Hunting Trophy and Sketch Landscapes

Sketches showcasing a hunting trophy, a medallion with embellishments, and various landscapes including a tower with boats and winter mill scenes.

Järnefelt, Eero, work, Sketch book, 1896-97, pencil, marker and charcoal, drawing, 15 cm x 24.5 cm, artist : Järnefelt, Eero, 1896-97, pencil, marker and charcoal, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Hoffmann Emil (1845-1901), basis of a pillar (13.12.1869): Ornament. Pencil on cardboard, 58.6 x 76.3 cm (including scan edges) Hoffmann Emil (1845-1901): Basis einer Säule

Ceintures militaires des chevaliers, des XIVe. et XVi. siècles.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Swimming Grass. Yves Tanguy; American, born France, 1900-1955. Date: 1945. Dimensions: 483 x 331 mm. Gouache with pen and black ink and graphite on gray wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Design for a monument for the Leiden gunpowder cramps, 1807; Concept of a memorial needle, where planned to be incorporated at the place of ruin (the Rapenburg) in Leyden, after the destruction of 12 January 1807. Design for an obelisk to serve as a monument in memory of the Leiden gunpowder disaster of January 12, 1807. Needle with the city of Leiden.

Keystone in Arch at San Juan Capistrano Mission. Dated: 1935/1942. Dimensions: overall: 35.1 x 27.9 cm (13 13/16 x 11 in.) Original IAD Object: none given. Medium: offset lithograph on paper. Museum: National Gallery of Art, Washington DC. Author: Randolph F. Miller.

Landscape with Houses 1917 Egon Schiele Austrian. Landscape with Houses. Egon Schiele (Austrian, Tulln 1890-1918 Vienna). 1917. Charcoal on paper. Drawings

GIPS models for sculptures on the Palais du Louvre: left "l'art étrusque" by Pierre Hébert and on the right "La chasse" by Auguste Jean Baptiste Lechesne, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

"Spirited Old Man" (Zhuangmu Weng). Artist: Fei Mingyao (Chinese, born 1948). Culture: China. Dimensions: Overall: H. 2 11/16 in. (6.8 cm); W. 13/16 in. (2 cm); D. 13/16 in. (2 cm). Date: Dated 1995.In addition to a well-carved legend, this seal features a beautiful finial in the form of a mythical animal. Museum: Metropolitan Museum of Art, New York, USA.

Zittende Oude Man in interior; Old man sitting near a racy.

Stüler August (1800-1865), Villa Fullonica in Pompeii (1830): Recording of the wall field. Tusche watercolor, white heighted on paper, 42.7 x 34.7 cm (including scan edges) Stüler Friedrich August (1800-1865): Villa Fullonica, Pompeji

Venice. Helen Frankenthaler (American, 1928-2011); printed by Bill Goldston and Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 447 x 353 mm (image); 1,017 x 714 mm (sheet). Color lithograph from three stones on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

George Constantine, Shaker Textile, c 1936 Shaker Textile

Sievers Georg (1803-1887), Villa Borsig in Berlin-Moabit. Wall and ceiling paintings (without date): ceiling painting. Pencil watercolored on paper, 27.7 x 34.6 cm (including scan edges) Sievers Georg (1803-1887): Villa Borsig, Berlin-Moabit. Wand- und Deckenmalereien

Four scenes leaf to Raphaël, Theodor Langer, After Rafaël, After Nicola Ortis, 1829 - 1895 print paper etching / engraving

Man with a child and a second man in a landscape, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving landscapes

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book. Thomas Stothard; English, 1755-1834. Date: 1790-1800. Dimensions: 25 × 50 mm. Ink wash on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Viterbo Viterbo Museo Civico76. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Device: Edouard Lieitor, 1863 print Numbered at the top right: pl. 11. Paris paper. etching fan. incense used in the church

View on a street after a rain shower, Rik Wouters, 1911 print paper etching / drypoint rain. city-view in general; 'veduta' Bosvoorde

Pleasure models for sculptures on the Palais du Louvre: "La Musique" by Félix Chadaud, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Portrait of Barrere de Vieuzac. Georges Fran�ois Marie Gabriel (1775-1836). Portrait of Bertrand Barrere de Vieuzac (1755-1841), French politician. Black stone enhanced with white gouache.

