Idyllic Landscapes and Scenes

A collection of landscape drawings showcasing serene outdoor settings with figures, emphasizing natural beauty and pastoral compositions.

Landscape with angler and woman on a wooden bridge, draughtsman: Gerrit Hendrik Gobell, 1796 - 1833, paper, pen, brush, h 294 mm × w 390 mm

Alphonse Legros, The Gate (L'entree du champ), French, 1837-1911, etching and drypoint

One of the Daughters of Leucippe, Pursued by Two Horsemen (Une des filles de Leucippe suivie par deux cavaliers). Dimensions: 19.9 cm x 27.7 cm, 11.9 cm x 17.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: KER-XAVIER ROUSSEL.

Pontius, Paul, inventor: Anton van Dyck, Gustav II Adolf, (1000 - 2000), copper engraving, graphics, plate width 17.8 cm, plate height 25 cm, leaf width 23 cm, leaf height 31.7 cm, image width 17.4 cm, image height 22.1 cm

Old linden in Piotrawin. Wyczółkowski, Leon (1852-1936), graphic artist

Old Oaks at Bas Bréau. Adolphe Martial Potémont; French, 1828-1883. Date: 1860-1870. Dimensions: 296 x 247 mm (image); 310 x 260 mm (plate); 303 x 252 mm (primary support); 418 x 334 mm (secondary support). Etching and drypoint on cream wove chine laid down on white wove card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Print made by David Lucas, 1802-1881, British, Noon, 1830. Mezzotint on moderately thick, slightly textured, cream wove paper with chine collé.

Figure Standing under a Stone Arch. Dated: 1768. Dimensions: plate: 18.7 x 15.8 cm (7 3/8 x 6 1/4 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean-Laurent Legeay.

Etched by Joseph Mallord William Turner, 1775-1851, British, Young Anglers, 1811. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper.

Allart van Everdingen, The Wolf and the Well, probably c 1645 1656 The Wolf and the Well

Study magazine with a haystick, dogs and figures, 1839 - 1894 Among other things, studies by a farmer with a wheelbarrow and with a bag, a man with a pipe and a praying man. Leaf 10 Recto from a sketchbook with 51 sheets. paper. pencil hay-stack. wheelbarrow. pipe ~ tobacco. one person praying

Etching by Giovanni Francesco Grimaldi created between 1630 and 1680 depicting a landscape with Maria Magdalena, showing religious figure integrated into natural scenery.

Face along a river with a tea dome on the right. Draughtsman: Pieter Bartholomeusz. Barbiers. Dating: 1782 - 1837. Measurements: h 179 mm × w 147 mm. Museum: Rijksmuseum, Amsterdam.

George Cruikshank, Taking the Air in Hyde Park (verso), 1865 Taking the Air in Hyde Park verso

Design for wallpaper painting, Jurriaan Andriessen, c. 1752 - c. 1819 drawing paper. chalk. graphite (mineral). ink pen / brush

The Fisherman 1725-1762 France. Engraving on paper . Pierre Quentin Chedel

The Guardian of the Geese, after Millet. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: Sheet: 8 7/16 × 11 3/4 in. (21.4 × 29.8 cm)Plate: 5 1/2 × 7 3/8 in. (14 × 18.8 cm). Engraver: Émile Boilvin (French, Metz 1845-1899 Paris). Date: 1888-99. Museum: Metropolitan Museum of Art, New York, USA.

De Hooioogst, Joseph Moerenhout, 1811 - 1874 drawing paper brush piling up ~ harvest. agricultural products and by-products: hay

Lowestoffe Lighthouse (vignette), James C. Allen, active 1821-1831, British, after Joseph Mallord William Turner, 1775-1851, British, c.1830, Etching on thick, slightly textured, tan, wove paper, Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm), Plate: 6 5/16 × 5 3/16 inches (16 × 13.2 cm), Chine collé: 6 1/16 × 4 7/8 inches (15.4 × 12.4 cm), and Image: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)

Francis Seymour Haden, Mytton Hall, 1859 Mytton Hall

John Martin, 1789-1854, British, Kensington Gardens, undated. Watercolor and pen and brown ink over graphite with scratching out on moderately thick, moderately textured, cream wove paper.

TheAnglers. Artist: Adriaen van Ostade, Dutch, 1610-1685

Drawing, At the gate of a villa; Carlo Marchionni (Italian, 1702-1786); Italy; black crayon on laid paper; 52.9 x 38.3 cm (20 13/16 x 15 1/16 in.)

Two lovebirds, Emmanuel Jean Nepomucene de Ghendt, after Charles Joseph Dominique Eisen, 1771 print A vignette with two lovebirds. Paris paper etching doves, pigeons

Attributed to Hon. Daniel Finch, 1789-1868, British, Packington, 1834. Pen, brown ink, brown wash, and gray wash on medium, slightly textured, cream laid paper.

