Humorous Satire and Caricatures

Playful and exaggerated scenes featuring men and women in humorous situations, depicted through colorful etchings reflecting societal quirks and criticisms of the time.

The Damnation of Obadiah, Print made by Henry William Bunbury, 1750-1811, British, between 1773 and 1817, Hand-colored etching on moderately thick, slightly textured, cream wove paper, Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm), Plate: 9 11/16 x 13 9/16 inches (24.6 x 34.5 cm), and Image: 8 1/8 x 12 1/2 inches (20.7 x 31.7 cm), book, broom, caricature, chairs, crutch, dog (animal), gesturing, hankerchief, hat, illustration, jacket, literary theme, map, men, novel, obese, pipe, pointing, robe, The Damnation of Obadiah (from Tristram Shandy), The Life and Opinions of Tristram Shandy, Gentleman, by Laurence Sterne (1713-1768), tights, tricorn, walking, wig

The Maid of Bath, or 'Mac' in her Teens, Isaac Cruikshank, 1756-1810, British, 1792, Etching, hand-colored, Sheet: 8 9/16 x 12 5/8in. (21.7 x 32.1cm)

Symptoms of Choaking 1806 (pub. August 25, 1808) Thomas Rowlandson. Symptoms of Choaking. Miseries of Human Life. Thomas Rowlandson (British, London 1757-1827 London). 1806 (pub. August 25, 1808). Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

A Parody on Milton 1807 Thomas Rowlandson. A Parody on Milton. Thomas Rowlandson (British, London 1757-1827 London). 1807. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The Damnation of Obadiah, Print made by Henry William Bunbury, 1750-1811, British, between 1773 and 1817, Hand-colored etching on moderately thick, slightly textured, cream wove paper, Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm), Plate: 9 11/16 x 13 9/16 inches (24.6 x 34.5 cm), and Image: 8 1/8 x 12 1/2 inches (20.7 x 31.7 cm), book, broom, caricature, chairs, crutch, dog (animal), gesturing, hankerchief, hat, illustration, jacket, literary theme, map, men, novel, obese, pipe, pointing, robe, The Damnation of Obadiah (from Tristram Shandy), The Life and Opinions of Tristram Shandy, Gentleman, by Laurence Sterne (1713-1768), tights, tricorn, walking, wig

A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting, Charles Williams, active 1796-1830, British, 1802, Etching, hand-colored, Sheet: 8 13/16 x 13 3/4in. (22.4 x 34.9cm)

A convention of the not-ables. British Cartoon Prints Collection , Published in: The American Revolution in drawings and prints; a checklist of 1765-1790 graphics in the Library of Congress / Compiled by Donald H. Cresswell, with a foreword by Sinclair H. Hitchings. Washington : For sale by the Supt. of Docs, U.S. Govt. Print. Off., 1975, no. 887. Burke, Edmund,1729-1797. , North, Frederick,Lord,1732-1792. , George,IV,King of Great Britain,1762-1830. , Fox, Charles James,1749-1806. , Politics & government,England,1780-1790. , Treasuries,England,1780-1790. , Gates,England,1780-1790. , United States,History,Revolution, 1775-1783.

The Supreme Bon Ton, No. 3 November 9, 1801 Attributed to Charles Williams British. The Supreme Bon Ton, No. 3 385719

Catherine II giving leave to François and Brunswick Le Foireux (IT)

unknown artist, Billy in the Dumps or How to Manage Affairs on the Next Meeting of Parliament, 1794. Etching, hand-colored.

The Prince Regent presenting to political ministers the expected baby of Princess Charlotte and Prince Leopold, who urinates in their faces; representing the burden of taxation required by the Royal family. Coloured etching by G. Cruikshank, 1816.