Berlin, Chodowiecki, Daniel Nikolaus, Blank patent of the Royal Academy of Fine Arts in Berlin with decorative frame, verso - stamped, Above the crowned eagle with scepter, globe and initials. Under four putti on a cloud, drawing and carving in stone a bust of Niobe., print, engraving, prints, engravings, height 298 mm, width 363 mm, German, 1726-10-16 - 1801-02-07, print maker, printmaker, 1786 - 1786, paper, papier, etching

Design for a One-armed Sofa. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 7/16 x 12 1/16 in. (21.5 x 30.7 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Woman with baskets with fruits in hand by the window, Henricus Wilhelmus Couwenberg, after Gerard Dou, 1840 - 1842 print Amsterdam paper etching human figure at (open) window, seen from outside. shop-window, show-window

Lazio Latina Sezze Antiquarium Comunale00. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

High-Pool. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1966. Dimensions: 362 x 425 mm (image); 527 x 725 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Viterbo Viterbo Museo Civico62. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Bust of Patroclus. William Henry Fox Talbot (English, 1800 - 1877)

Studies of Field Laborers (from Sketchbook VII) 1886 William Trost Richards American This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museums collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artists graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richards tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artists uncanny facility in his better known paintings and watercolors.. Studies of Field Laborers (from Sketchbook VII). William Trost Richards (American, Phila

Osprey. Draughtsman: Hendrik J. Slijper. Dating: 1974. Measurements: d 60 mm. Museum: Rijksmuseum, Amsterdam.

15 Years Magnified Through a Drop of Water. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1973. Dimensions: 680 x 508 mm. Graphite on white wove blotter paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Opercularia aspera Gaertner, by Sydney Parkinson. Gift of the British Museum, 1895.

Gibson, les Heures, bas-relief. James Anderson (British, 1813 - 1877)

Ms. Drouet Victor Hugo (1802-1885), Album with Juliette Drouet: Ms. Drouet (Folio.5). Paris, Victor Hugo House.

Writing sample with eight lines of text in Dutch: De coninck Antigonus ... The text is framed with scrollwork. The print is part of an album, Writing sample: De coninck Antigonus (...) Spieghel der schrijfkonste (series title), print maker: Simon Frisius, Jan van de Velde (I), (mentioned on object), print maker: Haarlem, Rotterdam, 1605, paper, engraving, h 215 mm × w 340 mm

Preface I, plate one from A Life. Max Klinger (German, 1857-1920); printed by Otto Felsing (German, 19th century). Date: 1883-1884. Dimensions: 343 x 278 mm (image); 366 x 312 mm (plate); 355 x 299 mm (primary support); 788 x 575 mm (secondary support, approx.). Etching, with aquatint, roulette and drypoint in black and red ink on ivory China paper, laid down on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Shaker Pin Cushion. Dated: c. 1937. Dimensions: overall: 28.1 x 23 cm (11 1/16 x 9 1/16 in.) Original IAD Object: 5" in diameter. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: William Paul Childers.

Steamship Jan Pieterszoon Coen, Carel Adolph Lion Cachet, 1916 print On the left the deck of the steamship with two chimneys. On the right the text: 'Double screw steam ship Jan Pieterszoon Coen of the steam company "Nederland" Amsterdam ". paper steamship, motorship Amsterdam

November, c. 1625 - c. 1700 print Human activities in November. Landscape with a man on the right slaughtering a pig. At the top left the constellation Sagittarius. paper engraving November and its 'labours'. slaughtered ox or pig. Sagittarius (zodiacal sign of November)

Lazio Latina Sezze Antiquarium Comunale42. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

MADONNA 1929 (NEW CONCERTING); Gory, Wiktoria (1902-1945); 1929 (1929-00-00-1929-00-00);Madonna with the Child (iconogr.), Motherhood, purchase (provenance)

Edelfelt, Albert, work, Sketch book, drawing, 12.5 cm x 20.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Stokroos.Design for a pottery decoration.

Overview of Oval Shell Stone 1719-1769 Flanders. Gouache over black chalk, on ivory laid paper . Giuseppe Grisoni

Banknote motif: lathe work ornament resembling a long flat woven basket. Artist: Associated with Cyrus Durand (American, 1787-1868). Dimensions: Sheet: 3 3/16 x 2 7/16 in. (8.1 x 6.2 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-42. Museum: Metropolitan Museum of Art, New York, USA.

Porte g. Taureau 2.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

st, University ring - Burgtheater - interior view - spectator - lodges, Richard Paulussen -, Heliographer, Gesellschaft für Duplicating Art in Vienna, Printing Press, Carl Grail, Photographer

Campania Caserta Capua Museo Campano66. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Abruzzo L'Aquila S. Giuliano (L'Aquila environs) Museo59. Hutzel, Max 1960-1990 Views of the four collections housed in museum: Roman coins; Pre-Columbian art brought from Central America in 17th century; Greek and Roman sculpture; Egyptian sculpture and minor arts. Museum Roman coins; Greek and Roman sculpture; Egyptian sculpture and minor arts; Pre-Columbian sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Järnefelt, Eero, Sketch book, ca. 1905-08, pencil and marker, drawing, 15.5 cm x 24 cm, artist : Järnefelt, Eero, approx. 1905-08, pencil and marker, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Lazio Latina Sezze Antiquarium Comunale90. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for Gig (unnumbered) 1850-74 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred

James Charles Armytage, 1802-1897, British, Approach to Venice, 1859-1879. Steel engraving.