Winter face in Exloo, Drenthe, draughtsman: Egbert van Drielst, 1755 - 1818, paper, brush, h 248 mm × w 365 mm

Morning along the River (La matin sur la riviere). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

AN AMERICAN ART COLONY IN SOUTHERN BRITTANY

It is of Bato Tulis Alwaer Three Steene syn te Sien, Effen Booven Beuytenzorg, Johannes Rach, 1770 drawing At the foot of a large tree, three statues are built on a pedestal built of stones. The area is fenced by a fence behind which trees and buildings. In the garden a figure and a child under parasol with a dog and three European visitors with three servants. On another part of the site with the Batutulis in Buitenzorg. Bogor paper. ink pen / brush monument, statue Outdoor care

Landscape Toska Apple, Feliks (1865-1928); 1907 (1907-00-00-1907-00-00);Cieślewski, Tadeusz (1895-1944 - young), Cieślewski, Tadeusz (1895-1944 - young) - collection, Florence (Italy), young Poland (style), Partage Plus, Tuscany (Italy), Italy (State), Dar (provenance), trees, Polish graphics, landscapes, landscapes, Poland (culture)

Netherlands, Lutz, A., Dike breach, 1809, verso - stamped, Dike breach near a village. This may represent the village of Erichem during the flood of January 1809. See pendant., print, prent, prints, Frederik Muller Historieplaten, height 430 mm, width 545 mm, print maker, prentmaker, 1809 - 1809, paper, papier, aquatint, etching, etsen

Landscape from Dyli Ans; Jacque, Charles-émile (1813-1894); 1845-1855 (1845-00-00-1855-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, roads (transport), trees, choices, landscapes, travel, travel, vehicles , French drawings

Hekking, Willem, Netherlands, Weissenbruch, Isaac, Figures at an entrance gate with a list of tariffs, print, prints, height 256 mm, width 205 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure, Work conception

Sawley Abbey, 1873. Francis Seymour Haden (British, 1818-1910). Etching;

Etched by Joseph Mallord William Turner, 1775-1851, British, Rispah: 2nd Book of Samuel, Chap. 21, 1812. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper.

City and Country 1868 Jules-Ferdinand Jacquemart French Jules Jacquemart was trained in etching at a young age by his father, an amateur artist, and went on to produce both reproductive and original prints. A founding member of the Société des Aquafortistes, he worked closely with Alfred Cadart and even contributed the title page to the group's first album. The idyllic landscape depicted in this print, from the 1864 edition of "Eaux-fortes modernes," is typical of the subject matter promoted by the group. Its intricately etched combination of scumbled, crosshatched, and parallel lines reflects the interest in both tradition and innovation that characterized the group during the 1860s.. City and Country 399592

Graf monument for a deceased wife, Reinier Vinkeles (I), 1795 - 1797 print Burial monument for a deceased woman (J.Rikkengha). A man, with a medallion with a silhouette portrait of a woman, sits in front of a burial monument and is surrounded by five children. He points up. Amsterdam prepared paper etching / engraving grave-building, monumental tomb. index finger upwards

Old Aberdeen, William Mosman (Aberdeen, Scotland, c.1700 - 1771) 1725-1749

Wooded landscape with round building in middle distance. unknown c. 1600-1700 Tapestry Dimensions: H 6' x W 7'8" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. S. R. Guggenheim, received 11/24/1944; sold to Alfred Messner Inc. 7/7/1952. Related Works: Panels in set: GCPA 0236620-0236622, 0236630, 0236644, 0234590

. Two men have a conversation in the foreground. Right rear two men. The print represents a scenic scene from the death of Johan and Garcias, or the unnoticed regtleging of Cosmos de Medicis; Grand Duke of Tuscanes, a horse game from Claas brown.

Villégiature, croquis impressionniste., 1852 - 1882, 1862., Etching and drypoint

Pan and Syrinx, Anonymous, After Willem van Nieulandt (II), After Paul Bril print Pan follows Syrinx, but she turns into Riethalmen when she is at the river. Pan embraces the reeds. paper etching Syrinx changed into a reed: while fleeing from Pan, the nymph Syrinx is changed into reed by her sisters, the Naiads (Ovid, Metamorphoses I 705). river

Landscape with temple ruins, Jurriaan Andriessen, 1752 - 1819 drawing paper. watercolor (paint). ink. graphite (mineral) pen / brush

Print, Second Pastoral; Print Maker: Jean Baptiste Le Prince (French, 1734 - 1781); France; aquatint and etching in sepia ink on laid paper; 30.6 × 38 cm (12 1/16 × 14 15/16 in.); 1896-31-89

