Illustrated Greeting Cards

Decorative cards featuring illustrations, floral designs, and ornate frames for various occasions, including New Year and celebrations.

Design for a certificate on the occasion of twelve and a half years of loyal service at the Glue and Gelatine factory, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, brush, h 157 mm × w 101 mm

Franz Deák, wreaths on the coffin of Deaks from new illustrated newspaper, Illustrated family leaf, Unknown

New Years Card greeting cards, New Year cards

Design for a certificate on the occasion of twelve and a half years of loyal service at the Glue and Gelatine factory, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, brush, h 157 mm × w 101 mm

Composition of five portraits of members of the provisional French government. Composition of five portraits of members of the provisional French Government: 'Government de la Défense national', also known as 'Government Provisio de 1870', formed on September 4, 1870 after the fall of Emperor Napoléon III. Louis-Jules Trochu, Adolphe Thiers, Léon Gambetta, Émile de Kératry and Jules Favre ("Provisorische Regierung Paris 1870")

Sidewall, Savoyards; France; block-printed paper; Overall: 55 x 49 cm (21 5/8 x 19 5/16 in.)

Vos in Monnikspij (Reinaert) with Haas (Cuwaert) near Vossin (Hermeline) and Cubs in Vossenhol, Bernard Willem Wierink, c. 1910 print paper fable of Reynard the Fox

Drawing, Design for the rest of a chair or a cushion, to be executed in tapestry; France; pen, ink, watercolor, and gouache on paper; 47.8 × 47.7 cm (18 13/16 × 18 3/4 in.)

Design for a certificate on the occasion of twelve and a half years of loyal service at the glue and gelatin factory. .

Design for a calendar magazine for January 1930 from the Nederlandsch Kunstverbond Calendar, Willem Arondéus, 1929 drawing At the top a figure with a baby in the arms above the spell: 'The young year rests in winters'. On the left in a circular shape a man who bricks a wall with a trowel and behind him a veiled figure with an hourglass. paper. pencil. ink. pen / brush calendar, almanac. January; 'Gennaro' (Ripa)

Frame with putti around Menu, Charles Rochussen, 1864 print Menu of a dinner at Arti et Amicitiae in honor of the twenty -five year existence. Cauted in a frame with putti. Amsterdam paper Cupids: 'Amores', 'Amoretti', 'Putti'

Wish letter with face to Delft, 1829 - 1880 print Wish letter with unwritten cartouche within a decorative framework with a face on Delft. print maker: Netherlandsafter painting by: Delftpublisher: Mainz paper city-view, and landscape with man-made constructions Delft

Design for an advertisement from Electric Drukkerij de Industrie in Utrecht, Reinier Willem Petrus de Vries (1874-1953), 1913 drawing Ornamented frame with at the top of the contact details of the printing company and the year '1913'. paper. paint (coating). pencil brush ornaments ~ art

Playing Card; red and black ink, paper

Greeting Card ca. 1825 Johannes Endletzberger. Greeting Card. Johannes Endletzberger (Austrian, 1782-1850). ca. 1825. Gouache, metallic paint, metallic foil, embossed and punched paper, and carved and painted mother of pearl on silk. Ephemera

Costume of a nobleman, 12th century. Depicted in tunic, hose and bootlets in an illuminated capital letter T for Temporibus within a decorative web of foliage and fantastic beasts. Taken from a miniature in a manuscript in the Bibliotheque royale de Bruxelles. Homme noble, Emporibus, XIIe siecle. Chromolithograph by Ferdinand Sere from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Thododore claus. Cookorial

Vos in Monnikspij (Reinaert) with Haas (Cuwaert) near Vossin (Hermeline) and Cubs in Vossenhol, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Charity January 1, 1864 Freeman Gage Delamotte British. Charity 685328

Leopard, Beer and Wolf (Firapeel, Bruun and Isegrim), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Ex-libris lucien layus; Fau, Ferdinand (1858-1919); around 1900 (1895-00-00-1905-00-00);

Andreas Flinch (1813-1872); Johan Thomas Lundbye (1818-1848); , Framing with Swan to Heiberg's newly hazardous, (1842)

