Holy Family and Religion Art

Various woodcuts and engravings depict religious themes featuring the Holy Family, angels, and allegorical figures with soft tones and classic styles.

Italy, Carracci, Annibale, Rome, Stefanoni, Pietro, Holy Family with John the Baptist, verso - stamped, Mary seated with the Christ Child on her lap and a cradle next to her. On the left stands the young John the Baptist with a cloth filled with cherries. On the right stands Joseph with a book. Dedication and two columns of Latin text., print, prent, prints, enten, height 388 mm, width 278 mm, Italian, 1589 - 1627, print maker, prentmaker, 1599 - 1627, paper, papier, etching, etchings, plaattoon, 1560-11-03 - 1609-07-15

Clair-obscur woodcut by Antonio Campi from 1550 depicting the Holy Family using three plates with light green and gray tones.

Two sibyllen and angel and putto; Dialectics and logic.

Allegorical representation of medicine; Title page for G. Entius, Opera Omnia Medico-Physica, 1687.an Allegorical Representation of Medicine Looks at Apollo Medicus on a Cloud. In The Background A Woman Pushes A Lame Man Away.

Weyen, Herman, Langot, François, Holy Family with John and Elisabeth, verso - stamped, print, prints, images, height 401 mm, width 296 mm, French - 1679, print maker, printmaker, 1600 - 1672, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, French - 1672-02-27, publisher

Italy, Carracci, Annibale, Rome, Stefanoni, Pietro, Holy Family with John the Baptist, verso - stamped, Mary seated with the Christ Child on her lap and a cradle next to her. On the left stands the young John the Baptist with a cloth filled with cherries. On the right stands Joseph with a book. Dedication and two columns of Latin text., print, prent, prints, enten, height 388 mm, width 278 mm, Italian, 1589 - 1627, print maker, prentmaker, 1599 - 1627, paper, papier, etching, etchings, plaattoon, 1560-11-03 - 1609-07-15

Artist: Albrecht Dürer, German, 1471-1528, The Man of Sorrows Standing by the Column, title page from The EngravedPassion, Engraving, 12.2 × 7.8 cm (4 13/16 × 3 1/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Persian Sibille; Persica; Paintings in the Sixtin Chapel. The Persian Sibille sitting with a book and two small figures. One of the sibilles of Michelangelo's ceiling painting. Title in undermarge and numbered at the bottom right: 31.

Artist: Albrecht Dürer, German, 1471-1528, The Virgin and Child with thePear, Engraving, 15.9 × 10.8 cm (6 1/4 × 4 1/4in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Sibille, Bartolommeo Coriolano, After Guido Reni, c. 1609 - 1676 print A Sibille, sitting with the head resting on her hand and with a book on her lap. Books and an angel on the left. Italy paper head held in the hand(s), with elbows leaning on an elevation or on the knees. sibyls (+ angel(s))

Love couple sitting in front of a fence, anonymous, after Hans Sebald Beham, 1526 print Copy in mirror image to print by Hans Sebald Beham paper etching embracing each other, kissing

The Virgin and Child, Simone Cantarini, Italian, 1612 - 1648, Etching on paper, The Virgin, seated on a cloud, facing frontally, holds sthe Christ Child to her right. Seraphs below., Pesaro, Italy, ca. 1640, Print, Print

Sideline; Tactvs; The five senses. Departure with the personification of the sense of touch that a man embraces. At her chair, Amor is bitten by a parrot. In the foreground a turtle. In the margin a four-line caption, in two columns, in Latin.

Allegorical show with Minerva in a study, Jan Schenk, 1713 - 1752 print In a study, Minerva is facing the personification of literature. Minerva is wearing a helmet and the literature holds a writing spring. Behind them is the truth () With a globe. At the front are two putti among a few books. Amsterdam paper engraving study; 'studiolo'; library. specific aspects, allegorical aspects of Minerva; Minerva as patroness. Literature (+ variant). Truth; 'Verità' (Ripa) (+ allegorical scene, i.e. two or more personifications involved in an action)

Allegory in History, Abraham de Blois, After B.L. Boulogne, 1679 - 1717 print Allegory of history with female personification of history and winged time. Amsterdam paper engraving 'Historia'; 'Historia' (Ripa). Father Time, man with wings and scythe

Love (Charitas). Draughtsman: Barend Graat. Dating: 1638 - 1709. Measurements: h 260 mm × w 240 mm. Museum: Rijksmuseum, Amsterdam.

