Humorous Caricatures of Society

Whimsical scenes featuring exaggerated characters in vibrant colors, depicting societal interactions and follies. The style is playful and satirical.

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. So listen to my little rabbit I'm very kind ... go ... come here my dear fellow, I'm very good". Colored lithography, 1829. Paris, Maison de Balzac. 34929-10 Attract, woman, humorous, rabbit, lithography colored, moral, personification, animal, caricature, scene

All flattering lives at the expense of the one who listens to it ... / 8 (title registered (letter)) | Grotesque mirror (title of all)

Ostentation. / No. 22. (Registered title (letter)) | Compensation (title of all)

A Wooden Substitute, or Any Port in a Storm January 19, 1821 Possibly by Theodore Lane British. A Wooden Substitute, or Any Port in a Storm 392478

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. So listen to my little rabbit I'm very kind ... go ... come here my dear fellow, I'm very good". Colored lithography, 1829. Paris, Maison de Balzac. 34929-10 Attract, woman, humorous, rabbit, lithography colored, moral, personification, animal, caricature, scene

Vagabond imagination ... / 1 (registered title (letter)) | Grotesque mirror (title of all)

This one pretends to know. / N ° 23. (Registered title (letter)) | Compensation (title of all)

Madame Ernst as Alice in Robert the Teufel costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Joseph Schmutzer -, artist

Lange, Josef.

Lap me, Madame Mahieux, I'm mobile, name of ...! (registered title)

Grandville (Jean Ignace Isidore Gérard dit 1803-1847). "The metamorphoses of the day. From the whole therefore F ..." Colored lithography, 1829. Paris, Maison de Balzac. 34927-18 Humorous, lithography colored, military, personification, soldier, uniform, animal

France, 1862, Zouave. Prints. 1862. Jerome Robbins Dance Division. Dance , France , 19th century

Frisian women on the ice, Ludwig Gottlieb Portman, after C.F. Bounach, after Jan Willem Pieneman, 1829 Two young ladies in Frisian traditional costume on the ice. The one is in a sled, the other is on the skate. From Hindeloopen or a place nearby. Part of a bound edition of the series of twenty -four records of Dutch traditional costumes in the Kingdom of the Netherlands at the beginning of the nineteenth century by Maashamp, 1829. print maker: Netherlandsafter drawing by: Frieslandpublisher: Amsterdampublisher: London paper etching Friesland. Hindeloopen Two young ladies in Frisian traditional costume on the ice. The one is in a sled, the other is on the skate. From Hindeloopen or a place nearby. Part of a bound edition of the series of twenty -four records of Dutch traditional costumes in the Kingdom of the Netherlands at the beginning of the nineteenth century by Maashamp, 1829. print maker: Netherlandsafter drawing by: Frieslandpublisher: Amsterdampublisher: London paper etching

The beautiful decided / or the naughty adroit (IT)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), Des Gaillards (registered title (letter)). Colored lithography, woven paper. Balzac house.

Ah! Monseigneur: We want to make us make everything ... (IT)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), Strate-men meeting-Quid Nunc's (registered title (letter)), 1827. Balzac house.

Othellerl der Mohr von Vienna, to Kringsteiner Gallerie Droller Scenen for the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Caricature of two to a freer market wives, Pieter van Loon, 1861 drawing paper. ink pen / brush

A benefactress. / No. 19 bis (title registered (letter)) | Compensation (title of all)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), a poor devil pays his boots (registered title (letter)). Colored lithography, woven paper. Balzac house.

I need a neat jewelry! ... a colossus! Name of ...! / N ° 16. (registered title) | Mr Mayeux's ways. (title of all)

Seigneur de Bougiral, il me faut tout votre sang pour laver cette injure!... - (Le seigneur de Bougiral, haut) Seigneur de Beautricourt!...(bas) On vous dit zut ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. Arrive, arrive nurse! Gods like y r'semble in Mosieu!". Colored lithography, 1829. Paris, Maison de Balzac. 34928-5 Baby, deer, goat, keep, humorous, lithography colored, nurse, personification, animal

Polish lady in the gallows; Debucourt, Philibert-Louis (1755-1832), Norblin de la Gourdaine, Jean Pierre (1745-1830), Gillé Fils (Paris 1818 (1817-00-00-1818-00-00);Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), nobility, clothing

Gustav Emil Devrient as a beggar in laurel tree and begging and as Robert in Memoirs of the devil costume picture No, for the theater newspaper, Johann Wenzel Zinke -, Artist, after, Anton Elfinger -, artist

Decoration change. (Title registered (letter)) | Parisian scene. (Title of all)

Figure studies (fourth leaf), 1833, Christiaan Andriessen, 1833 print Leaf with figures: a man standing by a quay, chickens in the foreground. Part of a series of six magazines with figure studies of Dutch traditional costumes, street figures and tuiks, 1833. print maker: Netherlandspublisher: Amsterdam paper folk costume, regional costume. pier, quay, wharf

1st response from the Emperor to the Manifesto of the Roy of Prussia Anonymous. "1st response from the Emperor to the Manifesto of the Roy of Prussia". Coloried water, 1806.