Cover design for: Technical magazine, 1914, Richard Nicolaüs Roland Holst, 1914 print A diamond -shaped frame with two cats at the bottom. In the frame a naked, kneeling man who shoots an arrow with an arc. paper archer's weapons: bow and arrow. kneeling figure. man (showing himself) undressed, quasi-nude. beasts of prey, predatory animals

Rudolf Seitz (1842-1910, as a painter): Ceiling and wall paintings executed in the German-National Art Trade Exhibition Munich 1888. (Verlag Callwey, 17 plates in color printing, recorded by Stefan Herweg, ed. By Friedrich Nauert)

Ex Libris van Maurits Mendels, Richard Nicolaüs Roland Holst, 1924 print Three swallows at a corn sheaf. paper sheaf. song-birds: swallow

Italian ornament

Allegory on the elevation of William IV as Stadholder and on the liberal Gift in 1747, Jan Caspar Philips, 1747 print Allegory on the elevation of William IV to stadholder and on the liberal GRATING of the fiftieth medal requested in 1747 in the support of the country in war. At the top of an allegorical representation with freedom, left fireworks, the prince accepts the sword of Divine Governance. Amsterdam paper etching / engraving bonfire, fire-works (+ illumination, fire-works ~ festive activities)

Extinguished candles and lion (Nobel) flanked by eagle, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Drawing, Design for Bronze Clock; Made by Unknown

Design for a vignette for the Invalidenhuis in Leiden. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 315 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Untitled Valentine (Antique Couple with Putti) 1845-1855 England. Collaged elements under cut and embossed (designed) ivory wove paper . Thomas Wood

Sebald Beham (German, 1500-1550), Coat of Arms with a Lion, 1544, engraving

Design for a Grate 19th century Anonymous, British, 19th century British. Design for a Grate 363278

Coat of arms of Prince Bischoff of Aichstädt (Wilhelm of Reichenau)

Basel. Rathaus Glas window with coat of arms

Paris, Hurtu, Jacques, Black ornaments, Rectangular pendentive with alphabet, The pendentive is surrounded by four small motifs decorated with white tendrils on a black ground., print, ornament print, prints, ornament prints, height 70 mm, width 64 mm, print maker, printmaker, 1619 - 1619, first quarter 17th century, paper, papier, engraving, engraving (printing process), etching, Work conception, after a design by, Publication (Event), Publication, publisher

Design for a poster with names of companies in ornamental Rand, Carel Adolph Lion Cachet, 1874 - 1945 drawing. poster paper. pencil brush poster

Elizabeth Valentine, Sampler, 1935 1942 Sampler

Greeting letter with sheep shaving, fishing, a dancing bear and a rarecy. Greeting letter with unwritten cartouche inside a decorative frame with representations of a sheep shearer, a fisherman, a dancing bear and a man with a rarecy. Numbered at the top right: No. 17.

The crown presented in the painting with a church in Warta, displayed at the exhibition "Polish Gothic Art" in Warsaw in 1935 (Cat. Exhibition No. 181); around 1935-ok. 1939 (1935-00-00-1939-00-00);

Memorial to Thomas Bonde from Fulham Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watecolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 1/8 × 10 1/2 inches (35.9 × 26.7 cm), architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Rhombus with weapon and caption "Geerit Joosten van der Linde Out Burgemeester Der Stede Schoonhoven 1641" .Large Diamond with Arm Including Two cartouches in Which (Geerit Joosten (....) 1641). Note: Belongs to a Group of Four Windows (BK-LXI, LXII, LXIII and LXIV).

Window with fragments of a church window from the church of Oudkerk in Friesland, Anonymous, 1641 Window with fragments and a Charitas figure with caption "Caritas 1598" and an inscription "here w ... Dienaer of Godlicken Woordts, in Oudkerck and Roodkerck Anno 1641". glass. lead (metal). Window with fragments and a Charitas figure with caption "Caritas 1598" and an inscription "here w ... Dienaer of Godlicken Woordts, in Oudkerck and Roodkerck Anno 1641". glass. lead (metal).

