Humorous Satire and Caricatures

Playful and exaggerated scenes featuring men and women in humorous situations, depicted through colorful etchings reflecting societal quirks and criticisms of the time.

The Damnation of Obadiah, Print made by Henry William Bunbury, 1750-1811, British, between 1773 and 1817, Hand-colored etching on moderately thick, slightly textured, cream wove paper, Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm), Plate: 9 11/16 x 13 9/16 inches (24.6 x 34.5 cm), and Image: 8 1/8 x 12 1/2 inches (20.7 x 31.7 cm), book, broom, caricature, chairs, crutch, dog (animal), gesturing, hankerchief, hat, illustration, jacket, literary theme, map, men, novel, obese, pipe, pointing, robe, The Damnation of Obadiah (from Tristram Shandy), The Life and Opinions of Tristram Shandy, Gentleman, by Laurence Sterne (1713-1768), tights, tricorn, walking, wig

Friendship of the Dutchman with the Frenchman and the Brit, 1799; Dutch Policy or the Fruits of the Expedition !!!. English cartoon in two halves. On the left a Frenchman who declares the friendship with the Dutchman and rolls his pocket. Right the Dutchman declares his friendship to the Englishman and rolls his pocket. Following the British Russian expedition to Noord-Holland in 1799.

Mr.Bumble degraded in the eyes of the paupers. From the book ""The Adventures of Oliver Twist"" by Charles Dickens, with illustrations by G.Cruikshank. Published by Chapman and Hall, London 1901.

Isaac Cruikshank, 1756-1810, British, The Moment of Reflection or a Tale for Future Times!!!, 1796. Etching, hand-colored.

A Couple of Antiques or my Aunt and my Uncle November 20, 1807 Thomas Rowlandson. A Couple of Antiques or my Aunt and my Uncle. Thomas Rowlandson (British, London 1757-1827 London). November 20, 1807. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Acquittal, or Upsetting the Porter Pot June 20, 1806 Thomas Rowlandson. The Acquittal, or Upsetting the Porter Pot. Thomas Rowlandson (British, London 1757-1827 London). June 20, 1806. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

A Brace of Brimstones, Print made by Thomas Rowlandson, 1756-1827, British, 1806, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Isaac Cruikshank, 1756-1810, British, Whims of the Moment or the Bedford Level!!, 1795. Etching, hand-colored.

N ° 1 / The mirror (IT)

Vendre sa femme en Angleterre (Selling his wife in England ), no. 56 in the series Les Métamorphoses du Jour (Metamorphoses of Today). Artist: Jean Ignace Isidore Gérard, French, 1803-1847

A Scene at Newmarket: A Shot at a Hawk Pigeon 1803 (?) Thomas Rowlandson. A Scene at Newmarket: A Shot at a Hawk Pigeon. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1803 (?). Hand-colored etching. Prints

France deprives wigs, 1795, anonymous, 1795, A French soldier deprives two aristocratic men (mayors or preachers) of their wigs and walks with them to a door. The men complain that now their respectability has been taken away from them., draughtsman: anonymous, Netherlands, 1795, paper, pen, brush, h 150 mm × w 223 mm

Isaac Cruikshank, 1756-1810, British, The Political Pawn Brokers, 1793. Etching, hand-colored.

Cartoon on Marie Antoinette and Lodewijk XVI, 1789, 1789 print Cartoon in which Queen Marie Antoinette and Koning Louis XVI forced their golden household goods and crowns to melt and squeeze to coins. The devil fuels the fire in the forge with a bladder ball, the Dauphin plays with a scepter on the ground. With only French inscriptions. paper etching preparing of material by melting. smith, blacksmith. container of precious metal. minter. political caricatures and satires

The eel of Melun

Preparing for Supper October 22, 1789 Thomas Rowlandson. Preparing for Supper. Different Sensations, No. 1. Thomas Rowlandson (British, London 1757-1827 London). October 22, 1789. Hand-colored etching and aquatint. Samuel Alken (British, London 1756-1815 London). Prints

Johnny Safe Returned to His Mamma Artist's working dates 1776-1827 England. Watercolor on paper (removed from book) . Thomas Rowlandson

The death of the Patriot Jean-Paul Marat Depute has the National Convention The death of Patriot Jean-Paul Marat MP for the National Convention, on July 13, 1793 ". Anonymous print, at Bassot.