Tetards (Pollards). Vincent van Gogh; Dutch, 1853-1890. Date: 1884. Dimensions: 337 x 438 mm. Pen and brown ink, with touches of pen and black ink, graphite and graphite frottage, and traces of black chalk, on grayish-white paper laid down on cardboard. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

A Shaded Avenue. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 11 1/2 x 9 1/2 in. (29.2 x 24.1 cm). Date: ca. 1775.While Fragonard was primarily a figure painter, he was also a gifted landscapist, influenced by Dutch views of the previous century, as well as by scenes in France and Italy. He made several drawings that are variations of this subject and larger that the present panel (one sheet is in the Petit Palais, Paris). He often showed light entering a relatively dark space through an arched opening. Museum: Metropolitan Museum of Art, New York, USA. Author: JEAN-HONORE FRAGONARD.

Fabel van de Herder en de Leeuw, Johann Heinrich Meil (the older), After Jean-Baptiste Oudry, 1758 print paper etching fables of Lafontaine : Use 85(...). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. beasts of prey, predatory animals: lion

Robert Stockton, City Lights City Lights

Three Putti with a Fishing Net. Dimensions: overall (round): 25 cm (9 13/16 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Charles Eisen.

Brzozowski, Feliks (1836-1892), After the storm; from: "Kłosy" 1886, II, 369. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, Angerer, C. & Göschl (Wiedeń ; zakład graficzny i fotograficzny ; 1873-), reproduction atelier, Brzozowski, Feliks (1836-1892), draughtsman, cartoonist

. Plate of faience, painted with landscape with figures

Temple and Falls, Sezincote, Anne Rushout, ca. 1768-1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm) and Image: 7 × 9 inches (17.8 × 22.9 cm), architectural subject

Design for room wall, Hattem, Elburg, Willem V (Prince of Orange-Nassau), Jurriaan Andriessen, c. 1752 - c. 1819, paper, watercolor (paint), chalk, ink, graphite (mineral), brush, h 146 mm × w 157 mm

The Ant and the Grasshopper, from the book Aesopics: Or A Second Collection of Fables, Paraphrasd in Verse: Adornd with Sculpture, and Illustrated with Annotations by John Ogilby (London: Printed by Thomas Roycroft, 1668). Artist: Wenceslaus Hollar, Bohemian, 1607-1677

Shepherd flute playing between his sheep. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 14-Jan-1653. Place: Zwolle. Measurements: h 132 mm × w 167 mm. Museum: Rijksmuseum, Amsterdam.

Gray-brown ink and pencil drawing by Friedrich Olivier showing a countryside scene with figures drinking, using lavated ink and a painted border, 1820.

Friedrich August Stüler (1800-1865): Monument to the fallen Philhellenen. Monthly competition April 1831

Grove of Trees (recto), Sketch of Aderley Church (verso). Peter De Wint; English, 1784-1849. Date: 1825-1835. Dimensions: 250 × 225 mm. Watercolor over graphite on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Grandjean, Jean, Haarlem, Visser Bender, Joannes Pieter, The Gallery and a Part of Lake Albano, Traveler on a Forest Path, verso - stamped, Traveler on a Forest Path along Lake Albano in Italy., print, prints, height 148 mm, width 230 mm, Dutch, 1785-11-09 - 1813-12-09, print maker, printmaker, 1795 - 1813, paper, papier, etching, etchings, colour printing, French, 1752 - 1781, intermediary draughtsman

Brockenhurst, New Forest. G. R. Smith; English, active 1847-1873. Date: 1877-1878. Dimensions: 132 x 168 mm (image); 174 x 200 mm (plate); 183 x 223 mm (sheet). Etching in black on ivory wove paper. Origin: United Kingdom. Museum: The Chicago Art Institute, USA. Author: G. R. SMITH.

Overgrown slope. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 97 mm × w 146 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with a monument, made up of cannons, bearing the portrait of Gebhard Leberecht von Bl, print maker: W. Johnston, (mentioned on object), W. Johnston, (mentioned on object), publisher: J. Groenewoud, (mentioned on object), Amsterdam, in or after 1819 - 1900, paper, etching, h 570 mm × w 440 mm

Frederik Ludvig Bradt (1747-1829), Treebul, 1747 - 1829

Bathing Maiden. Dated: 1796-1800. Dimensions: plate: 26.4 x 33.3 cm (10 3/8 x 13 1/8 in.) sheet: 31.1 x 39.4 cm (12 1/4 x 15 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carl Wilhelm Kolbe.

The Nooning - Drawn by Winslow Homer (Harper's Weekly, Vol. XVII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 x 13 3/4 in. (22.9 x 34.9 cm)sheet: 10 11/16 x 15 15/16 in. (27.1 x 40.5 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: August 16, 1873. Museum: Metropolitan Museum of Art, New York, USA.

