Hunting Trophy and Sketch Landscapes

Sketches showcasing a hunting trophy, a medallion with embellishments, and various landscapes including a tower with boats and winter mill scenes.

Järnefelt, Eero, work, Sketch book, 1896-97, pencil, marker and charcoal, drawing, 15 cm x 24.5 cm, artist : Järnefelt, Eero, 1896-97, pencil, marker and charcoal, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Graskist, Harrie A. Gerritz, 1975 print Standing chest with half open lid, causing the contents to come out with grass, a blue square at the top right. paper etching chest, coffer. meadow, pasture

Dresden, riderstand picture on the Neustädter Markt, design

Abklatsch of the chalk drawing on page 41 Verso, 1822 - 1880 Page 42 Recto from a sketchbook with 45 sheets. paper

Diebitsch Carl von (1819-1869), ornamentation (without date): passages with round arch, ornamentics details. Pencil on paper, 27.3 x 18.8 cm (including scan edges) Diebitsch Carl von (1819-1869): Ornamentik

An etching and pinion by Rembrandt Harmensz. van Rijn from 1655 depicts a goldsmith at work, showing detailed tools, posture, gestures, and the workspace in a composed scene.

The title of the title "La Grande Dame"; Jasi Ski, Feliks Stanis AW (1862-1901), Grasset, Eugéne (1845-1917), Porcaboeuf A. & Succeseurs (Paris; Printing house; Fl. Ca 1890-1929); 1929 (print); 1892 (matrix) (1892-00-00-1929-00-00);La Grande Dame (magazine - Paris - 1893-1896) - Illustration, Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972) - collection, French (culture), French graphics, graphics Poland, Poland (culture) , sunflowers, purchase (provenance)

Campania Salerno Nocera Inferiore Museo dell'Agro Nocerino3. Hutzel, Max German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Child carried by a swan, singing and accompanied by the lyre.". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-17

Edelfelt, Albert, work, Sketch book, drawing, 21.5 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Drawing, Figure; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 17.5 × 10.2 cm (6 7/8 in. × 4 in.)

A sheet of studies of three-masters in a calm sea, in or after 1693 drawing Leaf with sketches of a total of five three -masters on a quiet sea, seen from different positions. At the lower ship a sloop can be seen on the right. Netherlands paper. ink ships (in general) (+ propulsion of vehicle, ship, etc. by wind). sailing-ship, sailing-boat

Long Lagoon Made 1879-1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

Jan Claasz or the questioned maid: the declaration of love of Reinier Adriaansz; Vryagie van Reinier Adriaansz. by Saartje Jansz. Unfinished mezzotint.

Les papillons , Butterflies, Ships. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Sheet I from Russian Ballet. David Bomberg; English, 1890-1957. Date: 1914-1919. Dimensions: 78 × 68 mm (image); 215 × 132 mm (sheet). Lithograph on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), Etui (main title), 1911. Graphite on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Sea beings and braid, Nicolas Xavier Willemin, 1775 - 1797 print A woman and a Meerman with a marine animal. Putti with dolphins left and right. Up and below the performance of braid work with a sunflower and putti. Paris paper etching monsters ~ fishes. interlace ~ ornament

Helen E Gilman, Shaker Textile, c 1936 Shaker Textile

Two Putti on a Goat, c. 1640, Stefano della Bella, Italian (Florence), Italian (Florence), 1610-1664, 6 3/16 x 4 7/16 in. (15.72 x 11.27 cm) (sheet)7 1/4 x 5 5/8 in. (18.42 x 14.29 cm) (sight)14 9/16 x 11 9/16 in. (36.99 x 29.37 cm) (outer frame), Pen and brown ink, Italy, 17th century

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book. Thomas Stothard; English, 1755-1834. Date: 1790-1800. Dimensions: 25 × 50 mm. Ink wash on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Handelsetiket from David Barnaart, Isaac Vincentsz. van der Vinne, c. 1681 - 1740 print Mercury in a frame of objects. In the middle of the monogram of David Barnaart. Haarlem paper vignette. (story of) Mercury (Hermes)

Sketch magazine with a large number of figures, Jan van Ravenswaay, 1799 - 1869 drawing paper. ink pen / brush

Strack Johann Heinrich (1805-1880), Babelsberg Castle, Potsdam. Expansion of the summer lock for Wilhelm von Prussia (1844-1844): desk, table and chaiselongue in the tower room. Pencil watercolor on the box, 33.7 x 50.3 cm (including scan edges) Strack Johann Heinrich (1805-1880): Schloss Babelsberg, Potsdam. Ausbau des Sommerschlosses für Wilhelm von Preußen

Etching by Max Klinger titled 'Triumph' (Opus VI, Blatt 5), printed on French China paper in 1893.