Hand-coloured etching titled 'Blockade Against Blockade' by Charles Williams (1797-1830) British poet, novelist, playwright, theologian, literary critic, and member of the Inklings. Dated 1807

Meeting of Unfortunate Citoyen. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1798. Dimensions: 257 × 355 mm (image); 262 × 360 mm (plate); 290 × 395 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Nestroy, Johann left: "Doctor Nolens Volen" by Milius 1760: Elise Rohrbeck as Columbine, Johann Nestroy as Hanswurst. Right "The Schneider and his daughters", Mad. Schmidt and Wenzel Scholz.

Buonaparte in Egypt - A Terrible Turk Preparing a Mummy, For a Present - To the Great Nation (from: Caricature, vol. 3), Charles Ansell, ca.1752-active 1790, British, 1798, Etching, hand-colored, Sheet: 9 3/4 x 16 5/8in. (24.8 x 42.2cm)

(1) / Go my brave, I am! ... (IT)

Isaac Cruikshank, 1756-1810, British, Salus in Fug - La France se Purge Petit à Petit, c. 1790. Etching, hand-colored.

Love The game, good wine, that's my philosophy! ". Akvarell av Fritz von Dardel, 1844 Nordic

Murphy Delaney , Intoxication. Thomas Rowlandson (1756-1827). Prints and Drawings

French Liberty - British Slavery December 21, 1792 James Gillray British. French Liberty - British Slavery 398489

Love in the Gutter July 8, 1800 Thomas Rowlandson. Love in the Gutter. After George Murgatroyd Woodward (British, 1765-1809 London). July 8, 1800. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics, Thomas Rowlandson, 1756-1827, British, 1789, Etching, hand-colored, Sheet: 13 x 9in. (33 x 22.9cm)

Proteuse/y 2D in Sev'ral Among his Many Publick Characters, () James Gillray, 1757-1815, British, 1784, Etching, hand-colored, Sheet: 8 1/8 x 14in. (20.6 x 35.6cm)

Thomas Rowlandson, 1756-1827, British, Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics, 1789. Etching, hand-colored.

unknown artist, Nibbling at a Thin Slice of Single Gloucester!!, 1798. Aquatint, hand-colored.

London, Fores, Samuel W., England, Marks, J. Lewis, The three gentlemen of Verona on a legitimate crusade. Or the cry of blood in the king's palace - Paul, King Louis XVIII and the Congress of Verona, 1822, Cartoon on the French king Louis XVIII and the Congress of Verona, 1822. Louis sits in armor with crutches on a sledge with Tsar Alexander I and Emperor Francis II on the box, Frederick William III, king of Prussia, pushing the sledge., print, engraving, cartoon, prints, engravings, English cartoons, height 247 mm, width 348 mm, English, 1796 - 1855, print maker, printmaker, 1823-03-04 - 1823-03-04, paper, papier, etching, hand coloring, Publication (Event), Publication, 1761 - 1838, publisher

Oh! Mon ami j'ai peur de ces gens-la!.... Honoré Daumier (1808-1879). Lithographs

Thomas Rowlandson, 1756-1827, British, The Parody, - or Mother Cole and Leader, 1784. Etching, hand-colored.

Marshalsea Prison , Prisons, Prisoners, Marshalsea Prison Southwark, London, England. Thomas Rowlandson (1756-1827). Prints and Drawings

Sailors drinking the Tunbridge waters , Sailors, Eating & drinking, Water. Thomas Rowlandson (1756-1827). Prints and Drawings

The road to London or the countryman and the Quakers , Conversation, Miscommunication. Thomas Rowlandson (1756-1827). Prints and Drawings

Annibal Scratch, active 1791, Mars and Venus, or Sir Cecil Chastised, 1784. Etching, hand-colored.