Cartoon on Catherina II, 1792, 1792 print Cartoon on Catherina the Great of Russia, who pulls a staircase to Ferdinand in her anger Stanislaus II, king of Poland and hand out a staircase to Ferdinand, Duke of Brunswijk, 1792. A map of France on the wall. paper etching kicking. gripping someone by the hair. political caricatures and satires

Plucking a Spoony February 28, 1812 Thomas Rowlandson A promising young "spooney" seated at left, entering into life's dangers, represented by the framed pictures above inscribed "Whoring," "Drinking," and "Gaming." He sits with his legs across a woman at left. A man at center pours two bottles into a punch bowl, and a man at right deals cards.. Plucking a Spoony. Thomas Rowlandson (British, London 1757-1827 London). February 28, 1812. Hand-colored etching. Prints

Diana in the straw : Or a treat for the Quornites , Reading, Hunters, Dogs, Foxes. Thomas Rowlandson (1756-1827). Prints and Drawings

Man falling off a broken chair at a dinner party causing a servant to spill a soup tureen over him. Other guests shocked, servants amused. More Miseries. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808.

James Gillray, 1757-1815, British, Taking Physick; - or - The News of Shooting the King of Sweden!, 1792. Etching, hand-colored.

Legerdemain 1799 () Thomas Rowlandson. Legerdemain. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1799 (). Hand-colored etching. Prints

Visit to Cockney farm (A) : Viewing the grounds &c &c &c , Farms, Rich people. John D. Merriam Collection

An Old Maid on a Journey Published 1804 England. Hand-colored etching on paper . James Gillray

William Austin, 1721-1820, British, The Minogoat, c. 1780. Etching, hand-colored.

Boney The Second or the Little Babboon Created to Devour French Monkies April 9, 1811 Thomas Rowlandson Napoleon II sits in his cradle at center with his father, Napoleon I, at left and mother, Marie Louise, at right. He has an adult face that resembles his father. Josephine holding a wine glass in a bed behind them at right and a nurse holding a large syringe in front of her.. Boney The Second or the Little Babboon Created to Devour French Monkies. Thomas Rowlandson (British, London 1757-1827 London). April 9, 1811. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Famous fight by Jean-Bart, the Duchêne Pere and the Compete Mathieu against three aristocrats; or broken mouths. (IT)

The Successful Fortune Hunter, or Captain Shelalee Leading Miss Marrowfat to the Temple of Hymen 1802, reissued 1818 Thomas Rowlandson A strapping Irishman in quasi-military dress looks down at his bride, as he leads her across the Crescent in Bath.For the 1802 impression, see 56.567.16.. The Successful Fortune Hunter, or Captain Shelalee Leading Miss Marrowfat to the Temple of Hymen. Thomas Rowlandson (British, London 1757-1827 London). 1802, reissued 1818. Hand-colored etching. Prints

Les Invisibles. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1810. Dimensions: 235 × 310 mm (image); 243 × 315 mm (plate/sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A Peep into Tottenham Street or Dillitanti Performers in Training. Artist: Charles Williams (British, active 1797-1830). Dimensions: sheet: 9 13/16 x 13 7/8 in. (24.9 x 35.3 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: March 9, 1802. Museum: Metropolitan Museum of Art, New York, USA.

Wild Irish, or Paddy from Cork with his Coat Buttoned Behind. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 9 15/16 × 14 5/8 in. (25.3 × 37.1 cm)Plate: 9 15/16 × 13 7/8 in. (25.3 × 35.2 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: 1818. Museum: Metropolitan Museum of Art, New York, USA.

The rabbit merchant , Food vendor, Peddlers, Rabbits, City & town life. Thomas Rowlandson (1756-1827). Prints and Drawings

unknown artist, The Desponding Hero of the Coldstream , 1790. Etching, hand-colored.

Charles Williams, active 1796-1830, British, Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast, 1801. Etching, hand-colored.

