Horse Riding and Cavalry Art

Graphite and ink drawings of horse riders, capturing movement and action in military and casual contexts, featuring various styles and periods.

Koopman on horseback, Jean Pierre Norblin de la Gourdainaine, 1772 - 1830 drawing paper. chalk riding a horse, ass, or mule; rider, horseman. wandering or travelling merchant

Equestrian portrait of Don Juan from Austria; El S.Mo S.OR Don Juan de Austria. Portrait of Don Juan from Austria on horseback. In the background ships and a city.

Koopman on horseback, Jean Pierre Norblin de la Gourdainaine, 1772 - 1830 drawing paper. chalk riding a horse, ass, or mule; rider, horseman. wandering or travelling merchant

Rider With a Draw-Rein, Walking to Left, James Seymour, 1702-1752, British, undated, Graphite on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, beige, wove paper, Mount: 9 1/8 × 10 1/4 inches (23.2 × 26 cm), Contemporary drawn border: 6 3/16 × 7 1/16 inches (15.7 × 17.9 cm), and Sheet: 5 5/8 × 6 7/16 inches (14.3 × 16.4 cm), figure study, genre subject, horse (animal), horseback riders, horseback riding, man, reins, tricorn hats, walking

Turbaned Cavalryman, Right Arm with Curved Sword Upraised, Henry Thomas Alken, 1785-1851, British, betwwen 1827 and 1851, Graphite on medium, smooth, cream, wove paper, Sheet: 6 5/16 × 4 13/16 inches (16 × 12.2 cm), cavalry, genre subject, horse (animal), horseback riders, horseback riding, man, military art, sporting art, sword, turban

Plate 24 of the 'Tauromaquia': The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 1/2 x 14 in. (24.2 x 35.5 cm)Sheet: 12 x 17 5/16 in. (30.5 x 44 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

Aquatint by Francisco Goya from 1816 titled 'The Tauromáquia', depicting Carlos V observing a bull in the square of Valladolid during a bullfighting event.

Unidentified Illustration of a Rider Jumping a Fence (recto); Figure Study of an Old Man(verso). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Plowing. Charles Émile Jacque; French, 1813-1894. Date: 1860-1870. Dimensions: 154 × 227 mm (image); 215 × 274 mm (plate); 325 × 454 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Turk Mounting His Horse. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Image: 8 9/16 × 10 3/8 in. (21.8 × 26.4 cm)Sheet: 9 5/16 × 11 3/16 in. (23.6 × 28.4 cm). Date: 1824. Museum: Metropolitan Museum of Art, New York, USA.

"Allium fallax". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

WILLEM IV, 1752, plate 2, 1752 - 1755 Gardes on horseback, preceded by trumpeters. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on 4 February 1752. Numbered at the top right: 2. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft Gardes on horseback, preceded by trumpeters. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on 4 February 1752. Numbered at the top right: 2. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft

Knight in Armour Standing by a Plumed and Caparisoned Horse, Henry Thomas Alken, 1785-1851, British, Jacques Vellekoop, undated, Graphite on medium, smooth, beige, wove paper, Sheet: 6 × 7 7/8 inches (15.2 × 20 cm), armour, genre subject, horse (animal), knight (landholder), man, military art, plumes

Weather Vane. Dated: c. 1938. Dimensions: overall: 35.3 x 45.3 cm (13 7/8 x 17 13/16 in.) Original IAD Object: 14 1/8" long; 10 7/8" high. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Two Polish people; Or 1816 (1816-00-00-1816-00-00);Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, riders, recovered war losses, Poland (culture), message (provenance), Polish drawings, nobility

Plate of Sketches Made 1902 United States. Etching in black on tan chine, laid down on cream wove paper . Donald Shaw MacLaughlan