Plate 2. The Repast, Richard Gilson Reeve, 1803-1889, after Henry Thomas Alken, 1785-1851, British, 1813, Aquatint, hand-colored, Sheet: 13 5/8 x 18in. (34.6 x 45.7cm), dinner, food, meal

Azienki. Board 10 from the portfolio "Warsaw 1918"; JAB CY SKI, Feliks (1865-1928), Wilder, Hieronim (1874-1941); 1918 (edition); 1917 (print) (1917-00-00-1918-00-00);Young Poland (Styl), Partage Plus, Palace on the Island (Warsaw - Łazienki), Theater on the island (Warsaw - Łazienki), Twardowska, Emilia (Fl. 1947) - collection, Warsaw (Masovian Voivodeship), Polish graphics, gardens, Parks (Ogrody), Poland (culture), Purchase (provenance), Łazienki Królewskie (Warsaw)

Andreas Flinch (1813-1872); Johan Thomas Lundbye (1818-1848), the vaulted beehive, (1841)

Study, The Leaping Horse, John Constable, circa 1824-1825,

A River (tail piece), Print made by Alfred W. Cooper, active 1850-1901, British, after Alfred W. Cooper, active 1850-1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper, Sheet: 5 9/16 x 7 1/2 inches (14.1 x 19 cm) and Image: 4 5/16 x 5 inches (10.9 x 12.7 cm), boy, bridge (built work), brook, child, children's literature, creek, father, fence, genre subject, hats, illustration, landscape, man, river, son, trees, trousers, wading, walking

View of the river of Kema, Strawboard, draughtsman: Charles William Meredith van de Velde, 1838 - 1898, paper, brush, h 490 mm × w 715 mm, h 760 mm × w 980 mm

Artist: Currier & Ives, American, active 1834-1907, A SummerRamble, Colored lithograph, Image: 38 × 29 cm (14 15/16 × 11 7/16 in.) (upper corners rounded); Sheet: 50.3 × 40.4 cm (19 13/16 × 15 7/8in.), Made in United States, American, 19thcentury, Works on Paper -Prints

PAISAJE DE BOSQUE - SIGLO XVI - ESCUELA FLAMENCA. Author: GILLIS VAN CONINXLOO. Location: MUSEO DEL LOUVRE-GRABADOS. France.

Painting the panorama of Rac Avice: Wojciech Kossak and one of the painters painting with a scaffolding landscape in a part of the performance of the scenes presenting the scenes Fighting of the Company of the 2nd Pedestrian Regiment Józef Wodzicki; Unknown, Hamel and Feigl (Lviv; Sk Ad photographic materials; 1892-Ca 1905); 1893/1894 (1893-00-00-1894-00-00);Hamel and Feigl (Lviv - composition of photographic materials - 1892 -Ca 1905), Kossak, Wojciech (1856-1942), Kossak, Wojciech (1856-1942) - iconography, Kossak, Wojciech (1856-1942) - reproduction, Lviv (Ukraine ), Universal National Exhibition (Lviv-1894), Styka, Jan (1858-1925), Styka, Jan (1858-1925)-reproduction, Styka, Jan (1858-1925) and others. Panorama of Racławicka, painting accessories, painting, Polish painting, painters, painting panoramas, portraits, portraits of artists, artists' studios, painting workshops, scaffolding, purchase (provenance)

Drawers at Archaeological Excavation, Anthonius Brouwer, 1837 - 1908 print The boulders are surrounded by trees in a pit. A draftsman, seen on the back, is drawing with a sketchbook in front of him. The other is with a drawing folder under the arm next to the mountain of stones. Print Maker: HilversumaFter Painting by: Hilversum Printer: Amsterdam paper draughtsman at work - CC - out of doors. excavation ~ archaeology

In greenery according to the image of Friedrich A. Kaulbach. A clip from a German magazine. Brend'amour, Franz Robert Richard (1831 1915), Kaulbach, Friedrich August von (1850 1920)

IRON CAR BATTERY ON THE PHILADELPHIA RAILWAY, 1861; RAILROAD BATTERY

Maurici Vilomara i Virgili / Escenografía. Arxiu històric de la Societat del Gran Teatre del Liceu.

Sketchbook C. Halsey. Sketchbook, ca. 1879. Drawing: ink and graphite on cardboard with gilded edges Sketchbook: bound book with drawings in graphite, ink, and colored pencil, Drawing: 6 7/16 x 4 3/16 in. (16.4 x 10.6 cm). American Art ca. 1879

Samuel Francis Marryat, 1826-1855, Dyak Women, 1848. Pen and brown ink and brown wash on moderately thick, slightly textured, cream wove paper.

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