Horseback Riders in Historical Context

Illustrations featuring riders on horseback, including warriors and nobles, depicted in various historical settings and styles.

Almost a Fairytale: Princess Chand of Bijapur. Gilbert Holiday (1879-1937). Pastel. Dated January 1932. 58.5 x 45.7cm. The picture was used in The Tatler, 13 April 1933, and depicts the Princess indulging in her favourite sport of hawking.

Carle Vernet (aka Antoine Charles Horace Vernet, French, 1758 - 1836). Mohammedan Rider with Sabre and Pistol, early 19th century. Crayon lithograph with hand wash and highlighting on brown wove paper. Image: 383 mm x 490 mm (15.08 in. x 19.29 in.).

Ancient Age. The Barbarians before Rome. Chromolithography. "Historia Universal", by César Cantú. Volume III, 1882.

Almost a Fairytale: Princess Chand of Bijapur. Gilbert Holiday (1879-1937). Pastel. Dated January 1932. 58.5 x 45.7cm. The picture was used in The Tatler, 13 April 1933, and depicts the Princess indulging in her favourite sport of hawking.

THE LOST GREENHORN, 1858-1860, by Alfred Jacob Miller, painting, watercolor on paper. Miller described the mishap of the expedition's English cook, who became lost on the prairie. When he, returned, he was humbled and nearly starved after being lost for over 24 hours (BSLOC_2019_9_22)

Oriental rider on a white horse. Chełmiński, Jan (1851-1925), painter

Haitian Horseman (Scene from the French Colonial Wars ) 1823 France. Brush and brown ink and brown wash, over black chalk, on cream wove paper, pieced vertically through center . Jean Louis André Théodore Géricault

Man wearing coat riding horse, oil painting

Horseman of the light artillery, James Ensor, circa 1880-1890, drawing, Belgian Art

Turk mounted on a horse; 1835 by Karl Pavlovich Bryullov (1799 - 1852), Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism.

El hombre y las fieras. Cacerías y pescas primitivas. Nómadas de las estepas del sur de Algeria cazando el antílope Órix. Cromo de Chocolates Eduardo Pi. Años 1940. Author: Joan Llaverias Labro.

Arab Saddling His Horse by Eugene Delacroix, 1855, 1798-1863

The Combat of the Giaour and Hassan. Eugène Delacroix; French, 1798-1863. Date: 1826. Dimensions: 59.6 × 73.4 cm (23 1/2 × 28 7/8 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA. Author: EUGENE DELACROIX.

Oil on canvas.

The Suffolk Hunt: Gone Away. Date/Period: 1833. Painting. Oil on canvas. Height: 279 mm (10.98 in); Width: 381 mm (15 in). Author: Sr. John Frederick Herring.

Portrait of Leopold I, Emperor of the Holy Roman Empire, Archduke of Austria and King of Hungary The print has a Latin caption with the name and titles of the person portrayed, Equestrian Portrait of Emperor Leopold I, print maker: Adriaen Schoonebeek, (possibly), publisher: Adriaen Schoonebeek, (mentioned on object), Amsterdam, 1670 - 1714, paper, h 363 mm × w 263 mm

An Arab horseman. Adolf Schreyer (1828-99). Oil on canvas. 81.5 x 65cm.

The Cowboy, 1902. Remington, Frederic.

Portrait of Field Marshal Carl Gustaf Wrangel (1613-1676) by Ehrenstrahl, David Klocker (1629-1698) / Skokloster Castle / 1652 / Sweden / Oil on canvas / Portrait / 309x316 / Baroque

The English Gamekeeper, John Crossley & Sons Ltd, English, 1850 - 1869, Richard Ansdell, 1815 - 1885, Materials: worsted threads on linen Technique: adhesive Label: worsted threads adhered to linen ground, 'Mosaic' carpet sample. Worsted threads glued on linen backing showing a game-keeper in a round-brimmed hat, leaning against a ladder over a hedge with a bag slung over his shoulder, a pile of game at his feet, two hounds beside him; after Richard Ansdell., Halifax, England, 1859-1869, non-woven textiles, Carpet panel from a firescreen, Carpet panel from a firescreen

Brown Beauty. Olaf Carl Wieghorst (1899-1988). Oil on canvas. Signed and dated April 21 1926. 76.2 x 102cm

Battle by Viktor Mikhaylovich Vasnetsov, oil on canvas, 1879, 1848-1926, Russia, Moscow , State Tretyakov Gallery, 27, 2x39, 4

'The knight, the young girl and the Death', c1510, (1939). Artist: Hans Baldung.

Edelfelt, Albert, work, 'Fights, even if it's in vain, there's still a man on the ground', 1897 - 1900, marker engraving, white accents, main class : drawing, 20 cm x 27 cm, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Henry Thomas Alken, 1785-1851, British, "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One, undated. Watercolor, with pen, in brown ink and black ink, over graphite on medium, moderately textrured, beige, wove paper.