Klingholz Fritz (1861-1921), Farewell to Mr. Secret Councilor A. Assengier (June 27, 1899): Views and text. Ink, pencil on cardboard, 36.5 x 23.1 cm (including scan edges) Klingholz Fritz (1861-1921): Verabschiedung von Herrn Geheimbaurat A. Assengier

Coat of arms with chalon weapons Guillaume Boichot (1735-1814). Blazon with Chalon's weapons. Feather and ink from China on layer, 1735-1814.

Publishing vignette of J.M. Bredée, Reinier Willem Petrus de Vries (1874-1953) (Possibly), 1905 photomechanical print A man with a stick and backpack walks up over a path along a rocky wall. paper printing block walking. walking-stick, staff

Les Exercices de dévotion de M. Henri Roch. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1882. Prints; etchings. Etching

Vos in Monnikspij (Reinaert) surrounded by chickens and rooster (Cantecleer), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Project okay for the "eternal calendar in paintings"; Thoma, Hans (1839-1924); 1901 () (1901-00-00-1901-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, illustrations, calendars, roosters, covers, projects, German drawings, owls, zodiac signs

Design for window in the post office in Utrecht, Richard Nicolaüs Roland Holst, 1923 drawing paper. chalk. pencil brush work of applied art (+ glass ~ arts) Utrecht. Post -post office

Coat of arms of Bernhard Adelmann von Adelmannsfelden from his gravestone in Eichstatt Cathedral A, and coats of arms of the Votter and Langenmantel families from a painting by Hans Holbein. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by J.M. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Edge with floral motifs and crown, Bernard Willem Wierink, c. 1935 - c. 1938 print One of twenty magazines, of which 16 are test prints for one and the same illustration of an (unknown) play. paper. pencil flowers ~ ornament. crown (symbol of sovereignty)

I Have Angled for a Heart My Love (valentine). George Kershaw; English, 19th century. Date: 1835-1845. Dimensions: 228 × 187 mm (folded sheet). Lithograph with hand-coloring on embossed ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Woldmar Leiteritz. Herzlichen Neujahrsgruss.; Leiteritz, Woldemar (1878-1915); 1904 (1904-00-00-1904-00-00);

Ex-libris Dr. Codina; Triado, Mayol José (1870-1929); 1903 (1903-00-00-1903-00-00);

Giacomelli, Hector, Dalloz, Paul, Reproduction of a print of birds in a snowfall, with the poem Janvier by François Coppée, by Hector Giacomelli, photomechanical print, page, reproduction, photos, photographically illustrated books, height 319 mm, width 221 mm, French, 1829-11-18 - 1887-04-12, photographer, 1871 - 1876, paper, collotype, photoprint, chromolithography, cliché maker, Work conception, 1822-04-01 - 1904-12-01

Charlotte Angus, Pa German Fractur Design, c 1937 Pa. German Fractur Design

ESCUDO Y BANDERA DE CATALUÑA - Conj nº 146328. Author: JOSE MARIA GARCIA ROYO (1922-1996). Location: SENADO-PINTURA. MADRID. SPAIN.

I Love Thee Dearly (Valentine) 1850-1859 United States. Collaged elements on cut and embossed (designed) ivory wove paper with the blue tissue paper insert .

Charles Meryon, Le tombeau de Molière, au Père Lachaise, Paris (Moliere's Tomb, in Père Lachaise Cemetary, Paris), 1854 Le tombeau de Molière, au Père-Lachaise, Paris (Moliere's Tomb, in Père-Lachaise Cemetary, Paris)

Lesueur, Jacques-Philippe (n.1757-D.1830-12-04), composition for a header: law. (Faithful title), 1791. Carnavalet museum, History of Paris.

Flat decoration: cartouche in frame of rolling with figures; IOB.19. Noui ego quod vin (...); Flat decorations and grave monuments / Father's Niewe Inventien (...). Cartouche in a frame of rollerwork in which women, men and children are sitting. In the middle of a man sitting on a horizontal lion. At the top of a woman with city clothes on the head. In the middle in white frame the text: IOB 19. Novi Ego Quod Vin / Dex Meus Vivit ... Quod / est Unicum Desiderium Meum. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Anne Barker from Chadwick Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Capital letter you; Riquet à la Houppe. II .. First sheet of the second chapter from the book "Riquet à la Houppe" (Riquet with the Crested). The capital letter as a picture frame of a show with the young girl and riquet. Under the image text and flower vines. On verso text.