Mount Pilatus, recto (from "Splendid Mountain Watercolours" Sketchbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 10 7/8 x 16 in. (27.6 x 40.6 cm). Date: 1870. Museum: Metropolitan Museum of Art, New York, USA.

Flower. Artist: Charles Demuth, American, 1883-1935

Print made by Edward Goodall, 1795-1870, British, The Nile, 1839. Line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Woman head with hat. Leaf 1 Recto from sketchbook VI with 33 sheets.

Gypsum Models for Sculptures at the Louvre Palace: "Navigation" by Alexandre Lequie. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Sheathing No. 4 caisson-capsized; Raising caisson. .

Design for Three Chairs with Arms or Devices on Backs early 19th century Anonymous, British, 19th century British. Design for Three Chairs with Arms or Devices on Backs 386833

Girl for an easel draws a steam train, Constant Aimé Marie Cap, 1886 print paper etching painter at work, in his studio

Namioty wśród drzew w Patna. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Assos, William Finden, 1787-1852, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, Engraver's proof

Olive, nugget of.

Edward Alfred Goodall, 1819-1908, British, Datur Hora Quieti, 1834. Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper, mounted on, thick, smooth, cream, wove paper.

Design for a Round Dining Table on Scroll-Like Feet, A.N. Davenport Co., Graphite on thin cream paper, Thin round molded top raised on fluted columnar support with concentric molding at bottom, sitting atop molded 'X'-shaped base terminating in 4 scroll-like feet with carved floral rosettes., 1900-05, furniture, Drawing, Drawing

Shki, the Demon Queller dated 1790 Katsushika Hokusai Japanese. Shki, the Demon Queller. Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Japan. dated 1790. Hanging scroll; ink and color on silk. Edo period (1615-1868). Paintings

Etching by Hans Holbein the Younger from 1878 showing the Holbein table with accompanying text, including figures and narrative scene.

Outkin, Nicolai Ivanovitch (n.1780-05-19-D.1868-03-17), anthropometry after Chebouef Vassili Chebouev) (main title), 1837. Burin on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.

Four designs for vases, a dish and a box and dish of earthenware, Theo Colenbrander, 1851 - 1930 drawing tracing paper. ink. pencil pen container of ceramics: jar, jug, pot, vase. work of applied art (+ ceramics ~ arts)

Water, Jacques de Gheyn (II), After Karel van Mander (I), 1580 - 1596 print Presentation of the Element of Water in the form of a naked woman with a browse tiner on the head, which pours water from a large horny shell into another shell. In the background a boat on the water and a number of fishermen with nets on a beach. In the lower margin a two -line Latin text. Reconstructed from two fragments. Amsterdam paper engraving water (one of the four elements)

Boucheron, Poudrier (main title), 1940. Graphite, ink and gouache on the front, gouache on the back on layer. Petit Palais, Museum of Fine Arts of the City of Paris.

Fragment of the lace from the collection of minutes Institut, Liegnitz; Belitski, Ludwig (1830-1902); 1854- (1854-00-00-1854-00-00);Legnica (Dolnośląskie Voivodeship), minutes of institut (Legnica), lace, artistic craftsmanship

The Good Shoe Made 1895 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

Still Life with Head and Spear (from Sketchbook X) 1885 William Trost Richards American This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museums collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artists graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richards tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artists uncanny facility in his better known paintings and watercolors.. Still Life with Head and Spear (from Sketchbook X). Willi

Klomp Johannes Franziskus (1865-1946), Vinzenz-Waisenhaus (with stable building), Dortmund (1899-1903): Sketch Kesselhaus. Colored pencil on paper, 33.9 x 21.6 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Vinzenz-Waisenhaus (mit Stallgebäude), Dortmund

Sketchbook C. Halsey. Sketchbook, ca. 1879. Drawing: ink and graphite on cardboard with gilded edges Sketchbook: bound book with drawings in graphite, ink, and colored pencil, Drawing: 6 7/16 x 4 3/16 in. (16.4 x 10.6 cm). American Art ca. 1879