The pursuit of happiness shadowed by the figure of death, chasing the spirit of happiness, painting by Rudolf Friedrich August Henneberg (1825 - 1876) German painter. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Jan Zamoyski at Byczyna, sketch. Matejko, Jan (1838-1893), painter

In the Enemy Country. Olaf Carl Seltzer (1877-1957). Oil on canvas. 76.2 x 50.8cm

Turkish Lancer and Onlookers Approaching a Town 1760-70 Giovanni Domenico Tiepolo Italian This sheet belongs to a group of drawings by the Venetian painter Giovanni Domenico Tiepolo of Ottoman Turkish horsemen and chieftains riding or resting in idyllic landscapes, accompanied by exotically clad attendants. Tiepolo's compositions generally reflect the contemporary artistic and literary taste in Venice for tales of exotic Eastern romance.. Turkish Lancer and Onlookers Approaching a Town 339439

Don Quixote by Miguel de Cervantes. Don Quixote, Sancho and the princess Dorotea. Engraving by Gustave Dore.

Line of Old Boots, Van Gogh, Vincent Willem, 1886

Bullfight; Édouard Manet (French, 1832 - 1883); 1865; Watercolor over graphite; 19.2 x 21.4 cm (7 9,16 x 8 7,16 in.)

'Morrocans', 1872-1874, Oil on panel, 13 cm x 19 cm, P02607. Author: MARIANO FORTUNY. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Tenerife - Woman of Tacoronte, Alfred Diston, active 1818-1829, 1828, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 6 1/2 inches (20 × 16.5 cm), costume, figure study, genre subject, horse (animal), woman

Archaeology. Roman Civilization. An archer of the Parthian chivalry. Colour illustration

Equestrian portrait of Napoleon I, 1810, by Joseph Chabord (1786-1848), oil on canvas. Napoleonic era, France, 19th century.

Moroccan Mounting His Horse oil painting by Eugene Delacroix 1854 Courtauld Institute Gallery interior Somerset House London England

El hombre y las fieras. Cacerías y pescas primitivas. Caza del jabalí en la India. Cromo de Chocolates Eduardo Pi. Años 1958. Author: Joan Llaverias Labro.

Hatwell Panel by Henry Whiting of featuring race between cyclist and horseback rider, Dingles Fairground Heritage Centre, Devon, England

JOSE GUTIERREZ SOLANA. PINTOR ESPAÑOL . MADRID 1886 - 1945. " CORRIDA DE TOROS " , AÑO 1923. COLECCION ARANGO . MADRID. TAUROMAQUIA. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

THE HORSE FAIR, by Rosa Bonheur, 1852-55, French painting, oil on canvas. The horse market in Paris on the Boulevard de lHopital was painted over a period of 3 years. When sketching on site for this work, she dressed as a man to avoid attention (BSLOC_2017_9_84)

Hudibras The manner how he sallies forth Engraved by C Armstrong after Hogarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated

Jan Styka (1858-1925), Polonia; Lapina, imprimerie (couples; Printing house; fl. Ca 1915-); around 1910 (1905-00-00-1915-00-00);

Augsburg, Rugendas, Christian, Georg Philipp, Riders, Three riders in cloaks, verso - stamped, print, prints, height 142 mm, width 187 mm, German, 1708 - 1781-07-10, print maker, printmaker, 1718 - 1781, paper, etching, etchings, mezzotint, print in brown, after, after painting by, Publication (Event), Publication, publisher

Don Quixote Honore Daumier (1808-1879/French) Oil on canvas

Gray; Kossak, Wojciech (1856-1942); 1934 (1934-00-00-1934-00-00);WęClewicz, Wawrzyniec (1910-1989) and Birgit (-)-collection, gift (provenance), horses, landscapes, landscapes with relay, winter landscapes, ułani, army, winter

Piotr Michalowski (1800-1855). Polish painter. Encounter of Cuirassiers, 1840-1855. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.

Turkish Cavalier in Combat 1813-1823 France. Soldiers and horses were among GÈricaultís favorite subjects, symbolizing energy, emotion, and individuality. In its laser-like focus on one cavalry soldier and his charging horse in the heat of battle, this drawingís romantic intensity departs radically from the Classical restraint of many works of the period.GÈricault exoticized his horseman, giving him African features and clothing him in the garb of an Ottoman mamluk, a caste of Muslim slave soldiers who fought for their indepe-dence in Egypt in the early 1800s. The artist was politically progressive for his time and championed the cause of liberty with this image. However, mamluks were most often of Turkic, Coptic, or Circassian descent, and GÈricaultís depiction may not have been historically accurate.. Brush and brown wash, heightened with white gouache over black chalk, with blue wash on brown laid paper . Jean Louis André Théodore Géricault

Spring Labours, 1820 by Alexey Gavrilovich Venetsianov (1780- 1847) Russian painter, renowned for his paintings devoted to peasant life and ordinary people.