Burning the books , Princes, Generals, Mistresses, Nobility, Book burning, Bribery, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776-1852. Thomas Rowlandson (1756-1827). Prints and Drawings

Gatine, Georges Jacques, Le Bon Genre, No. 48 : Les Chevaliers Gentile, fashion print, prints, costume and fashion prints, height mm, width mm, French, 1773 - 1831, print maker, printmaker, 1822 - 1827, paper, papier

Very Slippy Weather. Dated: published 1808. Dimensions: plate: 26.1 x 20.5 cm (10 1/4 x 8 1/16 in.) sheet: 27.9 x 20.7 cm (11 x 8 1/8 in.). Medium: hand-colored etching and engraving on wove paper. Museum: National Gallery of Art, Washington DC. Author: James Gillray after Rev. John Sneyd.

Irish gentleman in his cell with other inmates, Dublin prison, 1821. Captain Blake introduces a ragged exciseman. Sheriffs Prison - Introducing Swan the Exciseman. Handcoloured engraving from Pierce Egans Real Life in Ireland, or the Day and Night Scenes, Rovings, Rambles, and Sprees, Bulls, Blunders, Bodderation and Blarney, of Brian Boru Esq., and his Elegant Friend Sir Shawn ODogherty, published by William Evans, London, 1829.

N ° XX / The last monumens of the Republic / and you Jordanis Quia converted to retrorsum / Mrs Ango big of the future. (IT)

A Sailor's Observation on the Lamented Death of Lord Nelson December 3, 1805 Thomas Rowlandson. A Sailor's Observation on the Lamented Death of Lord Nelson. Thomas Rowlandson (British, London 1757-1827 London). December 3, 1805. Hand-colored etching. Prints

Conversazione, and A Country Club 1806-11 () Thomas Rowlandson. Conversazione, and A Country Club. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1806-11 (). Hand-colored etching. Prints

Situation pénible du...petit roi de Grèce , Rulers, Otho I, King of Greece, 1815-1867, Nicholas I, Emperor of Russia, 1796-1855. Honoré Daumier (1808-1879). Lithographs

Peer Assembly. (IT)

John Bull - swearing to his property!!. British Cartoon Prints Collection . Pitt, William,1759-1806. , John Bull (Symbolic character),1790-1800. , Taxes,England,1790-1800. , Oaths,1790-1800.

New Dutch Exercises, 1795, Isaac Cuikshank, After George Moutard Woodward, 1795 print English cartoon on the laziness, slowness and disobedience of the Dutch, 1795. Eight separate scenes with a Dutchman that responds opposite the order that is above it. The Dutch prefers to sleep, smoke, drink, skate and cards. Due to the non -compliance with promises laid down in the Alliance between the Netherlands and England in 1788. London paper etching Sluggishness, Inertia; 'Dapocaggine', 'Pigritia' (Ripa). pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

The Prodigal Son, James Gillray, 1757-1815, British, 1787, Etching, hand-colored, Sheet: 7 1/8 x 5 1/2in. (18.1 x 14cm)

White, Eduard.

A Kick at the Broad Bottoms! i.e. - "Emancipation of All the Talents". Political cartoon, 1807

Thermidor in Prussia

Boney and his new wife : Or a quarrell about - nothing!! , Rulers, Quarreling, Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847. Thomas Rowlandson (1756-1827). Prints and Drawings

Before the Magistrate, Isaac Cruikshank, 1756-1810, British, undated, Pen and black ink, brown ink, gray wash, and brown wash on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 6 3/4 inches (23.5 × 17.1 cm), caricature, courtroom, magistrate, man, woman

A New French Phantasmagoria 1803 Thomas Rowlandson. A New French Phantasmagoria. Thomas Rowlandson (British, London 1757-1827 London). 1803. Hand-colored etching. Prints

James Gillray, 1757-1815, British, Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day, 1792. Etching, hand-colored.