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), the time pleasantly used (registered title (letter)). Colored lithography, laid paper. Balzac house.

Come hunt on my lands, my husband has superb woods. (registered title) | Metempsychosis carried out. (title of all)

The Pygmy Hunter of Worms Sent Extraordinary to Mr, Refugee in Mons (IT)

Mr, Nestroy as a poet easily in neither laurel tree nor begging and as a Sansquartier in twelve girls in uniform, Costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

In Bade No in Saint-Denis

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. For my part, I answer, blessed are the capons (Béranger)". Colored lithography, 1829. Paris, Maison de Balzac. 34930-13 Epidemia, lithography colored, illness, morality, personification, animal, caricature

Do not worry, sir, if your home is destroyed, at least your wife is saved, we / you bring it healthy and save ... .. / (3)

Staberl as Freischütz, parody of Carl theatrical picture gallery for the theater newspaper, st year, No, After, Johann Christian Schoeller -, Artist, Johann Wenzel Zinke -, artist

PL. 122 / Caricature (Journal) No. 61. / Gare below, V'là The Embellments !! (IT)

CI GIT LOUIS THE FALSE / CAPET LARINE (IT)

May of love. (IT)

Mr, Joh, Fenzl and Mad, Rohrbeck in the parody Der Kobold by Fr, Told costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

A lying in visit , Visiting, Infants, Cribs Children's beds. Thomas Rowlandson (1756-1827). Prints and Drawings

Despite you Polignac & your loose cohort / your fate is fixed freedom prevail (IT)

(La jeune Princesse) Mais qu'apperçois-je au loin dans la plaine ce tourbillon de poussière... - Un chevalier dirige vers ce manoir l'ardeur de son noble coursier!...A sa plume - blanche j'ai reconnu mon bien-aimé!...c'est lui, c'est Ludovic... - (Ludovic dans la coulisse) O (sic) c'te balle! bojour Madame ,. Paul Gavarni (1804-1866). Lithographs and Other Works

English scarecrow Anonymous / Martinet. "The English scarecrow". Colorful Aquatint, 1805.

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), the panel at two handles. Two Strings to Ones' Bow. (Registered title (letter)), 1827. Maison de Balzac.

Dancing (bourrée bourbonnaise); Bour, Charles (1814-1881), Lemertcier, Benard et Cie (Paris; Litographic Plant; Fl. 1837-Ca 1880), Talbot Chez Laussedat (Publisher; Clermont-Ferrand, Place du Théatre; fl. Ca 1849-Ca 1856) ; 1855-1856 (1855-00-00-1856-00-00);

Mr, Walter as Chevalier Dumont and Madame Schmidt as an old woman costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Le Départ de Calicot Pour le Combat. Artist: Anonymous, French, 19th century. Dimensions: plate: 14 9/16 x 9 3/16 in. (37 x 23.3 cm)sheet: 15 1/16 x 10 1/16 in. (38.2 x 25.5 cm). Date: 1817-18. Museum: Metropolitan Museum of Art, New York, USA.

James Gillray, 1757-1815, British, Cockney-Sportsmen Re-charging, 1800. Hand colored etching, with etched borders.

The meeting / you leave I see him, the dress and the writer / to fly without peril, we are for without glory! (Ti)

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

FRONTISPIECE TO REFLECTIONS ON THE FRENCH REVOLUTION Frontispiece to reflections on the French Revolution ". Water-strong anonymous color, 1790.