Ale Cans, from 1st Etchings, 2nd State. Jasper Johns (American, born 1930); printed by Donn Stewart (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 124 x 208 mm (plate); 668 x 505 mm (sheet). Etching and aquatint in black on handmade ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Järnefelt, Eero, work, Sketch book, 1920s, pencil, drawing, 33 cm x 25 cm, Järnefelt, Eero, 1920s, pencil, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Scheppig Carl (1803-1885), figures and putten (without dat.): Views. Pencil watercolored on transparent on the box, 40.8 x 29.9 cm (including scan edges) Scheppig Carl (1803-1885): Figuren und Putten

Lazio Roma Monterotondo Palazzo del Municipio06. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Three with a dog, a good thing with barrels; Beham, Sebald (1500-1550); 16th century (1500-00-00-1550-00-00);

St. Pierre sur Dives, Anonymous, 1860 - 1930 photograph paper collotype Saint-Pierre-sur-Dives

Deraisme, Pierre -Georges (n.1859 - D.1932), flower head and women (main title), 1905. Graphite, ink, gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

This 16th-century copper etching by an unknown monogrammist depicts decorative ornaments, featuring intricate geometric and floral designs intended for artistic and architectural use.

Deraisme, Pierre -Georges (n.1859 - D.1932), label (main title), 1900. Ink, watercolor on white Bristol. Petit Palais, Museum of Fine Arts of the City of Paris.

Tasting Aquatint -Greinen, Emanuel Samson van Beever, 1886 - 1912 print paper test, trial (~ production)

Positive effect

Plate 19: Torso of a Man with a Shield and Eye Study, from 'Collection of various doodles and etching proofs' (Recueil de divers griffonnements et preuves d'eauforte) ca. 1646 Stefano della Bella Italian. Plate 19: Torso of a Man with a Shield and Eye Study, from 'Collection of various doodles and etching proofs' (Recueil de divers griffonnements et preuves d'eauforte). 'Collection of various doodles and etching proofs' (Recueil de divers griffonnements et preuves d'eauforte). Stefano della Bella (Italian, Florence 1610-1664 Florence). ca. 1646. Etching; third state of four (De Vesme). Pierre François Basan (French, Paris 1723-1797 Paris ()). Prints

Portrait of Cabanel and Gerome painters Gustave Boulanger (1824-1888). Portraits of Cabanel painters and G�r�me. Drawing.

Orchard. Charles Émile Jacque; French, 1813-1894. Date: 1859-1869. Dimensions: 105 × 150 mm (image); 130 × 166 mm (plate); 339 × 448 mm (sheet). Etching and plate tone on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Roche, Pierre (n.1855-D.1922-01-18), landscape of Marne (Marne edges) (main title), 1913. Gypsography, drawing in brown and red .. Small palace, Museum of Fine Arts of The city of Paris.

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): ceiling painting. Ink, pencil watercolored on paper, 43.2 x 33.6 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Two Studies of a Dog: Three Quarter Rear View Standing; Lying Down (from Sketchbook). Artist: Francis William Edmonds (American, Hudson, New York 1806-1863 Bronxville, New York). Dimensions: 6 5/8 x 8 in. (16.8 x 20.3 cm). Date: ca. 1838 and after.The execution of sketches and studies was a crucial part of Edmonds's creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects. Museum: Metropolitan Museum of Art, New York, USA.

Base of the image of Perseus and Medusa on the Piazza della Signoria in Florence, c. 1923 - c. 1934 On the pedestal lies the body of the beheaded Medusa. Page 4 Recto from sketchbook LVIII with 14 sheets. draughtsman: The Hagueafter sculpture by: Florence paper. ink pen monument, statue. Perseus beheading Medusa Piazza della Signoria

Quast Ferdinand von (1807-1877), column base (without date): Perspective view. Ink on paper, 18.1 x 22.2 cm (including scan edges) Quast Ferdinand von (1807-1877): Säulenbasis

Bead Stringers Made 1880 United States. Cancelled copper plate . James McNeill Whistler

West Islip. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1965-1970. Dimensions: 756 x 1053 mm. Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Aquatint by Max Klinger titled 'Witch and Bat', created in 1880, depicting a supernatural scene with a witch and a bat.