Le Dressage, Theodore Gericault, (1791-1824/French), Musee du Louvre, Paris, France

Depicts a landscape with Don Quixote, painted in watercolor, showing figure, horse, terrain, windmills, and vegetation.

Image reproduction: Wojciech Kossak (1856-1942), meal for the wounded; Salon Painters Publishing House (Kraków; 1895-1949); 1908 (1908-00-00-1908-00-00);

Dancers, by Edgar Degas (1834-1917).

An emigration of the Gual in the Bronze Age by Ferdinand Cormon (1845-1924) a French painter. Dated 19th Century

Roman fresco depicting Heracles grabbing the centaur Nessus by the hair. Behind them, Deianira. House of Jason (20-25 AD). Pompeii. National Archaeological Museum. Naples. Italy.

After Battle by Francesco Giuseppe Casanova, Oil on canvas, 1727-1802, Ukraine, Sevastopol, M. Kroshitsky Art Museum

Winslow Homer, Saved, 1889, etching on cream wove paper.

Johann Christoph Friedrich Schiller, from 1802 von Schiller, 10 November 1759, 9 May 1805, was a doctor, poet, philosopher and historian. He is considered one of the most important German playwrights, lyricists and essayists, digital reproduction of an original from the 19th century

Man ploughing with a white horse. Watercolour on paper. Kuzma Petrov-Vodkin (1878-1939) Russian painter. Representation of Mikula Selianimovich() Russian epic hero. Patriotism Agriculture

The Polish Rider , Fine Art

Equestrian Portrait of the King Louis XVI (1754-1793) by Carteaux, Jean Baptiste Francois (1751-1813) / Musee de l'Histoire de France, Chateau de Versailles / 1791 / France / Oil on canvas / Portrait / 306x322 / Classicism

Native American Wearing War Paint on Horseback 1983 Stanley Borack (b.1927 American)

The Hero of the Day. Frederick Bacon Barwell (circa 1831-1922). Oil on canvas. Signed and dated 1861. 92 x 122cm.

'Skirmish'. Holland, 17th century. Dimensions: 12,3x18,9 cm. Museum: State Hermitage, St. Petersburg. Author: Lambert de Hondt.

Spanish literature. "The Ingenious Hidalgo Don Quixote of La Mancha", written by Miguel de Cervantes Saavedra (1547-1616). Conversations between Don Quixote and Sancho Panza after the adventure of the windmills (Chapter VIII). Nineteenth century engraving by E. Vela. Colored.

The forklift, Filippo Palizzi (1818-1899).

Kmicicowa Kompania, illustration to the telling of Henryk Sienkiewicz's "Flood"; Kossak, Juliusz (1824-1899); 1885 (1885-00-00-1885-00-00);Méyet, Leopold (1850-1912)-collection, Sienkiewicz, Henryk (1846-1916). Deluge, gift (provenance), riders, nobility, winter

The Cowboy; El Vaquero. Ignacio Zuloaga y Zabaleta (1870-1945). Oil on canvas. 200 x 120cm.

A warrior on a horse and a girl; Piotrowski, Antoni (1853-1924); 1885 (1885-00-00-1885-00-00);

Charles XI (1665-97), King of Sweden, David Ehrenstrahl, 1676 - 1697 painting Portrait of Karel Xi, King of Sweden. Seated on a prancing white horse, with pulled the. In the background the Battle of Lund, December 4, 1676. Replica of the original in Gripsholm. canvas. oil paint (paint) historical persons. equestrian state-portrait Sweden

José de Madrazo y Agudo / 'The French Cuirassier', ca. 1813, Spanish School, Oil on canvas, 200 cm x 130 cm, P08026. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Bandbox Design - Hunting Scene. Dated: c. 1936. Dimensions: overall: 40.3 x 55.5 cm (15 7/8 x 21 7/8 in.). Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Harold Merriam.

Joaquin Sorolla/ Soldados. Óleo sobre tela, 1883. Diputación de Barcelona.