Plate 14 from the 'Tauromaquia': The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 1816 Goya (Francisco de Goya y Lucientes) Spanish Goya depicts the legendary matador known as the Student of Falces (Bernardo Alcalde, born 1709) performing one of the death-defying feats that made him famous. One writer observed that he was astonishingly light and "dexterous beyond measure, especially in tricking the bulls.. which he used to do as he spun in circles and without taking off his cloak." Goya illustrated the intensity of such a maneuver by setting both figures in an austere setting. A number of other details convey the impression of circular movement, including the swirling cape wrapping around the mans leg and the lines that radiate from the matadors torso.. Plate 14 from the 'Tauromaquia': The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 397893

Horses' Rest. Giovanni Fattori; Italian, 1825-1908. Date: 1880-1890. Dimensions: 143 x 194 mm (image); 166 x 229 mm (plate); 335 x 417 mm (sheet). Etching with drypoint and foul biting on buff wove paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

The dance of death. Etching by R. Dagley, 182-.

Three riding ahead. Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Etcher: Gilles Demarteau, Flemish, active in France, 1722-1776, After: François Boucher, French, 1703-1770, Woman and LadenDonkey, Crayon manner engraving in red, platemark: 15.2 × 21.1 cm (6 × 8 5/16 in.), French, 18thcentury, Works on Paper -Prints

The Cowboy. Date/Period: 1895/1899. Watercolor on paper. Width: 33 cm. Height: 44.5 cm (sheet). Author: Frederic Remington.

Banderillas with firecrackers, plate 31 from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint, lavis, drypoint and burin on ivory laid paper . Francisco José de Goya y Lucientes

Lightweight Dragonders that let horses drink at rest, draughtsman: Willem Constantijn Staring, 1830, paper, pen, h 333 mm × w 201 mm

Milkmaid of Boulogne, 3rd plate (Laitiere a Boulogne). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: sixteenth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Amsterdam, Luyken, Jan, Priesterlyke en Levitische Geslagt-Boom, Figuren beladen een door oxen voortwagen, verso - stamped, print, prent, prints, prenten, height 136 mm, width 239 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1683, paper, papier, etching, etsen

Americanorum Rex, Guisius, from 'Courses de Testes et de Bagues Faittes par Roy et par les Princes et Signeurs de sa Cour, en l'annee 1662' (Grand Carrousel) 1662-70 François Chauveau Restrike of plate 76 from a series of 106 plates by Israel Silvestre and François Chauveau, published in 1670. The series depicts jousting festivities given by Louis XIV at the Tuileries, June 5, 1662, in which nobles dressed as Persians, Americans, Romans and Turks.. Americanorum Rex, Guisius, from 'Courses de Testes et de Bagues Faittes par Roy et par les Princes et Signeurs de sa Cour, en l'annee 1662' (Grand Carrousel). François Chauveau (French, Paris 1613-1676 Paris). 1662-70. Etching. Louis-Joseph de Lorraine, Duc de Guise (French, 1650-1671)

Peter Tillemans, 1684-1734, Flemish, active in Britain (from 1708), A Saddle Horse of the Duke of Devonshire, undated. Watercolor, gouache, graphite, and gray wash on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper.

The seventh sled in the procession. A sled with Minerva drawn by a horse and preceded by two people in Greek clothing. Part of a series of twelve plates (before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (3 October 1574) and the establishment of The University of Leiden (8 February 1575).

King Charles I of England, Mounted, James Seymour, 1702-1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/4 × 4 1/4 inches (15.9 × 10.8 cm), Mount: 12 × 14 1/4 inches (30.5 × 36.2 cm), and Binding: 12 inches (30.5 cm), figure study, horse (animal), horseback riders, horseback riding, king (person), man, sporting art

Juanito Apiñani In de Arena Van Madrid, Francisco de Goya, 1811 - 1816 print The Torero (bullfighter) Juantino Apiñani jumping over the bull with a stick. A group of people with parasols in the stands. Spain paper etching bullfight. bull-fighter, toreador Madrid

August Xaver Karl von Pettenkofen created a pencil illustration for Gil Blas, showing figures and architectural settings with narrative elements.

George Romney, 1734-1802, British, Horseman of Montecavallo, between 1773 and 1774. Brown ink and gray wash over graphite on moderately thick moderately textured cream laid paper.