Daniel Lysons, 1762-1834, British, Memorial to Thomas Weldish from Bedfont Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Ex-libris Eduardo Puig Valls 1903; Triado, Mayol José (1870-1929); 1903 (1903-00-00-1903-00-00);God Father (iconogr.), Partage Plus, Puig y Valls, Eduard (Fl. Ca 1900), Puig y Valls, Eduard (Fl. Ca 1900) - exlibris, Witke -Jeżewski, Dominik (1862-1944) - collection, Banderole , Spanish graphics, Catalan graphics, Spanish (culture), Catalan (culture), books, modernism (style), prayer (iconogr.), Orant (iconogr.), Religious scenes

La Guerre, Retour En Enfer.. Unknown maker, French

Coloured illustration of playing cards depicting portraits of Provence published in Lyon by Thiele, Rosnet and Pauveret.

Office calendar with performances, Johannes Henderikus Morriën, 1864 print Under the calendar a relief with personifications of trade, art, science and industry. On the right the seasons depicted by animal heads. On the left the seasons again depicted by scenes in the open air. At the top left of the letter t are blowing putti bubbles. Also a coat of arms of Amsterdam with a lion. At the top right, a king sits on a throne in front of his subjects. Amsterdam paper calendar, almanac. the four seasons of the year ~ human activities. seasons of the year represented by landscapes. (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)08. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

War memorial leaf, My fatherland, my Austria, Viktor Schufinsky -, Graphic Artist

Organization. Draughtsman: Richard Roland Holst. Dating: 1878 - 1938. Measurements: h 410 mm × w 383 mm. Museum: Rijksmuseum, Amsterdam.

Sampler 18th century British. Sampler. British. 18th century. Cotton on linen. Textiles-Embroidered

Bookplate of Kazimierz Stefański. Wawrzeniecki, Marian (1863-1943), graphic artist

Decoration in the Beurssteeg, 1795, Noah van der Meer (II) (Possibly), 1795 print Decoration in the Beurssteeg, seen from Rokin, 1795. Founded by a meeting of deputies from the Batavian clubs, civil neighborhoods and national companies in Amsterdam. From the booklet with images of the decorations founded in the city at the celebration of the installation of the representatives and the Alliance closed between the French and the Batavian Republic, June 19, 1795. The print includes a loose sheet with an explanation. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. Beurssteeg

Callot. Florence's holidays Jacques Callot (1592-1635). The Florence festivals (Italy). Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Drawing, Design for a comb; Italy

Weapons from Johan Oldenbarnevelt, Maarten Luther and Johan de Wit, c. 1900 - c. 1930 copper (metal) engraving

Lviv (Lviv, Ukraine). Ormia cathedral - alabaster plate with shells in the presbytery; Jaworski, Józef Ko Ciecza- (Fl. Ca 1911-Ca 1929); 1912 (negative); 1912-OK. 1922 (print) (1912-00-00-1927-00-00);

Nohl Maximilian (1830-1863), Villa Farnesina in Rome. Ceiling jewelry (01.1859): View. Tusche watercolor on the box, 29.7 x 22.7 cm (including scan edges) Nohl Maximilian (1830-1863): Villa Farnesina, Rom. Deckenschmuck

Coney Island Horse Races, American Folk ArtSampler1817Tapestry/Textiles

Lazio Roma Rome Gesu4. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mechanical Bank: Punch and Judy. Dated: c. 1941. Dimensions: overall: 41 x 30.6 cm (16 1/8 x 12 1/16 in.) Original IAD Object: 7 1/2" high; 6 1/2" wide; 2 1/2" deep. Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Dorothea Bates.

Illumination of the cross at the grave of 5 donations "; Beyer, Karol (Warsaw; photographic abroad; 1845-1872); 02.03.1861 (1861-03-02-1861-03-02); National in Warsaw; photographic / photographic print / printing from glass negative / printing from the glass negative color; products from Wzkien / Paper / Paper / Paper Albumin, Products with W Lekniej / Paper / cardboard; photographic print: height 7.8 cm, width 5.3 cm, cardboard: height 10.1 cm, width 6.1 cm; di 98592 MNW; all rights reservations.