Tumbler. Dated: c. 1936. Dimensions: overall: 28.7 x 22.8 cm (11 5/16 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Dana.

Twelve different ears, Roubillac, After Pierre Thomas Le Clerc, 1784 - 1796 print Paris paper etching drawing, sketch. ears

Design for a Sofa. Artist: Anonymous, British, 19th century. Dimensions: sheet: 9 1/16 x 11 15/16 in. (23 x 30.3 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Edelfelt, Albert, work, Sketch book, drawing, 10 cm x 15.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Philip Benezet. 1775 - 1890. Portraits, Prints, Silhouettes. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Beit-Oualli Beit el-Wali. Même spéos, cinquième tableau de droite. Suite de la planche précédente. La croix figurée au cou de ces prisonniers asiatiques n'indique qu'une ouverture de leur vêtement.. Champollion, Jean-François, 1790-1832. Prints, Illustrations. 1835 - 1845. General Research Division. Egypt , Antiquities

Manifesto, Harrie A. Gerritz, 1979 print Under a fence, above a wide, short column with the head of a beef. paper bull. receiver, fence

Handek Falls (from "Splendid Mountain Watercolours" Sketchbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 16 x 10 7/8 in. (40.6 x 27.6 cm). Date: 1870. Museum: Metropolitan Museum of Art, New York, USA.

Drawing (Italy)

Tumbler. Dated: 1935/1942. Dimensions: overall: 30.5 x 22.9 cm (12 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charles Garjian.

Babylone. Ruines de Birs-Nemroud. (Vue et détails.),' 1851 - 1854, by Pascal Coste (1787-1879). Published in Paris by Gide et J. Baudry. The work depicts antiquities from Iran and includes etchings related to the ruins of Birs-Nemroud

Procession of four men past wife and child, Antoon Derkinderen, 1894 - 1901 print Four men walk past a woman and a child in succession. They have a violin, a model of a building, a staff and the city coat of arms of Amsterdam. Among them the capital 'n' and a vertical decorative edge with floral motifs. On either side of the edge space for text. paper walking. mother and child(ren), woman and child(ren) (family group)

Stage design: Othello: Model

This 1652 etching by Stefano della Bella depicts the horse ballet 'The Competition of the Seasons' in Modena, illustrating 17th-century Italian equestrian performances and ceremonial events.

Sagot's Gallery, 1898. Georges Alfred Bottini (French, 1874-1907). Color separation proof in yellow; sheet: 37.7 x 28.1 cm (14 13/16 x 11 1/16 in.); image: 28.8 x 18.6 cm (11 5/16 x 7 5/16 in.). During the 1890s, there was a revived interest in color lithography in Paris. Originally considered a commercial art form, the medium was taken up by a growing number of printmakers as a means of formal experimentation. This print by Georges Bottini shows the shop of Edmond Sagot, a leading dealer of color lithographs during the late 19th and early 20th century. A crowd of fashionably dressed young women gather before the windows of Sagot's shop, suggesting the growing status of color lithography at this time.

Yvette Guilbert-French Series: No. 2, 1894. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph;

Drawing, Design for Breakfast Table "A" of Mahogany; Designed by A.N. Davenport Co.; graphite on thin cream paper; 18.7 x 24.8 cm (7 3/8 x 9 3/4 in. )

Flint Striker. Dated: c. 1939. Dimensions: overall: 22.8 x 27.9 cm (9 x 11 in.). Medium: watercolor, graphite, colored pencil, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Henrietta S. Hukill.

Plate (tondino) 1519 probably workshop of Maestro Giorgio Andreoli Italian. Plate (tondino). probably workshop of Maestro Giorgio Andreoli (Italian (Gubbio), active first half of 16th century). 1519. Maiolica (tin-glazed earthenware). Ceramics-Pottery

Cuissard et Jambière du Roi Henri II. The magnificent Apollo gallery in the Paris Louvre holds in addition to the French crown jewels some of the most precious art objects of the Grande Nation. For the publication Le Trésor Artistique de la France, which is published from 1878, the photographer Léon Vidal releases the exquisite treasures. Also in the printing process one leaves on the expertise of the learned engineer. The method developed by Vidal photochromy technique, a method presented for the first time, makes it possible to transmit the color of the collection pieces in a quality reproduction. Similar to the chromolithography, three layers are printed separately into strong, translucent colors. As a base, Vidal takes a photomechanical image, which contributes the deep black tones to the colored image result; The degree forms a fine rivis layer. In the shiny figures, not only the radiance of the art objects, the expensive produced, elaborate copies are today masters today. (Annika

The Bronze Tomb (Iyeyasu) Shiogun at Nikko. Photographs. 1880 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Japan, Nikko-shi (Japan), Tokugawa, Ieyasu, 1543-1616, Tokugawa, Ieyasu, 1543-1616 , Tomb

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