English cartoons from 1795 on the Dutch, who would rather smoke and drink than defend the national interest., print, prent, cartoon, prints, Frederik Muller Historieplaten, height 267 mm, width 323 mm, print maker, printmaker, 1814 - 1814, paper, papier, etching, etchings, hand colouring, Publication (Event), Publicatie, publisher, uitgever, Work conception, Engels, 1764 - 1811" Parijs, Vallardi, Frankrijk, Caricatures Hollandaises, Cartoon on the Dutch (no. 2), 1795, 1814, Paris, France, verso - stamped, Three figures: on the left an inspecting captain, in the centre a standing drinking man, on the right a sleeping man behind a telescope in a wheelchair. copies from 1814 of English cartoons from 1795 on the Dutch, who prefer smoking and drinking to defending the interests of the country., picture, pictures, height 269 mm

False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1756-1810, British, 1793, Etching, hand-colored, Sheet: 8 7/8 x 15 3/4in. (22.5 x 40cm)

Wilhelmi, Friedrich .

Boney Bothered or an Unexpected Meeting. Artist: Charles Williams (British, active 1797-1830). Dimensions: sheet: 14 5/16 x 9 5/8 in. (36.3 x 24.5 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: July 9, 1808. Museum: Metropolitan Museum of Art, New York, USA.

The Dull Husband 1789 Thomas Rowlandson. The Dull Husband. Thomas Rowlandson (British, London 1757-1827 London). 1789. Hand-colored etching and aquatint. Prints

John Bull angry with the reluctance of the Dutchman to fight, 1793, Isaac Cuikshank, 1793 print Cartoon in which John Bull (England) gets angry because the Dutchman is reluctant to compete against France, 1793. The Dutchman leans relaxed against a large ton and smokes a pipe. On the right the head of William Pitt who points out that the French will open the Scheldt again. London paper etching pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). personifications of countries, nations, states, districts, etc. England. Scales

Manager & Spouter July 1, 1802 After Henry Wigstead A stage manager (David Garrick), sits at a table and watches an actor perform a scene from a play. The title punningly compares the effusive performance to steam that issues from an urn on the table, next to tray with cups and a chocolate pot carried by a maid. At the back of the room is a door with an elaborate frame topped with a bust, and large pictures hanging to either side, each representing pairs of figures.. Manager & Spouter. After Henry Wigstead (British, 1745-1800 Margate). July 1, 1802. Hand-colored etching, stipple and aquatint. S. W. Fores (London). Prints

How d'ye do April 10, 1792 Earlier state, possibly by Thomas Rowlandson. How d'ye do. Earlier state, possibly by Thomas Rowlandson (British, London 1757-1827 London). April 10, 1792. Hand-colored etching. S. W. Fores (London). Prints

Cruikshank, Isaac, Parijs, Vallardi, Frankrijk, Caricatures Hollandaises, Cartoon of the Dutch (no. 3), 1795, 1814, Paris, France, verso - stamped, Three figures: on the left a smoking man on skates on the ice, in the centre a seated soldier playing with playing cards, on the right a man standing with his hands in his pockets. Part of a series of four French copies from 1814 of English cartoons from 1795 on the Dutch, who would rather smoke and drink than defend the interests of the country., print, prent, cartoon, prints, Frederik Muller Historieplaten, height 269 mm, width 324 mm, print maker, printmaker, 1814 - 1814, paper, papier, etching, etchings, hand colouring, Publication (Event), Publicatie, publisher, uitgever, Work conception, Engels, 1764 - 1811

English in gognette or square part. (TF)

Men and women misrepresenting the subjects of six popular songs. Coloured soft-ground etching after H. Alken, 1822.

Sales by Auction. George Cruikshank (English, 1792-1878); published by J. Sidebotham (English, active 1802-1820). Date: 1819. Dimensions: 214 × 339 mm (image); 234 × 345 mm (sheet, cut to plate mark). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Consular Warehouse, Or - A Great Man Nail'd to the Counter!, unknown artist, nineteenth century, 1802, Etching, hand-colored, Sheet: 8 15/16 x 13 1/8in. (22.7 x 33.3cm)

Unknown, Le Suprême Bon Ton, No. 14: La danse au bois de Vincennes, 1815, hand-colored etching on paper.