Road to Ruin!. Artist: After Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet (trimmed): 5 13/16 × 8 15/16 in. (14.7 × 22.7 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: April 1, 1803. Museum: Metropolitan Museum of Art, New York, USA.

Christian David Gebauer (1777-1831), Gebauer Visitkort, Circa 1820

The second slide in the procession. A large sledge with four musicians drawn by two horses and followed by two Romans with swords. Part of a series of twelve plates (etching pressure before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden (October 3, 1574) and the establishment from the University of Leiden (8 February 1575).

Francisco de Goya y Lucientes / 'Thou Who Canst Not'. Ca. 1797. Red chalk, Red chalk, Red wash on laid paper. Museum: Museo del Prado, Madrid, España.

A Dragoon on Horseback. Dated: c.1730. Dimensions: plate: 21.2 x 16.2 cm (8 3/8 x 6 3/8 in.) sheet: 32 x 22.2 cm (12 5/8 x 8 3/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES PARROCEL.

. The second slide in the procession. A large sledge with four musicians drawn by two horses and followed by two Romans with swords. Part of a series of twelve sled of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the LEIDIS off (October 3, 1574) and the establishment of the University of Leiden (8 February 1575) .

Portrait of Maurits, Prince of Orange, Anonymous, After Jacob Matham, 1600 - 1699 print Portrait of Maurits in an oval with edge. Angels blowing left and right. There are a number of allegorical objects around. His name in the lower margin. At the top left 'No 40'. Low Countries paper engraving / etching / letterpress printing

Design for an equestrian statue.

Detail of Horse's Head, Enlarged to Triple Size, Norman Royal Guard, No. 5, First Limoges Horse. Carle Vernet (French, 1758-1836); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1813-1823. Dimensions: 210 × 174 mm (image); 418 × 288 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Jockey 1899 Henri de Toulouse-Lautrec French. The Jockey 333898

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards of the Kings of France. Clovis le Grand. Sixth number of a suite of 40 pieces. (A. de Vesme 676; Dutuit 119) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Cripple with a Cap, from Varie Figure Gobbi Made 1616 France. Etching on paper . Jacques Callot

Bliżej Kultury Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Landscape with falconer and countrymen, draughtsman: Jordanus Hoorn, after: Johannes Lingelbach, 1763 - 1833, paper, h 440 mm × w 337 mm

Edelfelt, Albert, work, Sketch book, drawing, 21.5 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Fallen Horse and Dead Knight. Eugène Delacroix; French, 1798-1863. Date: 1817-1829. Dimensions: 249 × 317 mm. Graphite, with touches of stumping, on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body). Dated: in or before 1816. Medium: etching, aquatint, drypoint and burin first edition impression. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Resting riders, draughtsman: Carle Vernet, 1768 - 1836, paper, pen, h 383 mm × w 233 mm

Sketch of the journal of 29 August 1830 (IT)

Sculpture of Paardenhoofd in the Museo Archeologico Nazionale in Naples, Giorgio Sommer (attributed to), after Donatello, 1857 - 1914 photograph Naples paper. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture. horse National archeologic museum

Peasant on a Donkey. Artist: Giovanni Battista ("Titta") Lusieri (Italian, Rome 1754-1821 Athens). Dimensions: 13-7/16 x 17-1/8 in. (34.1 x 43.5 cm). Date: ca. 1783-87. Museum: Metropolitan Museum of Art, New York, USA.

Sketch sheet with horses. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 210 mm × w 260 mm. Museum: Rijksmuseum, Amsterdam.