A color poster from around 1900 depicting a mosaic of Athene's head, showing facial details, mosaic pattern, and composition.

Signboard with patriotic show. Wooden polychromed square board with performances and inscriptions in flat relief. Under inscription freedom, joy etc. Presentation of v.l.n.r. Dog, man with tricolor next to freedom tree, the Dutch virgin with staff and hat, lion with sword and arrows bundle and more.

Flora's fancy fete Brighton W.H. Mason 1839 flower language flowers in literature flower flowers language of flowers garland wreath A wreath for her brow from the garland of spring, A beautifully crafted artwork features an elegant arrangement of colorful flowers, encircling a central inscription that reads A Wreath for her Person from the Garden of Spring. The floral design showcases a variety of blossoms, including violets and other spring flowers, capturing the essence of nature's beauty. The delicate colors of the flowers create a harmonious and inviting atmosphere, reflecting a sense of celebration and admiration, while the script adds a personal and heartfelt touch. This composition evokes feelings of warmth and grace, celebrating the joys of spring and the affection we hold for others.

Wall picture in the city hall, upper town of Meersburg, Lake of Constance, Baden-Wurttemberg, Germany

Ex voto. Man survived to the crashing of floor, by Unknown, 17th Century, tile polychrome majolica. Italy, Umbria, Deruta, Perugia, Madonna dei Bagni Church. Whole artwork. Frame arches on the left tree roots emblem with Madonna Mary Virgin with Baby: Child Jesus: Christ Child on the right man holding on to the cornice while floor surface crashes tiles.

EL AMOR DE LAS TRES NARANJAS - ESCENA DE SU OBRA DE 1921. Author: SERGEI PROKOFIEV (1981-1953).

Regina Henderer, Jenny Lind Mirror, c 1939 Jenny Lind Mirror

Textile Fragment with Mamluk Emblem. Dimensions: H. 9 in. (22.9 cm)W. 12 in. (30.5 cm). Date: late 15th-early 16th century.The Mamluks developed a system of emblems or blazons to signify the role of courtiers serving under each sultan. This emblem dates to the reign of Sultan al-Ashraf Qaitbey (r. 1468-96) or of one of his successors, and is likely a fragment from an article of clothing or a piece of furniture. Numerous Venetian Renaissance paintings, including The Reception of the Venetian Ambassadors in Damascus, incorporate strikingly similar Mamluk emblems in their compositions. Museum: Metropolitan Museum of Art, New York, USA.

Design for two lancet windows. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 21 7/8 x 14 3/4 in. (55.6 x 37.5 cm). Maker: Possibly Tiffany Glass and Decorating Company (American, 1892-1902); Possibly Tiffany Studios (1902-32); Possibly Tiffany Glass Company (1885-92). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

I Will Ever Think of Thee (valentine). Unknown Artist; English, 19th century. Date: 1835-1845. Dimensions: 139 × 93 mm. Collaged elements on cut and embossed blue coated ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Matchbox labels, from the Swedish industrial and trading museum. (Satanaz, Lucifer, Nephistophheles).

Cover - the belt writes its diaries; Wilczyński, Jan Kazimierz (1806-1885); 1850-1851 (1850-00-00-1851-00-00);

Calendar magazine July with Korenschoven, Theo van Hoytema, 1901 print There are birds near the sheaves. In the ornament edge beetles and dragonflies. At the top of the leaf a crack line. Print Maker: Hilversum Printer: Amsterdampublisher: Hilversum paper sheaf. insects: beetle. insects: dragon-fly. July ~ other concepts

tile manufacturer: Aalmis, Cartouche tile, purple; acrobat, corner motif quarter rosette, wall tile tile material ceramics pottery glaze, baked 2x glazed painted Yellow shard Purple pull purple on white Aalmis Aelmis family Magito

Etching plate for a Valentine in honor of Halley's Comet ca. 1835 View more. Etching plate for a Valentine in honor of Halley's Comet. ca. 1835. Copper, traces of ink. Ephemera

Bookplate of Matilde Monsalvatje. Roca i Simó, Francesc (1874-1940), graphic artist

Don't go home until you see the celebrated Dubuque soft coal burner.

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