Admonition and gratitude , Conversation, Miscommunication. Thomas Rowlandson (1756-1827). Prints and Drawings

The Honeymoon. Charles Williams, English, active 1797-1830; published by William Holland; English, 1757-1815. Date: 1806. Dimensions: 240 × 345 mm (image); 247 × 352 mm (plate); 273 × 383 mm (sheet). Etching, with hand-coloring, on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Princess Charlotte finished with her Dutch Tol, 1814, George Cuikshank, 1814 print Princess Charlotte standing with whip tells the King George IV sitting on the couch that she has played with the toll. A sitting figure, a Dutchman, is depicted on the toll. On the wall behind the woman a painting with a globe on which a cupido stands on Bol 'Orange above'. Princess Charlotte of England, who has been engaged for some time with the Prince of Orange Willem (the later King Willem II). She broke the engagement in May 1814. See Pendant. London paper etching whipping a top. political caricatures and satires

The caricaturist's apology, Grinagain, Giles, pseud., artist, London, 1802, Large man holding a club and caricature of himself, threatens a kneeling caricaturist.

Hodges explanation of a hundred magistrates , Judges. Thomas Rowlandson (1756-1827). Prints and Drawings

Long live the king, long live the nation Long live the king, long live the nation, I have ben that I would have no tour ".

William Pitt and John Bull around a viewing box, 1797 print William Pitt stands next to a viewing cupboard with a crown on the top, around his shoulder a trumpet with a banner with the weapon of England. With his right hand, he pulls a cord that comes out of the viewing box, while with his left hand he steals a bag of savings from the bag of John Bull, who looks through a window in the viewing box. paper etching political caricatures and satires. performance in the open air (pleasure fair). wind instruments. coat of arms (as symbol of the state, etc.). theft. personifications of countries, nations, states, districts, etc.

The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1756-1810, British, 1795, Etching, hand-colored, Sheet: 9 x 13 11/16in. (22.9 x 34.8cm)

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

'A Court Ball in the Eighteenth Century', c1884. Artist: Thomas Strong Seccombe.

Class of motionless monarchical men ... (IT)

Passers -by surprised by a gust of wind for the window of Samuel W. Fores in London, Anonymous, 1793 print A gust of wind ensures that all passers -by grabs their hat. On the left a woman stoops to her hat, so that her dress blows up and her buttocks can be seen. This scene is watched by a pastor with a magnifying glass. On the right a woman with a basket with fish fell. In the background the window of Samuel W. Fores full of prints. paper etching art dealer (+ graphic arts). shop-window, show-window. storm on land. political caricatures and satires London

Study for Dr. Syntax made Free of the Cellar. Thomas Rowlandson; English, 1756-1827. Date: 1802-1827. Dimensions: 68 × 108 mm. Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett, Isaac Cruikshank, 1756-1810, British, 1791, Etching, hand-colored, Sheet: 9 1/4 x 15 1/2in. (23.5 x 39.4cm)

Rough sketch of the times as deleniated by Sir Francis Burdett , Politicians, Corruption, Burdett, Francis, 1770-1844. Thomas Rowlandson (1756-1827). Prints and Drawings

John Bulls Progress. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1793. Dimensions: 280 × 370 mm (image); 300 × 377 mm (plate); 325 × 420 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, USA.

A French gentleman, of the court of Louis XVIth. A French gentleman, of the court of Égalité 1799 , Etiquette. James Gillray (1756-1815). Prints and Drawings

Country characters no. 2: Justice , Judges, Dogs. Thomas Rowlandson (1756-1827). Prints and Drawings

Secret Influence Directing The New P-l-t Parliament May 18, 1784 Thomas Rowlandson. Secret Influence Directing The New P-l-t Parliament. Thomas Rowlandson (British, London 1757-1827 London). May 18, 1784. Etching with touches of hand-coloring. William Humphrey (British, 1742?-in or before 1814). Prints

A young English woman returning from Paris with her French governesss is not recognized by her uncle, aunt and sister owing to her French speech and clothes. Etching by George Cruikshank after EHL.