The Flight into Egypt, c. 1590. Gregorio Pagani (Italian, 1558-1605). Pen and brown ink and wash, heightened with white, over black chalk, on beige paper; sheet: 39.9 x 25 cm (15 11/16 x 9 13/16 in.). In this composition, Gregorio Pagani remained close to the New Testament account of the final episode of Christs nativity (Matthew 2:13-23), in which Joseph, Mary, and infant Jesus fled into Egypt after learning that King Herod intended to kill all the male infants of Jerusalem. Staff in hand, Joseph forges ahead while Mary and Jesus follow behind on a donkey. Fluttering angels hover above; one at the left urges the Holy Family onward. Pagani was commissioned by the Médicis to create decorative schemes for their celebrations, and especially for altarpieces for churches and convents, but few of his paintings have survived. He is best known for highly finished, fully realized drawings such as this example in pristine condition.

Antonio Balestra, Virgin and Child on a Cloud, 1702 Virgin and Child on a Cloud

Allegory on the abundance thanks to Peace, 1546 - 1576 print Female personification of the abundance with a cornucopia filled with fruits in her left arm and a torch in her right. She stands with her foot on a piece of armor. There are a lamb and a lion next to her. paper engraving Abundantia (abundance) as Roman personification. helmet. torch - BB - torch held upside down. beasts of prey, predatory animals: lion - FF - fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). lamb

The Virgin and Child with the Young St. John the Baptist 1647 Carlo Maratti Italian. The Virgin and Child with the Young St. John the Baptist 400344

Artist: Annibale Carracci, Italian, 1560-1609, Susannah and theelders, ca.1590-95, Etching and engraving, platemark: 32 × 31.2 cm (12 5/8 × 12 5/16in.), Italian, 16thcentury, Works on Paper -Prints

The holy family is sitting in the garden. Joseph sits at a table and leans on a book. Mary with Christ on her lap sits next to him and looks up at him., Holy Family, print maker: Jan Philipsz. van Bouckhorst, (mentioned on object), Jan Philipsz. van Bouckhorst, (possibly), publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Haarlem, Haarlem, publisher: Amsterdam, 1618, paper, etching, engraving, h 160 mm × w 100 mm

Mozes breaks the Tables of the Law (fourth part), Andrea Andreani, After Francesco Vanni, After Domenico Beccafumi, 1590 print Moses holds a stone tablet above his head, ready to throw it down. On the right the Golden Calf that is honored by the people. On the left the Israelites who throw gold jewelry in the fire to forge the Golden Calf of it. print maker: Italyafter design by: Siena paper. ink brush / pen on seeing the idolaters Moses breaks the tables of the law

This circa 1526 etching by Francesco Mazzola depicts the adoration of the shepherds, showing figures, landscape, animals, and devotional scene with detailed printwork.

Onkuisheid, Heinrich Aldegrever, 1551 drawing Design for a print. paper. ink pen / brush Lust, Luxury, 'Luxuria'; 'Lussuria' (Ripa) ~ personification of one of the Deadly Sins

Venus before a mirror held by Cupid while her hair is combed by an old woman 1631 Willem Panneels An arched composition.. Venus before a mirror held by Cupid while her hair is combed by an old woman. Willem Panneels (Flemish, ca. 1600-after 1632). 1631. Etching; second state of two (Hollstein). Frans van den Wyngaerde (Flemish, Antwerp 1614-1679 Antwerp). Prints

Kuisheid, Venetian Augustine, After Rafaël, After Leonardo da Vinci, 1516 print The female personification of chastity (Castitas) is sitting next to her with the unicorn. On the right a bass relief and a landscape on the left in the background. Italy paper engraving / etching 'Chastity', 'Podicitia', 'Shame Honesta' (Ripa). unicorn