The Nineteenth Generation, Christoph Derrer. Unknown

Hope, peace and abundance / president of their hymen. (IT)

Petites figuresI. Artist: Paul Gavarni, French, 1804-1866

Allegory n ° 3 / The nightmare of the red mother. (IT)

Childhood is all ages. (IT)

While its master plays the organ, a dog works a spinning wheel, to the admiration of passers-by in the streets of Paris Date: circa 1816

Caricature of a singing Marquis, Jules Joseph Guillaume Bourdet, 1836 A marquis with a text sheet in hand and a violin under the arm sings on the street in full breast. He turns to a window and sings in such a way that the windows almost jump. Paris paper serenade to the beloved. male singer - CC - out of doors

BOLIVAR, SimÑn (1783-1830). Venezuelan military man and politician hero of the Spanish-American independence. Bust of Simon Bolivar surrounded by angels and colonists. On the base there is an inscription: 'Simon Bolivar Liberator of his country'. Engraving.

Frantsuzskii parikmakher v Vene; Troistvennii soiuz Triple Ally Le perruquier à Vienne ; 3 Têtes dans un bonnet, ou le triumvirat de fous. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Good income, / where, pot at the pot and alouettes all rotary. (IT)

Paris Besieged / 21 / Housing Tickets (IT)

Wild, Franz .

Bad will. / Willingly. / 17 (title registered (letter)) | Contrasts. (Title of all)

The disguised intervention Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Disguised intervention". Board published in "caricature" of July 9, 1835. Lithography. Paris, House of Balzac.

Outside Guard, St. Georges Guard, Inside Guard. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 15/16 × 15 1/16 in. (30.3 × 38.2 cm)Plate: 10 13/16 × 13 1/16 in. (27.5 × 33.1 cm). Publisher: Henry Angelo (British, London 1756-1835 London). Series/Portfolio: Hungarian and Highland Broadsword. Date: September 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

L'Amour Filial / the parent love. Leaf with a large representation of a family, consisting of children, parents and grandparents, in a garden with fountain. Under the show the title. Numbered at the bottom right: No. 32.

Inconvénient d'être trop sentimental.... Honoré Daumier (1808-1879). Lithographs

Ornament with standing man at sitting woman.

It his Lord with Beere. On the left a musician playing on a bagpipe. On the right a dipteur with two marked bears. Under the image a twenty-line fresh in two columns. Numbered upper left: No. 20.

Legstierer, Illustration from Vienna and the Viennese, in pictures from life, edited by Adalbert Stifter, Pest

The little man Pantaleon Bürgman of the Swiss Garde in Rome, ca. 1710, 1705 - 1715 The little man Pantaleon Bürgman of the Swiss Garde in Rome on watch. In the caption under the title a six -line verse in German. Numbered at the top right: 15. Part of a loose -leaf edition from around 1710 of a series of caricatures of small people, known as the dwarf tone. Augsburg paper etching / engraving The little man Pantaleon Bürgman of the Swiss Garde in Rome on watch. In the caption under the title a six -line verse in German. Numbered at the top right: 15. Part of a loose -leaf edition from around 1710 of a series of caricatures of small people, known as the dwarf tone. Augsburg paper etching / engraving

Le Marchand d'Orvietan; Cris et Costumes de Paris ... Dessiné Par Watteau et Gravé and Couleur Par Guyot. Title Print: Merchant selling Elixers. He sits on a table on a stage, dressed in short fur jacket, turban on the head. Next to him on the table a box with bottles and a retort. There is a warworld against the table. Under the table lies a young man who looks at the viewer. Behind him a clown with a rolled document that states that the merchant has been permission to sell. At the bottom of the leaflet the title of the series: Cris et Costumes de Paris Dessiné Par Watteau et engravé and Couleur Par Guyot.

5 / Tax on cars (IT)

Opera costumes under the reign of Louis XV Eugene-Hippolyte Forest (1808-1891). Press cartoon. "Opera costumes under the reign of Louis XV". Board published in "caricature" of February 10, 1831. Lithography. Paris, House of Balzac.

Pöck, Josef.

Card, Joseph.

Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Polidor Pauquet after Jacques Callot from the Pauquet Brothers' "Modes et Costumes Historiques" (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Ah we are proud to be French / when we look at the column (IT)

Don José presents Carmen his chest, scene from the third act of the opera Carmen, c. 1894 Leaf 24 Recto from a sketchbook with 35 sheets. paper. watercolor (paint). pencil brush portrait of opera-singer

Special Pleading March 1780 Thomas Rowlandson. Special Pleading. Thomas Rowlandson (British, London 1757-1827 London). March 1780. Hand-colored etching and aquatint. Alexander McKenzie (British, active 1780-86). Prints

The reconciliation , Reunions, Rulers, Politicians, Nobility, Government officials, George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Pitt, William, 1759-1806. James Gillray (1756-1815). Prints and Drawings

Erl, Josef.