John Bull Humbugg'd Alias both Ear'd. Isaac Cruikshank (English, 1764-1811); published by S.W. Fores (English, 1761-1838). Date: 1794. Dimensions: 220 × 385 mm (image); 242 × 415 mm (plate); 248 × 418 mm (sheet). Hand-colored etching on ivory paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

John Cawse, 1779-1862, British, The Frogs Rejecting their King, 1799. Etching, hand-colored.

Taste. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 9 5/16 × 7 11/16 in. (23.6 × 19.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: April 2, 1801. Museum: Metropolitan Museum of Art, New York, USA.

Wellington en koning George IV, William Heath, 1826 - 1830 The Duke of Wellington takes a wig that King George IV offers him with a tongs. The king has a leg in the plaster. print maker: Englandpublisher: London paper etching wig. treatment by immobilization, sling, splint, plaster, etc.. political caricatures and satires

The Sweet Little Girl That I Love. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 14 3/16 × 10 3/8 in. (36 × 26.3 cm)Plate: 13 11/16 × 9 1/2 in. (34.7 × 24.2 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: June 4, 1808. Museum: Metropolitan Museum of Art, New York, USA.

Broad Bottoms in Holland Worshiping Their New King. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 5/8 × 13 7/16 in. (24.5 × 34.2 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: July 23, 1806. Museum: Metropolitan Museum of Art, New York, USA.

The Reconciliation, or The Return from Scotland. Dated: 1785. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

A stag at bay , Quarreling, Spouses. Thomas Rowlandson (1756-1827). Prints and Drawings

Napoleonu obtachivaiut nos Putting Napoleon's nose to the grindstone, satirical illustration. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Despex of the Jph of Condé and Abbe Maury / learning the death of the emperor (IT)

French table d'hote , Eating & drinking, Dogs. Thomas Rowlandson (1756-1827). Prints and Drawings

Cabal and Love by Bäuerle Gallerie Droller Scenen to the theater newspaper, nd vol, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Isaac Cruikshank, 1756-1810, British, Billy's Fantoccini or John Bull over Curious, 1798. Etching, hand-colored.

Thomas Rowlandson, 1756-1827, British, Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O, 1801. Etching.

The poet at market , Markets, Merchants, Dogs. Thomas Rowlandson (1756-1827). Prints and Drawings

The last moments of Napoleon the small. (IT)

London, Tegg, Thomas, Elmes, William, Men of Bottom or Members of the Tribunal of the first order, at Amsterdam, - doing homage to Bonyparte, Hollanders willen het achterwerk van Napoleon kussen, 1811, verso - stamped, Cartoon in which a Dutchman gives permission via a donkey asking to kiss the backside of Emperor Napoleon, during the visit of the Emperor and Empress to Amsterdam on 9 October 1811. Stooping fat Dutchmen with pipes blow tobacco smoke at Napoleon and his wife Marie Louise who are sitting on barrels of gin. On the left a pipe-smoking frog sitting on a barrel of herring, in the foreground two chained dogs by a ray. In the centre Willem Scholten of Oud-Haarlem, president of the Court in Amsterdam. Representation in a large crowd on a fantasy Dutch market or square., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 255 mm, width 360 mm, English, print maker, printmaker, 1811 - 1811, paper, papier, etching, hand-colouring, Publication (Eve

The passengers from the wagon arriving at the inn : Hogarthian Novelist. Plate 2. Vide Roderick Random, Vol. 1, Chap. XI. , Taverns Inns, Military officers, Passengers. Thomas Rowlandson (1756-1827). Prints and Drawings

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

Royal recreation. Cartoon shows Catherine II seated on a throne receiving the decapitated heads of the people of Poland from the military officer in charge of the Russian forces during the defeat of the Poles in 1794; other men bring in baskets overflowing with heads; a bust of Charles Fox, in the lower right corner, observes the scene from over his right shoulder.