Wandering knight

Seated Arab Man with Horse possibly ca. 1850-58 Alfred Dedreux Dedreux, a popular painter of equestrian subjects, made at least two portraits of horses belonging to the Algerian military and religious leader Abd al-Qadir (1808-1863) in the 1850s. Although a foe of the French following their invasion of Algeria in 1830, Abd al-Qadir eventually earned the respect and admiration of his adversaries. It cannot be established with certainty that this is a portrait, yet the man depicted resembles the chieftan, whose likeness was widely disseminated through paintings, prints, and photographs.. Seated Arab Man with Horse. Alfred Dedreux (French, Paris 1810-1860 Paris). possibly ca. 1850-58. Oil on canvas. Paintings

The Start of the Race of the Riderless Horses 1820 Horace Vernet French Races of riderless horses were a highlight of Romes Carnival, held each February before Lent. Vernets painting depicts grooms struggling to restrain the horses before the start of the race—la mossa—in the Piazza del Popolo, which Goethe called "one of the finest sights that can be seen anywhere in the world." Vernet was certainly aware of his friend Gericaults studies of the race when he made this one, which served a preparatory role for a larger composition acquired by the French Ambassador to Rome (now private collection).. The Start of the Race of the Riderless Horses 437888

If child; Pautesch, Fryderyk (1877-1950); around 1930 (1925-00-00-1935-00-00);

Portrait of Tsar Paul I of Russia, with Grand Duke Alexander Pavlovich, Konstantin Pavlovich and Palatine Stephen of Hungary, By Egor Botman 1840. Oil on canvas.

Portrait of Franz Joseph I of Austria on horseback by Lilly Konig, Oil on canvas, 1899, 1799-, Private Collection, 56, 5x43

Soldiers on horses in winter by Gottfried Willewalde, (Bogdan Pavlovich) Oil on canvas, 1891, 1818-1903, Russia, Irkutsk , State Art Museum, 60x83

Snowstorm by Nicholas Nichlaivich Karazin, 1842-1908, Russia, Ryazan, Ryazan Artistic Museum

Joshua Gives the Signal for the Attack James Tissot (1836-1902 French)

Painting titled 'The Hunt Club' by Norman St Clair Carter. Norman St Clair Carter (1875-1963) an Australian artist.

Bonaparte Crossing the Alps, Napoleon Crossing the Alps,Paul Delaroche, 1850,

Ferdinand III (c.1201-1252), called Ferdinand the Saint. King of Castile and Leon. Ferdinand III on horseback. Engraving in Spain Illustrated History by R. del Castillo, 19th century. Colored.

18th century Gobelins tapestry woven for the Order of the Knights Templar, from the series West Indies. Tapestry Chamber, Grandmaster's Palace, La Valletta, Malta.

The Return from the Fields. Oskar Martin-Amorbach (1897-1987). Oil on canvas. Signed and dated 1943-1944. 400.7 x 208.3cm.

Cartoon - What Does He See Arthur George Racey (1870-1941)

Photos Series mountain peoples in the Pyrenees / Bilderserie Gebirgsvölker, in den Pyrenaeen, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital verbesserte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei.

A Gentleman with His Pair of Bays Harnessed to a Curricle. Date/Period: 1806. Painting. Oil on canvas. Height: 476 mm (18.74 in); Width: 762 mm (30 in). Author: John Cordrey.

Untitled Late 19th Century Trade Cards

ANONIMO GOYESCO. Location: CIRCULO DE BELLAS ARTES-PINTURA. MADRID. SPAIN.

Mosaic depicting a charioteer and horse from the Albata faction (White). 3rd century AD. Rome. National Roman Museum. Palace Massimo. Rome. Italy.

Portrait of a Sportsman, Possibly Richard Prince, Benjamin Marshall, 1768-1835, British, between 1825 and 1826, Oil on canvas, Support (PTG): 40 x 34 inches (101.6 x 86.4 cm), animals, bird, breeches, dead, death, dogs (animals), Georgian, glove, hills, horse (animal), hunt, hunter, man, portrait, rifle (artillery), sporting art, sportsman, top hat

Iolas with Two Horses; Iolas con Due Cavalli. Giorgio de Chirico (1888-1978). Oil on canvas. Painted in 1937. 34.3 x 44.5cm. This painting depicts Alexandre Iolas, the collector and art dealer as a young man.

Feast of St Michael, detail of the wooden spoon seller, 1840, painting by Carlo Ferrari (1813-1871), oil on canvas.

TORO RENDIDO POR PERROS - SIGLO XVII - OLEO/LIENZO - 157 x 200 cm - NP 1872 - ESCUELA FLAMENCA. Author: PAUL DE VOS (1596/1678). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Illustration depicting Charlemagne, separated from his party in a storm, being offered shelter by a charcoal burner. Charlemagne (742 AD - 814 AD) King of the Franks, King of the Lombards and Emperor of the Romans. Illustrated by Thomas Heath Robinson (1869-1954) an English illustrator. Dated 20th century

''A Trip to Leicestershire, or The Melton Mowbray Panorama, 1820; Adventures on the Road to Melton --"At his Head a Grass-Green Turf, and at his Heels a Stone !"', 1820. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890.

USA, TEXAS, West Texas, Alpine: Alpine Texas History Mural detail

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