The prodigal son wastes his inheritance, Nicolaes de Bruyn, 1581 - 1656

Three putti with a bust of Apollo Apolloos Bust (title on object) One-and-forty pieces, Verscheydene Sinnebeeld (series title), Three putti with a bust of Apollo on a pedestal in a niche. In the foreground, one of the three putti is studying his winch. Another carries a burning torch. Print from a series of 41 emblems, attributes of Apollo, (story of) Apollo (Phoebus), angel (s) represented as child (ren), lyre, cithara, psaltery, Arnold Houbraken, Amsterdam, 1710 - 1719, paper, engraving, h 177 mm × w 100 mm

Female personification of continent Africa as a woman with lion skin sitting between Lions, Cornelis van Dalen (II), 1648 - 1664 print Personification of continent Africa as a woman with lion skin sitting between lions. She gestures to heaven where signs of the zodiac are visible. According to the title to express her indignation. There is a armor in the foreground. Amsterdam paper etching / engraving beasts of prey, predatory animals: lion. Africa represented allegorically; 'Africa' (Ripa)

Naked wife and child with an old man, Moyses van Wtenbrouck, 1645 - 1660 print A kneeling, naked woman with a child points to an old man with a long beard. He is sitting on a sidewalk in front of a house. print maker: The Haguepublisher: Antwerp (possibly) paper etching / engraving Old Testament

Lot and his daughters, Cornelis Cort, Hendrick Hondius (I), c. 1590 - c. 1650

Pietro Antonio de Pietri's red chalk drawing shows Maria dictating a comment to St. Bernhard of Clairvaux using a magnifier, emphasizing figure interaction.

De Visitation, Lucas van Leyden, 1514 - 1518 print Elisabeth with walking stick hugs Maria. Low Countries paper engraving Mary and Elisabeth, both pregnant, embracing

Parma, Correggio, Italy, Badalocchio, Sisto, Dome decorations by Correggio in the S. Giovanni Evangelista in Parma, Prophet with two angels by a globe, verso - stamped, A prophet standing before a balustrade, with raised arm. On the balustrade sit two young nude figures (angels) by a globe., print, prent, prints, prenten, height 275 mm, width 208 mm, Italian, 1585 - 1647, print maker, printmaker, 1591 - 1647, paper, papier, etching, etchings, 1489 - 1534-03-05, after a painting by

Italy, Balestra, Antonio, Dilectus meus mihi et ego illi, Maria met Kind, verso - stamped, Maria and the Christ Child floating on a cloud, surrounded by angels. Title in bottom margin., print, prints, height 154 mm, width 118 mm, Italian, 1666-07-12 - 1740-04-21, print maker, printmaker, 1702 - 1702, paper, papier, etching, etchings, Work conception, after own design by

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Engel sneaks away from sleeping child, Boëtius Adamsz. Bolswert, 1624 print paper engraving flight, running away; pursuing

The Holy Family with the infant St John the Baptist at right. Artist: Bartolomeo Biscaino (Italian, Genoa 1629-1657 Genoa). Dimensions: Sheet: 10 1/16 x 7 5/16 in. (25.6 x 18.6 cm). Publisher: Daman (active 1640-60). Date: 1650-57. Museum: Metropolitan Museum of Art, New York, USA.

The Holy Family. Artist: Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: sheet: 13 15/16 x 10 7/16 in. (35.4 x 26.5 cm) trimmed within platemark on r. and below. Date: 1510-61. Museum: Metropolitan Museum of Art, New York, USA. Author: Battista Franco.

Charron of Ménars, Jean Jacques.

Childbirth of Madam Duchess of Burgundy. Birth of Louis XV. (TA)

Etching by Josef Ferdinand Fromiller, 1725, depicting the nutrient Josef, showing figure in detailed composition with symbolic and narrative elements.