Persius Reinhold (1835-1912), ribs, profiles: Details. Pencil on paper, 16.3 x 20.8 cm (including scan edges)

Serenity, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 443 × 364 mm (image); 638 × 452 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sketches of Canoes (from Sketchbook X). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1885.This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard's tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist's uncanny fac

Plant study; Prime forms of art. Facher enlargement. Afkomsig uit losbladige Uitgave.

Ada Barnes, Quilt Block, 1935 1942 Quilt Block

Scheppig Carl (1803-1885), Villa Spada in Rome (1835): View of the ceiling wrap c. Pencil watercolored on paper, on cardboard, 25.1 x 33.6 cm (including scan edges) Scheppig Carl (1803-1885): Villa Spada, Rom

Losse fragmenten van prenten van Pyramus en Thisbe.Fragments of fountains and fragmentary backgrounds of two prints.

Summer Oscar (1840-1894), ceiling vault (without date): View. Pencil watercolored on paper, on cardboard, 65 x 48.8 cm (including scan edges) Sommer Oscar (1840-1894): Deckengewölbe

Pots, II; Waliszewski, Zygmunt (1897-1936); 1930 (1930-00-00-1930-00-00);

15 Years (poster). Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 813 x 558 mm. Collage of lithographs in black on white wove paper, cut and taped with graphite additions, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Untitled. Donald Judd; American, 1928-1994. Date: 1982-1985. Dimensions: 890 x 620 mm (plate); 1,046 x 750 mm (sheet). Etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Pleiades; Siedlecki, Franciszek (1867-1934), Cotty, Jan (Warsaw; Printing and Litographic Zak 1922 (1922-00-00-1922-00-00);

Etching and aquatint by Max Klinger from 1897 depicting sea wheels, part of Opus XI, illustrating marine machinery and artistic interpretation.

Oblong Vegetable Dish. Artist: Anonymous, Italian, 19th century. Dimensions: 9-1/8 x 14-1/2 in. Date: 1800-1900. Museum: Metropolitan Museum of Art, New York, USA.

Designs for Heraldiek, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk armorial bearing, heraldry

Print, Design for the Ten-Deck House; Designed by R. Buckminster Fuller (American, 1895-1983); USA; mimeograph print, brush and blue watercolor on white paper; 27.9 × 21.6 cm (11 × 8 1/2 in.) Mat: 45.7 × 35.6 cm (18 × 14 in.)

House in Peskowatik, plate eight from Mein Leben. Marc Chagall; French, born Belarus, 1887-1985. Date: 1922. Dimensions: 179 × 208 mm (image/plate); 328 × 400 mm (sheet). Etching and drypoint on buff Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bouwfragment van de Nouvel Opéra, Delmaet & Durandelle, c. 1867 photograph Paris paper. cardboard albumen print acanthus ~ ornament Paris

View from Schilthorn (from "Splendid Mountain Watercolours" Sketchbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 10 7/8 x 16 in. (27.6 x 40.6 cm). Date: 1870. Museum: Metropolitan Museum of Art, New York, USA.

Portfolio, Historic Ornament; Elizabeth A. Nedwill; USA; watercolor, ink

Panel of Trophies, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, graphite on laid paper, Vertical rectangle showing design of military trophy. At center, a shield with a Medusa and crossed quivers. At bottom, a fasces., Italy, 1800-1820, ornament, Drawing, Drawing

An etching and pinnate by Max Klinger from 1884, sheet 12 of the cycle 'A Life', titled 'Discourse', depicting figures in discussion, third edition 1891.

Ilazne in the figure of a roadside in Wrkowicka - two views at the front; Pretty, Szymon (Ca 1864-1942); 1917 (not after 9.01.1917) (1917-00-00-1917-00-00);

Lantaarn, Henri Charles Guérard, 1856 - 1897 print paper etching lantern

st, University ring - Burgtheater - interior view - spectator - ceiling painting Plafond, Carl Grail, Photographer, Society for Duplicating Art in Vienna, Printing Press, Richard Paulussen -, Heliographer

Lazio Viterbo Viterbo Museo Civico16. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Montagnes au bord d'un lac. Jasiński, Feliks Stanisław (1862-1901), graphic artist, unknown, printer of graphic prints

Lalique, René-Jules (n.1860-04-06-D.1945-05-05), Sauterelles comb (main title), 1900. Graphite, ink, gouache and watercolor on the front, graphite on the back on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Writelei with tube, Julie de Graij, 1878 - 1924 print paper slate (writing material)

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