Viennese characters in pictorial representations , XI, A basic guard, Ignaz Franz Castelli -, Auteur, Anton Zampis -, Artist, Johann Rauh -, Printer, Leopold Theodor Neumann -, Publishing House

JEANNE DARC.. Artist: Paul Gavarni, French, 1804-1866

Two dwarfs, after c. 1800 - Before 1875 print Two female dwarfs. paper engraving little people

A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829, Henry Thomas Alken, 1785-1851, British, 1829, Aquatint, hand-colored, Sheet: 8 x 10 1/4in. (20.3 x 26cm)

William I requests England in vain for assistance, 1839, Anonymous, 1830 - 1831 print Cartoons on the fruitless requests from King William I to Great Britain for assistance, 1830. William I with hat in his hand begs 'as a poor cheese seller' The English minister Lord Aberdeen for help. With four -line caption. Belgium paper

Coiffures, Poufs, Hats and Bonnets: Eleven Coiffures and Headdresses. Ladies hairstyles were ingenious works of art, built around a core of cushions and horsehair. Hair was piled high in curls and twists (chignons) and adorned with feathers, ribbons, artificial flowers, tulle and jewels to create various fancifully named poufs. Because the hair was dressed using animal fat and powdered with wheat flour, these poufs attracted all manner of insects. Far from hygienic, they moreover did not last long. When they went out, ladies protected their hairdos with a voluminous ribbed hood called a calèche 1. Hairdressers of the time, who styled themselves as artists, used prints to advertise their latest creations and craftsmanship 2 3.

Weygand, François Joseph, Langendijk Dzn, Jan Anthonie, Rotterdam, Bemme, Joannes, Uniforms and costumes, Soldier of the Dutch Colonial troops and a Scheveningen herring seller, Soldier with a herring seller, print, prints, height 280 mm, width 203 mm, Northern Netherlands, 1775-09-05 - 1841-09-15, print maker, printmaker, 1800 - 1841, first quarter 19th century, second quarter 19th century, paper, etching, etchings, hand coloring, Dutch, 1780 - 1818-04-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Summer or autumn ().

France, Papa! hi!hi!hi! Papa! faites donc finir Guillaume, Cartoon on King Leopold I, 1831, verso - stamped, Cartoon on the Belgian King Leopold I. King Leopold who, like an angry child with a crash helmet and a walker, nags his father, King Louis Philippe of France, about King William I. Marked at the top: Le Knout (Journal.) No. 39., print, cartoon, prints, Frederik Muller Historieplaten, height 267 mm, width 303 mm, print maker, printmaker, 1831 - 1831, paper, papier, lithografie (technique)

Both are pair (IT)

No Observation Antoine, just be the largest captain of France / and I the best political head of Europe. (IT)

The magpie adorned with peacock feather; La Fontaine Fabel; Imagerie Artistique / Série 8. Leaf with a large show from Jean de la Fontaine Fabrief, of the magpie torn peacock feathers. A group of richly exhausted people is looking at an African boy who has been expanded with peacock feathers. At the top right a text block with fresh rules. Numbered top left: Série 8. - No. 6.

Recovery of freedom thanks to the French, 1795, Anonymous, 1795 drawing Recovery of freedom in the Netherlands by the French. A French soldier with a document about Human Rights hands over a freedom tree to the Dutch Virgin. On the right another French soldier with a woman with symbols of equality and brotherhood. Left in the background flight stadholder Willem V and an uprooted Oranjeboom falls over. Netherlands paper pen / brush personifications of countries, nations, states, districts, etc.. Freedom, Liberty; 'Libertí' (Ripa) (+ symbolical representation of concept). Equality, Equity, Fairness, Righteousness; 'Equalità', 'Equità', 'Giuditio giusto', 'Ordine dritto e giusto', 'Ugualità' (Ripa) (+ symbolical representation of concept). Brotherly Love (+ symbolical representation of concept) Netherlands

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), Portraits (registered title (letter)). Colored lithography, woven paper. Balzac house.

Fauconniers du XIII. siècle, MS de l'art de la chasse aux oiseaux. (Belgique No. 213.). Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Paysans des environs de Paris. 1676. D'après l'oeuvre de St. Jean.. Jacquemin, Raphaël, 1821-1881. Deltre, Auguste, 1822-1907. Prints, Illustrations. 1869. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , France, Costume , France, Men , Clothing & dress , France , 1600-1699

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