Sarto, Andrea del, Florence, Callot, Jacques, The Holy Family with Elisabeth and Johannes, verso lower left - stamped, Mary with the Christ child on her lap sits next to Elisabeth with the little Johannes on her lap. Behind them stands Joseph. The representation is set in a round frame which in turn is placed in a square frame. Below a coat of arms and a few lines of Latin., print, prent, prints, prenten, height 282 mm, width 234 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1613 - 1613, first quarter 17th century, paper, engraving, engraving (printing process), Italian, 1488 - 1531

Jacques Callot after Andrea del Sarto, The Holy Family The Holy Family

Hendrik Goltzius (1561-1641). "The Holy Family (Bartsch 20)". Chisel. 1593. Museum of Fine Arts of the City of Paris, Petit Palais. 112279-31 Chisel, 16th 16th XVI 16th 16th 16 Center

Susanna and the elders. The bathing Susanna is harassed by two old men who are in danger of giving her to accusation of adultery if they resist them. In the foreground a fountain with a putto on a turtle and a nakest figure standing on a shell. A landscape in the background.

Kracht (Fortitudo), anonymous, after Jacob Matham, after Hendrick Goltzius, 1601 - 1652 print The personalized force; A female figure with a column over her right shoulder. A hilly landscape in the background. Amsterdam paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

. In the foreground a woman, covered with the sun and with a wreath of twelve stars. She is on a half moon. In addition to her a big dragon, with seven crowned heads. With his tail, the dragon drags the stars in the sky. Woman newborn child who wanted to devour the dragon. The child flies to God in the sky. In addition to God the angel Michael (on. 12: 1-6).

Young Man Inspired by Genius. Dated: 1810. Dimensions: plate: 20.8 x 29.2 cm (8 3/16 x 11 1/2 in.) sheet: 28 x 36.3 cm (11 x 14 5/16 in.). Medium: etching with drypoint and aquatint. Museum: National Gallery of Art, Washington DC. Author: Carl Russ.

A Male and a Female Saint (Joseph of Aramathea and Saint Catherine of Siena Adoring the Virgin and Child in Glory (recto); Minerva Bellona with a Victorious Warrior (verso). Artist: Francesco di Maria (Italian, Naples 1623-1690 Naples). Dimensions: 12 3/8 x 8 7/16in. (31.4 x 21.4cm). Date: 1623-90. Museum: Metropolitan Museum of Art, New York, USA.

Triomphe de la Mort: La Mort a préparé une demeure à des abandonnées , Death, Skeletons, Alphonse Legros (1837-1911)

St Christopher Facing to the Right Made 1521 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Avarice by Anonymous / Private Collection/ ca. 1600/ The Netherlands/ Etching/ Baroque/ 21x14/ Mythology, Allegory and Literature

Adam and Eve after the Expulsion 1510 Lucas van Leyden Netherlandish. Adam and Eve after the Expulsion 364710

Heilige Familie, Guido Reni, 1585-1642 print The Holy Family resting for a building with pilasters. Italy paper etching Holy Family, and derived representations

Suzanna and the elders, Willem de Ryck, 1645 - 1699 print Suzanna is attacked by two elders during her bath. She sits on the edge of a basin while one of the men touches her. The other man makes a gesture to silence her. Europe paper counterproof the elders making advances towards Susanna

The Holy Family (La Perla) (after Raphael), 1550-1570. Battista Angolo del Moro (Italian, 1514-1575). Etching with engraving on paper; sheet: 51.7 x 43.3 cm (20 3/8 x 17 1/16 in.); with mount: 54.5 x 45 cm (21 7/16 x 17 11/16 in.). Battista Agnolo del Moro made this etching to reproduce the most famous painting by Renaissance artist Raphael in his hometown of Verona. Raphaels composition depicts the Christ Child with members of his family: Joseph, Mary, Marys cousin Elizabeth, and Elizabeths son John the Baptist. Battistas graphic style emphasizes the glowing light around the grouping and their tender glances and touch.

