes. 1. Woman, seen on the back, in a framework with a wide ribbon garlands. She is wearing a morning juke of plain taff. Accessories: Hat with ribbon and feathers, long gloves, shoes with heels. 2. Above the frame a hat with zigzag motif, decorated with bows and feathers: 'Chapeau a la harpie'. 3. Below the frame stands on the left shoes with fur 'a la chinoise'. 4. Right shoes in different models. Print from the MMM series. 55th Cahier de Costumes Français, 49th Suite d'Habillements à la Mode and 1787, Gallery des Modes et Costumes Français.

Jacques Callot, Lady in a Large Coat, c 1622 Lady in a Large Coat

Dress of the women of Kongo. Prints, Illustrations. 1745 - 1747. Rare Book Division. Women , Africa

Slechte kledingsmaak.A man and a woman in exaggerated fashionable clothing.

Friese matroos; Diverses modes Dessinées d'apres Nature (...).Figure in traditional costume. The print has a title in French and in Dutch.

Autumn, Wenceslaus Hollar, 1641 print Standing woman with fruit bowl as personification of autumn. paper etching autumn, fall, 'Autumnus'; 'Autunno' (Ripa). clothes, costume (+ women's clothes). dress, gown (+ women's clothes). head-gear (HEADSCARF) (+ women's clothes). neck-gear: collar (+ women's clothes). neck-gear ~ clothing (NECKERCHIEF) (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). sleeves (+ women's clothes). fruits England

Clothing about 1725; Clothing about the year 1725..

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