Sailors on Shore. Half Seas Over.3. Artist: Peter S. Duval, American, born France, 1805-1886 After: James Queen, American, 1824-1877

State Butchers. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 1/8 × 14 5/8 in. (25.7 × 37.2 cm). Subject: George Prince of Wales (British, London 1762-1830 Windsor); Baron Edward Thurlow (British, Norfolk 1731-1806 Brighton); William Pitt (British, 1759-1806); Henry Dundas, 1st Viscount Melville (British, Edinburgh, 1742-1811); Augustus Henry Fitzroy, 3rd Duke of Grafton; Thomas Townshend, 1st Viscount Sydney (British, Raynham 1733-1800 Sidcup). Date: January 28, 1789. Museum: Metropolitan Museum of Art, New York, USA.

A shrewed guess : Or the farmers definition of parliamentary debates , Conversation, Dogs, Debates, Legislative bodies. Thomas Rowlandson (1756-1827). Prints and Drawings

Genius of France extirpating despotism ... Or the royal warriors defeated. Isaac Cruikshank, 1792. Marianne (France) determined to inflict death on all despots (world rulers). Maria I of Portugal tearing hair, bottom left. Revolution

The Detection. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 8 7/8 in. × 13 in. (22.6 × 33 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: June 15, 1796. Museum: Metropolitan Museum of Art, New York, USA.

Salus in Fug - La France se Purge Petit à Petit, Isaac Cruikshank, 1756-1810, British, c. 1790, Etching, hand-colored, Sheet: 7 7/8 x 27 1/2in. (20 x 69.9cm)

Hocus Pocus, or Searching for the Philsopher's Stone March 12, 1800 Thomas Rowlandson. Hocus Pocus, or Searching for the Philsopher's Stone. Thomas Rowlandson (British, London 1757-1827 London). March 12, 1800. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

A Game of Cribbage or Boney's Last Shuffle June 6, 1814 George Cruikshank British. A Game of Cribbage or Boney's Last Shuffle 389106

The Naughty Quaker in Elbow Lane!! Oh! Fie - Oh! Fie!!!, Henry Heath, active 1824-1835, British, 1825, Etching, hand-colored, Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)

Royal Recreation, Isaac Cruikshank, 1756-1810, British, 1795, Etching, hand-colored, Sheet: 8 5/8 x 13 1/4in. (21.9 x 33.7cm)

Lordly Elevation January 6, 1802 James Gillray British. Lordly Elevation. James Gillray (British, London 1756-1815 London). January 6, 1802. Hand-colored etching. Hannah Humphrey (London). Prints

Land Stores March 10, 1812 Thomas Rowlandson An obese woman at left is embraced by an elderly military officer. They are standing on the ramparts of a fortified castle.. Land Stores. Thomas Rowlandson (British, London 1757-1827 London). March 10, 1812. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

A Sailor's Marriage. Artist: After George Moutard Woodward (British, ca. 1760-1809 London). Artist and publisher: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 5/16 × 14 7/16 in. (28.8 × 36.6 cm)Plate: 11 1/16 × 13 11/16 in. (28.1 × 34.7 cm). Date: May 25, 1805. Museum: Metropolitan Museum of Art, New York, USA.

Sketch of Politiks in Europe, Birthday of the King of Prussia February 10, 1786 Thomas Rowlandson. Sketch of Politiks in Europe, Birthday of the King of Prussia. Thomas Rowlandson (British, London 1757-1827 London). February 10, 1786. Hand-colored etching. S. Hedges, London. Prints

Satiric Museum - N ° 5 / Ho! Picard franc, in between your heart scales.

An Irish Union, Isaac Cruikshank, 1756-1810, British, 1799, Etching, hand-colored, Sheet: 8 3/4 x 13 1/8in. (22.2 x 33.3cm)

Richard Newton, 1777-1798, British, Ca Ira - or John Bull studying the Graces!!---, 1792. Etching, hand-colored.

Isaac Cruikshank, 1756-1810, British, Ma'm Vandercrout and Suitors, undated. Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper.

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