Angeli Custodis Ministeria (The Ministries ofAngels). Artist: Cornelis Galle I, Flemish, 1576-1650 Publisher: Philip Galle, Flemish, 1537-1612

Saint Francis of Assisi, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Cigoli, 1559-1613, Italian, 1763, Etching and line engraving on medium, slightly textured, cream laid paper, Sheet: 6 7/8 x 5 inches (17.5 x 12.7 cm), Plate: 6 1/4 x 4 1/2 inches (15.9 x 11.4 cm), and Image: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)

Rome, Rossi, Giovanni Giacomo de', Ferri, Ciro, unknown, Blondeau, Jacques, Circvncisvs est pver et vocatvm est nomen eivs iesvs, Circumcision of Christ, verso lower left - stamped, print, prints, height 480 mm, width 347 mm, 1655-05-09 - 1698, print maker, printmaker, 1665 - 1698, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), Italian, 1634 - 1689-09-13, after, after a painting by, Publication (Event), Publication, 1627 - 1691, publisher

Epitaph of Charles Sackville Artist's working dates 1707-1767 Italy. Brush and red brown wash, heightened with white gouache, over traces of black chalk on ivory laid paper, laid down on cream laid card . Giovanni Battista Pittoni, the younger

Judah gives Tamar the collateral; History of Judah and Tamar. In exchange for her services as a prostitute, Judah gives the disguised Tamar his staff, bracelet and ring. The print is part of a series about the history of Judah and Tamar

Italy, Biscaino, Bartolomeo, Holy Family, Mary, Joseph and the Christ Child before a wall., print, prent, prints, height 179 mm, width 124 mm, 1632 - 1657, print maker, printmaker, 1642 - 1657, paper, papier, etching, etsen

Allegory at birth. A woman gives a newborn baby to two putti. On the left is a woman with a burning torch. On the right lies a woman who has just gave birth. There are two women next to the bed. In the background Apollo on his solar car.

Toilet van Venus, Willem Panneels, after Peter Paul Rubens, 1631 print Amor holds a mirror for Venus where she looks into while an old woman combs her hair. In the foreground the arrow sleeve and arrows from Amor. Frankfurt am Main paper etching / engraving toilet of Venus

Amsterdam, Luyken, Jan, Job on the dunghill, verso - stamped, print, prints, height 129 mm, width 72 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

De Visitation, Anonymous, 1779 drawing France paper. ink pen / brush Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

A scene with two women and a writing man Colombo, Ignazio (1752 1825)

Depiction of Venus and Amor by Abraham Bloemaert, executed in brown Feder, lavated with white highlights, showing figures, gestures, and classical elements.

Birth of St. John the Baptist. Artist: Valentin Lefebvre (Flemish, Brussels ca. 1642-1682 England). Dimensions: sheet: 14 5/8 x 7 3/16 in. (37.2 x 18.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Esau sells his first birthright to Jakob, Pieter ROTTERMONDT, After Rembrandt van Rijn, 1639 - 1706 print Esau, dressed as a hunter, has sold his first birthright to Jakob for a plate of lentils. Northern Netherlands (possibly) paper etching / engraving Esau, returning hungry from the hunt, sells his first birthright to Jacob for a pottage of lentils

Science or The Love of Study Made 1630-1640 Italy. Etching on ivory laid paper . Guido Reni

The Virgin seated holding a pillow on her lap with the young Christ standing at right 1580-1600 Annibale Carracci. The Virgin seated holding a pillow on her lap with the young Christ standing at right. Annibale Carracci (Italian, Bologna 1560-1609 Rome). 1580-1600. Etching. Prints

The Annunciation Master to the crayfish (around 1480-1552). The Annunciation. Burin. 1440. Museum of Fine Arts in the city of Paris, small palace.

Reproduction of a drawing by Raphaël; Charles Marville (French, 1813 - 1879); Lille, France; 1855 - 1865; Albumen silver print

The Holy Family with the Porridge Bowl ca. 1580-ca. 1614 Raffaello Guidi Italian. The Holy Family with the Porridge Bowl 365583

Holy Family with Saint John the Baptist Adored by an Unidentified Figure; Bartolomeo Cesi, Italian, 1556 - 1629; Italy, Europe; about 1590s; Black chalk; 28.9 x 25.7 cm (11 3/8 x 10 1/8 in. )

Torture death of H. Barbara, Johannes Wierix, after Jan van der Straet, 1559 - Before 1612 print The execution of Saint Barbara by her father. He is about to behead her with his sword. On the left in the background, her father is killed by lightning and his body consumed by fire. In the context of the margin, an inscription in Latin. Antwerp paper engraving St. Barbara is beheaded by her father Dioscuros, who usually wears a turban and brandishes a scimitar (sword); sometimes Dioscuros is struck by lightning

unknown, Schut, Cornelis (I), Susanna and the Elders, verso lower left - stamped, The two elders approach the half-naked Susanna at the fountain. A jug of water on the ground has fallen over and is emptying., print, prints, height 145 mm, width 131 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings, Work conception, after a design by, granter of privilege