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815-1882, British, undated, Graphite, red chalk, black chalk and white gouache on medium, slightly textured, brown wove paper, Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm), catching, escaping, goddess, horse (animal), hunting dogs, religious and mythological subject, running, watching

Delfos, Abraham, Northern Netherlands, Worm, Nicolaas van der, Sleigh ride of the Leiden society Veniam Pro Laude in 1776, Eighth sleigh, verso - handwritten, The eighth sleigh in the procession. A sleigh with the personification of Religion, pulled by a horse. Part of a series of twelve plates (before the number and on different paper) of the sleigh ride on 24 January 1776 organised by the Leiden society Veniam Pro Laude on the occasion of the Second Centenary of the Relief of Leiden (3 October 1574) and the founding of Leiden University (8 February 1575)., print, prints, Frederik Muller History plates, verso - stamped, finished Proof, N vd worm, height 227 mm, width 439 mm, Noord-Nederlands, 1757-03-16 - 1828-05-12, print maker, printmaker, 1776 - 1776, paper, papier, etching, engraving, engraving (printing process), 1731-03-08 - 1820-07-13, intermediary draughtsman

Ernest A Towers, Jr, Hobby Horse, c 1939 Hobby Horse

Josep Aragay i Blanchart / 'Hombre a caballo' 1915, boceto a carboncillo. Museu Municipal Josep Aragay.

Riding-Horse (Reitpferd). Dated: 1916. Dimensions: plate: 38.2 x 24.9 cm (15 1/16 x 9 13/16 in.) sheet: 48.3 x 38.4 cm (19 x 15 1/8 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Bridle portrait of Willem III, King of the Netherlands, 1850 - 1949 photomechanical print Netherlands paper collotype

Brown ink and gray wash drawing by Adam Frans van der Meulen showing a rider on horseback seen from behind, highlighted with white chalk on blue paper with minor stains and light marks.

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Corso auf dem Monte Pincio. Liebermann, Max (1847-1935), graphic artist, Cassirer, Paul (1871-1926), publisher

Sleeper cart. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 85 mm × w 128 mm. Museum: Rijksmuseum, Amsterdam.

Trekta met after all.

Print made by Robert Polhill Bevan, 1865-1925, British, Who-o-p!, 1898-1899. Lithograph on moderately thick, smooth, cream wove paper.

The Nero. (Title registered (letter))

A Fallen Horse. Pietro Dandini (1646-1712). Red chalk. 27 x 33cm.

Portrait de Charles 1er, state III. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Dyck, Anthony van (1599-1641), painter, Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printer of graphic prints

Vendors. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1912. Dimensions: 305 × 388 mm (plate); 355 × 420 mm (sheet). Etching and aquatint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Kanon. .

Winged Infant Riding a Crouching Horse. Artist: Giulio Romano (Italian, Rome 1499-1546 Mantua). Dimensions: sheet: 4 13/16 x 6 3/8 in. (12.2 x 16.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The MilkMan. Artist: Nicolino Calyo, Italian, 1799-1884

Plate 46, Elgin marbles from the Parthenon at Athens: exemplified by fifty etchings, selected from the most beautiful and least mutilated specimens in that collection; and accompanied with explanatory and critical remarks on the style, composition, and peculiar excellence of those transcendent relics of Grecian sculpture, Davison, Thomas, Lawrence, Richard, fl. 1815-1840, Etching, 1818, Etching, Plate 46, No. 80, located between pages 62 and 63. Each plate in the book is numbered to correspond to the museum's original numerical system.

Open Koets, Unknown, after Franz Xaver Habermann, 1731 - 1775 print Open carriage with roof, with rocaille wood carving. Publishing number 174. Augsburg paper etching / engraving four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Rearing Horse. Attributed to Edwin Henry Landseer (English, 1802-1873); after Anthony van Dyck (Flemish, 1599-1641). Date: 1817. Dimensions: 105 × 129 mm. Watercolor heightened with white gouache and graphite, on tan laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

Isaac Cruikshank, 1756-1810, British, The Faith of Treaties Exemplified or John Bull's last Effort to Oblige his False Friends, 1794. Etching.

Selene Ment her car through the airspace, Bernardino Poccetti (attributed to), 1558 - 1612 drawing paper. chalk

Vestigia delle Terme di Tito. Chart with grapevine Quadro from vault decoration in room 14. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

'Les Cavaliers', (1930).Artist: Constantin Guys

Reproduction of a painting: Chełmoński, Józef (1849-1914), Quadriga; excerpt from an album. Czernecki, Jan (Wieliczka, Kraków ; wydawnictwo ; 1905-1939), publishing house

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

. The second slide in the procession. A large sledge with four musicians drawn by two horses and followed by two Romans with swords. Corrective pressure with inscriptions. Part of a series of twelve plates (before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (3 October 1574) and the establishment of The University of Leiden (8 February 1575).