Nous sommes actionnaires de l'Institut Agricole , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

William O'Keefe, active 1794-1807, A-La-Mode, 1789. Etching, hand-colored.

27 / At the end of three nights in the cellars. (IT)

Single Combat in Moor-Fields or Magnamimous Paul O' challenging All O' January 30, 1801 Thomas Rowlandson. Single Combat in Moor-Fields or Magnamimous Paul O' challenging All O'. Thomas Rowlandson (British, London 1757-1827 London). January 30, 1801. Etching. Prints

The Times. Dated: probably 1783. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Dumourier dining in State at St. James's on the 15 May, 1793 , Military officers, Politicians, Government officials, Clergy, Authors, Eating & drinking, Cooks, Military deserters, Dumouriez, Charles François Du Périer, 1739-1823, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Priestley, Joseph, 1733-1804, Sheridan, Richard Brinsley, 1751-1816. James Gillray (1756-1815). Prints and Drawings

Suitable Restrictions, Thomas Rowlandson, 1756-1827, British, 1789, Etching, hand-colored, Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)

James Gillray, 1757-1815, British, Blindmans-Buff - or - Too Many for John Bull, 1795. Etching, hand-colored.

Thomas Rowlandson, 1756-1827, British, Reformation - or - The Wonderful Effects of a Proclamation!!!, 1787. Etching, hand-colored.

Fashionable Bores, or Coolers in High Life, Daniel Thomas Egerton, c.1800-1842, British, Peter Quiz, active 1824, 1824, Aquatint, colored by hand, Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)

The wrong virtuoso Paganini or the Concert on the G Saite, Posse von Meisl Gallerie Droller Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

B .... it clips, an Algerian! (IT)

# 4 / Face your enemies. Advance with courage. Make sure it (TI)

A Frenchman in November. Dated: 1788. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Single Combat in Moor-Fields or Magnamimous Paul O' challenging All O'. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet (trimmed): 10 9/16 × 12 7/8 in. (26.8 × 32.7 cm). Date: January 30, 1801. Museum: Metropolitan Museum of Art, New York, USA.

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, c.1800-1842, British, 1823, Aquatint, hand-colored, Sheet: 7 5/8 x 5 1/4in. (19.4 x 13.3cm)

The alpine king and the misanthrope, Magic game by Raimund Gallerie Droller Scenen for the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

A Hitt at Backgammon November 9, 1810 Thomas Rowlandson A man and woman play backgammon. The woman at right is frantic with rage, and leans towards the man to seize his wig. Two candlesticks are overturned on the table and a cat meows at the back of her chair.. A Hitt at Backgammon. Thomas Rowlandson (British, London 1757-1827 London). November 9, 1810. Hand-colored etching. Prints

Weygand, François Joseph, Langendijk Dzn, Jan Anthonie, Rotterdam, Bemme, Joannes, Uniforms and costumes, English soldier and an egg seller, Standing soldier with seated egg seller, verso middle - stamped, print, prints, height 280 mm, width 203 mm, Northern Netherlands, 1775-09-05 - 1841-09-15, print maker, printmaker, 1800 - 1841, first quarter 19th century, second quarter 19th century, paper, etching, etchings, hand coloring, Dutch, 1780 - 1818-04-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

A Sailor in a Stable. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 12 15/16 × 14 15/16 in. (32.9 × 38 cm)Plate: 11 7/16 × 13 7/16 in. (29 × 34.2 cm). Date: November 25, 1805. Museum: Metropolitan Museum of Art, New York, USA.