Holy Family with Saint Anne ca. 1620-70 Paulus Pontius. Holy Family with Saint Anne. Paulus Pontius (Flemish, Antwerp 1603-1658 Antwerp). ca. 1620-70. Engraving; second state of two. Johannes Meyssens (Flemish, Brussels 1612-1670 Antwerp). Prints

Maria with child sitting in landscape, anonymous, 1520 print paper engraving Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length)

The Virgin and Child with a Rose 1605-1615 France. Etching and burin printed in black on off white laid paper . Jacques Bellange

Drawing by Josef Winterhalder the Elder depicting three angels on a grave, executed in dark brown ink.

Giorgio Ghisi after Francesco Primaticcio, The Mystic Marriage of Saint Catherine, c 1555 The Mystic Marriage of Saint Catherine

Allegory with woman with cup standing on cloud; Allegory on happiness; Pandora. Allegory with woman standing on a cloud with a cup with lid in her hand. Right next to her fire a torch. Left next to her is a bundle of arrows and a bow.

Abraham van Diepenbeeck depicts the youthful Jesus conversing with Mary and Joseph, drawn in graphite pencil with brown highlights, on an oval cut with minor damage.

Juno seated on a cloud, 1560s, by Giorgio Ghisi, Francesco Primaticcio.

Illustration from 'La vie de St. Bruno, fondateur de l'ordre des Chartreux' Paris 1660. after the paintings of Eustache Le Sueur and engraved by FranA§ois Chauveau

Holy Family with a Lamb, Anonymous, After Rafaël, 1500 - 1620 drawing prepared paper. chalk brush Holy Family, and derived representations

The Holy Family with Saint John the Baptist 1570-1580 Italy. Pen and brown ink, with brush and brown and gray wash, heightened with white chalk, on cream laid paper, squared in black chalk, laid down on off-white Japanese paper . Follower of Federico Barocci

Michel Corneille the Younger drawing of the Holy Family with young John the Baptist, executed in brown pen and wash with white heightening, originally part of an altar piece.

Perino del Vaga, Alexander Consecrating the Altars for the Twelve Olympian Gods, 1545 1547 Alexander Consecrating the Altars for the Twelve Olympian Gods

The Temptation of Christ. Master L Cz.; German, active 1480-1500. Date: 1470-1480. Dimensions: 223 x 169 mm (sheet, trimmed within platemark). Engraving in black on buff laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Master L. C. Z.

Lady with Fontange, and Négigé, lying on sofa., A dog at the feet. Woman sitting on a chaise longue, one foot on the couch and one on the ground, dressed in a morning juke. She is wearing an open manteau with Engagantes on a shirt and skirt, trimmed with a decorated band. A fontange with slipping on the head. A folding impeller in the right hand, a booklet in the left hand. Mulules at the feet. At the feet end a dog. The print is a reduced copy to the print "Lady and Deshabillé A Son liver" from the series of 25 costume prints, published by J. Mariette, Paris, 1696-1708.

The marriage of St. Catherine. Engraving by B.L. Prevost after G.F.M. Mazzola, il Parmigianino.

Schut, Cornelis (I), Madonna and Child, verso lower left - stamped, The Christ Child sits high on a piece of furniture. He is held by Mary and holds both arms in the air., print, prent, prints, height 90 mm, width 78 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etsen

Drunk Silenus. The Drunk Silenus is bent. He has ivy in his hair. He is supported by a Maainade and some male followers from Bacchus. One of them drinks from a jug.

Inn scene with three figures, Jan van Somer, 1655 - 1700 print Two men and a woman are drinking at a table. The man with the feathered headgear cuts a sausage into pieces. paper drinking. inn, coffee-house, public house, etc.

Jean Honoré Fragonard, A Prayer for Grandpapa, late 1770s A Prayer for Grandpapa

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