Amsterdam, Tresling & Comp., Binger, Gebroeders, Netherlands, Historical and Allegorical Procession in Amsterdam. May 12, 1874, Plate 4. - Fourth Group. Period of Prince William the Second (1648-1650), Historical costumed procession in Amsterdam on the occasion of the 25th anniversary of the reign of King William III in 1874 (plate 4), Plate no. 4 with the part of the procession with figures from the time of Prince William II. Part of a series of 24 plates of the costumed historical and allegorical procession held in Amsterdam on 12 May 1874, as part of the festivities celebrating the 25th anniversary of the reign of King William III., print, prent, prints, Frederik Muller Historieplaten, height 115 mm, width 365 mm, print maker, printmaker, 1874 - 1874, paper, papier, lithografie (techniek), Publication (Event), Publicatie, publisher, uitgever, Nederlands, printer, drukker

Ezeltje, Rodolphe Bresdin, 1832 - 1885 drawing France tracing paper. ink pen ass, donkey

Eating horse for a cart. .

Three horses on the Pont de Sully in Paris, Pieter Dupont, 1902 print The horses are accompanied by a man with a hat. In the background the Seine, Houses and the dome of a church, possibly the Temple du Marais. print maker: Nogent-sur-Marneafter drawing by: Paris paper etching horse. bridge in city across river, canal, etc. Pont Sully. Seine

Horseman. Illustration to the poem 'The Demon' by Mikhail Lermontov by Vrubel, Mikhail Alexandrovich (1856-1910)/ State Tretyakov Gallery, Moscow/ 1890-1891/ Russia/ Watercolour and white colour on paper/ Symbolism/ 23,5x33,5/ Mythology, Allegory and Lit

In the bullring of Madrid, a bull pierces the horse of the picador Rendón. The latter thrusts his lance into the animal's head. Bystanders look on. Numbered top right: 28., Rendon thrusts his lance into a bull El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, (mentioned on object), publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 250 mm × w 353 mm

Dignitary on a horse; 20th century (1900-00-00-2000-00-00);Knothe, Jerzy (1917 -2002), Knothe, Jerzy (1917 -2002)-collection, Chinese (culture), gift (provenance), horse (iconogr.), Men, graphic prints, Chinese art

Os in front of a plow, draughtsman: Johannes Hubertus Leonardus de Haas, 1842 - 1908, paper, h 314 mm × w 452 mm

Cheval Flamands, 1822, Jean Louis André Théodore Géricault, French, 1791 - 1824, 7 1/2 x 8 1/2 in. (19.05 x 21.59 cm) (image), Lithograph, France, 19th century

Dray. A leather from Dolabella's painting "Warsaw Sejm in 1638"; 1916 (1916-00-00-1916-00-00);Warsaw (Masovian Voivodeship), Bryczka

Closed Moritzburg with rider - paintingsMoritzburg. Castle Moritzburg with rider painting

Doll Carriage. Dated: c. 1939. Dimensions: overall: 34.3 x 50.9 cm (13 1/2 x 20 1/16 in.) Original IAD Object: 60" long; 18" high. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Samuel W. Ford.

Design for Painting Heidemaatschappij in Arnhem: Two Trekossen, Richard Nicolaüs Roland Holst, 1913 drawing prepared paper. pencil brush / brush ox. ploughing. ox. ploughing

Design for Cabriolet or Victoria, no. 3890. Dimensions: sheet: 6 11/16 x 9 1/8 in. (17 x 23.2 cm). Manufacturer: Brewster & Co. (American, New York). Date: 1884.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as

Horse. Dated: c. 1939. Dimensions: overall: 38 x 47.7 cm (14 15/16 x 18 3/4 in.) Original IAD Object: 14 1/2" high; 22 1/2" long; 2 3/4" thick. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Selma Sandler.

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