Brooking of the Corsican, 1813; Funcking the Corsican. Cartoon on Napoleon after his loss in the battle at Leipzig, 1813. A small figure of Napoleon stands angry to stamp feet on top of a large wooden barrel with Dutch gin, releasing the lid. Representatives from different European countries all smoke pipe and blow tobacco smoke to the emperor. Front a fat Dutchman sat on a barrel herring and a cheese, right the English set John Bull, a Prussian Hussar and others. On the left the king of Württemberg, an Austrian and a Spaniard. A separate statement is one of the print.

Secret meeting of Napoleon and his brothers, 1815, Wijnand Esser, 1815 drawing Cartoon on Napoleon and his brothers, 1815. Emperor Napoleon uses a meal at a table with his brothers Jerome, Joseph and Lucien Bonaparte. Napoleon encourages the glass with the devil. At the door another devil is on guard. Banderollen with text with all six figures. Netherlands paper pen / brush devil(s) and demons. banquet of elegant company (+ toast at meal, banquet)

The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1756-1810, British, 1797, Etching, hand-colored, Sheet: 9 5/16 x 14 1/8in. (23.7 x 35.9cm)

Honoré Daumier (1808-1879). "Say Macaire, what is the Mother Gibou that we do there". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56114-4 Bitumen, construction, manufacture, gommee, lithography colored, caricature

Single Combat in Moor-Fields or Magnamimous Paul O' challenging All O'. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet (trimmed): 10 3/8 × 12 7/8 in. (26.4 × 32.7 cm). Date: January 30, 1801. Museum: Metropolitan Museum of Art, New York, USA.

The departure of children. Beaumont, Edouard de (1821-1888), draughtsman, cartoonist

Republican correction (IT)

Fashionable restaurant , Restaurants, Dogs. Thomas Rowlandson (1756-1827). Prints and Drawings

Isaac Cruikshank, 1756-1810, British, Drawing for Twelfth-Cake at St. Annes Hill!!, 1799. Etching, hand-colored.

James Sayer, 1748-1823, British, A Dish of Mutton-Chop's, 1788. Etching, hand-colored.

Vattemare, Alexander.

A Town Crier, Thomas Rowlandson, 1756-1827, British, undated, Watercolor, with pen and brown ink, gray ink over graphite on medium, moderately textured, cream, wove paper, Sheet: 11 5/8 × 9 1/8 inches (29.5 × 23.2 cm), Mount: 16 5/16 × 12 11/16 inches (41.4 × 32.2 cm), and Contemporary drawn border: 12 15/16 × 10 7/16 inches (32.9 × 26.5 cm)

St. Stephen's Statute. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English, active 1785-1825). Date: 1806. Dimensions: 272 × 384 mm. Hand-colored etching on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Gilpin family board a chaise. Date: 1785

A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval), Isaac Cruikshank, 1756-1810, British, c. 1790, Etching, hand-colored, Sheet: 10 9/16 x 14 7/8in. (26.8 x 37.8cm)

Richard Newton, 1777-1798, British, Prussian Bobadils, Returning to Berlin!!!!!!!, 1792. Etching, hand-colored.

Man and woman of Paris standing in front of a fountain. Handcoloured copperplate engraving from Mary Anne Vennings A Geographical Present being Descriptions of the Principal Countries of the World, Darton, Harvey and Darton, London, 1818. Venning wrote educational books on geography, conchology and mineralogy in the early 19th century.

Puss in boots : Or General Junot taken by surprise , Generals, Cats, Daggers & swords, Threats, Junot, Jean Andoche, duc d'Abrantès, 1771-1813. Thomas Rowlandson (1756-1827). Prints and Drawings

The York Reverence; - or - City - Loyalty Amply Rewarded, James Gillray, 1757-1815, British, 1791, Etching, hand-colored, Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)

Dressing for a Birthday. Dated: 1788. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Animal reign (continued) Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Animal reign (continued)". Board published in "caricature" of May 23, 1833. Lithography. Paris, House of Balzac.

James Gillray, 1757-1815, British, Ah, Grant A Me Von Letel Bite, 1780. Etching, hand-colored.

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